The main tasks undertaken by technicians operating the KLIMSCH Commodore large format camera were enlargements and reductions of map reproduction material. seen in photo .1P is at the operating console. See item 6189.4P for more information and photos of CPL Whaling operating the KLIMSCH camera. Orthophoto mapping provided the Survey Corps with the capability to produce map products quickly in the event of a crisis. These are four photographs of equipment used by the Army Survey Regiment to produce orthophotomaps. The WILD OR1 orthophoto projector and workstation shown in photos .3P and .4P was introduced in the mid-1980s. It was the second-generation equipment used to orthorectify colour and monochrome film aerial photography, replacing the system introduced in 1973. See items 6124.5P and 6133.4P for more photographs of orthorectification equipment.These four photographs of KLIMSCH large format camera and Wild OR1 orthorectification equipment was taken at the Army Survey Regiment at Fortuna, Bendigo, c1986. The colour photographs are on 35mm negative film and scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. .1) - Photo, colour, c1986, CPL John Whaling operating the KLIMSCH Camera. .2) - Photo, colour, c1986, large format film developer. .3) - Photo, colour, c1986, WILD OR-1 Orthorectification Workstation operated by CPL Dave Jobe. .4) - Photo, colour, c1986, WILD OR-1 Orthorectification Workstation..1P to .4P – There are no annotations.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr

Ill, p.379.fictionAlthough fictitious, this account is based on the author's extensive experiences in the whaling industry in both the Antarctic and Arctic. whaling ships, whaling

p.533.fictionA nineteenth-century novel in which a young seaman joins the crew of the whaling ship Pequod whose fanatical Captain Ahab is in determined pursuit of the white whale Moby Dick.american fiction, whaling

Author, Mary Mitchell was the daughter of Charles Wellings early resident of Eden. Charles took many of the early photos of Eden while his brother, Henry, did the research on the Imlay Bros (very early settlers of Orbost) and early Twofold Bay settlers. Mary Wellings married Roy Mitchell of Lower Towamba. In Eden there are streets and a park named for both families.These books record the history of the whaling industry on the south coast of New South Wales.Two copies of a small thin ten page booklet with blue laminated covers. It has black print and a black photo of a whale tail on the front cover.It was written by Mary Mitchell. The book relates the history of whaling at Twofold Bay on the south coast of New South Wales.2116.1 - has a library sticker on the front cove - bottom left hand cornertwofold-bay whaling mitchell-mary welliings

Whale bones found in harbour area. Dr Imlay operated a whaling outpost in Santa Barbara Bay in the early 1800's. John Morris ventured into whaling in 1848. The success of these ventures is not known. Retrieved from the Gabo Island Harbour in 1999, the collection’s two venerable whalebones are reminders of the whaling industry that was associated with Gabo Island prior to construction of the lightstation. Evocative relics of this long ceased activity, they are now also symbolic of today’s concern for protecting and saving whales. The whalebones are the only known artefacts in the collection that illustrate the period when European sealers and whalers intermittently used the island for their activities. The Imlay brothers, who operated from Twofold Bay, Eden NSW, used the island as a base and lookout up until about 1846, and several huts were erected.Whaling was last associated with the island in 1848, when John Morris surreptitiously ventured into this activity while being paid to erect lightstation buildings for the NSW government. Gabo’s historic jetty store, which stands as the oldest structure on the island, was thought to be built by Morris and is possibly associated with the activities that led to his dismissal. The whalebones were recovered from the harbour, close to the location of the store and the site of the former whaling outpost. The bones have first level contributory significance as evidence of the island’s whaling activities, which pre-date the history of the lightstation.1. Whale vertebrae, bleached white. 2. Whale bone, (rib) bleached white.

Scrimshaw is regarded as early folk art and is associated primarily with whaling that was opened up in the Pacific at the end of the eighteenth century by sailors mainly from American, English and French vessels. As a result, some of the best scrimshaw from Pacific whales can be found in collections in these countries. Even though sailors must have had plenty of spare time between periods of whaling scrimshaw on whale teeth seems a rarity before the 1830s. One reason may have been the high price paid for whale teeth ivory in this period making scrimshaw on teeth popular only after the market was saturated and the price dropped. The earliest identified engraver of whale teeth is the English whaling master Captain J. S. King who was active between 1817 and 1823. There have been six ships called the Hero in the Royal Navy and this ship was the fourth named Hero, it was a screw-propelled 91-gun and second-rate. In the rating system of the British Royal Navy, this term is used to categorise sailing warships, a second-rate was a ship of the line which by the start of the 18th century mounted 90 to 98 guns on three gun decks. Earlier 17th-century second rates had fewer guns and were originally two-deckers or had only partially armed third gun decks. The Hero was launched in 1858 and sold in 1971. On July 1860 the Prince of Wales embarked onboard HMS Hero, Albert Edward Prince of Wales, was the eldest son of Queen Victoria, and the future King Edward VII, at the time he was then nineteen years of age, and on route to Newfoundland, Canada and the United States on his first state tour. He was the first member of the British royal family to visit North America. In 1860 the Queen had intended to pay a visit to Canada however stress prevented her from travelling. The then Prime Minister Lord Palmerston suggested that “Bertie” the prince of Wales could represent the Queen and on July 10th 1860, Bertie boarded HMS Hero for a tour of Canada and the USA. On July 23rd the ship arrived at Terranova. By the second week of August, the HMS Hero had sailed up the St. Lawrence River and anchored at Quebec. The Prince was successful with Canadian society visiting Quebec and Montreal during his stay. He went on to visit the United States following an invitation by President James Buchanan. His American journey was regarded as a great success. President Buchanan wrote to Queen Victoria: "He “Bertie” has faced a very difficult task for a person his age and his behaviour in all this has been that of his age and position. He has shown himself honourable, Frank and affable and he won the respect of the sensible and wise people". The scrimshaw is believed to be a modern reproduction of a typical scrimshaw scene and engraved very crudely onto a synthetic substance. Scrimshaw art carved into non-natural material in the shape of a whale tooth. The line artwork images of a three-masted, fully rigged ship and an anchor are coloured black. Inscription is engraved into tooth.Engraved "Hero 1870"warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, scrimshaw, plastic, resin, replica, prince of wales, british navy vessel, whaling, hms hero, reproduction, carving, engraving

This is a collection of six photos of personnel and civilians undertaking technical tasks from Technical Services and the Air Survey, Cartographic and Lithographic Squadrons. The photos were taken at the Army Survey Regiment, Fortuna, Bendigo in July 1986. This is a set of six photographs of Army Survey Regiment personnel and civilians undertaking technical activities at Fortuna, Bendigo, in July 1986. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) - Photo, black & white, 1986, BARCRO work area WILD U4A Diapositive Camera, SPR Rob Jones. .2) - Photo, black & white, 1986, Aerotriangulation work area, SSGT Greg Buckingham. .3) - Photo, black & white, 1986, Technical Services in Building 16A. L to R: SSGT Andy Wilson, Tony Spurling, Pat Thwaites. .4) - Photo, black & white, 1986, RAAF Charting, L to R: SGT Paul Leskovec, SPR Toni Martin, FLT LT Don Stebbings .5) - Photo, black & white, 1986, Camera Section, CPL John Whaling. .6) - Photo, black & white, 1986, Print Troop, SPR Daryl South..1P – Annotated on back ‘JUL 86 SPR Rob Jones Barcro’ .2P – Annotated on back ‘JUL 86 SSGT Greg Buckingham Aerotrig’ .3P – Annotated on back ‘JUL 86 SSGT Andy Wilson, Mr Tony Spurling, Mr Pat Thwaites. Tech Services’ .4P – Annotated on back ‘JUL 86 SGT Paul Leskovec CSM, SPR Tony Martin, FLT LT Don Stebbings RAAF Charting’ .5P – Annotated on back ‘JUL 86 CPL John ‘Junior’ Whaling Camera Section LITHO’ .6P – Annotated on back ‘JUL 86 SPR Daryl South LITHO SQN’royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, air survey, litho, carto

Black cover with picture of ship and embossed gilded writingsnon-fictionIllustrations of the time of whalingseafarers, time life books, whaling, whalers

This painting shows a historic depiction of Australian whalers in action at sea, and shows the scale of man to whale. Whaling was one of the first industries in early Victoria. John Dollery was born in London in 1933. As a child he loved to draw and was a frequent visitor to the National and Tate Galleries. In 1957 Dollery came to Australia, settling in Queensland in 1965. After receiving a prize in a drawing exhibition, he began painting in oils, and is entirely self-taught. Whilst in Queensland he painted most of his canvases strictly from life and in 1977 he moved to Melbourne where he established himself as a full-time artist. John was very interested in Australia’s history, and most of his work represents this theme. Many of his pieces are in collections both in Australia and overseas. Dollery’s daughter is also an artist and has exhibited both her father's and her own works together in an exhibition 'Now and Then, Father and Daughter'.The painting is a significant work by artist John Dollery. Its subject of whaling shows an early Australian industry and shows the scale of man to whale. The decorative frame is appropriate for the era in which the scene would have taken place.Painting in oil on canvas, in gilt carved timber frame. Seascape, depicting a whale hunt. A spouting whale is behind a whale boat with six whalers aboard. A tall ship with seamen aboard is behind the whale. Two other tall ships and another whale boat are in background. An embossed plaque in bottom centre of lower frame has inscription.. Artist is J. Dollery. Stamped on the sticker “John Dollery / ARTIST / Crown Lot 16 The Esplanade Corinella, Victoria 3984 / Telephone: (056) 78 0644 “ Hand written on sticker “THE CHASE $xxx” Embossed in the wooden frame “30 / ART / Specturm” Signed “J DOLLERY”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, whales, whaling, industry, whale oil, blubber, john dollery, the chase, corinella, historic art work, australian art work, australian historic artwork