Joseph William Cairnduff (1876-1929) was born in Hobart, Tasmania. He married Ann Walker in 1900. When he enlisted on 19 August 1914 he was given SERN 4. At the time he was living at 'Tyne', 96 Guildford Road, Surrey Hills. He was 5'5", 38 years old and employed as a civil servant. He had served for 5 years in the Senior Cadets and 3 years in the Australian Signallers. He was given the rank of sergeant in the Divisional Signal Company 1 and embarked for Egypt from Melbourne on board HMAT A10 Karroo on 20 October 1914. Surviving service on Gallipoli and the Western Front, he returned to Melbourne leaving on board HT 'Wiltshire', 12 November 1916. He was discharged medically unfit. Joseph and Ann had a large family before he left for WW1: Ann Mary b.1901; James William Cotter b. 1903; Mathew Norman Banks b. 1904; Doris Jean b.1906; Claude James b, 1908; Elsie Edna b. 1910; Clive Bruce b. 1912 and Gladys Janet b. 1914. After his return he and Ann had more 2 daughters - Sylvia McLaren b. 1917 and Mavis Morley b. 1918, who commenced at Chatham Primary School in 1927 and 1928 respectively. Joseph and Ann are buried in Box Hill Cemetery (M-NS-0492). Joseph's twin brother, James Banks Cairnduff (SERN 571) also served in the AIF and is also buried in Box Hill Cemetery (M-NS-0003). A studio portrait of a soldier in AIF uniform and a peaked cap. He is short and is standing with one arm straight and the other bend. He is holding what looks like a whip in the hand of the bent arm.In the hand of the donor: "1914" in ink in top RH corner. The centre: "Joseph W. Cairnduff / Before leaving for overseas / in 1914, firstly to Egypt / then Gallipoli, then Western / Front."joseph william cairnduff, first world war, signals company, guildford road, 'tyne', (miss) ann walker, (mrs) ann cairnduff, (mrs) mavis good

A Wright & Ditson Ace badminton racquet, with cplastic ribbon whiping around shoulders and shaft, and cloth handle grip. Materials: Wood, Lacquer, Nylon, Ink, Adhesive tape, Plastic, Metal, Cloth, Leather, Gluetennis

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of "Sal" the Pier Pony on the Cowes Jetty. Trolley loaded with cargo. Sal had no bridle, no reins and no whip as she knew all there was for a pony to know about the jetty and trolley she pulled along it for fifteen years.local history, photography, photographs, "sal" the pier pony, transport, ponies, cowes jetty, john jenner, bryant west

Painted by Gerda Kazenwadel. Possibly done from memory of home in Palestine whilst a student at Camp .Dark brown framed and glazed water colour of interior of a room. Features stove, lead light window, whip on wall beams, wood paneling, pot plant, plates, blue hull yacht painted on wall, etc.camp 3, tatura, ww2 camp 3, gerda kazenwadel, internment camp artwork

Twenty four page knitting pattern book featuring eight colour pages. The front cover shows a woman outdoors wearing a grey, brown and cream patterned cardigan, holding a whip and leather gloves and wearing a stock hat.front: [printed] Cleckheaton / BOOK NO. 404 / Naturals Bk. 6 / IN 8 AND 12 PLYknitting, pattern, fashion, knitwear, cleckheaton

Bendigo 1950s. Bendigo Easter Procession. Easter Monday was 7 April 1958. Photo of arena with horse act. The horse is balancing on a stool while a man is on its back cracking a whip. Grand stand and Bethlehem was Bendigo Asylum in back ground.Kodachromeevent, easter fair, bendigo easter fair, bendigo 1950s. bendigo easter procession. easter monday was 7 april 1958. photo of arena with horse act. the horse is balancing on a stool man back cracking whip. grand stand bethlehem bendigo asylum

A Wright & Ditson International squash racquet, with cloth shoulder reinforcements, string whiping around shoulders and shaft, rubber collar and handle grip. Materials: Paint, Wood, Lacquer, String, Ink, Gut, Rubber, Leather, Adhesive tape, Glue, Metaltennis

Mainly orange/yellow plate with figure "Barkis" the coach-driver holding a whip. Streetscape in background. Known as The Barkis Arnhem Tray. D3175 dated July 1930. Shape No. 8279. (ref: Nicholnack art in pottery - nicholnack.com.au/dickens-ware/dickens-plates-trays.html).Maker's mark: could be " L. Young". Back: Royal Doulton Dickens Ware - copyright / Made in England / with picture of man with beard. Also stamped with Lion on a crown - dated -1932+ / Shape no. 734 stamped before glazing. "Barkis". charles dickens plate

Black and white photo: on bottom of photo ' The Mungo and Devonshire group of mines, Eaglehawk 1888. Looking south. At rear centre. The California Gully State School. Mid distance left to right ' Old St. Mungo' and 'Sadowa' Mines. Foreground left to right, four wheel cab, a windlass, a whip and a whim ( Eastwoods )organization, business, mungo and devonshire group of mines

Roderick William Mills, known as Saltbush Bill, was the inspiration for several poems by A.B. Paterson. Born at Balnarring in 1869, Mills earned the title of Saltbush Bill whilst working on a cattle station in Queensland. On these long droving trips, he learnt the art of cracking stock whips of many different lengths and sizes, a skill that earnt him £100 after a Melbourne saddler, J.K. Jennings, suggested that no man could crack a 65-foot stock whip in three tries. Saltbush Bill succeeded on his first attempt and decided to make a career in entertainment with his skill. Over his career he performed for royalty, travelled and performed extensively overseas and lent his skill to fundraising efforts, particularly during the war. His last concert was given in the Boomerang Hall in Dandenong in 1926.A local resident of the City of Moorabbin, Saltbush Bill was an ambassador for Australia and a literary inspiration to A.B. (Banjo) Paterson. Saltbush Bill, his wife Hannah Louise Porter and their 11 children lived in Old Dandenong Road, Heatherton, where Saltbush Bill and Hannah conducted a market garden for many years. Saltbush Bill is buried in Cheltenham's Pioneer Cemetery.Black and white digital imageheatherton, banjo paterson, saltbush bill, stock whip, entertainment

Photograph: individual portraits of two soldiers set in one frame. Wooden frame glass cover. Man on Lh side: standing with arms behind back holding whip, army uniform ( WW1) long boots with spurs. Man on Rh side, army uniform, gloves held in left hand, white stick in right.organization, military, male portrait, ww1, army, portrait

During early farming in Australia (before motorised whipper snippers) the hand held sickle was used to cut long grass, in this case in or around railway tracks. The inside of the blade's curve was sharp, so that the user can either draw or swing it against the base of the grass, catching the stems in the curve and slicing them at the same time. Historic - Railway Permanent Way and Works - track equipment - Grass SlasherWrought iron sickle with extended with wooden handle.puffing billy, extended sickle, farm tool, reaping hook, curved blade, grass cutting

Black and white photograph. Dilapidated wooden platform with vertical post with wheel at top. Wire attached to bucket and pulled by horse. Two males, one with horse, other emptying bucket. Inscriptions: on back - hand written in ball point pen 'Mining Whip Bendigo', 'A Richardson, 29 Harrison Street, Bendigo', 'Rec'd photo, 21.4.67'.mining, surface equipment, mining whip bendigo, bendigo, mines and mining, mine, mines, miner, male

This skirt belonged to Olga Black, a long-time Brighton resident. The linen used for the skirt were woven by Olga's great-grandmother Efstathia in the late-nineteenth century with flax grown on the island of Ithaca. In the 1950s, Olga made the fabric into a skirt, embellishing it with hand embroidery. Olga Maria Black was born in Melbourne in 1930, the daughter of Ithacan migrants Constantine and Toula Mavrokefalos. Constantine first emigrated to Australia in 1902, returning to Greece circa 1912-13 to serve his home country in the Balkan Wars. Toula's family had left Ithaca for Romania when she was only six months old, but she happened to be visiting the island at the very time that Constantine arrived, fresh from the war. Within three weeks they were married, and when Constantine returned to Melbourne in 1914 his new bride came with him. Constantine had trained as an accountant, but his qualifications were not recognised in Australia. Changing his surname to the Anglicised "Black", he started off working in his older brother Dionysios's cafés before going into business on his own. In 1917 he opened the Paris Residential Café at 54-56 Swanston Street, which offered both dining and accommodation. The business saw some years of success, but did not survive the Great Depression. Constantine died in 1944. Olga's mother Toula learned to sew as a child, while growing up in the Romanian village of Brila. She developed her skills making lace and embroidering items for her trousseau. Some of the linen she embroidered had been woven from flax on Ithaca by her own grandmother, Efstathia. During the Depression, when money was scarce, Toula embroidered at home, doing work for a factory in Flinders Lane. Using a cotton reel, a threepence and a sixpence she created and embroidered designs on hundreds of blouses. Olga spent her preschool days sitting at the table where her mother worked. Toula would involve Olga by allowing her to help choose the colour combinations. Toula lived with Olga in Brighton until her death in 1976. Olga inherited her mother's sewing skills. She re-invented some of Toula’s trousseau nightdresses and skilfully altered other clothing, making dresses which she wore around Brighton for many years.Ankle-length full cream linen skirt with multi-coloured cross stitch embroidery featuring mountains, birds and trees. Fullness is pleated into wide waist band. Left side opening. The fabric widths have been whipped together by hand probably at the time the cloth was woven in the late-nineteenth century. The skirt is machine stitched.skirt, linen, hand woven, embroidery, ithaca, migration, greek diaspora, olga black

The bullock team was part of a parade held on the main street of Halls Gap in conjunction with the 150th anniversary of Major Mitchell's visit to the area. There was also a plaque unveiled in commemoration of the Wildflower Show and its many volunteers.The photo shows a crowd watching a bullock team hauling a dray with five children sitting in it down a road. The bullock driver is walking alongside holding a long handled whip over his shoulder. A wagon pulled by draught horses can be seen behind the bullock dray. Buildings can be seen to the right rear of the photo and trees line the left side of the street.events, parades

Black & White 'Yeoman & Co 47 Chapel St Prahan Instantaneous Photograph' printed on portrait photograph. Pencilled caption Mrs Stephen Dalton with question mark on reverse. Young mother holding baby. Voluminous period dress with baby dress also noteworthy. Child wearing sandals with slotted button straps. Child holding whip. Excellent photo resolution.Yeoman & Co 47 Chapel St Prahran.photograph, person, female and baby

Photograph - Black and white photo copy of a photograph of Charles Deynes Barber, Melbourne, Australia, from the photo album of Fanny Elizabeth Whibley 1848-1930. Charles Barber, in riding attire,knee high boots. Whip in hand, sitting on a turned wooden chair, resting his left arm on a circular wooden hall table, with a sculpture of a horse on the table top.Charles Deynes Barber, Melbourne, Australia. From the photo album of Fanny Elizabeth Whibley 1848-1939.photograph, person, charles deynes barber

The bullock team was part of a parade held on the main street of Halls Gap in conjunction with the 150th anniversary of Major Mitchell's visit to the area. There was also a plaque unveiled in commemoration of the Wildflower Show and its many volunteers.The photo is taken from the rear of a bullock team pulling a dray down a road. Three children can be seen sitting in the dray and its back is out of shot. Two men are walking to the left of the team, the closest to the camera holding a long whip over his shoulder. To the far left people can be seen lining the street and in the right background a range of peaks can be seen.events, parades

A rare Wisden 'Crawford the Exceller' tennis racquet, with rare spliced throat, cloth tape shoulder reinforcements, and, a unique whipped, cricket bat shaped handle. Manufacturer's details impressed along shaft on obverse; model details impressed across throat on reverse. The initials E.W. impressed across throat on obverse. Materials: Wood, Lacquer, Glue, Metal, Gut, Cloth tape, Inktennis