A Wright & Ditson Ace badminton racquet, with cplastic ribbon whiping around shoulders and shaft, and cloth handle grip. Materials: Wood, Lacquer, Nylon, Ink, Adhesive tape, Plastic, Metal, Cloth, Leather, Gluetennis

Battle whip antennas are hardy, portable, collapsible monopole antennas designed for use with high-frequency (HF) or very-high-frequency (VHF) military radios in the field.Collapsible black metal antenna in 6 pieces, with a long brown/green canvas pouch for transporting it. The pouch is closed with metal studs. radio, antenna, whip, vietnam

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of "Sal" the Pier Pony on the Cowes Jetty. Trolley loaded with cargo. Sal had no bridle, no reins and no whip as she knew all there was for a pony to know about the jetty and trolley she pulled along it for fifteen years.local history, photography, photographs, "sal" the pier pony, transport, ponies, cowes jetty, john jenner, bryant west

Painted by Gerda Kazenwadel. Possibly done from memory of home in Palestine whilst a student at Camp .Dark brown framed and glazed water colour of interior of a room. Features stove, lead light window, whip on wall beams, wood paneling, pot plant, plates, blue hull yacht painted on wall, etc.camp 3, tatura, ww2 camp 3, gerda kazenwadel, internment camp artwork

Twenty four page knitting pattern book featuring eight colour pages. The front cover shows a woman outdoors wearing a grey, brown and cream patterned cardigan, holding a whip and leather gloves and wearing a stock hat.front: [printed] Cleckheaton / BOOK NO. 404 / Naturals Bk. 6 / IN 8 AND 12 PLYknitting, pattern, fashion, knitwear, cleckheaton

Bendigo 1950s. Bendigo Easter Procession. Easter Monday was 7 April 1958. Photo of arena with horse act. The horse is balancing on a stool while a man is on its back cracking a whip. Grand stand and Bethlehem was Bendigo Asylum in back ground.Kodachromeevent, easter fair, bendigo easter fair, bendigo 1950s. bendigo easter procession. easter monday was 7 april 1958. photo of arena with horse act. the horse is balancing on a stool man back cracking whip. grand stand bethlehem bendigo asylum

A Wright & Ditson International squash racquet, with cloth shoulder reinforcements, string whiping around shoulders and shaft, rubber collar and handle grip. Materials: Paint, Wood, Lacquer, String, Ink, Gut, Rubber, Leather, Adhesive tape, Glue, Metaltennis

Mainly orange/yellow plate with figure "Barkis" the coach-driver holding a whip. Streetscape in background. Known as The Barkis Arnhem Tray. D3175 dated July 1930. Shape No. 8279. (ref: Nicholnack art in pottery - nicholnack.com.au/dickens-ware/dickens-plates-trays.html).Maker's mark: could be " L. Young". Back: Royal Doulton Dickens Ware - copyright / Made in England / with picture of man with beard. Also stamped with Lion on a crown - dated -1932+ / Shape no. 734 stamped before glazing. "Barkis". charles dickens plate

Tracing of streets, school sand heaps and dam at Eaglehawk titled Devonshire & Mungo Mines. At the top of the page is sketches of the chimney of the 'Big 180', Old Chum Mine, United Devonshire and Old St Mungo Mines. Also, a sketch of a windlass, whip & remains of whim. Eaglehawk.mine, gold, devonshire & mungo mines, devonshire & mungo mines, locations of the devonshire & mungo mines, eaglehawk, chimney of the big 180, old chum mine, united devonshire, old st mungo

Chocolate Box. Main colour is a racing green. Red lettering spells out - Sinning Post' There is an image of a horse's head with the mane flowing back as if running. It is running pas the winning post. The horse is brown and is framed in a horse shoe. Under the image is a depiction of jockey's equipment - whips and hat.Trade Mark / Winning Post / Regd. Trade Mark / Chocolate Assortment / A Nestle Production - top of box 484 / MSC (very feint stamp) / Prepared in Australia by Nestle's Sydney. The inside of the box still has the inner tissue paper.chcolate, confectionary, leisure, winning post, horse

Fine cotton sampler, stitched in very fine red cross stitch, birds and baskets and tree surround the text, and a tiny cross stitch border inside a frilled edging which has been whip-stitched in red. Mounted on dark green, gold frame with inner red border.Text on the sampler "My God is reconciled His pardoning voice I hear He owns me for his child I can no longer fear With confidence I now draw nigh And father abba father cry" A present from your sister Isbeller January 17th On back of frame "1836"embroidery, cross stitch, sampler

Myrtle Fish collection daughter of George Price GrantSepia toned photograph showing large Bullock team of George Price Grant of Metung moving a small building in Metung district four men visible one on right with an axe other with whips. Bare hill and a few dead trees in background showing early land improvement for agriculture Metung Victoria genealogy, settlers

Roderick William Mills, known as Saltbush Bill, was the inspiration for several poems by A.B. Paterson. Born at Balnarring in 1869, Mills earned the title of Saltbush Bill whilst working on a cattle station in Queensland. On these long droving trips, he learnt the art of cracking stock whips of many different lengths and sizes, a skill that earnt him £100 after a Melbourne saddler, J.K. Jennings, suggested that no man could crack a 65-foot stock whip in three tries. Saltbush Bill succeeded on his first attempt and decided to make a career in entertainment with his skill. Over his career he performed for royalty, travelled and performed extensively overseas and lent his skill to fundraising efforts, particularly during the war. His last concert was given in the Boomerang Hall in Dandenong in 1926.A local resident of the City of Moorabbin, Saltbush Bill was an ambassador for Australia and a literary inspiration to A.B. (Banjo) Paterson. Saltbush Bill, his wife Hannah Louise Porter and their 11 children lived in Old Dandenong Road, Heatherton, where Saltbush Bill and Hannah conducted a market garden for many years. Saltbush Bill is buried in Cheltenham's Pioneer Cemetery.Black and white digital imageheatherton, banjo paterson, saltbush bill, stock whip, entertainment

Black and white photo: on bottom of photo ' The Mungo and Devonshire group of mines, Eaglehawk 1888. Looking south. At rear centre. The California Gully State School. Mid distance left to right ' Old St. Mungo' and 'Sadowa' Mines. Foreground left to right, four wheel cab, a windlass, a whip and a whim ( Eastwoods )organization, business, mungo and devonshire group of mines

During early farming in Australia (before motorised whipper snippers) the hand held sickle was used to cut long grass, in this case in or around railway tracks. The inside of the blade's curve was sharp, so that the user can either draw or swing it against the base of the grass, catching the stems in the curve and slicing them at the same time. Historic - Railway Permanent Way and Works - track equipment - Grass SlasherWrought iron sickle with extended with wooden handle.puffing billy, extended sickle, farm tool, reaping hook, curved blade, grass cutting

Photograph: individual portraits of two soldiers set in one frame. Wooden frame glass cover. Man on Lh side: standing with arms behind back holding whip, army uniform ( WW1) long boots with spurs. Man on Rh side, army uniform, gloves held in left hand, white stick in right.organization, military, male portrait, ww1, army, portrait

In May 1941, a Bendigo soldier, Peter Odium, came across dead bodies being whipped by a Sahara sandstorm. The Libyan town of Tobruk became the scene of a desperate siege for control because of its port, which the allies had to hold if it had any chance of disrupting German supply lines across North Africa in 1941. Bendigo Advertiser two-page story entitled 'Diaries from Hell' - one soldier's diaries from the Siege of Tobruk tell a tale of the horrors of war, as we look ahead to Remembrance Day on November 11.bendigo, colin odium, siege of tobruk

Black and white photograph. Dilapidated wooden platform with vertical post with wheel at top. Wire attached to bucket and pulled by horse. Two males, one with horse, other emptying bucket. Inscriptions: on back - hand written in ball point pen 'Mining Whip Bendigo', 'A Richardson, 29 Harrison Street, Bendigo', 'Rec'd photo, 21.4.67'.mining, surface equipment, mining whip bendigo, bendigo, mines and mining, mine, mines, miner, male

This skirt belonged to Olga Black, a long-time Brighton resident. The linen used for the skirt were woven by Olga's great-grandmother Efstathia in the late-nineteenth century with flax grown on the island of Ithaca. In the 1950s, Olga made the fabric into a skirt, embellishing it with hand embroidery. Olga Maria Black was born in Melbourne in 1930, the daughter of Ithacan migrants Constantine and Toula Mavrokefalos. Constantine first emigrated to Australia in 1902, returning to Greece circa 1912-13 to serve his home country in the Balkan Wars. Toula's family had left Ithaca for Romania when she was only six months old, but she happened to be visiting the island at the very time that Constantine arrived, fresh from the war. Within three weeks they were married, and when Constantine returned to Melbourne in 1914 his new bride came with him. Constantine had trained as an accountant, but his qualifications were not recognised in Australia. Changing his surname to the Anglicised "Black", he started off working in his older brother Dionysios's cafés before going into business on his own. In 1917 he opened the Paris Residential Café at 54-56 Swanston Street, which offered both dining and accommodation. The business saw some years of success, but did not survive the Great Depression. Constantine died in 1944. Olga's mother Toula learned to sew as a child, while growing up in the Romanian village of Brila. She developed her skills making lace and embroidering items for her trousseau. Some of the linen she embroidered had been woven from flax on Ithaca by her own grandmother, Efstathia. During the Depression, when money was scarce, Toula embroidered at home, doing work for a factory in Flinders Lane. Using a cotton reel, a threepence and a sixpence she created and embroidered designs on hundreds of blouses. Olga spent her preschool days sitting at the table where her mother worked. Toula would involve Olga by allowing her to help choose the colour combinations. Toula lived with Olga in Brighton until her death in 1976. Olga inherited her mother's sewing skills. She re-invented some of Toula’s trousseau nightdresses and skilfully altered other clothing, making dresses which she wore around Brighton for many years.Ankle-length full cream linen skirt with multi-coloured cross stitch embroidery featuring mountains, birds and trees. Fullness is pleated into wide waist band. Left side opening. The fabric widths have been whipped together by hand probably at the time the cloth was woven in the late-nineteenth century. The skirt is machine stitched.skirt, linen, hand woven, embroidery, ithaca, migration, greek diaspora, olga black

Carved ivory needlebook - symbol of personal wealth.Needlebook with ivory covers, both decorated with incised designs and carved edges imitating a lacy edge, inner bands of straight lines with a circular pattern central motif. Spine of gold brocade tied with dark green nylon(replacement) ribbon threaded through slots in each cover. Four leaves of kerseymere with blue and yellow whip stitched edging.Carved patternflannel, ivory, brocade, nylon ribbon, thread

The bullock team was part of a parade held on the main street of Halls Gap in conjunction with the 150th anniversary of Major Mitchell's visit to the area. There was also a plaque unveiled in commemoration of the Wildflower Show and its many volunteers.The photo shows a crowd watching a bullock team hauling a dray with five children sitting in it down a road. The bullock driver is walking alongside holding a long handled whip over his shoulder. A wagon pulled by draught horses can be seen behind the bullock dray. Buildings can be seen to the right rear of the photo and trees line the left side of the street.events, parades

Black & White 'Yeoman & Co 47 Chapel St Prahan Instantaneous Photograph' printed on portrait photograph. Pencilled caption Mrs Stephen Dalton with question mark on reverse. Young mother holding baby. Voluminous period dress with baby dress also noteworthy. Child wearing sandals with slotted button straps. Child holding whip. Excellent photo resolution.Yeoman & Co 47 Chapel St Prahran.photograph, person, female and baby