Showing 229 items
matching yokes
-
Federation University Historical Collection
Photograph, Farming scene in the Wimmera, c1915
A team of eight horses being driven by a man to prepare a paddock. In the background another horse is also yoked up to a machine.Black and white photograph of a farming scene in the Wimmera, VictoriiaVerso: Scene in the Wimmera about 1915farm, horse team, agriculture, wimmera c1915, ploughing, farming c1915 -
Bendigo Historical Society Inc.
Clothing - AILEEN AND JOHN ELLISON COLLECTION: HAND KNITTED BABY'S JACKET, 1950's
Hand knitted, long sleeved jacket. A 3.5 cm moss stitch band at the wrists, at the centre front opening, and around the chest, where eyelets provide for a ribbon insert ( no ribbon present). A 7 cm deep stocking stitch back yoke. Front also has a stocking stitch yoke, but at the front, there are two bands of the pattern across the centre of the yoke.(Pattern has a 10 row repeat). A .4 cm wide ribbon is threaded through eyelets in the neckband. Set-in sleeves.costume, children's, baby jacket -
Bendigo Historical Society Inc.
Clothing - INFANT'S WHITE LINEN DRESS, 1880-1900
Clothing. Infant's white linen dress with yoke front and back. Round neckline with hem. Skirt tightly gathered onto yoke front and back. Horizontal strip of lace (2.5cm) with open diamond pattern is 7cm above hemline. Hem is edged with 5cm zig zag lace. Dress is sleeveless with arm holes edged with 5cm zig zag lace. Full length back opening fastened with twoX one cm pearl like buttons at upper and lower edges of yoke.costume, children's, infants white linen dress -
Mont De Lancey
Petticoat
Worn by Mrs. A. CookeWhite lawn and crocheted petticoat - includes five rows of crochet insertion and crochet yoke. Short sleeves with crochet edging.petticoats, underwear -
Bendigo Historical Society Inc.
Clothing - INFANT'S CHRISTENING COAT
Clothing. Infant's cream silk christening coat. High round neckline with fold over collar with rounded edges -10 cm at front dipping to 13 cm at centre back.Collar finished with scalloped edge. Yoke at front and back edge with decorative embroidery that continues along either side of full length front opening to hemline. Hemline finished with deep scalloped edge. Front skirt has 3.5 cm smocked section below the yoke. Lower sections of front skirt on each side have three embroidered cut work sun patterns (10 cm) surrounded by embroidered leaf patterns. Back skirt section gathered into yoke. Lower edge of yoke has decorative embroidery. Front opening fastened below yoke with two X 1.8 cm purlescent buttons and button holes. Ribbon ties (41 cm X 5 cm) attached underneath collar at front neckline.costume, children's, infant's christening coat -
Bendigo Historical Society Inc.
Clothing - WOMEN'S LONG SLEEVED BLOUSE
Clothing. Women's long sleeved smock style blouse of cream coloured cotton fabric with geometric pattern of squares. High round neckline with 1.5 cm stand up collar. Yokes front and back with scalloped edge. Lower sections gathered into yoke with series of knife pleats. Three box pleats on the back continue from the yoke to the hem. Full length front opening fastened with six press-studs. Long sleeves gathered at shoulders and gathered into casing above the wrist, forming a frill decorated with pintucks.costume, female, women's long sleeved smock style blouse -
Bendigo Historical Society Inc.
Clothing - EMILY NANKIVELL COLLECTION: WHITE COTTON AND BRODERIE ANGLAISE HONEYMOON NIGHTGOWN, 1916
Full length fine lawn and broderie anglaise nightgown. Elbow length sleeves, edged with a 6cm broderie anglaise cuff.Neckline slightly V at the back, with a deep V in the front yoke. A 2.5cm wide band of insertion broderie finishes the front yoke. which is cut on the diagonal. A centre front placket, is bordered by two groups of 5 pintucks on either side. Back yoke is straight across the shoulders, with 5 groups of pintucks-5 tucks in each group, except centre, which has 3 tucks.costume, female, white cotton broderie anglaise nightgown -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, lady's white cotton nightdress with lace yoke, c1900
This lady’s cotton nightdress is an example of the dressmaking skills of the women of the early settlers families in Moorabbin Shire in the early 20th C Early settlers and market gardeners established their families in Moorabbin Shire and this item shows the skill and craftsmanship of the women of these families A lady's long white cotton nightdress with lace yoke back and front and lace cuffs on the short sleeves. Possibly maternity wear.dressmaking, craftwork, clothing, cotton, moorabbin, bentleigh, cheltenham, early settlers, pioneers, market gardeners -
Brighton Historical Society
Dress, Professional & Civil Service Supply Association, circa 1900
Unknown provenance.Coffee-coloured cotton and chiffon evening gown. Net yoke with vertical pintucks and high neck. Pintucked bodice. Trim of meadering cream cord bordered on either side, around yoke, waist, shoulders, cuffs and down centre of skirt. Printed on interior of bodice: "Professional & Civil Service Supply Association / 80 George Street Edinburgh".Printed on interior of bodice: "Professional & Civil Service Supply Association / 80 George Street Edinburgh".1900s -
Flagstaff Hill Maritime Museum and Village
Clothing - Nightgown
Nightgown, women's long white nightie with longs sleeves, mounded collar front opening with pin tucked yoke. Gown is trimmed with lace. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, nightgown, nightdress, nightie, night dress, nightwear, sleepwear, clothing, fashion, 19th century, handmade clothing -
Flagstaff Hill Maritime Museum and Village
Functional object - Cow Bell, Circa 1878
The artefact is a brass cow bell recovered from the 1878 shipwreck of the LOCH ARD near Port Campbell. It was raised by Flagstaff Hill divers in 1973 and is in storage at the Maritime Village. The LOCH ARD was constructed on the Clyde in 1873 for the prestigious Loch Line of colonial clipper ships, designed for the Australian run. She sailed from England on 1 March 1878 carrying 37 crew, 17 passengers and a diverse general cargo ranging from luxury items to bulk railway iron. On 1 June 1878, emerging from fog and hearing too late the sound of breakers against the tall limestone cliffs, the vessel struck the southern foot of Mutton Bird Island and sank in 23 metres of water. Of the fifty-four people on board only two survived, one young male crewman, Tom Pearce, and one young female passenger, Eva Carmichael. A century later, despite the pounding seas and the efforts of looters, the wreck site continued to provide ample evidence of the extraordinary range of goods being imported into the Colony of Victoria in the post-Gold Rush era. Flagstaff Hill divers in the 1970s reported finds of “Bottles of champagne, window panes, rolls of zinc, barrels of cement, iron rails, clocks, lead shot, corrugated iron, lead, marble, salad oil bottles, ink bottles, copper wire, gin bottles, rolls of carpet, floor tiles, copper rivets, gas light fittings, pocket knives, toys, crystal chandeliers, beer mugs, cutlery, candles sticks, wick scissors, cow bells, and sauce bottles.” From this array of objects on the ocean floor emerged the humble brass cow bell. Cow bells were common to colonial agriculture and transport, used wherever animals were turned out to graze overnight and had to be rounded up again next morning. Bells were fastened around the necks of household milking cows, domestic goats, bullock teams, horse teams, and camel teams, to help find them in the pre-dawn light. Station shepherds and cattle drovers also used them to warn of any disturbances to their flocks and herds overnight. The bells were a necessary item in a largely unfenced continent. So important, that Anthony Mongon began making his pot-bells at Yackandandah from 1861, August Menneke produced the “Wagga Pot” from 1867, and Samuel Jones started manufacturing his distinctively shaped “Condamine Bell” in 1868. However, these deeply resonant Australian bells were made from iron — Mongon and Jones were blacksmiths who simply beat old pitsaw blades into shape. Few genuinely brass cow bells were made here, the vast majority being imported from Britain where the industry of brass founding was already well established. (Some bells were also imported from the United States, but these too were nearly all of iron). This bell is historically significant as typical of a cow bell used by farmers and herdsmen in Colonial Victoria. Its significance is increased by being one of a collection of artefact recovered by the Flagstaff Hill Divers from the wreck of the Loch Ard in the early 1970s. Items that come from several wrecks along Victoria's coast have also been recovered for Flagstaff Hill Maritime Village’s museum collection under Government permit, illustrating this item’s level of historical value. The cow bell is also significant for being part of Flagstaff Hill’s collection of artefacts from LOCH ARD, which is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Brass cow bell, flat-top pyramid shape, rectangular head, shoulders flare out to a rectangular mouth. The hanging yoke is missing. Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, loch ard, cowbell, great ocean road, loch line, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, cow bell, brass cow bell, shipwreck artefact, flagstaff hill divers, horse bell, bell smith, vintage bell, farmer, shepherd, drover, stock bell, brass bell -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, baby's cotton christening gown, pintucks, c1900
This baby's white cotton Christening gown is an example of the dressmaking skills of the women of the early settlers families in Moorabbin Shire in the early 20th C Early settlers and market gardeners established their families in Moorabbin Shire c1900 and this item shows the skill and craftsmanship of the women of these families Baby's long sleeved white cotton christening gown with 2cm bands of pintucks on yoke and long ties. Bone button fastens at napeclothing, needlework, haberdashery, crochet, doilies, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork, bentleigh, lacework, moorabbin shire, milne meryl, dairy farms, fruit orchards -
Stawell Historical Society Inc
Accessory - Costume and Accessories, c1915
Shift Large neckline Embroidered cotton lace insertion cotton embroidery with Pin Tucked Yoke. Buttoned front. Press Stud at neckline. stawell clothing material -
Stawell Historical Society Inc
Clothing - Costume and Accessories
Cream Cotton Slip Scalloped Hemline edged with Blanket stitch Floral cream embroidery on hemline with 5cm Lace Yoke. Owens Familystawell clothing material -
Bendigo Historical Society Inc.
Clothing - FRIEDA KAHLAND COLLECTION: BABIES CHRISTENING GOWN, 1920-30's
Fine white cotton, embroidered cotton. Cap type shoulder/sleeve.Totally embroidered. Yoke has Vshaped panel of finely embroidered cotton, edged with a cotton panel, edged in fine embroidery. These strips are repeated down the long organdie skirt. A deep panel of embroidered cotton organdie type fabric reaches from the hemline to the yoke. Handsewn, extremely fine seams. White cotton tape tie at back neckline, and back yoke. Garments from the Executor of Estate of late Frieda Kahland. See also 11400.122, 11400.363, 11400.364, 11400.365.costume, children's, babies christening gown -
Melbourne Tram Museum
Photograph - Black and White - demolishing cable tram crossing 1954/55
The photograph shows the demolition or removal of the cable tram track at an un-identified location, showing the removal of the yokes and track where two cable lines crossed over each other. Shows the former cable tram yokes that supported the slot rails and some details of the cable tunnels and pits. The man in the bottom left could be cutting the yokes with an oxy-acetylene cutting torch. In the view are at the top of the photo some rails can be seen. There were a number of points where the cable tram crossed other electric or cable tram lines. Given the small work site and men involved the location could potentially be either Johnston Street and Smith Street or Johnston St and Nicholson Street. The 1955 Annual Report notes that work commenced following the completion of the Queen's visit in March 1954 and that all work was done by day-labour. Photographer is possibly Keith Kings.Yields information about the extent of work need to convert the former Bourke St group of Cable tram lines to Electric trams, the people, the extent of the original construction and the methods used to undertake the work.Photograph - Black and White - demolishing cable tram trackwork where two cables crossed over each other, 1954/55.trams, tramways, cable trams, workmen, mmtb, demolition, track work, conversion, smith street, fitzroy, johnston street, nicholson street -
Glenelg Shire Council Cultural Collection
Clothing - Childs Cape, 1900-1910
Cream silk child's cape. Hand-crocheted lace edging around side and bottom edges. Hand-crocheted lace insert between two sections of pintucking, edged with embroidery. Main body of cape gathered onto plain yoke. Silk binding around neck. Garment Measures: Width at yoke: 30, Width at hem: 215, H: 50 -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, lady's sleeveless nightgown c1900, c1900
The early settlers were self reliant and made their own clothes. This nightgown is an example of the dressmaking and craftwork skills of the womenThis nightgown is an example of the dressmaking and craftwork skills of the women of Moorabbin Shire c1900A lady's fine cotton sleeveless nightgown with ribbon ties and a 10cm band of broderie anglaise inserted between 18cm bands of fine net in yokeclothing, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork, bentleigh, lacework -
Stawell Historical Society Inc
Clothing - Costume and Accessories, c1930
Cream Lawn Nightgown Crochet Round neck and sleeves. White silk embroidery on yoke & sleeves. Ribbon tie at waist . Mrs P Blight.stawell clothing material -
Kew Historical Society Inc
Clothing - Chemisette
Cream coloured silk chemisette with a scalloped hemline. The chemise has short sleeves and has horizontal tucking on the skirt. There is additional embroidery on the base and on the yoke.women's clothing, underwear, chemises, chemisettes, undergarments -
Brighton Historical Society
Dress, Wedding dress, circa 1939-40
This wedding dress was worn by two Brighton brides, sisters Floss and Vera McMinn, during the Second World War. The McMinn family moved to Brighton from Castlemaine around 1924, when the sisters were still children. Their father, Horace Henry McMinn, was a fruiterer and greengrocer who ran the Fruit Palace at 123 Church Street. Florence May "Floss" McMinn (1912-2007) married William Thomas Vivian on 3 February 1940 at the Brighton Church of Christ. Her sister Vera was her bridesmaid. Vera Olive McMinn (1918-2006) wore the same dress two years later when she married Geoffrey Walter Holmes on 15 August 1942 at Scotch College Chapel.Cream silk wedding dress with a long train. High neck and long sleeves. Yoke with horizontal pintucks and self-covered buttons. Side zip.wedding dress, 1940s, wartime bride, florence may mcminn, florence may vivian, vera olive mcminn, vera olive holmes -
Bendigo Historical Society Inc.
Clothing - CAMISOLE, 1890s
Cotton Camisole. Yoke front and back of hand crocheted cotton joined to a cotton lower section in a scalloped shape. Yoke straight across back but dips in a V shape almost to the waist in the front. Provision for ribbon insertion at the sleeve edges and neckline. Bodice gathered onto a fine waistband and peplum. Two small fabric covered metal buttons and one pearl button.Written in pencil and biro nside peplum. 'BHS'costume, female, camisole -
Bendigo Historical Society Inc.
Clothing - CREAM COLOURED INFANT'S SILK NIGHTGOWN
Cream coloured long sleeved infant's silk nightgown. Yoked front and back made up of overlay of vertical strips of lace. Ruffle of gathered lace around high neckline. Set in sleeves with 1.6cm lace trim and three pintucks at wrist. Skirt gathered onto yoke and front. Lower section of nightgown has three X four horizontal sections of four pintucks with lace inserts (2.5cm) between the sections. Gathered ruffle at hem,(15cms) with four pintucks and three cm lace trim with scalloped edge. Back opening (26cm) fastened with two X .8cm plastic buttons at either end of the yoke.costume, children's, cream coloured infant's silk nightgown -
Bendigo Historical Society Inc.
Clothing - AILEEN AND JOHN ELLISON COLLECTION: NURSE'S UNIFORM; BLUE COTTON DRESS, 1960's
Round neck, short sleeves, yoke back and front, nurse's blue cotton dress- uniform. Bodice gathers at yoke seam. 11 cm X 11 cm pocket on left breast. Concealed opening from neckline to hemline, has nine buttonholes - presumably buttons were exchanged between uniform dresses. One buttonhole at back neckline, and two buttonholes on the cuff of each sleeve, would also suggest a removable collar and cuffs. Two darts on either side of bodice. An inverted pleat from yoke to waistline at centre back. Seven gored skirt. Worn by Merryn Ellison.Name tag sewn to back neckline ; Merryn Ellison.costume, female, nurse's blue uniform -
Bendigo Historical Society Inc.
Clothing - AILEEN AND JOHN ELLISON COLLECTION: WHITE CROCHET BABY JACKET, 1950's
Long raglan sleeves, round neck with a scalloped edge at the neckline and cuffs. A 1 cm wide nylon ribbon passes through eyelets at the underarm, and ties with a bow at the front opening. Above this, the yoke has three plastic pearl buttons to fasten. The treble pattern of the crochet gives a shell-like effect, to the sleeves, and lower section of the garment, while the yoke, and cuffs have a treble filet pattern.costume, children's, white crochet baby's jacket -
Churchill Island Heritage Farm
Photograph - Photograph of group of oxen and man
Churchill Island has a large photographic collection dating from the nineteenth century. This series shows the extensive work and volunteering conducted on site by workers after it was turned into a heritage siteColour photograph of a group of six oxen yoked together in pairs walking towards the camera. A man with a bullwhip walks to their left. Potentially taken in 2001 at a Working Horses ExpoCatalogue number on reverse in pencil. churchill island, photograph -
Churchill Island Heritage Farm
Photograph - Photograph of group of oxen and man
Churchill Island has a large photographic collection dating from the nineteenth century. This series shows the extensive work and volunteering conducted on site by workers after it was turned into a heritage site and former employee, Scott Campbell, can be seen driving oxen.Colour photograph of a group of six oxen yoked together in pairs walking towards the camera. A man with a bullwhip walks to their left. Potentially taken in 2001 at a Working Horses ExpoCatalogue number on reverse in pencil. churchill island, photograph, scott campbell -
Stawell Historical Society Inc
Clothing - Costume and Accessories
Cream Camisole with a Lace Yoke leaving a square neckline. Opening at back with black press studs. Material silk bodice drawn at the waist with tape. McClure Family Collection.stawell clothing material -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Equipment - Water bottle, Japanese, c.1940
Item is representitve of equipment used by the Imperial Japanese Army and Navy, who faught against Australian soldiers in WW2Khaki, aluminium water bottler marked with some light shrapnel damage on the face and paint wear on the rear from contact with the wearer. The bottle is without lid and carrying yoke.Some Japanese characters on the base -
Bendigo Historical Society Inc.
Clothing - FAY BRYANT COLLECTION: HANRO NIGHTGOWN AND NEGLIGEE, 1960s
Sheer bri-nylon, over a heavier weight bri-nylon lining. Sleeveless and with a scoop neckline. A braid of padded flowers and leaves outlines the neckline and forms the straps that pass over the shoulders. This braid also forms a “yoke” from which the main body of the nightgown falls in soft gathers. Outer bri-nylon layer is edged with a one cm wide lace edging. Price on swing tag: 65 shillings. Negligee with double layer of soft pink bri-nylon. Scooped neckline with a 6cm wide yoke. Yoke has a braid of padded flowers and leaves that outlines the neckline that is appliquéd as is the matching nightgown. Two pearl buttons fasten the yoke at the centre front. Full length front opening. Double layer short “puff” sleeves are gathered at the shoulder and have an elastic casing at lower edge. Outer layer of sleeve is longer than lining, giving a soft “puff” effect. Hemline has a stitched “shell” finish.Hanro SW (Small Women’s) 100% bri-nylon On swing tag: Created by Hanro, Quality lingerie. Swiss Inspired.costume, female underwear, nightgown