Cooking for business girls: prepared by the Home Service Section of the State Electricity Commission of Victoria. Includes a variety of recipes aimed at women returning to the workforce in the 1960s.Part of a collection of recipe books from Laurence N. Lewis20p. Typed and photocopied text, colour cover.non-fictioncookbooks, recipe books

Three black and white photographs of 1960s house extension at 6 Bird Street, Eltham 1. West side extension added. Built by Allan Giles. Dug holes for stumps, inspected by Council prior to photograph. Allan had his own plumber and electrician - all Masons 2. Glen Giles 4 years being born 1959, additional room built by his father Allan Giles 1960s (c.1963) 3. West side extensionbird street, houses, bayles, gwen baker

A colour slide of two young men playing billiards in a recreation room at a Legacy residence in the 1960s. It is possibly Blamey House in Burke Road or Harelands in Willesmere Road, Kew. It appears to be the same roll of film as 03023 - which is at Harelands dated early 1960s. Legacy ran residences to take care of children whose fathers were deceased servicemen, and who may have been left orphans, or whose mother may have been unable to care for them herself, or they needed to stay in Melbourne for education. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of a Legacy residence supporting children in their education.Colour slide of two young men playing billiards in Kodachrome off-white cardboard mount with yellow and red print.Printed on front 'Made in Australia' and '18' in red ink. Faint print mark with slide date 'Se???M' Printed on reverse "Kodachrome Transparency / Processed by Kodak" in red ink.residences, harelands, blamey house

Two colour slides of two young men playing table tennis in a recreation room at a Legacy residence in the 1960s. It is possibly Blamey House in Burke Road or Harelands in Willesmere Road, Kew. It appears to be the same roll of film as 03023 - which is at Harelands dated early 1960s. Legacy ran residences to take care of children whose fathers were deceased servicemen, and who may have been left orphans, or whose mother may have been unable to care for them herself, or they needed to stay in Melbourne for education. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of a Legacy residence supporting children of deceased servicemen.Colour slide of two young men playing table tennis in Kodachrome off-white cardboard mount with yellow and red print.Printed on front 'Made in Australia' and Slide number '19' or '20' in red ink. Faint print mark with slide date 'Se???M' Printed on reverse "Kodachrome Transparency / Processed by Kodak" in red ink.residences, harelands, blamey house

A colour slide of two young men ironing clothes in a laundry room at a Legacy residence in the 1960s. It is possibly Blamey House in Burke Road or Harelands in Willesmere Road, Kew. It appears to be the same roll of film as 03023 - which is at Harelands dated early 1960s. Legacy ran residences to take care of children whose fathers were deceased servicemen, and who may have been left orphans, or whose mother may have been unable to care for them herself, or they needed to stay in Melbourne for education. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of a Legacy residence supporting children in their education.Colour slide of two young men ironing clothes in Kodachrome off-white cardboard mount with yellow and red print.Printed on front 'Made in Australia' and '21' in red ink. Faint print mark with slide date 'Se???M' Printed on reverse "Kodachrome Transparency / Processed by Kodak" in red ink.residences, harelands, blamey house

Records various events involving Watsonia High School from the very beginnings of the school at the Nepean Street Greensborough site during the years 1961 through to 1964.Actual record of student, staff and committee activities in the early 1960's.Approx 100 Kodak slides of WHS events in the early 1960s - includes 1961 Committee, 1962 Sports Events, 1962 Staff and individual Classes, 1962 and 1963 school excursions, 1964 Classes and eventsProcessed by Kodak using Kodachrome Transparency technology.watsonia high school, kodak slides

Moses and Francis Dickson were orchardists in Ringwood in the early 1900s and were connected to other early families such as the Knee, Hardidge and Sargeant families.Photographic history of Moses and Frances Dickson. Booklet with white front cover with framed black and white photo and the Dickson Family printed on it. Picture of street on back - North Ringwood Shopping Strip c.1960s.

Herbert Joseph Chambers was born in 1912 in Clifton Hill, Victoria. Later he was to live in Clark and Charles Streets in Northcote, in South Caulfield, and finally in Mentone. While he may have worked at the Kew Asylum before 1945, that year was when he was presented with a Certificate issued by the Department of Mental Hygiene (Victoria) declaring that he had completed training and passed the examinations required to work as a 'Mental Attendant’. The document is dated 19th December 1945 and signed by the Director of the Department and by the Co-Examiners. From at least 1945, he was to work as a member of the male staff of the Asylum, mainly in the Refractory Ward. A donor gifted to the Kew Historical Society in February 2019 a number of items collected by Herbert Chambers in his work at the Asylum. These include his Certificate of Registration, a photograph taken of him with two colleagues at Circular Quay in Sydney, a notebook containing ‘SP’ betting records of male asylum staff, and five sketchbooks with artwork created by Kenneth Bailey, a patient of the Asylum. Herbert Chambers’ period of employment at the Kew Asylum coincided with the employment of the English psychiatrist Dr Eric Cunningham Dax (1908-2008) as Chairman of the Mental Hygiene Authority in 1952. Dr Dax introduced an art therapy program into Victorian psychiatric hospitals, including Kew, where it is likely that the five sketchbooks were created. The sketchbooks are believed to have been presented to Chambers by ***** as a “gift for looking after him”. Herbert Chambers retired from the Kew Asylum in c.1970 after working there for almost thirty years.The Kew Historical Society has been the recipient of a number of important collections relating to the Kew Mental Hospital and the Children's Cottages, Kew, including their former incarnations. This is an important donation in this context as it includes five sketchbooks by a patient in an art therapy program at the Hospital. Art therapy programs were introduced by Dr Eric Cunningham Dax to Victorian asylums in the 1950s. The sketchbooks contain incomplete drawings and finished artworks. The donor believes that the patient who created the sketchbooks suffered from Schizophrenia. The sketchbooks are historically significant as representative examples of works created by patients in the program and for what they reveal about how mental illness may be manifested in a patient's artworks. The most significant repository of comparable works is held by the Dax Centre at Melbourne University.One of five sketchbooks with illustrations by Kenneth Bailey, a patient of the Kew Mental Hospital in an art therapy program, during the 1950s or 1960s. No work is dated although a number of the drawings/paintings are signed with the artist's name. art therapy, kew mental hospital, herbert joseph chambers, dr eric cunningham dax

Herbert Joseph Chambers was born in 1912 in Clifton Hill, Victoria. Later he was to live in Clark and Charles Streets in Northcote, in South Caulfield, and finally in Mentone. While he may have worked at the Kew Asylum before 1945, that year was when he was presented with a Certificate issued by the Department of Mental Hygiene (Victoria) declaring that he had completed training and passed the examinations required to work as a 'Mental Attendant’. The document is dated 19th December 1945 and signed by the Director of the Department and by the Co-Examiners. From at least 1945, he was to work as a member of the male staff of the Asylum, mainly in the Refractory Ward. A donor gifted to the Kew Historical Society in February 2019 a number of items collected by Herbert Chambers in his work at the Asylum. These include his Certificate of Registration, a photograph taken of him with two colleagues at Circular Quay in Sydney, a notebook containing ‘SP’ betting records of male asylum staff, and five sketchbooks with artwork created by Kenneth Bailey, a patient of the Asylum. Herbert Chambers’ period of employment at the Kew Asylum coincided with the employment of the English psychiatrist Dr Eric Cunningham Dax (1908-2008) as Chairman of the Mental Hygiene Authority in 1952. Dr Dax introduced an art therapy program into Victorian psychiatric hospitals, including Kew, where it is likely that the five sketchbooks were created. The sketchbooks are believed to have been presented to Chambers by **** as a “gift for looking after him”. Herbert Chambers retired from the Kew Asylum in c.1970 after working there for almost thirty years.The Kew Historical Society has been the recipient of a number of important collections relating to the Kew Mental Hospital and the Children's Cottages, Kew, including their former incarnations. This is an important donation in this context as it includes five sketchbooks by a patient in an art therapy program at the Hospital. Art therapy programs were introduced by Dr Eric Cunningham Dax to Victorian asylums in the 1950s. The sketchbooks contain incomplete drawings and finished artworks. The donor believes that the patient who created the sketchbooks suffered from Schizophrenia. The sketchbooks are historically significant as representative examples of works created by patients in the program and for what they reveal about how mental illness may be manifested in a patient's artworks. The most significant repository of comparable works is held by the Dax Centre at Melbourne University.One of five sketchbooks with illustrations by Kenneth Bailey, a patient of the Kew Mental Hospital in an art therapy program, during the 1950s or 1960s. No work is dated although a number of the drawings/paintings are signed with the artist's name. art therapy, kew mental hospital, herbert joseph chambers, dr eric cunningham dax

Herbert Joseph Chambers was born in 1912 in Clifton Hill, Victoria. Later he was to live in Clark and Charles Streets in Northcote, in South Caulfield, and finally in Mentone. While he may have worked at the Kew Asylum before 1945, that year was when he was presented with a Certificate issued by the Department of Mental Hygiene (Victoria) declaring that he had completed training and passed the examinations required to work as a 'Mental Attendant’. The document is dated 19th December 1945 and signed by the Director of the Department and by the Co-Examiners. From at least 1945, he was to work as a member of the male staff of the Asylum, mainly in the Refractory Ward. A donor gifted to the Kew Historical Society in February 2019 a number of items collected by Herbert Chambers in his work at the Asylum. These include his Certificate of Registration, a photograph taken of him with two colleagues at Circular Quay in Sydney, a notebook containing ‘SP’ betting records of male asylum staff, and five sketchbooks with artwork created by Kenneth Bailey, a patient of the Asylum. Herbert Chambers’ period of employment at the Kew Asylum coincided with the employment of the English psychiatrist Dr Eric Cunningham Dax (1908-2008) as Chairman of the Mental Hygiene Authority in 1952. Dr Dax introduced an art therapy program into Victorian psychiatric hospitals, including Kew, where it is likely that the five sketchbooks were created. The sketchbooks are believed to have been presented to Chambers by ***** as a “gift for looking after him”. Herbert Chambers retired from the Kew Asylum in c.1970 after working there for almost thirty years.The Kew Historical Society has been the recipient of a number of important collections relating to the Kew Mental Hospital and the Children's Cottages, Kew, including their former incarnations. This is an important donation in this context as it includes five sketchbooks by a patient in an art therapy program at the Hospital. Art therapy programs were introduced by Dr Eric Cunningham Dax to Victorian asylums in the 1950s. The sketchbooks contain incomplete drawings and finished artworks. The donor believes that the patient who created the sketchbooks suffered from Schizophrenia. The sketchbooks are historically significant as representative examples of works created by patients in the program and for what they reveal about how mental illness may be manifested in a patient's artworks. The most significant repository of comparable works is held by the Dax Centre at Melbourne University.One of five sketchbooks with illustrations by Kenneth Bailey, a patient of the Kew Mental Hospital in an art therapy program, during the 1950s or 1960s. No work is dated although a number of the drawings/paintings are signed with the artist's name. art therapy, kew mental hospital, herbert joseph chambers, dr eric cunningham dax

Herbert Joseph Chambers was born in 1912 in Clifton Hill, Victoria. Later he was to live in Clark and Charles Streets in Northcote, in South Caulfield, and finally in Mentone. While he may have worked at the Kew Asylum before 1945, that year was when he was presented with a Certificate issued by the Department of Mental Hygiene (Victoria) declaring that he had completed training and passed the examinations required to work as a 'Mental Attendant’. The document is dated 19th December 1945 and signed by the Director of the Department and by the Co-Examiners. From at least 1945, he was to work as a member of the male staff of the Asylum, mainly in the Refractory Ward. A donor gifted to the Kew Historical Society in February 2019 a number of items collected by Herbert Chambers in his work at the Asylum. These include his Certificate of Registration, a photograph taken of him with two colleagues at Circular Quay in Sydney, a notebook containing ‘SP’ betting records of male asylum staff, and five sketchbooks with artwork created by Kenneth Bailey, a patient of the Asylum. Herbert Chambers’ period of employment at the Kew Asylum coincided with the employment of the English psychiatrist Dr Eric Cunningham Dax (1908-2008) as Chairman of the Mental Hygiene Authority in 1952. Dr Dax introduced an art therapy program into Victorian psychiatric hospitals, including Kew, where it is likely that the five sketchbooks were created. The sketchbooks are believed to have been presented to Chambers by ***** as a “gift for looking after him”. Herbert Chambers retired from the Kew Asylum in c.1970 after working there for almost thirty years.The Kew Historical Society has been the recipient of a number of important collections relating to the Kew Mental Hospital and the Children's Cottages, Kew, including their former incarnations. This is an important donation in this context as it includes five sketchbooks by a patient in an art therapy program at the Hospital. Art therapy programs were introduced by Dr Eric Cunningham Dax to Victorian asylums in the 1950s. The sketchbooks contain incomplete drawings and finished artworks. The donor believes that the patient who created the sketchbooks suffered from Schizophrenia. The sketchbooks are historically significant as representative examples of works created by patients in the program and for what they reveal about how mental illness may be manifested in a patient's artworks. The most significant repository of comparable works is held by the Dax Centre at Melbourne University.One of five sketchbooks with illustrations by Kenneth Bailey, a patient of the Kew Mental Hospital in an art therapy program, during the 1950s or 1960s. No work is dated although a number of the drawings/paintings are signed with the artist's name. art therapy, kew mental hospital, herbert joseph chambers, dr eric cunningham dax

On 20th August, 1909 the Laanecoorie Weir broke away and released 18.3 million cubic metres of water through the opening and causing severe damage to all towns downstream. At Newbridge, Petersen's bakery collapsed and Simpson's Store and Hotel flooded to the roof. The billiard table was later found in a tree five miles down the Loddon near Learmonth. Murray Comrie Collection. Monochrome photograph, image depicting debris in the area near Loddon River at Newbridge after major flood in 1909. This is a very dark copy of an older original. Copy probably made by Murray Comrie in the 1960s.newbridge, loddon river, flood

Students wearing leis standing in a classroom alongside a teacher and school principal Moshe Moretz, c. 1960s. Please contact [email protected] to request access to this record.

Colour slides of an annual dinner in the 1960s. The slide shows groups of legatees during the evening, the venue is not known. It is possible it was the induction of the new president. The Melbourne Legacy President's chair is seen at the high table. Or it may be the annual conference of Legacy Clubs. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of an annual dinner held for Legatees in the 1960s.Colour slide x 2 of legatees at a black tie dinner in white cardboard mount.Imprinted 'Made in Australia' in black ink.legatee function, legatees

Judging from the copying method used, this copy would have been made in the 1960s. It was probably reproduced from a microfilm copy of the Journal held by the State Library of VictoriaYellowed copy of a black and white image, copied from a journal, featuring All Saints vineyard and wineryAt top of page: "86 The Australian Vigneron and Fruit-Growers' Journal, April 1905"all saints winery, wine industry, viticulture

Judging from the copying method used, this copy would have been made in the 1960s. It was probably reproduced from a microfilm copy of the Journal held by the State Library of VictoriaYellowed copy of a black and white image of a page from a journal, featuring All Saints winery and vineyardAt top of page: "April 1905 The Australian Vigneron and Fruit-Growers' Journal 87"all saints winery, wine industry, viticulture

Judging from the copying method used, this copy would have been made in the 1960s. It was probably reproduced from a microfilm copy of the Journal held by the State Library of VictoriaYellowed copy of a page from a journal, featuring Mt Ophir winery.At top of page: "228 The Australian Vigneron and Fruit-Growers Journal April 4, 1904"mt ophir, mount ophir, wine industry, viticulture

Correspondence re Higgins (family) 1979 enquiry from D Jordan re Nellie Palmer, nee Higgins, b. Sandhurst 1885. Father was a John Higgins, arrived ''there'' (Bendigo??) in 1960s. Reply from BHS.Deborah Jordanperson, family, higgins, nellie palmer, sandhurst, john higgins

‘Studley Park Bridge’ or ‘penny bridge’ linked Church Street in Abbotsford and what is now Yarra Bend Park. The privately constructed bridge opened in 1857, gaining its popular name from the toll charged at the Abbotsford end. The engineer of the 485ft wide bridge was Mr. Austin and the builder was ‘Mr Grant, who threw the bridge over the Niagara’. Following the opening of Johnston Street Bridge, declining tolls led to the Bridge falling into disrepair. Badly damaged by the flood of 1891, the Bridge was compulsorily acquired by the Government in 1899, and later dismantled and sold for firewood.This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.A print, taken in the 1960s by Dorothy Rogers, from an original albumen silver photograph now in the collection of the Kew Historical Society. The photograph shows the toll bridge (also known as the Penny Bridge) from the northern end."P[enny] Toll Bridge - built 1857. from old photo"studley park bridge, penny bridge, bridge, timber bridge, toll bridge

Photo album once containing a range of photographs of male tennis stars from the 1960s-1970s. This album has now been emptied and the photographs catalogued separately. Materials: Paper, Ink, Vinyl, Photographic emulsiontennis

Strahan was a resident of Tarnagulla and was born in Jones Creek (Waanyarra). Murray Comrie Collection.Photograph of Tarnagulla resident Simon William Strahan in his Boer War uniform. This is a copy print made from the older original held in the Tarnagulla Public Hall. Copy probably made by Murray Comrie in the 1960s. tarnagulla, waanyarra, boer war, war, military, service, soldiers, veterans, strahan

Murray Comrie Collection. Rosemont was the residence of John E. Douglas and Maryan Douglas Two copies of a monochrome photograph, image depicting open paddocks with small fruit trees, several buildings and a windmill in background. This is a slightly dark copy of an older original. Copy probably made by Murray Comrie in the 1960s.laanecoorie, rosemont, douglas, farms

Murray Comrie Collection. Monochrome photograph, image depicting a man standing on a concrete path, with a rifle raised ready to shoot, away from camera. This is a very dark copy of an older original. Copy probably made by Murray Comrie in the 1960s.In texta: 'Doug Twigg Trap Shooting a Newbridge Club'newbridge, sport, recreation, shooting, rifle club, clubs

In this image, store merchandise, including drapery, is hung out to dry after the flood. On 20th August,1909 the Laanecoorie Weir broke away and released 18.3 million cubic metres of water through the opening and causing severe damage to all towns downstream. At Newbridge, Petersen's bakery collapsed and Simpson's Store and Hotel flooded to the roof. The billiard table was later found in a tree five miles down the Loddon near Learmonth. Murray Comrie Collection. Monochrome photograph, image depicting buildings in the area near Loddon River at Newbridge after major flood in 1909. This is a very grainy and dark copy of an older original. Copy probably made by Murray Comrie in the 1960s.newbridge, loddon river, flood, simpson, stores, hotels

Cohn's Cobbers miniature hat. Light brown colour made of cardboard with elastic chin tie. Paper hat band with 'Cohns Cobbers' printed in red. Cohns Cobbers was a TV/radio Club 1960s - 1970s.cohn bros., advertising

While the end of World War II heralded a new era, postwar restrictions on resources affected what could be built, how people worked, and the everyday lives of men and women. The decade beginning in 1950 included monumental shifts in the social and cultural fabric of life in Australia more widely, and also in Kew. This exhibition explores how life changed by exploring the memories of people who lived in Kew during these years, the development of notable private and public modern architecture, and the ways that innovation transformed the lives of Kew’s residents. Set of five photos of artefacts and photographs of the main exhibition room of the Kew Historical Society at the Kew Court House. The secondary room includes images of 1950s and 1960s architecture. Also included in this file is the exhibition flyer.kew -- history -- postwar, kew historical society -- exhibitions

This foot powder tin may have been manufactured for use by troops in Vietnam, if the inscription "P.D. 5/69" might refer to it's manufacture in May 1969. Khaki coloured rectangular tin constructed of a rectangular base with rounded edges, attached to one long rectangular section bent into sides, another rectangular piece with rounded edges forms the top. In top of tin, a screw on lid with seven punched holes allows the contents to be shaken out of the tin. Content residue still visible on lid but appears that the tin is otherwise empty. Inscriptions throughout described below.On front of tin "[broad arrow]/FOOT POWDER/2 OZ. NET WEIGHT/ MURPHY, LIEBERT PTY. LTD./SYDNEY, AUSTRALIA." Right side "P.D. 5/67". Back of tin "FORMULA/SALICYLIC ACID 3%/STARCH 10%/TALC 87%" medical, foot, foot powder, athlete's foot, vietnam war, 1960s