Max COWARD ( -1991) Born Ballarat Max Coward was training to be an art teacher at the Ballarat Technical Art School from 1937 to 1941. He enlisted in the A.I.F. and was a Naval Trainee at Flinders Naval Depot in 1941. During these years Max Coward was described as a cartoonist and illustrator, and was attached to the Naval Intelligence Division in 1945, producing stories and drawings for the Navy newspaper Dit. His work was reproduced in the Christmas annual, HMAS Mk IV and the Army educational journal, Salt. Coward was active as a printmaker in the 1970s. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition linocut print showing a family of birdslls 'Family Group; lc edition '27/32' lrs 'Max Coward 65'art, artwork, max coward, coward, alumni, birds, chicken

Black And White Photograph of the sailing ship Moshulu, Ex Dreadnaught, Ex Kurt, Atlantic 1938. 105 mm X 54 mm Sh 193.3 Ships M - Rflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, moshulu, photograph, dreadnaught, kurt

Coloured Photograph of Cr. Robert John Rolfe, Mayor, City of Nunawading, August 1957 to August 1958. This was his second term as Mayor as he was also elected for 1953-54rolfe, robert john, city of nunawading, mayor

Filmed in 2006/07 in the months leading up to the closure of Faram Bros Hardware in Bay Street."The Last of the Independents", DVD of a film by Kevin Anderson (2010). Duration 54 minutes. A documentary which chronicles the last months of trading at Faram Brothers Hardware Store, Port Melbournebusiness and traders - hardware, built environment - commercial, faram brothers hardware, kevin anderson, doug faram

Part of Old Lintonian collection ; No. 65Oval sepia portrait of a lady seated in armchair with left hand resting on a book, right arm resting on arm of chair.mrs rule (nee hodge), old lintonian collection

The Norman Oliver collection. Norman Oliver was three times Mayor of Bendigo - 1950-51, 1964-65, 1970-71. Three pages of typed notes titled Mayor Speaks. The date, 6/2/65, is written in pen across the top. There is some scribbled calculations in blue pen on the first page. Topics include : traffic infringements, classes in life saving for school children, cemetery management, and the Country Swimming Championships.bendigo, council, report, norman joseph oliver , councillor norman oliver. mayor of bendigo.

The Snowy owl is a large and powerful bird. It is one of the largest species of owl, and in North America, it is on average the heaviest owl species. The adult male is virtually pure white, but females and young birds have some dark spots; the young are heavily barred, and dark spotting may even predominate. Thick plumage, heavily feathered taloned feet, and coloration render the Snowy owl well-adapted for life north of the Arctic Circle. This Snowy Owl example is slightly discoloured and in real life the Snowy Owl displays much more brilliant white feathers. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Snowy Owl adult male is virtually pure white with brown spot markings and a pale brownish wash. It has thick plumage and heavily feathered taloned feet. This specimen stands upon a wooden platform and has an identification tag tied around its leg.Swing tag: [torn] snowy owl / See catalogue, page 54 / Metal tag: 4054 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, owl, snowy owl, arctic circle

Black and white photograph showing possibly W2 class tram No. 510 (Kew Depot, route 47) east bound in Collins St at Exhibition St. Has the T&G building in the background. The photo appeared in The Age centenary supplement on page 22. Yields information about Collins St and tram 510.Photograph with hand written notes on rear.Page 22 in pencil and "Collins Street East 16-10-54, The Age Centenary paper"trams, tramways, tram 510, collins st, w2 class

Metal tool with two scissor handles, with a long metal strap which is connected to one handle, and is screwed into the other handleEngraved on handles are the words Litchfield E89. Written in white paint on the handles are the numbers 54 and 1428port of echuca, tool, farming tool

Sister Lynette Young was born in Orbost and lived there all her life until 18 when she went to Teachers’ College in Melbourne. This study was produced for partial fulfillment of the requirements of Church History 111 in the degree of Bachelor of Theology in the Melbourne College of Divinity at the affiliated teaching institution, Catholic Theological College in November 1980.This is a local history book written by a local author. It is a useful research tool.A 65 pp spiral bound book with a pale green cover. It is titled The Development of the Parish of Orbost 1887-1937. The title is in black. The book was written by Sister Lynette M. Young.Autographed by Sister Lynette Young.church-history-catholic orbost-history catholic-theological-college

Donated by Helen Burgess former lecturer in Craft at the Ballarat School of Mines and the Ballarat College of Advanced Education. This abacus was purchased while Helen was visiting Asia. http://www.youtube.com/watch?v=CvsnftXXKdw Usage: check wikipediaRectangular abacus, Chinese style rosewood or blackwood with brass fittings on corners and dividing framework,13 rods, 65 lower beads, 26 upper beads. Gift of Helen BurgessManufacturing stamp on lower RHS inside frame: "1963 6" Unidentified Chinese characters on the framework behind the lower beads on both central vertical supports, on the LHS framework and on the centre portion of the lower framework.abacus, abacus chinese, rosewood stained, helen burgess, mathematics

Receipt from Electrolux Pty Ltd No 7103 for £44/10/0. Receipt is for payment on Mod 65. Circular Electrolux Logo of a globe map with Electrolux in a circle with rays? at the bottom.person, receipts, j w swatton, j w swatton collection, electrolux pty ltd, f c tresedder?

Reproduced on pages 64-65 of 'Pioneers & Painters'This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch B&W Negsepp, shire of eltham pioneers photograph collection, dalton street, david george clark, eltham, eltham primary school, eltham state school, pioneers and painters, schools, state school no. 209, head teacher

The 65th Bn was part of the B.C.O.F occupation Force in Japan after WW2, Frank “Dinky” Dean BEM is 2nd from left front row. refer cat No 124.2 for his service details.Framed photo, wood, blue and white colours, glass front, showing a group of Sergeants 38 in total out side the Sgt’s Mess.At top hand written, “SGT MESS 65 AUST INF BN FUKUYAMA JAPAN 1948”bcof, occupation japan,

Business shirt, gold with collar, long sleeves and cuffs. Part of the outfit to go with the "Sheep to Suit" record attempt, 1982.Part of the 'Sheep to Suit' event outfit.sheraton/ styled in/ Permanent Press/ KORATRON/ 65% polyester/ 35% cotton /15 1/2textile production fashion shearing weaving sewing, melbourne college of textiles, highlights of the national wool museum: from sheep to suit - exhibition (22/09/2001 - 02/12/2001), textile production, fashion, shearing, weaving, sewing

Standard issue item as used by Australian servicemen during the conflict in Vietnam.A khaki coloured wooden box with canvas material handles.7.62/500 Rounds/L2AS/7.62 Ball L2A2/BDR/MF 22-1-65ammunition, vietnam, box

This album was compiled for the use of visitors to the Slab Hut (Orbost Visitor Information Centre).This album is a useful research tool.A photo album with a maroon cover with gold embossing. On the cover is the title Our Natural Disasters. It contains 54 pages of photos of local natural disasters - flood, fire and hail. The photos are taped in.slab-hut orbost-disasters album orbost-floods-fires-hailstorms

Army old 6 fold (now on Hat H140)uniform, ww2 -vietnam, army

Stoneware is a rather broad term for pottery or other ceramics that is fired at a relatively high temperature.  A modern technical definition is a vitreous or semi-vitreous ceramic made primarily from stoneware clay or non-refractory fire clay. Whether vitrified or not, it is non-porous, it may or may not be glazed. Historically, across the world, it has been developed after earthenware and before porcelain and has often been used for high-quality as well as utilitarian wares. As a rough guide, modern earthen wares are normally fired in a kiln at temperatures in the range of about 1,000°C (1,830 °F) to 1,200 °C (2,190 °F); stoneware's at between about 1,100 °C (2,010 °F) to 1,300 °C (2,370 °F); and porcelains at between about 1,200 °C (2,190 °F) to 1,400 °C (2,550 °F). Historically, reaching high temperatures was a long-lasting challenge, and temperatures somewhat below these were used for a long time. Earthenware can be fired effectively as low as 600°C, achievable in primitive pit firing, but 800 °C was more typical. Stoneware also needs certain types of clays, more specific than those able to make earthenware, but can be made from a much wider range than porcelain. A domestic item used to store food products as glazing makes the container non-porous, often used for pickling. Or larger containers for kitchen flour. Items age is difficult to determine given the same techniques for making stoneware are in use today. Stoneware containers were made by many potteries in Australia and England. They were in common domestic use before plastics were invented around 1940 to store goods so this subject item is probably from around 1900 to the 1940s. Item's significance is difficult to determine given it is not associated with a place, person, historic event, or manufacturer. Its significance lies with its use as a domestic object giving today a view into our social past.Stoneware circular container with wide opening, brown top and off white base glazed finish Marked "1" on brown glazed rimflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, container, stoneware container, kitchen storage, kitchen ware