William E Stanbridge's daughter travelled to England to see Queen Victorias CoronationFlorence Colles Stanbridge born 1874. Mother died at her birth. Her father was extremely rich from royalties from mines.3 Pink cards , head of Queen VictoriaThe Diamond Jubilee Procession June 22 1897 Royal Horse |Guards Pavilion Admit..Miss Stanbridge Stalls Block A Row 13 No 3 1st card Miss Stanbridge 2nd card Mrs Hutton 3rd Card Miss Huttonqueen victoria stanbridge hutton

The bluestone 1857-58 former Wesleyan Church, on the corner of Fitzroy Street and Princes Street St Kilda, was one of the first Wesleyan churches in Victoria designed in the gothic style. It had a square central entrance tower and early English stepped buttresses and pinnacles above. It was later the St Kilda Uniting Church and was closed on 25 June 1978. It has now been covered to flats.According to Heritage Victoria: The old St Kilda Methodist Church is a finely designed 1850's church building and centrepiece of a group of individually significant buildings in an urban conservation area. Towered churches from the 1850s are rare in Melbourne and this building is thus of special significance in this regard as well as for its design and detailing. This building is an important work of architects Crouch & Wilson. Thomas Crouch was prominent in St Kilda Methodist church affairs and lived locally. He served a term as mayor of St Kilda and also designed the chapel at Pentridge and Methodist churches at Fitzroy, Collingwood, Flemington, Daylesford and Maldon. St Kilda was the home of many of the better off Melbournians in the 1850s, '60s and '70s. The adjacent former Sunday School is one of Melbourne's finest and the combination of fine church and hall side by side gives each added significance. https://vhd.heritagecouncil.vic.gov.au/places/1110churches, fitzroy street, st kilda, crouch, st kilda uniting church, st kilda wesleyan methodist church, princes street

Medal commemorating the Centenary of Government of Victoria and the Discovery of Gold, commissioned by the Victorian Government and gifted to the Shire of Glenlyon. Designed by Andor Mészáros and minted by K.G. Luke, Melbourne, 1951. 1951 marked the centenary of Victoria's separation from the colony of New South Wales. As part of the celebrations, the Victorian Government commissioned this medal from Andor Meszaros. Drawing on his classical background, Mészáros developed the imagery for 'Equality and Justice through Freedom'. The man holding the torch represents equality; the blindfolded woman holding a sword is the symbol of justice, and both are mounted on a horse that has broken its shackles. Features on the reverse a design of a banksia and bottlebrush. There was another version of this medal which depicted a pair of gold prospectors on the reverse.This medal was presented to the Shire of Glenlyon in 1951. For over half a century, sculptors Andor (1900-1973) and Michael (1945- ) Meszaros have created medals that reflect the high points of life in Australia. From major awards and portraits of eminent Australians to artwork celebrating popular culture and the natural world, these objects illuminate our culture and history. Grounded in a centuries-old European art tradition, the medals create connections across disciplines and link such diverse subjects as scientific advances, religious themes, sport, the performing arts and motherhood. Through their public and private commissions and their personal artworks, the Meszaros sculptors have defined the modern Australian medal.Bronze medal with images and text insetObverse Description: Horse bounding left, broken shackles on foreleg, carrying woman holding sword and man holding torch; around, EQUALITY AND JUSTICE THROUGH FREEDOM Artist's name behind horse's tail: A MESZAROS Reverse Description: Stake supporting plant; above, CENTENARY OF GOVERNMENT OF VICTORIA 1851 - 1951; inscribed, Presented to / the Shire of / Glenlyon / 1951 Artist's initials to left of stakeglenlyon, hepburn shire, centenary of government, centenary of gold discovery, history of victoria, victorian governement, meszaros, kg luke, commemorative, commemorative plaque, centenary 1951

This work was first commissioned by the Melbourne city council as part of a celebration of the opening of the Birrarung Marr park. 25 victorian sculptors were given $2,500.00 to create a work which would be part of the park for about 6 months. Date of manufacture and installation: 2002 'Silent/Listen' was gifted by the artist, Petrus Spronk, to the people of Hepburn Springs in July 2001.Two smooth rectangular engraved granite slabs placed directly on the ground. Each granite stone is engraved on its uppermost surface. The left hand work is engraved with the text - 'silent' and the right hand work is engraved with 'listen'. Unsigned. Dated July 2001 petrus spronk, public art, sculpture, environmental art, hepburn shire public art collection, hepburn shire, listen, silent, hepburn springs mineral reserve, granite

'Hepburn Pool is a forgotten treasure which many visitors to Hepburn Springs would never be aware of. The owners of the Bellinzona Grange hotel explained that it was once the hotel pool and was built in the 1930's. You can find it behind this hotel, downhill at a street called The Pool Way. Steps and a ramp continue down to the pool itself and the secluded park around it. It was built into Spring Creek and became a competition pool for state swimming championships. A concrete weir separates a shallow children's pool from the main pool. You can still see the numbers of each lane painted on the walls at the deep end. There are plenty of seats and a barbeque area. A sign says this is a sacred aboriginal spot and you can certainly feel something magical about the place. I wouldn't suggest swimming in the former pool, it looks rather murky now.' Review of Hepburn Pool by 'Jolyon67' on 'Tripadvisor', 3 June 2015'The Bunji: The Bunjil sculpture emerged from discussions with local indigneous Elders, as a dreamtime totem to the Sacred Pool at Hepburn Springs. The original idea was to create the 3 totems of the area...the Bunjil, The Crow and The Bat. Russell applied for, a council grant of $3,000 to design, create and install the Bunjil Sculpture to overlook the pool and reflect its powerful image in the water.' Information provided by Russell Petherbridge, December 2015Large scale steel sculpture depicting 'Bunjil', the dreamtime totem of the Hepburn Pool, an eagle in flight.art, public art, sculpture, installation art, aboriginal art, site specific art, hepburn shire, hepburn shire public art collection, russell petherbridge, bunjil, hepburn, hepburn pool, aboriginal significance, steel sculpture

public art

Victorian Railways 280HP Walker RailcarVictorian Railways livery circa. 1968victorian railways, railcar

Victorian Railways 153hp Walker Railcar 32RMVictorian Railways livery circ 1955victorian railways, rail car

Second series Walker Railcar TrailerVictorian Railways livery circ.1955victorian railways, rail trailer

Victorian Railways Diesel Electric Rail Motor 63RMVictorian Railways livery as per 1934 painting diagramvictorian railways, diesel electric, rail motor

Double Ended Leyland Rail Motorvictorian railways, rail motor

600hp Diesel Rail Car DRC 40Polished aluminum and lettering circa 1977victorian railways, diesel, rail car

Dodge Passenger Mail Motor RM74Victorian Railway 1936 livery of Black and Chrome Yellow stripesvictorian railways, dodge, mail motor

Diesel Electric Rail Motor Trailer Victorian Railways 1934 painting diagramvictorian railways, rail motor

Brill Rail Motor Trailer 200MTVictorian Railways livery circa. 1955brill, rail motor, trailer

Victorian Railways 102HP Walker Railcarvictorian railways, railcar

Victorian Railways Diesel Electric Rail Motorvictorian railways, rail motor

280HP Walker Railcar Victorian RailwaysVictorian Railways livery circa. 1968victorian railways, railcar

280 HP Walker Railcar 85RMVictorian Railways livery circa. 1968victorian railways, railcar

Photograph shows a couple in then contemporary swimming costumes posing arm in arm on the beach at Torquay.It is believed that this photograph was taken circa 1920. The happy couple are James Thomas Evans and Roberta Evans then of Daylesford, later of 43 Anderson Street Torquay.Black and white photograph

People - "Reid, Bob; Cecil, C. V." Buildings - School Associated with - W Edmends Photographer

Buildings - School Associated with - H Webb Photographer

People - "Bienvenue, Mr" Buildings - School Associated with - Yvonne Studio Kyneton

People - "Bienvenue, Mr" Buildings - School Associated with - Yvonne Studio Kyneton

People - "Mccreery, Ethel; Cecil, C. V." Buildings - School Location: