Navy polo shirt with yellow triangular trim on each side of raglan sleeve seams - front and back.Seven cm yellow strips on each side seams from underarms. Yellow embroidery over right breast. ''100,000 ounces 2011''. Yellow embroidery over left breast, ''FOSTERVILLE GOLD MINE''. Front opening fastened with three X 1 cm navy plastic buttons.New condition. Swing tags still attached. 1.Biz Collection: Style/Modele P7700 Colour/Couleur: NAVY/GOLD, Size/Taille: 2x6/27G Biz Collection. 2. Biz Cool - Description of fabricTwo labels inside neck at back !. ''Biz Collection'' 2. ''Mens 2XL/2TG. Made in China, Fabrique en Chinecostume, male, navy polo shirt

Textiles. Damask weave fabric, with a design of a rose, with buds, and two stems of leaves, and a lovely soft sheen. Two bands of six zig zag peaks, are made by using pulled thread embroidery, and form a border either side of a row of pulled threadwork diamond shapes, 7 cm x 7 cm. This decorative border is at each end of the runner, which also is completed with a 12 cm deep fringe. A geometric patterned weave forms the background to the pulled thread embroidery, while a single rose and bud weave is tucked into each zig zag, and a scroll design features at each fringed end.textiles, domestic, double damask table runner

A handmade fine cotton undergarment of fine white cotton. A handmade white or cream fine cotton camisole with lace insertions and embroidery. Has a pink ribbon threaded through the lace around the neck. A square neck line, short sleeves with lace cuffs. Midrif length camisole which opens at the front with four white buttons.camisole hand-made lace

Insignia of 38th Battalion AIF embroidered on circular black cloth & mounted on red velvet background. Encased in gold painted wooden frame. Top RHC gold coloured metal regimental badge with navy enamelled banners bearing Regiment in gold. Embroidery in coloured cottons."Honorem Custodites 38"numismatics-badges-army, uniforms - badges - army, metalcraft - enamel ware, handcraft, passchendaele barracks trust, 38th

This signature table cloth was anonymously donated to the Bacchus Marsh Blacksmith Cottage and Forge group in 2013. On the cloth are the hand embroidered names of men who served in WW1 as well as the names of family members, place names and dates of significance. In one corner of the cloth is the outline of a tennis ball, in which 6 names are listed. Research has shown that these names probably belonged to the Rose Park Methodist Tennis Club in Adelaide. Many of the other names listed seem to relate to servicemen and their families who came from South Australia. Also on this cloth are 3 beautifully embroidered butterflies, the profile of a man, a crest containing the letters B and H and the following place names and dates :- Sydney 21.10.12, Melbourne Jan 13, Goolwa, Genolan Caves NSW, Katoomba, Luna Park St Kilda and Granite Island. The name of the steamship SS Warilda also appears on this cloth. this ship belonged to the Adelaide Steamship Company. It was used to transport soldiers to WW1 and was then converted into a hospital ship, ferrying the wounded from France to England. It was hit and sank on the 3rd of August 1918.World War 1 signature table cloth. A square, white, linen table cloth with hand embroidered signatures of people and names of places, dates and objects relating to WW1.The embroidery is all done in white thread.There are also 3 embroidered butterflies, a crest and a man's profile.

cloth patch yellow bordered on white background with seven (7) horizontal red stripes. Left corner, blue flag with 25 white embroidered stars. Large black V E T in centre of patch with part of E letter in green yellow & red embroideryPM 0387 Patch-Vietnam USA on bar code lable on reverse side of patch.cloth patch, insignia

Else Oertel and her daughter Else-Lore were interned in Camp 3A from 1940. Her husband was not interned as he was on a business trip to Germany when war broke out. Friedel Dehnel "Tante Fiffi" made the authentic Bavarian doll and clothes. Friedel, wife of Walter Dehnel, arrived as a young woman from Austria, working in the Victorian snowfields as a chef and was a champion skier. She then became a dressmaker for Melbourne society and insisted that she be interned to be with her husband. She made costumes for the internment camp plays and took over her husband's duties as a cook for Camp A when he was locked up for "insubordination". She was deported with her husband back to Germany after the war and cared for her orphaned nephews and nieces in Garmisch-Partenkirchen.Doll dressed in authentic Bavarian costume. Black wool hat trimmed with gold lace and dried flowers. Gold coloured skirt on dress with sash. Bodice is black with traditional embroidery. White long sleeves with lace trim at cuffs. She is holding a basket with dried flowers."Merry Christmas Else-Lore" on baseelse oertel, else lore hukins, friedel dehnel, dressmaker, chef, camp 3

White cotton camisole with blue ribbon threaded through eyelets at neck. Lace border on neck, sleeves and front. White embroidery on sleeves and bodice. Pin tucking at waist. White tape drawstring at waist. Scalloped edge on bottom of garment. 4 buttons concealed in placket.costume, female underwear

Handkerchiefs have been used by men and women for centuries. They could be made of any bit of cloth, but eventually they became a symbol of social status and wealth. As they became a status symbol, they also became more than just scraps of cloth, and were decorated with lace and embroidery. This item is an example of a handcrafted item and reflects the needlework skills of women in the families of the early settlers.Hand-embroidered silk dress handkerchief. Flowers embroidered on front. Fabric colour is beige.handcraft silk-handkerchief embroidery

This child's dress is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes as well as clothes for her children - adding her own handmade embroidered or crocheted decorative trim. A photograph of their youngest child, Alice, taken in circa 1903 depicts her wearing the dress. The dress would have been only worn on special occasions (such as a formal family photographic portrait) as most young girls in that era would have smocks or pinafores for everyday wear. The age of the dress is in question as it may have been made by Eliza for her eldest daughter, Dorcus, who was born in 1884. This dress has some machine sewing at the neck, waistband and pintucks but much of the dress is handsewn and richly embroidered with Broderie anglaise. Broderie anglaise (also known as eyelet lace) is a form of cutwork embroidery. The foundation fabric is cut to make decorative holes which are sewn with overcast or buttonhole stitches to create a lace like effect. Designs often involve floral motives that are enhanced with simple embroidery stitches such as stem stitch and satin stitch and scalloped edges finished with buttonhole stitches. It was commonly used to trim baby clothes, dresses, nightclothes, underclothes and household linens - particularly in the Victorian and Edwardian eras. This item is an example of the needlework skills of women in the late 19th century - combining machine stitching with hand embroidery to personalise and embellish a child's special dress.Child's white dress made of cotton and lawn, with a skirt of hand embroidered circular cutwork (broderie anglaise), a scalloped hem edged in buttonhole stitch and a gathered waist. The lined bodice has three panels of hand embroidered broderie anglaise (eyelet lace) inserted in a V shape with pintucks and bordered with a broderie anglaise lace frill. The short sleeves also have an inserted broderie anglaise lace strip, three pintucks and a broderie anglaise lace frill. The skirt is semi lined with fine lawn. The dress has a back opening with one button and two ties. The neckline is decorated with two rows of hand embroidered broderie anglaise lace.flagstaff hill, flagstaff hill maritime museum & village, warrnambool, shipwreck coast, great ocean road, nhill, wimmera, eliza towns, dorcus towns, child's dress, machine sewing, hand sewing, broderie anglaise, cutwork, embroidery, eyelet lace, clothing, handmade, charles towns, alice towns

Framed embroidery, 68 Eglinton Street Kew. Undated. Home of the Bogle family during the First World War. Thomas Bogle Reg No. 479 Church of England, Single, Labourer, Father William Bogle (same address), enlisted 1915 29th Battalion B CompanyNoneSmall framed tapestry of 68 Eglinton Street, a single-fronted weatherboard cottage in Kew.68 EGLINTON STREEThouses - eglinton street - kew (vic), tapestries

See Cat 5678.3 for service details.1. Dress coat - Khaki colour cotton twill, no buttons. Makers label - inside right front. 2. Work jacket - Khaki colour cotton twill. Possibly Army issue. Buttons - black colour bakelite with metal shank. Emblazxoned with "AUSTRALIAN MILITARY FORCES" , King's Crown and map of Australia. Maker's label - inside right front.1. Maker's label - black colour embroidery on cotton fabric " V320 MADE IN/AUSTRALIA/1942/SIZE" - handwitten on label in blue ink " 170317". 2. Maker's label - black print on cotton fabric " Q150/ MADE IN AUSTRALIA/ 1942/ SIZE24/ REGIMENTAL NO................NAME.................". uniform, raaf, ww2

Belonged to donor's aunt or grandmother. She was born in 1888 and lived in Rooks Road, MitchamCream sleeveless round neck shift dress. Pink embroidery, 9 fine pintucks from neck to below hipline. Embroidered scallop flaps overlaid in three tier to scalloped hemline. Hipline has two horizontal darts. Embroidered halfmoon pink shape around waistlinecostume, female

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. Rectangular silk organza chemisette, with inset embroidered net at the front and at the neck. The free-form, multicoloured silk embroidery includes abstract flowers, fruit and leaves, and may be of Chinese origin. The chemisette has five decorative mother-of-pearl buttons at the front and silk organza ties at the waist.lace, women's clothing, australian fashion, undergarments, chemisettes

An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in the mansion originally named Illapa, 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937) and his wife Edith Mary Weir (1867-1948). Bound copy of Weldon's Practical Needlework, retailed by W.C. Wright and Co., Booksellers & c., Broken Hill, New South Wales. The book includes advice for women on Knitting, Crochet, Drawn Thread Work, Netting, Knitted Edgings or Shawls, Mountmellick Embroidery with full working descriptions.Inscribed top right of title page: "E.M. Betteridge, Broken Hill, July 2nd 1891 / E. Weir".edith mary weir (nee betteridge), 84 princess street -- kew (vic), needlework patterns

Made of white cotton with Mount Mellick embroidery. One corner has interlocking horseshoes with bows and ribbons. The opposite corner has a basket of flowers tied with bows and ribbons - all hand embroidered. Border of draw thread. Machined crochet edging hand sewn onto edge.handcrafts, needlework, manchester, bath linen

Green material Jacket with many enamel and cloth badges attached. Silver braid from right shoulder to top gold button. Ten gold buttons. Rank stripes on both sleeves. Gold and black cloth on right sleeve with horse embroidery. Black name badge cross on front.uniform, jacket

Fine white linen bedspread embroidered at one end, which would fold back over the pillow of a single bed. Top of bedspread has a lace border 10 cm deep on three sides. Embroidery and cut work decorates this fold-back section. Hemmed on remaining sides.linen, bedspread, favaloro collection

Stan Grossman sent this silk embroidery to his cousin Doris Grossman. Private Stanley GROSSMAN 246 from North Wangaratta enlisted on 15/7/1915 aged 19 years. He embarked on 10/11/1915 and served with the Camel Corp , 29th Battalion and 14th Light Horse.Ornate gold coloured plastic frame with cream mount containing a square pink cloth embossed in yellow and white thread and edged in yellow fringe. Embroided - Happy Christmas Australian Commonwealth Military Forces Plaque -A Christmas Gift from Cairo World War 1 1916 stanley grossman 246, ww1, 29th battalion

This uniform would have been worn by the students of the Ballarat College of Advanced Education, School of Nursing. The colour of the uniform was changed at the request of trained staff in white.This apricot princess style dress with a central front zipper and side pockets has a collar and short sleeves. The back has a yoke with side pleats and a half belt between the seams. There is machine embroidery on the collar and sleeves. There is a blue logo printed on the left breast. Original sales tag attaches to sleevePrinted in blue - Ballarat C.A.E. Nursingnursing, university of ballarat, ballarat college of advanced education nursing, nurse uniform, textiles, costume, apron

From the estate of Jenny LangBlack velvet oblong evening clutch bag. Gold and silver thread, red and blue seed beads worked into design of embroidered pattern on front. Gold cord handle and small amount of embroidery on back. Lined in black satin with two pockets for mittens or comb. Front closing with press stud.costume accessories, female

Emma Thomas Collection: Items were owned by Emma Courtis, nee Thomas. Family lived in Hamelin St, White Hills. Clothing items possibly handmade by Emma or a local person in White Hills area and used around 1890s. Emma's family include Elizabeth Penrose (mother), Solomon Thomas (father), and Richard Courtis, a blacksmith (her husband).Short sleaved, tailored blouse. Handmade with decorative embroidery and crochetwork around neckline and sleaves. Crochet work is also used on both sides of the vertical central panel which is fastened by 7 cream coloured buttons. Seams are used to make this a fitted garment at the waist. There is a "clip" in the front and back of the blouse. emma thomas, emma courtis, blouse, clothing

The embroidered scarf was donated to the Kew Historical Society by Janet Gibson.The shawl is an outstanding example of North Indian weaving and needlework. North Indian scarf [or girdle], probably made in Delhi, hand-loomed of fine wool and heavily embroidered by needle at the ends and sides with multicoloured silk thread surrounding the central rectangular black field. The highly detailed embroidery includes stylised images of foliage and flowers. There is old damage to parts of the textile. women's clothing, shawls, indian embroidery, scarfs

Event, Bendigo Y.M.C.A., Y's Workbox, Sunday, October 26th,1986, at the Y.M.C.A. Stadium, Mundy Street, Bendigo, 10am - 5pm. Admission: Adults $2.50, Children 50c, Devonshire Teas $1.20. Crafts include; Fantasy Figures, Woodcarving, Bread Dough Jewellery, Various Embroidery Techniques, Sand Pictures, Irish Crochet, Slipcast Ceramics, Herbal Products, Lead Lighting, Tatting, Ribbon Flowers, Porcelain Dolls, Applique, Polished Natural Timbers, Dried Floral Art, Knitted Lace, Natural Material Baskets, Marzipan Fruits, Bobbin Lace, Christmas Novelties, Papermaking, Embroidery Thru the Ages, Childen's Display & Parade, Display of Knitted & Crochet Rugs. C.MarroneC.Marrone.event, exhibition, bendigo y.m.c.a.

This handmade women’s camisole features hand-worked lace yoke and trim and a drawstring peplum waist. It is one of seven handmade items of white cotton underwear, all made with beautiful needlework and embroidery skill. The lingerie once belonged to the donor’s great-grandmother’s family, the Paton family of ‘Trefnant’, Yangery, in southwest Victoria. The collection of women’s late-19th-century undergarments is an example of clothing that women would include in their wardrobes. The garments add to the study of the evolution of women's fashions and practicality for the early Australian settlers. The fine linen fabric and the careful needlework in these handmade garments and hand-worked lace trims reflect the maker’s dedication to making even serviceable garments beautiful to look at and wear. Women's camisole, short sleeves and peplum waist. Handmade from white cotton fabric, with hand-worked lace sleeve tips, collar, waist trim and yoke. There are five buttons and two ties down the front.flagstaff hill maritime museum and village, maritime museum, maritime village, warrnambool, great ocean road, southwest victoria, victorian era, women’s underwear, ladies’ underwear, undergarment, under-structure, 1900s undergarments, 19th-century undergarment, women’s clothing, women’s fashion, lingerie, 19th century, handmade clothing, handmade lace, hand-worked lace, camisole, paton family, trefnant, yangery

This handmade women’s camisole features hand-worked lace yoke and trim and a drawstring peplum waist. It is one of seven handmade items of white cotton underwear, all made with beautiful needlework and embroidery skill. The lingerie once belonged to the donor’s great-grandmother’s family, the Paton family of ‘Trefnant’, Yangery, in southwest Victoria. The collection of women’s late-19th-century undergarments is an example of clothing that women would include in their wardrobes. The garments add to the study of the evolution of women's fashions and practicality for the early Australian settlers. The fine linen fabric and the careful needlework in these handmade garments and hand-worked lace trims reflect the maker’s dedication to making even serviceable garments beautiful to look at and wear. Women's camisole, short sleeves and peplum waist. Handmade from white cotton fabric, with hand-worked lace sleeve tips, neck trim and waist trim. Drawstring, tie and button closure.flagstaff hill maritime museum and village, maritime museum, maritime village, warrnambool, great ocean road, southwest victoria, victorian era, women’s underwear, ladies’ underwear, undergarment, under-structure, 1900s undergarments, 19th-century undergarment, women’s clothing, women’s fashion, lingerie, 19th century, handmade clothing, handmade lace, hand-worked lace, camisole, paton family, trefnant, yangery

This handmade women’s camisole features hand-worked lace yoke and trim and a drawstring peplum waist. It is one of seven handmade items of white cotton underwear, all made with beautiful needlework and embroidery skill. The lingerie once belonged to the donor’s great-grandmother’s family, the Paton family of ‘Trefnant’, Yangery, in southwest Victoria. The collection of women’s late-19th-century undergarments is an example of clothing that women would include in their wardrobes. The garments add to the study of the evolution of women's fashions and practicality for the early Australian settlers. The fine linen fabric and the careful needlework in these handmade garments and hand-worked lace trims reflect the maker’s dedication to making even serviceable garments beautiful to look at and wear. Women's camisole, short sleeves and peplum waist. Handmade from white cotton fabric, with hand-worked lace sleeve tips, collar and waist trim. It has button closures down the front.flagstaff hill maritime museum and village, maritime museum, maritime village, warrnambool, great ocean road, southwest victoria, victorian era, women’s underwear, ladies’ underwear, undergarment, under-structure, 1900s undergarments, 19th-century undergarment, women’s clothing, women’s fashion, lingerie, 19th century, handmade clothing, handmade lace, hand-worked lace, camisole, paton family, trefnant, yangery

This handmade women’s camisole features hand-worked lace yoke and trim and a drawstring peplum waist. It is one of seven handmade items of white cotton underwear, all made with beautiful needlework and embroidery skill. The lingerie once belonged to the donor’s great-grandmother’s family, the Paton family of ‘Trefnant’, Yangery, in southwest Victoria. The collection of women’s late-19th-century undergarments is an example of clothing that women would include in their wardrobes. The garments add to the study of the evolution of women's fashions and practicality for the early Australian settlers. The fine linen fabric and the careful needlework in these handmade garments and hand-worked lace trims reflect the maker’s dedication to making even serviceable garments beautiful to look at and wear. Women's camisole, short sleeves and drawstring peplum waist. Handmade from white cotton fabric, with hand-worked lace sleeve tips, collar and waist trim. Front closure.flagstaff hill maritime museum and village, maritime museum, maritime village, warrnambool, great ocean road, southwest victoria, victorian era, women’s underwear, ladies’ underwear, undergarment, under-structure, 1900s undergarments, 19th-century undergarment, women’s clothing, women’s fashion, lingerie, 19th century, handmade clothing, handmade lace, hand-worked lace, camisole, paton family, trefnant, yangery