Exhibition of Home Industries and fine arts. Wesleyan schoolroom. Forest street. Sandhurst. 1880. First Prize Certificate awarded to Miss. E. A Craven for drawing in crayon. Figure division. In Class A. Section 3. James Thomas. Hon Secretary. Coloured drawings of the bush, people, waterfall, trees and kangaroos. Markings: Evening news office. Sandhurst.person, individual, certificate

Part of the collection of Dr Frank Forster.Uterine stem pessary. Pessary is made of copper coated lead with upper oval shaped bulb. Bulb of the pessary is made of copper and oval has a small hole in the top centre. The upper part of the stem is made of copper and the lower section is made of lead and tapers to a blunt end. On the upper outer right side on the bulb is the figure "6".intrauterine device, pessary

This is a rare and hazardous obstetric complication, occurring approximately once every 90000 deliveries. It usually results in a low survival rate for the twin that presents first, with a stillborn rate over 50%. This piece is believed to be from South America, and is either from Colombia or Peru.Ceramic childbirth scene with three figures. At centre, a woman lies on a table giving birth. A figure wearing a hat stands to her right, resting their hand on her upper chest in a gesture of support. On her left, a gloved man with receding hairline and a moustache is leaning over her abdomen and is extracting two babies from her womb.obstetric delivery

Figurine is from a 1973 series of 'mini exotic national costume figuines' THe toy helps to tell the significant story of Sanitarium Health Foods in Warburton. Cream coloured plastic figurine toy from a Sanitarium cereal packet. A series of national costume figures was available in Sanitarium cerial packets in 1973. This male figure represents Java. Figurine wears shorts, T-Shirt and wide hat. Carries what appears to be fruit on either end of a large stick that he carries on his back. sanitarium health foods co, sanitarium

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A First World War button inscribed ‘Our Day Nation & Honour’, and featuring an image of British nurse Edith Louisa Cavell, who died at the hands of a German firing squad in 1915. She became a heroic figure of sacrifice in World War I, and was used to increase military recruitment in Britain and win support for the war in the United States."Our Day / Nation & Honor"patriotic buttons, first world war (1914-18), badges

This item is part of the Dodgson Collection, which was bequeathed to Queen's College in 1892 by the Rev. James Dodgson. The collection was created by Aquila Dodgson, brother of James. Aquila Dodgson was a friend of the English Egyptologist Flinders Petrie, and it was through this friendship the Aquila was able to acquire ancient Egyptian artefacts. A detailed study of the collection was made by Christine Elias "Discovering Egypt: Egyptian Antiquities at the University of Melbourne", M.A. thesis 2010.Two sherds that join to form a Canopic jar which held the stomach removed during mummification. The stomach was placed under the protection of Duamutef, one of the four Sons of Horus, who were charged with protection of the viscera removed during mummification. He was represented as a human figure with the head of a dog. Duamutef was then placed under the protection of the goddess Neith. Small paper label inscribed with 'A11' attached to back of sherd. The inscription, consisting of four columns of text reads: Words spoken by Neith My arms embrace what is in me I protect Nuamutef, who is in me The revered one with Duamutef, (Osiris) the dignitary Tusy true of voice. (translation by Dr Olaf Kaaper)canopic jar, hieroglyphs, james dodgson, aquila dodgson, flinders petrie

Decorative object made by silversmith Ernest Leviny.Silver mounted emu egg goblet with detachable silver lid decorated with a kneeling Aboriginal figure holding weapons (spear is missing). Emu egg is mounted on a silver base with filigree acanthus leaf designwork on the stem, leading to four sprays on the egg surface with a rose, thistle and shamrock design. The inner egg is lined with a gold wash.Noneernest leviny, silversmithing, colonial silverware, castlemaine, emu egg goblet, buda, c 1859

Original jewellery design for 'Britannia' pendant by Ernest Leviny, designed when he was living in London c1851, before travelling to the Australian goldfields of Castlemaine in late 1852. Leviny and his partner, Frederick Boocke, supplied jewellery designs to Watherston and Brogden in London. This design was made into a pendant by another London company, S.H. & D. Gass and was awarded a prize medal at the Great Exhibition of 1851 at the Crystal Palace in London. Leviny brought many of his original jewellery designs with him when he came out to Australia from Britain. See Schofield, Anne & Fahy, Kevin (1991), 'Australian jewellery: 19th and early 20th century'; Woodbridge, Suffolk, Antique Collectors Club, p. 39; Gere, Charalotte & Rudoe, Judy (2010), 'Jewellery in the Age of Queen Victoria', Pub.The British Museum p.340.This original jewellery design for the 'Britannia' pendant by noted colonial silversmith and jewellery, Ernest Leviny, is significant due to its link with the 'Britannia Pendant' awarded a prize medal at Great Exhibition of 1851, held at the Crystal Palace in London.Original jewellery design for a pendant featuring a standing woman (Britannia) holding a trident in her left hand and possible oar in her right hand, with Gothic style ornate pillars on each side and an archway overhead. Beneath the figure are three pearl drops. Drawn in pencil on grey card with gold ink highlights and red watercolour tinting.ernest leviny, jewellery, design, illustration, brittania, 1851, great exhibition of 1851

Figure of a man. He is slim, one foot in front of the other. He looks straight ahead. Looks to be wearing a white wig. He is holding his hat in his hand. He is coat tails and wears black shoes. He is standing on a base which has blue decoration on it. He looks to have high collar.England / 1887 / M** C. Keillerporcelain figurine, figurine

This Bateman & Co penny token was given to Les O'Callaghan by his workmate and neighbour Roger Walsh. This is the story which accompanied the gift. 'This penny has been in my possession since 1946. Was obtained at Koroit Races that year -Royal Gem winner of the Caulfield Cup. This penny was wrapped in silver paper and was accepted by the bookmaker Mr Harold James whom I clerked for as a wager. I in turn payed [sic] my wages for working for this bookmaker and received same. Incidently [sic] the custom of this bookmaker in those days was the clerk usually was paid with silver, which was left in the bag as he did not wish to carry the silver home as he lived in Melbourne.Circular coin -obverse has name of company (William Bateman) in an inner circle with the word Victoria across the centre; within outer circle the type of trade engaged in and the year minted. The reverse has a female figure in flowing gown holding scales in the right hand and cornucopia in the left; the value of the coin is stamped around the top edge.WILLIAM BATEMAN WARRNAMBOOL/IMPORTERS AND GENERAL MERCHANTS 1855/VICTORIA (obverse) ONE PENNY (reverse)william bateman, les o'callaghan, penny tokens, horseracing, roger walsh, bookmakers, harold james

Viola Annie McVicars (1911–1990) was born in Korumburra on 29 April 1911. At the age of 21, she married William John Ayling (1909–1995). After their marriage in 1932, they moved to Kew, initially to 81 Tennyson Street, and later to 180 Pakington Street. A professional tailoress, Viola Ayling was also a talented amateur potter, creating her ceramics at her home in Pakington Street, where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. Following her death in 1990, her studio pottery passed to her daughter, and following the daughter’s death, to her granddaughter. This piece of glazed earthenware is part of a collection of 15 functional and decorative ceramic items donated by Viola’s granddaughter to the collection in 2024.A handmade, abstract figurative sculpture, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Pate.Hand modelled ceramic sculpture of a Madonna and Child figural group. The abstract figures are fully covered in an olive green overglaze, apart from the base which is overglazed in cream. The base has an incised spiral beneath the glaze, which was used to decorate the hidden surfaces of a number of pieces, The base is signed with the artist's name around the edge.Signature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), sculptures, abstract art, madonnas and child, viola annie mcvicars, viola annie ayling

Sister Augustine from the Baria Orphanage South Vietnam hand sewed these items for Geoff Murray for his help with the Orphanage on his 2nd tour of Vietnam with Survey Corp 15.10.69 to 15.10.70. Refer 594.2, 610.2, 1866.3 re Geoff and the Orphanage. His first tour was with 3 Cav Regt 27.11.67 to 22.10.68. Refer 638P..1), .2) Embroidered pillowcases, hand sewn with 2 Vietnamese women. .3) Handkerchief embroidered with green edge and figure of Vietnamese woman. .4) Handkerchief, white with pulled through design in one corner. .5), .6), .7), .8) Handkerchief, white on white with small design in one corner. All items are hand sewn.embroidery, vietnam, baria, sister augustine

No-one at currently at Red Cliffs Military Museum knows Mrs Mihan. but are trying to rectify this.A brass cast Australian Soldier in jungle equipment with Owen Gun, slouch hat, dog tags, basic 37 patern webbing, short and boots.No makers markaustralian, ww11, brass, figure, jungle, owen, gun, fighter, trench, art

Born: Bradford, Yorkshire, England 1850; Arrived: Victoria, Australia c.1874; Died: Melbourne, Victoria, Australia 1908VictorianGift of Mr S.T.Staughton, 1978Rural landscape with animals at waters edge, trees, packed wagon and figures around a fire. Gold plated gesso on timber frame.Recto: Not signed, not dated, not titledpainting, landscape, figure, animals, wagon, horses, water, reflection, wheels, colonial

patinated plastertempus fugit, time flies, sundial, figure, female, charles douglas richardson, c douglas richardson, cd richardson, relief, sculpture

Located in the garden at Kooyong, at the intersection of the path to Talbot Crescent and the path leading to the Club house, this plaque marks the contribution of Louise Zalay. Louise worked in the library area and was a familiar figure at Kooyong until her unexpected death in 2015. This plaque was unveiled by CEO Ron Hooten, with Louise's parents and many of her colleagues in attendance, and was accompanied with the planting of a rose bush.Metal plaque with inscription embedded in garden bed.In memory of Louise Zalay A friend and colleague for 20 years 1995-2015vision australia, nameplates

This wooden box and other small gifts were given to performers at Carols by Candlelight as a small thank you for donating their time and talents at the concert. The Carols by Candlelight logo of two candle adult shaped figures stand beside a smaller candle child shaped figure, with the words 'Carols by Candlelight 2001' arching over the top of the figures and 'RVIB' at the base of the figures.1 dark brown wooden box with hinged lid and green lining on baseCarols by Candelight 2001 RVIBcarols by candlelight, royal victorian institute for the blind, fundraising

Members of the Aston family in front of Tilly’s father’s boot making business in Carisbrook, where Tilly was born in 1873. From left: Sophie Aston (Tilly’s sister), William Aston (Tilly’s brother), Ann Aston (Tilly’s mother) and Edward Aston (Tilly’s father) and dog. The female figure on the far left of the image is unidentified. This image is a copy of a copy, and not the original.1 x b/w photograph of four people outside a shoptilly aston, edward aston, ann aston, william aston, sophie aston

Awarded to: School Children of the Commonwealth of Australia Other Details: Of the commemorative medals issued to mark the end of the First World War, the most common was the so-called 'Peace' or 'Victory' medal issued to every child in Australia aged 0-14 years (and aged up to 16 if parents were in the armed forces). The medal was designed by Charles Douglas Richardson, better known for his work as a sculptor. Time constraints as well as pressure from the production of other victory medals meant that no single manufacturer could make the 1,670,000 medals. Six were therefore selected: Amor, Stokes, Schlank, Parkes, Angus & Coote (who later withdrew) and Platers. The medals were silvered bronze, with silver issues for special presentations. The Defence Department supplied a red, white and blue striped ribbon and pin. Distribution began in March 1919. Victorian school children received their medals on Friday 18 July and on 'Peace Day' on Saturday 19 July.To commemorate the end of World War 1.Round white metal medals issued to mark the end of WW1. On the front "PEACE 1919", and on the reverse, "VICTORY", middle of the medal "THE TRIUMPH OF LIBERTY AND JUSTICE". on the bottom "THE PEACE OF 1919". With a plain edge.Peace with two flying doves on pedestal inscribed, PEACE / 1919 below AUSTRALIA; figure in chains on left and another entangled in bush to right (obverse) Australian sailor and soldier support wreath; above, VICTORY; within, THE / TRIUMPH / OF / LIBERTY / AND / JUSTICE; below on plaque, THE PEACE OF 1919(reverse)world war 1, peace, victory medal australia

Awarded to: School Children of the Commonwealth of Australia Other Details: Of the commemorative medals issued to mark the end of the First World War, the most common was the so-called 'Peace' or 'Victory' medal issued to every child in Australia aged 0-14 years (and aged up to 16 if parents were in the armed forces). The medal was designed by Charles Douglas Richardson, better known for his work as a sculptor. Time constraints as well as pressure from the production of other victory medals meant that no single manufacturer could make the 1,670,000 medals. Six were therefore selected: Amor, Stokes, Schlank, Parkes, Angus & Coote (who later withdrew) and Platers. The medals were silvered bronze, with silver issues for special presentations. The Defence Department supplied a red, white and blue striped ribbon and pin. Distribution began in March 1919. Victorian school children received their medals on Friday 18 July and on 'Peace Day' on Saturday 19 July.To commemorate the end of World War 1Round white metal medals issued to mark the end of WW1. On the front "PEACE 1919", and on the reverse, "VICTORY", middle of the medal "THE TRIUMPH OF LIBERTY AND JUSTICE". on the bottom "THE PEACE OF 1919". With a plain edge.Peace with two flying doves on pedestal inscribed, PEACE / 1919 below AUSTRALIA; figure in chains on left and another entangled in bush to right (obverse) Australian sailor and soldier support wreath; above, VICTORY; within, THE / TRIUMPH / OF / LIBERTY / AND / JUSTICE; below on plaque, THE PEACE OF 1919(reverse)

William Wilson Jamieson came to Warrnambool around 1857 after running a Ironmongers business in Hawthorne died . He opened his store in Liebig St which he operated until his death in 1882. He was quite active in the community serving on the town council for a number of years and also the Oddfellows Lodge and the Mechanics Institute. He came to Warrnambool in 1857, after running an Ironmonger's business in Hawthorn and having worked for the hardware company McEwan & Co. in Melbourne. He bought a weatherboard building that had previously been a 'bowling saloon' in Liebig Street and opened a business that Gardner describes as a general store and Turnbull describes as a drapery store. He was a member of the town council from 1862 to 1874 and from 1877 to 1880 and also served as mayor for two terms. He was also active in community organisations including the Mechanics institute and the Oddfellows This token is of great importance. It is significant for three reasons: 1. It is an example of an 1850s Australian token, demonstrating an early business practice in our history. 2. It is an example of a Warrnambool token produced by an important Warrnambool business (only two firms in Warrnambool produced tokens)A round copper token. The token was issued by: W.W. Jamieson & Co.. Liebeg St. Warrnambool, Storekeepers 1862 which is in raised lettering on the obverse of the token. The reverse features a blindfolded woman with the scales of Justice in her raised right hand. She is standing beside the seashore with a sailing ship in the background AUSTRALIA is stampedabove the figure anf the date 1862 is stamped below.W.W. JAMIESON & CO STOREKEEPERS LIEBEG STREET WARRNAMBOOL. AUSTRALIA1862jamieson token, warrnambool, william wilson jamieson, warrnambool ironmonger

A collection of photographs depicting numerous people. Some have been taken by studios such as Lovewell & Co, Hider, Jordan and Daniel Clarke of Warrnambool. Most of the photos are unnamed but of those that are there is a Thom Wickham, E. M. Fleming, Henry and Stanly Frisch. There are also a number of photographs depicting land clearing and wood cutting also a couple of cards, one happy New year and Glaedelig Jul( Danish Merry Christmas)An album typical of the era with local family connections as well as work by local photographersBrown leather cover with gold figure work over embossing on the front with possibly the letter,”C”. The back cover is entirely embossed. Edges of metal clasp are on front and back cover but clasp part is missing. Gold edges to pages, which are all heavy card. Front inside page has pink briar roses with “Album” on card inserted through it.Jan 17th 1888. To Morris from H Bambrick?warrnambool, warrnambool photographers, lovewell & co, jordan photographers, daniel clarke, thom wickham, e m fleming, henry frisch, stanley frisch

AWA Broadcasting station 3BO Bendigo Perpetual Trophy for Football, final winner Golden Square School 1974. Wooden base with silver engraved cartouche, topped with a bronze figure of footballer kicking a ball, between two square silver plated columns and top etched with winners ranging from 1962 to 1974, bronze wreath finial on top.bendigo, education, golden square school

Black and white photograph. Poppet head, winder house, chimney, overhead tramway, stack of wood, one male figure pushing one truck on overhead tramway. Mine office at front right. Inscriptions: On front - '26' at TL. On back - 'New Red, White and Blue Consolidated, Main Shaft (Big Blue). Rec'd photo 21/4/67.'mine, gold, big blue ( r.w.b.consolidated), bendigo, mines and mining, mines, mining, poppet head, mining equipment

black and white photograph mounted on cream board. Church with square tower, gothic windows, in middle distance. Trees, shrubs and grass surrounding. Male figure standing centre left. On front at RH vertical edge ' with best wishes for a Happy Christmas and a bright New Year. On back, hand written in ink 'Christ church and ground, Longford, Tasmania.buildings, church

Trophy, wooden rectangular base with wooden pedestal, left hand side, silver figure of netball player on top. On right, gold plaque on brown wooden backing with names of winner engraved. Engraved on top of list, Eaglehawk North ( no date ), Girton 1979, St. Liborius 1980, St. Kilian’s 1981, St. Theresa’s 1982, Bendigo North 1983.bendigo, education, bendigo north primary school

.1) Heritage award,bronze male figure of a stonemason standing behind a slab of stone engraved, "Mt. Alexander Branch of National Trust Heritage Award for Excellence" presented to "Thompsons Foundry Drawing Office Interest Group". .2) Framed citation explaining the award. Black plastic frame, glass front, featuring an historic photo of Thompsons drawing office.award, heritage

This postcard depicts the urban setting of the Mission to Seafarers a few years after its construction. (the Dome, the last part erected, was opened on 21 October 1921). It demonstrates a lack of urban surrounds or buildings as well as a paved road and a horse-drawn wagon. The figure in the photo is also a record of the dress style of the era. The lady is most likely a member of the Ladies' Harbour Lights Guild.This postcard demonstrates that the building was deemed important enough to be photographed for a postcard. It is a record of what the Mission to Seafarers looked like two years after its construction, and its urban surrounding.Sepia postcard of the Mission to Seafarers building complex and surrounding streets. The postcard depicts a wagon and a woman walking by the complex wearing a black dress and coat and black hat and holding an umbrella. Front: THE MISSIONS TO SEAMEN INSTITUTE, MELBOURNE VICTORIA REAL PHOTO SERIES.M.1696 Reverse: PUBLISHED BY THE VALENTINE & SONS PUBLISHING CO.LTD / MELBOURNE SYDNEY & BRISBANE. Contains logo of VALENTINES REAL PHOTO SERIES POSTCARD. Stamp logo lists: BRANCHES / SYDNEY / LONDON / DUNDEE / DUBLIN / CAPETOWN / MONTREAL / TORONTO Handwritten in blue: 1919mission to seafarers, melbourne, mission to seamen, seamen's mission, norla dome, flag, flying angel, lady, horse cart, umbrella, flinders street extension, ships, australian wharf, valentine's postcards, real photo series postcards, st peter chapel, lhlg, architecture, walter richmond butler

The award reads as follows: "1999 Australian Direct Marketing Awards, Bronze Award (bronze coloured 14 sided figure logo) Addressed Mail - Small Flat Mail (category), Feely Book Mailer (title) Bristow & Prentice Response Advertising (agency) RVIB (client) Streetfile (sponsor) (signature) Chairman Presented by the Australian Direct Marketing Association and Australia Post."1 x A4 sized paperroyal victorian institute for the blind, awards