Original handwritten Ladies' President’s, Captain's and Treasurer's reports, includes, financial records and payments. President's reports by Margery Eilers, Ruby Pavey, P. P. Moore. Captain's reports by Nola Mills, Myrtle Patterson, Elizabeth ScanlonVolume 27 of a complete set of Associates' minutes from the foundation of HGC to the present day.Multiple pages, handwritten reports in yellow ring binder.committee minutes, women's golf, associates, ladies' golf

Contains Club information, members' names and contact details and a calendar of events. Some sponsor advertising throughout.Part of an incomplete collection of members handbooks from 1985-2015120 p., cream cover with Club logo.heidelberg golf club, members handbooks

War Memorial and shops at the west end of High St Charlton. Shops include Paterson's Welcome Mart, Eddie Harris Mensland, Charlton Cinema, panel beaters, Tippett's Haberdashery & FurnishingsColour photo of War Memorial looking east down High St. Back view of memorial. No entry sign.war memorial, high st charlton, paterson's welcome mart, charlton cinema

Cinema Charlton (now the Rex Theatre). Supples Dress Shop and Ron McKee's Hair Salon (mens)Colour photograph of Cinema Charlton. Blue, yellow and red banner advertising Charlton Film Festival on 25-26 February.cinema charlton, supple's frock shop, ron mckee's hair salon, art deco cinema, rex theatre

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for Rippon Lea H0614 https://vhd.heritagecouncil.vic.gov.au/places/427(as at 23/10/2020) Rippon Lea was commenced in 1868 by Frederick Sargood, a most successful politician and merchant. He was born in England in 1834 and arrived in Melbourne in 1850. He soon joined his father's wholesale soft goods firm, spending some time as its manager on the goldfields. Sargood entered the Legislative Council in 1874. He was Victoria?s first Minister for Defence in 1883. Sir Frederick Sargood was created CMG. In 1885 and KCMG in 1890 as a reward for his contribution to public life. He died suddenly in 1903. Rippon Lea was designed by the leading firm of architects, Reed and Barnes. Joseph Reed had travelled in Europe in 1863, including northern Italy. When he returned he introduced the use of polychromy. While not the first examples, Rippon Lea and the Independent Church in Collins Street were the best and set a fashion which became a distinctly Melbourne style, particularly used for houses and churches. Its popularity was possible because of the new availability of different coloured bricks. Reed's fine Lombardic Romanesque details soon became debased by others. As Sargood's family grew and his fortunes prospered, Rippon Lea was extended to include 33 rooms - a complete mansion. The cast iron porte cochere and the northern conservatory were added in 1897. The architects were Taylor and Fitts. The ballroom was added in 1882 and remodelled in 1889. Many alterations have changed the interior and exterior during the ownerships of Benjamin Nathan and later his daughter Mrs Louisa Jones in the 1930s and are in their own right of significance. Sir Thomas Bent owned the property from 1903 until 1911 but never lived there. He subdivided much of the land. The original garden dates from about 1868, and it seems that William Guilfoyle of the Botanic Gardens was involved. It was redesigned in a more natural style in the 1880s by Sargood and his head gardener, Adam Anderson. The lake, waterfalls, fernery, hill and grotto are balanced by mighty deciduous trees and conifers. These are interspersed with, but never dominated by Australian species such as eucalyptus and other exotics. The sinuous drive with its carefully prepared approach to the house is notable. The original vegetable gardens, orchard and outer paddocks no longer survive. The shade house is important as the largest known in Australia and possibly the world. Its curved plan and form of construction are particularly notable. It was built about 1884.Page 91 of Photograph Album with four photographs (two portrait and two landscape) of various external views of Ripponlea.Handwritten: SOUTH [under top left photo] / SOUTH [under top right photo] / WEST [under bottom left photo] / 91 [bottom left]trevor hart, elsternwick, mansion, hotham street, frederick sargood, reed and barnes, cast iron porte cochere, conservatory, 1860's, 1890's, ballroom, 1880's, benjamin nathan, louisa jones, thomas bent, sir thomas bent, william guilfoyle, adam anderson, lake, grotto, shade house, portico, ripponlea, victorian, sir frederick sargood, architects, taylor and fitts, rippon lea, polychrome bricks, lombardic romanesque style

Final edition of the 'Herald' newspaper 14th August 1990A metal printing plate of the front page of the final edition of the Herald August 14, 1990newspaper, printing plate, "herald'

This colour photograph, with 15 others are enlargements gifted to the Society by Mel Lawrence in 2016. They were taken at a commemorative event from the Kew Tram Depot. Laminated colour enlargement of Y Class 469, and A Class 231 in heritage colours of the M&MTB during a re-enactment from the Kew Depot in 1990.Annotation reverse: "Kew Depot 1990. Y Class 469, A Class 231 in heritage colours of the M&MTB"kew tram depot, a class trams, trams -- melbourne, y class trams

ThreGlasses have been made to celebrate the 75th Anniversary of Gallipoli, 1990The glasses are originalsA set of six (6) glasses, clear glass an ANZAC Badge on each glass.An ANZAC Badge on each glass, inscribed 75 Anniversary, 1990glasses, 75th anniversary gallipoli

This colour photograph, with 15 others are enlargements gifted to the Society by Mel Lawrence in 2016. They were taken at a commemorative event from the Kew Tram Depot. Laminated colour enlargement of W Class tram No.380 turning out of Barkers Road into High Street South, during a re-enactment in 1990.Annotation reverse: "Kew Depot 1990. W Class 380 turning out of Barkers Road into High Street South"kew tram depot, trams -- melbourne, a class trams

This patch was created to celebrate the repatriation to Australia of the bodies of airmen Robert Carver and Michael Herbert whose Canberra bomber, callsign 'Magpie 91" crashed in Vietnam in 1970.Round white fabric patch with black border. Magpie emblem of 2 Squadron in middle with red stylised 91 beneath. Text around edge.M.I.A. SVN 3rd November 1970. Home Aust August 2009. 2 SQN. emblem in black on white cloth. MIA SVN 3rd November 1979. Home Aus 31 August 2009. R. Carver & M. Herbert.missing in action, michael herbert mia, robert carver mia, 2 sqn, vietnam, raaf

This colour photograph, with 15 others are enlargements gifted to the Society by Mel Lawrence in 2016. They were taken at a commemorative event from the Kew Tram Depot. Laminated colour enlargement of Y1 Class 611, on the corner of Barkers Road and High Street South, during a re-enactment from the Kew Depot in 1990.Annotation reverse: "Kew Depot 1990. Y1 Class 611, turning out of Barkers Road into High Street South"kew tram depot, trams -- melbourne, y1 class trams

The original route of the Kew Horse tram extended from Victoria Bridge to the Boroondara General (Kew) Cemetery. This colour photograph, with 15 others are enlargements gifted to the Society by Mel Lawrence in 2016. They were taken at a commemorative event at the Kew Tram Depot.Laminated colour enlargement of a horse-drawn tram in High Street South after leaving the Kew Tram Depot in 1990. The printed word 'Kew' was presumably added for the event. Annotation reverse: "Kew Depot 1990. Horse tram in High St. Sth followed by V Class 214"kew tram depot, kew horse tram

Jersey colour sample book, Zegna Baruffa primavera estate, 1990.Grey cardboard folder containing forty eight jersey textile colour samples. Baruffa/ MADE IN ITALY / PRIMAVERA ESTATE/1990/ CASHWOOL / COLORI MELANGEStextile industry merino sheep weaving, zegna baruffa, cloth - woollen, textile industry, merino sheep, weaving, italy, jersey fabric

Large photograph of Mr. Ken Jonhson principal of Golden Square High School from 1983 to 1990. On the back in pencil Mr. Ken Johnson principal Golden Square High School 1983-1990principal, golden square high school, 1983-2000

Between 1992 and 1998 Snuff Puppets was housed on the third floor directly above the Melbourne Museum of Printing at the old Bradmill Cotton Mills building on Moreland St in Footscray. Museum proprietor Michael Isaacson was keen to share his resources and gave Snuff Puppets carte blanche to use his Museum. Nearly all the promotional posters and materials from this time were printed in limited edition runs at the Museum using scrounged paper, odds and ends of ink, lead type, wooden type, lino cuts and an old press.A4 hand printed linocut on thin cream card in 3 colours; blue black, yellow, red. Depicts a pensive skeleton sitting on a small hill with a lowered flag with the initials SP, partly concealed by a giant yellow worm. The print also features the iconic fish skeleton logo. lino cut prints, skeletons, snuff puppets, puppetry, andy freer, melbourne museum of printing, footscray, michael isaacson

Between 1992 and 1998 Snuff Puppets was housed on the third floor directly above the Melbourne Museum of Printing at the old Bradmill Cotton Mills building on Moreland St in Footscray. Museum proprietor Michael Isaacsen was keen to share his resources and gave Snuff Puppets carte blanche to use his Museum. Nearly all the promotional posters and materials from this time were printed in limited edition runs at the Museum using scrounged paper, odds and ends of ink, lead type, wooden type, lino cuts and an old press. A4 linocut print in two colours. Black background. Right side of page has a skeleton walking on hill waving his left hand and holding a red flag with letters "SP". The iconic fish skeleton logo in top right corner. art, flag, print, snuff puppets, lino cut, puppetry, andy freer, melbourne museum of printing, puppets, footscray, theatre, performing arts, promotional book, skeleton

A race meeting held as a tribute to "Phar Lap" - died 5/4/1932Rectangular program 112 pages with sepia photos of "Phar Lap" on front and back. Contains details of races held by the Moonee Valley Racing Club Inc. on Saturday 11 April 1992. Cost of program $2See photos front and back covers