Hand coloured linocutSigned and dated 'David Preston 89.' in lower right corner under printed image. Edition 36/50, and title "Saddleback" in lower left corner under printed image.

Post card sized photograph of Miss Annie DeversOn back of photo: "Auntie [crossed out] Miss Annie Devers. Passed away 20/12/1962 aged 89 years & 8 months. Photo taken about 1960"annie-devers, christian devers

The Bendigo & District Servicemen's Club was a Co Operative of the 3 Bendigo RSL Sub Branches. Roy Leslie Thurlow was a tireless worker for the Servicemen's Club, he was President 1984 - 85, 1988 - 89, he was made a life Member of in 1986. With the Bendigo RSL Sub Branch he served on the Committee from 1980 - 93, he was Jnr Vice President 3 years and 4 years as Snr Vice President. Refer Cat No 4688PBadge metal, colours are red, blue and gold. The top section is rectangular shape with the wording "Bendigo and District Servicemen's Club, centre of has 3 figures as per the RSL Logo, a membership pin for the year "1987" is attached. Rear has details and maker. Attached to the badge section via rings has the wording "LIFE MEMBER".On rear, "R.L. Thurlow" - 0004 - 1986"brsl, smirsl, bdsc, life member

The first cricket club in Kew in was formed in 1863, and played its matches in Wellington Street, and then later in O’Shaughnessy’s Paddock. In the early 1870s, a second club was formed and played at Victoria Park. The Kew Cricket Club gained its permanent name in 1888-89. One of the named players in the photograph - Albert Watson - was the son of the local Methodist Minister. The photograph entered the collection within a donation of items by Mrs Joy Ivory, a descendant of the Watson family, and a member of the Society.The photograph, dating from 1911 has local significance as an image of participation in sport and recreation.A monochrome photograph, mounted on card of the Kew Cricket Club's first XI cricket team in 1911. Annotations on the reverse identify three of the players: Standing left with bat: George Twycross; standing right: Albert Clements; Seated third on right: Albert Watson.Presented to Kew Historical by Mrs Ivory (nee Watson) Kew Cricket Club / Standing left with the bat Mr George Twycross / Standing right Mr Bert Clements / Seated third on right Mr Albert Watson / Year 1913kew cricket club (vic), sport - kew - victoria, albert watson, albert clements, george twycross

Paperback; ix, 119 p. : chiefly ill. (some col.), 1 map, ports. ; 19 x 25 cm.ISBN 0958866333 [written on title page] To Eltham Historical Society, with our compliments and best regards - Whittlesea Historical Society - [signed] Robert Wuchatsch, G. Hawke. 13/12/89.whittlesea shire

Malcolm Cameron, came from Scotland to Australia with his wife in 1862. From late 1862 they lived in Bacchus Marsh and remained there for the rest of their lives. After working as a shepherd for sometime Malcolm Cameron was able to acquire land for a farm a few kilometers north west of Bacchus Marsh. The farm was called Glen View but this was later changed to Grand View. It is known to have been a wheat farm, Malcolm Cameron died aged 89 in 1922. His wife died in 1926. Small sepia unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll'. The image shows a family group, the Cameron family of Bacchus Marsh, standing and sitting in a paddock on their farm. Cows graze in the paddock nearby. In the background, in the distance, can be seen the Cameron family home.On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. stevenson and mcnicoll 1883 photographs of bacchus marsh and district, farmers, farms, wheat farms, cameron family bacchus marsh

Badges belonged to Victor Henry Evans No 418655 RAAF. Refer Cat No 1760.4.1) RSL membership badge from 1919-26. Enamelled white shield shape with blue circle and red banner, topped with crown. Centre has two figures of soldiers, blue circle has text "Returned Sailors, Soldiers Imperial League", red banner has text "Australia." .2) RSL membership badge from 1941-66. Same design as .1) but crown has blue enamel clip over with the figure "89" denoting financial membership 1989. .1) "A11526" .2) "V87093"badges, membership rsl

Beige coloured auction catalogue for an auction of electrical mining machinery, plant, buildings and extensive equipment of the Glenfine South Consolidated Gold Mines N. L. at Pitfield Plains (Vic.), held on 21st November, 1940. J. H. Curnow & Son were the auctioneer. Front cover has red and black printing. Inside the front cover there is a black and white photo of Lot 89, a Diesel Electric Generating Set. Contains descriptions of some of the lots and details of location of the sale.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - glenfine south consolidated gold mines n.l., j h curnow & son, the cambridge press, j l jamieson & co

Tom Slater Scripture Union co-ordinator of schools work and Founding President of the Camping Association of Victoria.(1) Head and shoulders in conversation at the combined Scripture Union and Teachers' Christian Fellowship meeting; (2) head and shoulder profile; (3) head and shoulders portrait.(1) Tom Slater Scripture Union p.34 C&N 27/6/84; (2) Tom Slater; (3) Tom Slater State Director SU from Dec 89slater, tom, scripture union

Framed image of Greg Williams kicking a football. The image was to commemorate his induction to the Carlton Football Club Hall of Fame in 1999.Image behind glass frame, no scratches and a gold wooden frame. Greg Williams 1992-1997 Played 109 Games Kicked 89 Goals Played in Premiership Teams 1995 Best & Fairest 1994 Brownlow Medal 1994 Norm Smith Medal 1995

These directories provide information on localities and surnames, services and trade information throughout Victoria. Included in this folder are the following: Wise’s Victoria Post Office Directory 1884-85 Wise’s Victoria Post Office Directory 1888-89 Wise’s Victoria Post Office Directory 1891-92 Wise’s Victoria Post Office Directory1893-94 Wise’s Victoria Post Office Directory 1895-96 Wise’s Victoria Post Office Directory 1897-98 Wise’s Victoria Post Office Directory 1899-00 This directory is a useful resource in researching people and towns of the given areaRed plastic folder with white printed label attached to front cover. Contains smaller card index inserts. Four plastic sleeves containing microfiche. Ref 929.3945 Aus/Nif written in black pen inside front cover wise’s victoria post office directory 1884-85, wise’s victoria post office directory 1888-89, wise’s victoria post office directory 1891-92, wise’s victoria post office directory1893-94, warrnambool history

Album compiled by the photographer containing generally 89 x 124mm of: • Bendigo – 151 black and white prints • Ballarat – 119 black and white prints and some colour • Melbourne – 20 colour and black and white prints - featuring Queensway, the Hump, Royal Park, route 82, Dandenong Road, Glenferrie Road, Barkers Road and Hawthorn Bridge. • Rome, Hong Kong and Toronto – 14 prints See items 8638 to 8642 for negatives of the Ballarat and Bendigo photos and related image files held on the BTM Demonstrates the work of the photographer.Album - heavy plastic covered covers, with 100 sewn and glued paper sheets each side with three plastic sleeves for photographs with a negative pocket page at the rear. See list of btm8637 - Ballarat list.doc for a location listing of the Ballarat photographs.trams, tramways, ballarat, bendigo, melbourne, hong kong, toronto, rome, brian andrews

Geoffrey RICARDO (1964- ) Born Melbourne, Australia 1984-86 Bachelor of Arts (Fine Art), Printmaking, Chisholm Institute of Technology, Melbourne 1987-89 Printing Assistant at Bill Young Studios, Editioning intaglio prints, King Valley, VIC 1988 Full-time Studio Technician at Printmaking Department, Chisholm Institute of Technology, Melbourne 1989-90 Graduate Diploma (Fine Art), Printmaking, Monash University, Melbourne 1991 Travelled to England, France, Spain and USA (Winsor & Newton International Travelling Bursary, Framed intaglio print from Geoffrey Ricardo's 'A Dark City, A Narrative' suite. Under image in pencil ' "The Illuminated City" Ricardo 99"geoffrey ricardo, printmaking, framed print, intaglio, etching

1 wooden boomerang shaped shield with engraved silver plates and bronze coloured man holding an image of a female lawn bowls player The central large silver plate is edged with wreaths and inscribed "Presented by E. & N. Maxwell 1976" and a long silver plate banner with "V.B.L.B.C. Most Improved Player" surrounded by multiple small silver shields with the names of individuals and the year that they won the award. A bronze coloured figure stands in front of the banner, holding a black, silver and green coloured picture of a female lawn bowls player taking a shot whilst two others look on. The smaller shields are engraved with the following: 76-77 Edna Wratten, 77-78 Michael McGuire, 78-79 Colin Johnson, 79-80 Mrs H. Conroy, 80-81 Mr L. Tester, 81-82 R. Teague, 82-83 H. Eustace, 83-84 Kate Smith, 84-85 George Hardham, 85-86 Laurie Hoskins, 86-87 Bill Martin, 87-88 Frank Bartoli, 88-89 Clarrie Greening, 89-90 Ron Jones, 90-91 Jean Moore, 1991-92 Marjorie Goodall. Digital Image of wooden trophySee descriptionroyal victorian institute for the blind, nameplates

See Cat 4575 PThis is possibly a copy. Blue Card folded once. Front cover has British Coat of Arms, with words "National Registration Identity Card". The rear cover has number FC 655746 and three rubber stamps. Inside is written: BCDD 157:2 Van Lier. Abraham. Class Code A. Postal address - 89 Sherwood Avenue, Greenford MDX. Signature - A Van Lier. Stamped 22 Jn 43. Suspect it is a copy, printed onto new white cardboard substrate (Perhaps a training aid?). war, identification

Four receipts. (1) Receipt dated 12 July 1889, signed H & W 14/7/89 for Mrs Haynes proportion of costs. Green Stamp Duty attached. (2) Receipt dated 6 Oct 1888, signed by John Holmes for £8 received from Connelly & Tatchell. Green Stamp Duty attached. (3) Receipt signed by D. Oliver, dated 12 Oct 1888 for cheque. (4) Receipt signed by George Lewis dated 9 Oct 1888 for £1.11.6.business, legal, connelly & tatchell, connelly & tatchell collection - document, mrs haynes, cuthbert hamilton & wynne, mr toy, john holmes, keam, d oliver, g lewis, mitchell, harris

This crucible was raised from the wreck of the LOCH ARD. It is one of six similar relics, in a range of sizes, now in the Flagstaff Hill collection. All bear markings to indicate their manufacture by the Morgan brothers of Battersea, trading as the Patent Plumbago Crucible Co. A crucible is a container used for purifying and melting metals so that they can be cast in a mould to a predetermined shape and use. They must withstand extremely high temperatures, and abrupt cooling, and shed their contents with minimal adherence. The addition of graphite to the traditional firing clays greatly enhanced the durability of industrial crucibles in mid-Victorian Britain, a significant technological advance at a time of great activity in foundries and expansion of demand for refined metals. The Morgans first noticed the advantages of graphite crucibles at the Great Exhibition held in London in 1851. Initially, they contracted to be sole selling agents for the American-made products of Joseph Dixon and Co. from New Jersey, but in 1856 they obtained that firm’s manufacturing rights and began producing their own graphite crucibles from the South London site. The Morgans imported crystalline graphite in 4-5 cwt casks from the British colony of Ceylon (now Sri Lanka) and mixed it with conventional English (Stourbridge) clays to be fired in kilns. Their products were purchased by the Royal Mints in London and India, and exported to official mints in France and Germany. They were successful exhibitors of their crucibles and furnaces at the London Exhibition held in 1861 (Class 1, Mining, quarrying, metallurgy and mineral products, Exhibit 265, Patent Plumbago Crucible Co). The range of sizes represented by the six crucibles retrieved from the LOCH ARD, suggests they may have been part of a sample shipment intended for similar promotion in the Australian colonies ― at Melbourne’s International Exhibition to be held in 1880. The summary of the LOCH ARD cargo manifest, by Don Charlwood in ‘Wrecks and Reputations’, does not mention any crucibles, implying that they were not a large consignment of uniform items. A newspaper account of an 1864 tour of the Morgan brothers’ ‘Black Potteries’ at Battersea indicates: “All the pots were numbered according to their contents, each number standing for one kilogram, or a little over two pounds; a No. 2 crucible contains two kilogrammes; a No. 3, three kilogrammes, and so on.” These numbers are obscured by marine sediment on three of the crucibles in the Flagstaff Hill collection, but those legible on the remaining three are 5, 6, and 8. None of the six is of the same size from a visual appraisal. A brief history of the Loch Ard (1873-1878): - The sailing ship Loch Ard was one of the famous Loch Line of ships that sailed the long voyage from England to Australia. Barclay, Curdle and Co. built the three-masted iron vessel in Glasgow in 1873. It had sailed three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of recently married, 29-year-old Captain Gibbs. It was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrellas, perfumes, clay pipes, pianos, clocks, confectionery, linen and candles, and a heavier load of railway irons, cement, lead and copper. Other cargo included items intended for display in the Melbourne International Exhibition of 1880. The Loch Ard had been sailing for three months and was close to its destination on June 1, 1878. Captain Gibbs had expected to see land at about 3 am but the Loch Ard ran into a fog that greatly reduced visibility and there was no sign of land or the Cape Otway lighthouse. The fog lifted at 4 am and the sheer cliffs of Victoria's west coast were much closer to them than Captain Gibbs expected. He tried to manage the vessel but failed and the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. The top deck loosened from the hull, and the masts and rigging crashed down, knocking passengers and crew overboard. The lifeboat was launched by Tom Pearce but crashed into the side of Loch Ard and capsized. He clung onto its overturned hull and sheltered under it. He drifted out to sea and the tide brought him back to what is now called Loch Ard Gorge. He swam to shore and found a cave for shelter. A passenger, Eva Carmichael, had raced onto the deck to find out what was happening and was confronted by towering cliffs above the ship. She was soon swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He swam out and dragged her to the shelter of the cave. He revived her with a bottle of brandy from a case that had washed up on the beach. Tom scaled a cliff in search of help and followed some horse hoof prints. He came from two men from Glenample Station, three and a half miles away. He told the men of the tragedy and then returned to the gorge while the two men rode back to the station to get help. They reached Loch Ard Gorge and took the two shipwreck survivors to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. In Melbourne, Tom Pearce received a hero's welcome and was presented with a medal and some money. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost her family in the tragedy. The shipwreck of the LOCH ARD is of State significance ― Victorian Heritage Register S417. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best-known shipwrecks in Victoria’s history.A Morgan’s Patent graphite crucible No.8 (i.e. 8kgs capacity), one of a set. It was recovered from the wreck of the LOCH ARD. It is in its original grey colouring with minimal sediment accretion on the top rim. It rises in a slight curve from a flat circular base to a wider rim with a pouring lip. Maker’s marks on the side of the container clearly identify the manufacturer. The maker's details are stamped into the base around and within a circle. A white sticker is attached. Made by the Patent Plumbago Crucible Company at the Battersea Works in London. Number “8”. Letters “MORGAN’S PATENT”. Details on the base "MORGAN'S PATENT" "THE PATENT PLUMBAGO CRUCIBLE COMPANY" Symbol [8] above "BATTERSEA WORKS LONDON" Handwritten on a white sticker in black pen "LA/89"flagstaff hill, warrnambool, maritime museum, shipwreck coast, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, graphite crucible, plumbago crucible, morgans crucible company, flagstaff hill maritime museum and village, fluxing pots, crucible, morgan’s patent, morgan brothers, patent plumbago crucible co, battersea works, london, port campbell

Pins used in Donalds D/box wool press Patent No 4, Serial No 87086These pins belong to Donald D/Box press in G1/ given originally by Mr Penna. We now have the full set of 6./ JC /22 Sept 89 ....6th pin in press in Gallery 1...shearing wool bales shearing sheds, wool press, shearing, wool bales, shearing sheds

Pins used in Donalds D/box wool press Patent No 4, Serial No 87086.These pins belong to Donald D/Box press in G1/ given originally by Mr Penna. We now have the full set of 6./ JC /22 Sept 89 ....6th pin in press in Gallery 1...shearing wool bales shearing sheds, wool press, shearing, wool bales, shearing sheds

Pins used in Donalds D/box wool press Patent No 4, Serial No 87086These pins belong to Donald D/Box press in G1/ given originally by Mr Penna. We now have the full set of 6./ JC /22 Sept 89 ....6th pin in press in Gallery 1...shearing wool bales shearing sheds, wool press, shearing, wool bales, shearing sheds

The Kew Historical Society, founded in 1958, is one of the oldest continuing historical societies in the Greater Melbourne region. For over 60 years, the Society has worked with local government and other community organisations to stimulate interest in Kew’s history and heritage. Over this period, the Society has regularly held heritage walking tours in the district including at the Boroondara General (Kew) Cemetery. This and other photos taken in the same year are examples of a walking tour held for members of the Royal Historical Society of Victoria.One of a series of photographs of a guided tour of the cemetery, led by members of the Kew Historical Society for members of the Royal Historical Society of Victoria.Reverse: "KH-89. Mrs Walker Lilydale Historical Society / Mr Cuthill (Royal Historical Society) Tour Organiser / Mr Greer (KHS Member) / Mr M Slattery President KHS 1976-77"boroondara general (kew) cemetery, kew historical society — walking tours, royal historical society of victoria

Royal Doulton as part of the Minton Miniature series produced this heron model in 2001. A limited edition of 1,793 pieces were made, and this heron is number 89. The heron is a scaled down model of the original life-size piece first produced by Paul Comolera, c. 1892, as a walking stick and umbrella stand. Comolera was a French artist and sculptor, renowned for dramatic naturalistic forms, and life-size renditions of birds and animals that won him admiration in public and artistic circles. The Warrnambool Art Gallery (WAG) has a life-sized Heron in its collection. A rare miniature heron demonstrates the artistry and skill required to produce Majolica ware during the 19th century and the present.A miniature grey heron standing by bulrushes and holding a struggling fish in its beak, its plumage naturalistically coloured, on a circular base glazed in tones of grey and green and applied with further leaves and water lilies.Inscribed at the base Minton founded 1793, made in Englandminton & co., majolica, miniature model, flagstaff hill maritime museum, stoke upon trent, paul comolera, staffordshire