Copy of a black and white photograph, laminated. WHS Swimming Tean 1949 Back Row: Doug Henderson, Bruce Porter, Ray Smit, Don Jack, Barry Boettcher, Trevor Treadwell, Clive West, Gerald De Rose. Middle row: Barry Campbell, Neil David, John Peckham, Tom Radford, Harrow Morgan, ?, Barry Wylie,, ?, ? Front row: Frank Crane, Geoffrey Jones, Bernard Sidlerwilliamstown high school, 1949, swimming team

From the album of WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion. These postcards, photographs and clippings were sent to William's family and loved ones during the years he was on active service. See also 207 and 220. Assorted cards and photographs nested within a larger card. 1. Bi-fold Christmas card with blue flowers and horseshoe 2. Black and white photograph of a man wearing a suit and hat in a green / grey cardboard oval window mount 3. Sepia photograph of a man in a suit in a dark grey oval window mount 4. Small rectangular card with round edges and handwritten message from Mrs William West 5. Plastic and paper card with yellow cover and rose detail, pink ribbon binding 6. Small black and white landscape photograph of Ypres with "magpie cigarette" branding on back 7. Small slip of paper with inscription: "Pohoto" 8. Small rectangular card with white string binding and oval black and white photograph of a horse and carriage and printed detail of a kangaroo and wattle. Inscription reads: "Greeting from Wattle Land"album, photo album, newspaper clippings, postcard, wwi, christmas wishes, photograph, moustache, sepia, ypres, wattle land, australia, magpie cigarettes

Photo of WW2 internees at Camp 3B Tatura, 2 Templer Society families. Back row (left to right standing): Dr Otto Rubitschung, Walter Rubitschung, Anneliese Bulach, Friedhelm Bulach, Paul Rubitschung, Gisela Rubitschung, Fritz Bulach and Heinz Bulach. Front row (sitting): Magdalene Rubitschung, Rose Rubitschung and Anne Bulach.Black & white photo, the Rubitschung and Bulach families in Camp 3 Tatura. 8 people standing, 2 ladies and teenage girl with plaits seated. Number 792 in front centrenumber 792rubitschung, bulach, camp 3, internment camp, internees, ww2, templer society

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Born digital photograph of the fireplace in the third bedroom of Villa Alba. The original 1880s black stone mantel, obliquely positioned in the southwest corner of the room (one of two examples in the house) is painted with a central group of three white roses. These are surrounded by flowers and foliage of jasmine that extend along the upper panel and down the sides of the mantel. It is believed that the addition of the painted flowers was completed by a freelance artist working for the Paterson Brothers; probably Ulysses Rizzi. The mantel is inset with two-tone surround tiles and decorative polychrome hearth tiles that incorporate a green ivy pattern which climbs up pieces of bamboo. Each tile is separated by a white and black border. All of the tiles were produced by Mintons Ltd.fireplaces, mintons, mintons - tiles, villa alba -- third bedroom

A black and white photograph of the students at St Mary's Catholic School, Sunbury. 1913st mary's catholic school, sunbury, schools, education, our lady of mt. carmel, norris, j. (mr), ryan, margaret, deverall, eileen, wharton, frances, o'brien, molly, breen, millett, loretto, stanmore, vera, dolly, greelish, ann, johnston, joe, o'connor, felix, cyril, frank, farquer, mary, eric, smith, jack, evans, bert, mcgrath, jim, connie, george, leyden, des, mounsey, alice, murphy, susie, sweeney, pat, trask, alec, chris, burke, andy, eddie, fyfe, ken, mullins, rita, rose, josephine, shevalon, norman, george evans collection

'Glenara' is situated along the Deep Creek at Bulla and was built on an original government grant of land by Walter Clark. His fourth child, Alistair, spent much of his life there and with the help of his gardener, W.Peers, gained world recognition for introducing 150 new rose species which included the Black Boy and Lorraine Lee. He was also founder of the Moonee Valley Racing Club.A black and white photograph of a Victorian home with a return verandah across the front and side. Vines are growing up the metal verandah posts and across the front of the verandah.glenara', rose gardens, roses, clark, alistair, walter, moonee valley racing club, george evans collection

The hat belonged to Edna Vlassopoulos who with her husband Andrew, had a poultry farm and market garden in the old Westmeadows township and later at Bulla. The hat was purchased to wear at a family wedding.A pink straw hat with a pink silk folded band wrapped above a narrow brim. There is a full-blown pink silk rose which is a trim on the RHS of the crown. There is a band of petersham ribbon inside the crown with black hat elastic fastened on either side.clothing and dress, headwear, female, george evans collection

Black and white photograph. 6 female students tending to roses in the Rose Garden in front of the Shady Walk.. Names of roses on large labels.female students, rose bed, students working outside, labels, shady walk

Black & white photographnillumbik, chute street, diamond creek, bakery

ORIGINAL PHOTOGRAPH OWNED BY MRS. LENA COOK OF CASTLEMAINE RD. CRESWICKBLACK AND WHITE PHOTOGRAPH [COPY] OF FAMILY AT ROSE COTTAGE. TOURELLO ROAD EAST.1898local history, photography, photographs, roberts family.

BLACK AND WHITE PHOTOGRAPH LADY WEARING LARGE HAT, WITH ROSES AS DECORATION UNDER WIDE BRIM.local history, photography, photographs, unidentified photograph

BLACK AND WHITE PHOTOGRAPH LADY DRESSED IN WHITE FORMAL FROCK WITH WIDE SASH AND ROSE AT WAISTWISH YOU ALL A HAPPY XMAS LIL. REVERSE SIDElocal history, photography, photographs, unidentified photograph

Strampp lived and worked at Clifton Pugh's artist colony Dunmoochin from 1980 to 1985. 'Into the Night' is Strampps' "own marriage painting". The wedding dress and horse, "a symbol of virility and passion" represents Strampp and the background landscape was inspired by her stay in Somerset, England. The cliff edge on the left symbolises "an audacious step into the future." The painting "is of a bride, passionate yet absent, about to embark upon a new journey in life, and of the voyage ahead. It is about acknowledging the past, and having the courage to move forward. To take risks". Strampp was largely influenced by both the new German Neo-Expressionists of the time and by English artist John Walker, which is evident in this painting. Her work took on popular stylistic trends and themes of the time, which included a painterly aesthetic and an energetic application of the medium, which transferred to an emotional and or personal connection to subject matter that was communicated symbolically. Strampp is an artist of national significance. This work encompasses themes and a style of painting (Neo - Expressionism) that was prevalent during the time of its making in the eighties. This work represents a transition from Strampp's highly regarded early paintings of heroic horses in the mid to late 1980’s to her highly regarded paintings of contemporary wedding and/or armour-like bodices dresses of the 1990s. Both the 'horse' and 'dress' were often set in empty backgrounds or dreamy/foreboding landscapes. Painted in oil on linen (x2) in a 'Neo-Expressionist' style, 'Into the Night' depicts a ghostly white horse to the right of the painting looking away from a ghostly white wedding dress to the left of the painting. The dress has sprouted white wings and is adorned with bows on the bottom edge of the dress and roses on the sleeves. The dress seems full bodied although there is no figure. The dress and horse are placed in the foreground on a stage like platform with a white curtain framing the picture to the right, and a black ladder and brown cliff edge framing the picture to the left. The background depicts a foreboding and dark cloudy sky and seascape with a firery red landscape burning on the horizon. Signed low right (1988.7b VA) with brush in purple (light) 'Adriane Strampp 87'. into the night, neo expressionism, wedding dress, horse, symbolism, painting, seascape, dramatic, emotional, poetic, strampp

Sue Ford (1943-2009) was an important practitioner in the wave of 1970's Australian feminist photographers. Ford regularly took intimate and candid pictures of artist friends, such as 'Neil Douglas Research 1964', documenting a time in Eltham when Montsalvat and Dunmoochin played an important part in the early attraction of artists to the Nillumbik area. Artist, conservationist and activist Neil Douglas (1911-2003) is best known for his garden at the Bend of Islands, Kangaroo Ground where he formed a co-operative for like-minded people who wished to live in harmony with the bush and wildlife. His love of nature and the beauty and fragility of the bush are constant themes that often run parallel in his ceramic works and paintings.Sue Ford and Neil Douglas were artists of national significance who both lived in the local Nillumbik area in the mid to late twentieth century. They were part of a community of artists integral in forging a dynamic artistic spirit, heavily inspired by the region's landscape and its people. Black and white silver gelatin photographic print of Neil Douglas plein-air painting in his rose garden at Research. Ed.1/3N/Aford, douglas, silver gelatin photograph, bend of isles, research, kangaroo ground, garden, environment

Rose series postcard c1920 of St. Patrick’s Catholic Church Side view of church with wooden sanctuary at back of building. Later the sanctuary was built onto this side of the Church in 1927.Post card of St Patrick's Church Stawell and a photographic enlargement. Both photos are black & white, showing a side view of the church with a wooden sanctuary at the back of the building. Pine trees can be seen front and back of the church.The rose series P. 4873 St Patrick's Church Stawell, Vic. on the back POST Card A Real Photograph Produced in Australiastawell

Rose Series P1646 Panorama of Stawell Victoria c1918Black and white photograph of town very similar to 176. There is also a duplicate of the photo in the file. The rose series. P. 1646 Panorama of Stawell Victoria

Panorama of Stawell from Big Hill. Open Cut in foreground, tree on right. Grampians in background. The Rose Series. P. 2723Black & white photograph depicting a Panorama of Stawell town. The image shows a large tree on the right above a cutting. The Rose Series, P 2723 copyright. Panorama of Stawell Victoria on the front. On the back "The Rose Series De Luxe" Published by The Rose Stereograph Armidale, Victoriastawell, panorama

This photograph is of Main Street Stawell looking East around c 1920's. The photo was taken from just below Main & Wimmera Street corner. On the left side is the two story Post Office building. The photograph shows the telegraph poles in the street. Also Copley Post Office Hotel 1912- 22 and other business. On the road are a few people one pushing a trolly, one on a bike and two people in a horse drawn cart. Gustav Mahnke's Bakery is on right.Two Black & White photographs depicting the main street in Stawell's commercial business area in c 1920's. The view shows some two story buildings, shops with verandah's. One horse drawn vehicle, a person on a bike and a few people in the street. There is also a paper print of the photograph donated by Robyn Mackenzie Bacchus Marsh in 2009 The Rose series, P 1639 Main Street, Stawell, Victoriastawell business shops streetscape

Commonwealth Federation Memorial unveiled 1903 corner of Lower Main St and Barnes Street Stawell. The memorial commemorates the Federation of the Australian States into the Commonwealth of Australia on the 1st January 1901. The memorial cost 100 pounds and has a foundation supporting 4 columns of Scottish rose granite. The base & caps of these columns are of black marble. Around the tops of the columns are the names of the six States. George Robson and George Gray, Stawell's monumental masons who carried out the work were also thought to be responsible for the design. Black & White photograph of a glass light memorial, supported on four columns. A fence of white posts and chains surround the memorial.Sign post in background "Atlantic Ethyl Service Station."stawell

Panorama with elaborate border of Stawell from Big Hill 1918 – 1920. Remnants of mining in foreground.Black and white photograph of a town scene. An photo has an elaborate border with greeting from Stawell at the base. This is possible and enlargement of a post card taken in c 1918. Worksheet states Rose Series P 1646.Greetings from Stawellstawell