Showing 93127 items matching "bright-victoria"
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Sunbury Family History and Heritage Society Inc.
Postcard, Newcolourvue Productions Pty.Ltd, Sunbury Victoria, c1970s
The four photographs on the post card are well-known places in the town. They are the 1930s Royal Hotel building which was build on the same site of the original building on the corner of Evans and Brook Streets, Rupertswood Mansion, built 1874-45, the historic bluestone road bridge over Jacksons Creek and a view of the township in the 1970s taken from Francis Boulevard.The four views of Sunbury give an overview of the township in the 1970s before the increased development took place from the 1980s onwards.A coloured collection of four non-digital photographs of places in Sunbury in post card format. The edges of the post card are rippled. the back of the card gives details of the places as well as the maker.Sunbury Victoriaroyal hotel, rupertswood mansion, bluestone road bridge, sunbury, post cards -
St Kilda Historical Society
Ephemera - Entree card, Women's Organizations of Victoria Morning Tea, 1958
Entree card issued to Miss Hewitt of the National Council of Women, Victoria to attend a morning tea at St Kilda Town Hall on 3 March 1958 during the 1958 visit by Queen Elizabeth, The Queen Mother. The Queen Mother was in Australia over the period 14 February – 7 March 1958 to attend the British Empire Service League Conference in Canberra and visit Brisbane, Sydney, Melbourne, Tasmania, Adelaide and Perth, and various provincial and country areas.White coloured circular card, discoloured with age, printed in blue on both sides and with blue ribbon attached. The reverse side has been annotated in handwriting, in blue ink, with the name of the invitee.Miss HEWITT National Council of Women, Victoriaroyal visits, queen elizabeth the queen mother, queen mother, national council of women of victoria -
Kew Historical Society Inc
Certificate - School Certificate, Education Department (Victoria), Merit Certificate, George Rogers, Kew East School, 1941, 1941
George Rogers of Park Crescent, Kew, was the brother of John Rogers, the donor, and the son of Dorothy Rogers.This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Education Department of Victoria Merit CertificateEducation Department of Victoria - This is to Certify that George Rogers has completed satisfactorily the course of study prescribed for 2nd Year High School Course, date dat Kew East School this 14th of November A.D. 1941merit certificate, george rogers, education, certificate -
Stawell Historical Society Inc
Book, Land Conservation Council, Historic Places Special Investigation South Western Victoria Proposed Recommendations, 1996
Historic Places Special Investigation South Western Victoria descriptive report Jan 1996Card cover with photo of a water metal water race with moutains in the background Historic places Special Investigation South-Western Victoria Descriptive report Land Conservation Councilstawell heritage -
Lakes Entrance Historical Society
Postcard - statue Queen Victoria 1A Fairy Cave Buchan Victoria, 1920 c
Black and white stereoscopic postcard of statue Queen Victoria 1A Fairy Cave Buchan Victoria. Also two extra black and white postcards in Buchan Caves The needle Royal Cave The Niagara Royal Cave celebrations, parks -
Federation University Historical Collection
Document - Document - Letter, Ballarat Junior Technical School: Letter from the National Gallery of Victoria re cartage payment, 1956
Letter from Ursula Hoff, Keeper of Prints at the National Gallery of Victoria regarding cartage payments. Postal notes paid by the school will be returned and it is necessary for the receipt No 59932 be returned to the Gallery.Schools are no longer required to pay us for the cartage of school prints. Payment now directly to the railways for cartage.Cream sheet of paper, typed Letterhead - National Gallery Victoria Signature of Ursula Hoff - penballarat junior technical school, headmaster, l garner, national gallery of victoria, cartage payments, postal notes, receipt no 59932, ursula hoff, keeper of prints -
Ballarat Tramway Museum
Photograph - Set of 6 images, Wal Jack, Ballarat 38 and 39 at the Victoria St terminus, 8/03/1954
No. 38 decorated for the Royal Visit along with tram 39 at the Victoria St terminus.Yields information about the Ballarat's bogie trams, in particular No. 38 that was decorated for the Royal visit in 1954.Digital image from the Wal Jack Ballarat Album of Ballarat 38 and 39 at the Victoria St terminus. No. 38 decorated for the Royal Visit. Has the destination of "City". See N1124, Prints taken at the same time, with minor variations in the background eg cars. 5297.1 - an almost identical image, though with a motor bike in the view - see image i5 and N897 5297.2 - a very similar image, see image i6 and N1135 See image i2 for rear of photograph. See image i3 for hi res scan of print. See image i4 for hi res scan of negative N1124 See image i5 for hi res scan of negative N897 See image i6 for the hi res scan of negative N1135 - print also held of this image.On rear in ink "SEC Ballarat No. 38 and 39 Victoria St terminus, Ballarat East 8-3-54. No. 38 decorated for Queen's visit" In top right hand corner is Wal Jack stamp with negative number "T66PC" written in.trams, tramways, royal visit, decorated trams, victoria st, tram 38, tram 39 -
Lakes Entrance Historical Society
Photograph, Lakes Post Newspaper, Craft Exhibition in Mechanics Hall Lakes Entrance Victoria, 1/09/1996 12:00:00 AM
at awards presentations by Bruce Evans after the Craft Exhibition in Mechanics Hall Lakes Entrance Victoria 1996Black and white photograph of fifteen members of East Gippsland Groups of CWA at awards presentations by Bruce Evans after the Craft Exhibition in Mechanics Hall Lakes Entrance Victoriaclubs, historical society -
University of Melbourne, Burnley Campus Archives
Plaque - Commemorative building plaque, Dept of Agriculture, Victoria, Burnley Horticultural College Student Amenities Building Wall Plaque 1973, 1973
The plaque is attached to the wall on the right side of the entrance the S.A.B.Bronze wall plaque created by the Department of Agriculture, Victoria to commemorate the opening of the Student Amenities Building on 13th December, 1973 by the Premier of Victoria, The Honourable R. J. Hamer, E. D.., M. P. The plaque is attached to the wall on the right side of the entrance to the SAB.DEPARTMENT OF AGRICULTURE, VICTORIA. BURNLEY HORTICULTURAL COLLEGE. THIS PLAQUE IS TO COMMEMORATE THE OPENING OF THE STUDENT AMENITIES BUILDING ON 13TH DAY OF DECEMBER, 1973. BY THE PREMIER OF VICTORIA THE HONOURABLE R.J. HAMER. E.D., M.P. THE HON. IAN SMITH M.P. MINISTER FOR AGRICULTURE DR. D.S. WISHART B.V.SC.. DIRECTORstudent amenities building, opening, r. j. hamer, commemoration -
Vision Australia
Photograph - Image, John Wicking shaking hands after receiving Australia Day honours by the Governor of Victoria, 26/01/1981
Association for the Blind President John Wicking receives his Member of the Order of Australia medal from the Governor General of Victoria, Sir Henry Winneke.B/W photograph of John Wicking receiving his award at Government House (Victoria)john wicking, sir henry winneke, association for the blind -
Marysville & District Historical Society
Photograph (Item) - Colour photograph, Travel Victoria, Unknown
A colour photograph of Murchison Street in Marysville in Victoria.A colour photograph of Murchison Street in Marysville in Victoria.murchison street, lyell street, marysville, victoria, photograph -
Stawell Historical Society Inc
Book, Angus B Watson, Lost and Almost Forgotten Towns of Colonial Victoria - Census Results for Victoria 1841-1901, 2003
Coloured card cover with photograph of a brick building Lost & Almost Forgotten Towns of Colonial Victoria A Comprehensive Analysis of Census Results for Victoria 1841 - 1901 Angus B. Watson stawell -
Whitehorse Historical Society Inc.
Legal record - Correspondence, Goldfields and mineral districts of Victoria, 1985
Letter from the State Library of Victoria about location of a gold mime near Koonung Creek in Box Hill North with a reef 2 feet in thickness which yielded 1oz per ton.Letter from the State Library of Victoria about location of a gold mime near Koonung Creek in Box Hill North with a reef 2 feet in thickness which yielded 1oz per ton. Information from R. Brough Smyth 'Goldfields and mineral districts of Victoria'. - 1869Letter from the State Library of Victoria about location of a gold mime near Koonung Creek in Box Hill North with a reef 2 feet in thickness which yielded 1oz per ton. mines and mining, state library of victoria, jackson avenue, box hill north, goldmining -
Marysville & District Historical Society
Postcard (item) - Colour tinted postcard, Renwick, Pride & Nuttall, Taggerty River, Marysville, Victoria, 1916
An early colour tinted photograph of the Taggerty River in Marysville in Victoria.An early colour tinted photograph of the Taggerty River in Marysville in Victoria.Australian Enamellers. Country Series No. 3. Produced in Australia To Ms Marlene./ To wish you/ well; & To assist in/ making you as comfy/ as possible. I hope you/ are keeping well & fit/ & that it wont be long/ before you are on your/ way back to Aust. I/ suppose you have heard/ that Jack is on his/ way home, we are/ looking forward to/ the day when he arrives./ My best wishes to you/ & kind regards/ Sincerely yr/ friend/ Raell Dennistaggerty river, marysville, victoria, postcard, souvenir -
Stawell Historical Society Inc
Book, Henry Brown, Brown on Pleasant Creek - Extract 1862 - from Victoria as I found it. Published London 1862, 1862
Extract of Victoria As I Found It. "Brown on Pleasant Creek" By Henry Brown. Photocopied at the Public Library MelbourneLight Blue Plastic Cover with clear cutout and white paper insert with Black Print"Brown on Pleasant Creek" from "Victoria as I Found It" By Henry Brown Published London 1862stawell gold -
Kilmore Historical Society
Wyatt & Webbs Reports, Victoria. Wyatt, Webb & A'Beckett's Reports. Vol. 3. EAS:T 29 VICT. TO HIL:T 30 VICT. 1866, 1867
Reports of cases argued and determined in the Supreme Court of Victoria. From the former Kilmore Court House library.Black water-mark patterned cloth cover with leather spine & corners, worn at extremities, slightly faded cloth. Spine has a black band with gilt writing and a red band with gilt writing. 'Court of Petty Sessions Kilmore' at base of spine.Slight discolouration to edges of cover and front flyleaves, back & front. Good condition.Title page, stamp, 'Law Department Victoria' Judges list page, 'Court House/Kilmore'.kilmore courthouse library. -
Federation University Historical Collection
Certificate, Royal Arch Masons of Victoria Yarrowee Chapter Certificate, 1933, 1933
The Yarrowee Lodge is in Ballarat, VictoriaBlack and white certificate with a brown rectangle at the lower left. The certificate had been printed and handwritten. It relates to tjhe Supreme Grand and Royal Chapter of Royal Arch Masons of Victoria and was made out to Frank Joseph Henry Wright on 13 August 1933. 7894 Signed "Frank Wright" Signed "Chas. K. Cahn"frank wright, freemason, mason, lodge, royal arch chapter, charles k. cahn -
Marysville & District Historical Society
Book - Paperback book, An Introduction to Victorian Forest Trees, 1961
A history of forestry in Victoria Paperback. Cover is green with only the title on the front cover. On the inside back cover is a map of Victoria with the state forests indicated.Stamp of Marysville & District / Historical Society Inc / P.O. Box 22 / Marysville 3779victoria, forestry, forest, trees -
Melton City Libraries
Memorabilia, The Country Women's Association of Victoria Inc Victoria Day Award, 2011
Country Women's Association of Victoria Awardlocal significant groups -
Flagstaff Hill Maritime Museum and Village
Book - Reference, The Aborigines of Victoria Vol 2
This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art, and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower area of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine, and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave during 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However he continued to take a very keen interest in the continual development of the Library until his death in 1969. WARRNAMBOOL MECHANICS’ INSTITUTE Warrnambool's Mechanics' Institute (or Institution as it was sometimes called) was one of the earliest in Victoria. On 17th October 1853 a meeting was held where it was resolved to request the Lieutenant Governor of the Colony to grant land for the erection of a Mechanics' Institutes building. A committee was formed at the meeting and Richard Osburne chaired the first meeting of this committee. The land on the North West corner of Banyan and Merri Streets was granted but there were no funds to erect the building. The Formal Rights of the Warrnambool Mechanics' Institute's encompassed its aims and these were officially adopted in1859; "This Institution has for its object the diffusion of literary, scientific, and other useful knowledge amongst its members, excluding all controversial subjects, religious or political. These objects are sought to be obtained by means of a circulating library, a reading room, the establishment of classes, debates, and the occasional delivery of lectures on natural and experimental philosophy, mechanics, astronomy, chemistry, natural history, literature, and the useful and ornamental arts, particularly those which have a more immediate reference to the colony." The Warrnambool Mechanics' Institute opened its first reading room in November1884 in the National School building at the corner of Banyan and Timor Streets. The Institute was funded by member subscription, payable on a quarterly, half yearly or yearly basis. Samuel Hannaford, the Manager of the Warrnambool Bank of Australasia, was the first Honorary Secretary of the Mechanics' Institutes, and an early President and Vice-President. He also gave several of the early lectures in the Reading Room. Another early Secretary, Librarian and lecturer was Marmaduke Fisher, the teacher at the National School. Lecture topics included The Poets and Poetry of Ireland', 'The Birth and Development of the Earth', 'The Vertebrae - with Remarks on the pleasures resulting from the study of Natural History' and 'Architecture'. In 1856 the Reading Room was moved to James Hider's shop in Timor Street, and by 1864 it was located in the bookshop of Davies and Read. In the 1860's the Mechanics' Institute struggled as membership waned but in 1866, after a series of fund raising efforts, the committee was able to purchase land in Liebig Street, on a site then called Market Square, between the weighbridge and the fire station. A Mechanics' Institute building was opened at this site in August 1871. The following year four more rooms were added to the main Reading Room and in 1873 the Artisan School of Design was incorporated into the Institute. The same year Joseph Archibald established a Museum; however it deteriorated when he was transferred to Bendigo in 1877. In 1880, with Archibald's return to Warrnambool, the Museum was re-established, and in 1885 a new building was built at the back of the Institute to accommodate the re-created School of Design, the Art Gallery and the Museum. In 1887 the Museum section was moved to the former court house in Timor Street (for some time the walls of the building formed part of the TAFE cafeteria but all is now demolished)). In 1911 the Museum was transferred back to the original building and the management of the Mechanics' Institute was handed over to the Warrnambool City Council. The Museum and Art Gallery became one and housed many fine works of art, and the Library continued to grow. The building was well patronised, with records showing that at the beginning of the 20th century there were between 500 and 800 visitors. During World War One the monthly figures were in the thousands, with 3,400 people visiting in January 1915. The Museum was a much loved Institution in Warrnambool until the contents of the Museum and Art Gallery were removed to make room for the Warrnambool City Council Engineers' Department. The contents were stored but many of the items were scattered or lost. When the original building was demolished the site became occupied by the Civic Centre, which included the new City Library. (The library was temporarily located in the old Palais building in Koroit Street.) In the process of reorganisation the Collection was distributed amongst the community groups: -The new City Library took some of the historic books and some important documents, historic photographs and newspapers. -The Art Gallery kept the 19th Century art collection and some of the artefacts from the museum. -The Historic Society has some items -The State Museum has some items -Some items were destroyed -Flagstaff Hill Maritime Village has old newspapers, Government Gazettes, most of the Mechanics' Institute Library, ledgers and documents connected to the Mechanics' Institute Library, some framed and unframed art works and some photographs. The Warrnambool Mechanics' Institute Library book collection is deemed to be of great importance because it is one of the few collections in an almost intact state, and many of the books are now very rare and of great value. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. The Aborigines of Victoria Vol 2 Author: R. Brough Smyth Publisher: Government Printer Melbourne Date: 1878Label on spine cover with typed text R.A. 572.9945 SMY Pastedown front endpaper has sticker that reads "Presented by The Government of Victoria to The Mechanics Institute Warrnambool" Front loose endpaper has a sticker from Warrnambool Mechanics Institutewarrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, great ocean road, the aborigines of victoria vol 2, r. brough smyth, indigenous people -
Tatura Irrigation & Wartime Camps Museum
Book, Victoria - the Woman, April 1908
Biography - Queen VictoriaHard cover, dark blue, gold printing. Gold crown in centre front cover. Illustrated. Loose picture of Queen Victoria inside book.E. J. Mitchellqueen victoria -
Stawell Historical Society Inc
Badge - Realia, IOOF Victoria Australia
Membership badge for International Order of Oddfellows. Victoria AustraliaEnamelled Badge. Gold wings on top over blue with IOOF and Chain over top. Red Enamel outer with Victoria Australia?land and King Melborne -
Federation University Historical Collection
Correspondence, Letter on Letterhead from Public Library, Museums, and National Gallery of Victoria, 1901, 25/03/1901
The black border recognised the death of Queen Victoria.Handwritten letter on letterhead Public Library, Museums, and National Gallery of Victoria which was bordered in black. The paper has been embossed with the crest of the library. The letter requests copies of the Ballarat School of Mines Annual Reports for the library.ballarat school of mines, melbourne public library, national gallery of victoria, letterhead, armstrong, state library of victoria, copyright act, legal deposit, crest, emboss -
Marysville & District Historical Society
Photograph (Item) - Colour photograph, Travel Victoria, 2006
A colour photograph of Murchison Street in Marysville in Victoria.A colour photograph of Murchison Street in Marysville in Victoria. Photograph is of the 'Talk of the Town' which was a restaurant which served pizzas and other light meals. This building was severely damaged in the 2009 Black Saturday bushfires.murchison street, talk of the town, marysville, victoria, photograph, 2009 black saturday bushfires -
Marysville & District Historical Society
Photograph (Item) - Colour photograph, Travel Victoria, 2006
A colour photograph of Murchison Street in Marysville in Victoria.A colour photograph looking down Murchison Street in Marysville in Victoria. The buildings along Murchison Street, including the Christ Church, were destroyed in the 2009 Black Saturday bushfires.murchison street, marysville, victoria, christ church, photograph, 2009 black saturday bushfires -
Marysville & District Historical Society
Photograph (Item) - Colour photograph, Travel Victoria, Unknown
A colour photograph of Murchison Street in Marysville in Victoria.A colour photograph of Murchison Street in Marysville in Victoria. The photograph shows The Crossways Hotel. The Crossways Hotel is circa 1920 and one of the oldest buildings still standing in Marysville. The Crossways Hotel survived the 2009 Black Saturday bushfires, through the efforts of the owner using buckets of water from the nearby Steavenson River.murchison street, marysville, victoria, the crossways hotel, photograph, 2009 black saturday bushfires -
Ballarat Heritage Services
Photograph - Photograph - Colour, Carroll Family of Crossley, Victoria, 1937
Around 1941 this family left the farm at Crossley and moved to Melbourne, Victoria. Black and white photograph of members of the Carroll family of 'Hillside", McCartney's Lane, Crossley, Victoria. Left to right: Mary Carroll (Fitzgerald), Rosemary Carroll, Kathleen Carroll, Ronald Carroll, Patrick Edmund Carroll.kathleen carroll, mary carroll, mary fitzgerald, ron carroll, rosemary carroll, patrick edmund carroll, ronald carroll -
Marysville & District Historical Society
Book - Hardcover book, Dacre Smyth et al, Waterfalls of Victoria, 1988
A book of photographs of paintings of the waterfalls of Victoria painted by Dacre Smyth.A book of photographs of paintings of the waterfalls of Victoria painted by Dacre Smyth. Each painting has the name of the waterfall, the date the painting was painted and a short poem accompanying the photograph. Commodore Dacre Henry Deudraeth Smyth, AO was a senior officer in the Royal Australian Navy, an artist and a poet. He joined the RAN in 1940, and participated in the D-Day landings and the Battle of the Coral Sea before retiring as a commodore in 1978. He served as Deputy Chairman of the Trustees of Melbourne's Shrine of Remembrance and was a Life Governor of the Shrine. He became well known after his retirement for landscape and seascape painting, publishing fourteen books containing his paintings and poems. He married Jennifer Haggard in 1952, and had four daughters and a son. He died in 2008.Hardcover. Front dust cover has a photograph of a painting of Erskine Falls painted by the author. Back cover has 4 photographs of paintings of Wannon and Nigretta Falls in summer and winter. Inside cover of book, both back and front have a map of Victoria with various towns shown and the location of all the waterfalls in Victoria.Signature of the author and painter, Dacre Smyth. Artist's Acknowledgements / I am most grateful to all who helped in the production of this book:- / Alan Copeland / Allan Tuite and staff at Crystal Offset Printers for the production and printing of this book / Photography Ralph Petty / Colour Separations front & back cover Scanagraphix & Image Scan / Binding J.P. Bookbinderswaterfalls, victoria, melbourne, paintings, poem, poetry, photograph, dacre henry deudraeth smyth, royal australian navy, d-day landings, battle of the coral sea, shrine of remembrance, jennifer haggard -
The Beechworth Burke Museum
Drawing, Ernest Marcuse, Bank of Victoria – Yackandandah II, c1982
Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: BANK OF VICTORIA / YACKANDANDAH / ERNEST MARCUSE / Reverse: Y 4 / 015 ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program -
The Beechworth Burke Museum
Drawing, Ernest Marcuse, Bank of Victoria – Yackandandah III, c1983
Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: ERNEST MARCUSE / BANK OF VICTORIA / YACKANDANDAH Reverse: Y 2 / 013 ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program