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Bendigo Historical Society Inc.
Photograph - BENDIGO ADVERTISER COLLECTION: SUPPLIED SPORT PHOTOS, PETER JONES
A sheet of paper that Peter Jones sent to the Bendigo Advertiser requesting that his photographs be returned to him once the Bendigo Advertiser has finished with it. The envelope is also included. The writing: G'day Matt Apologizes for the delay. I tried to scan these and email them to you without success so here they are. One is of Danny Mroz docking Simon McClay (Old) with me cleaning up the scraps. The other is expander Joel Durrant and me of the World Championships in Marseilles, France. Could you please return these when you are done with them? Send to 4 Lucifer St, Balwyn Cheers Peter JonesPeter Jonesrecreations, sports, beach vollyball, bendigo advertiser, matt harrington from peter jones. -
Ballarat Tramway Museum
Magazine, Metropolitan Transit Authority (MTA), "MetLines - Vol 1, No. 9 December 1985", Dec. 1985
Magazine - 20 A4 pages centre stapled - titled "MetLines - Vol 1, No. 9 December 1985", staff newspaper of the Metropolitan Transit Authority. Has a number of "Santa Claus" on the front cover. Contains an article on page 8, "Keeping tram lines clean" and "Scrubber Cars" - featuring Frank Reale-Key posing in front of Scrubber 8W. Also has a photo of scrubber No. 11. Gives a background to the cars, when they are used, operated by Civil Branch. Gives hours of use and crews. On page 3 is a follow up to a question on a MTOC conductor with the large safety pins of the era.trams, tramways, scrubber tram, the met, conductors, track, mto co -
Bendigo Historical Society Inc.
Document - IAN DYETT COLLECTION: AUCTION CATALOGUE - MCNIECE BROS FACTORY - BENDIGO
Yellow covered auction catalogue with black printing for a sale at McNiece Bros. Factory, Midland Highway, Epsom - Via Bendigo on 27th February 1985 under instructions from the Receivers/Managers Messrs A.G. Sherlock and W. Palmer, Coopers & Lybrand, Sydney. For sale were Air Compressors, Electric Motors, Refrigeration Compressors, Oil Air Coolers, 1967 Bedford 4 Ton Dual Wheel Tipping Truck with Steel Bin, P.A. System, Piping & Fittings, General Workshop, Office and Cleaning Equipment. J H Curnow & Son Pty. Ltd. Were the auctioneers.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - mcniece bros. factory - bendigo, a g sherlock, w palmer coopers & lybrand, j h curnow & son pty ltd, f c dyett, i m dyett, n f dyett, bolton bros. pty ltd print -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white prints, The Examiner, Miss Judith Henry, Knit One, Purl a Couple, Sharpening Up, 1947-1949
Photographs of Newspaper Cuttings. (1) Newspaper cutting of article in "The Examiner." c.1949. "Miss Judith Henry." Former Burnley student starting her career. (2) Newspaper cutting, ""Knit One, Purl a Couple." 1947. Female students at Burnley knitting for Britain. (3) Newspaper cutting, "Sharpening Up." c.1947. Female students cleaning and sharpening tools. Students named: J.C. Henry 1948, Robina Russell (Beaufort), Virginia Scott 1948, Betty Beaurepaire 1948. Probably taken by A.P. Winzenried for possible inclusion in, "Green Grows Our Garden."the examiner, judith henry, female students, career, burnley, knitting, britain, tool sharpening, j.c. henry, robina russell ( beaufort), virginia scott, betty beaurepaire, a.p. winzenried -
Mont De Lancey
Book, Methodist Conference Office, The Methodist Hymn-Book, Copyright, December 1933
Methodism was born in song. This Methodist Hymn-Book is a collection of hymns that is not too large or expensive. It has the words for all the hymns included. It is an Australasia and New Zealand Edition specially prepared for and copyrighted in the Australian Commonwealth and New Zealand.A small self patterned black vinyl covered The Methodist Hymn Book for Use in Australasia and New Zealand. The title is stamped in gold lettering into the top left of the front cover and spine. The spine has five indented bands across it. The end papers are clean black with gold floral patterned edging. The edges of the pages are gilt. At the front there are two Prefaces, Acknowledgements and Contents pages. At the back of the book there is the Australasian and New Zealand Supplement an Index of First Lines alphabetically arranged, an Index to the First Line of Every Verse, Except the First, in Each Hymn and an Index of Authors. Pp.1101.non-fictionMethodism was born in song. This Methodist Hymn-Book is a collection of hymns that is not too large or expensive. It has the words for all the hymns included. It is an Australasia and New Zealand Edition specially prepared for and copyrighted in the Australian Commonwealth and New Zealand.religious books, hymns, churches -
Melbourne Tram Museum
Document - Notice, The Met, Public Transport Corporation, "Staff Bulletin - Public Transport Reform Package", "Staff Bulletin No. 2 - 17/2/93", 6/01/1993 12:00:00 AM
Notice - Folded A3 sheet titled "Staff Bulletin - Public Transport Reform Package", dated 6-1-1993 with an announcement by the Minister Alan Brown about the contracting out metropolitan bus services, country rail passenger service, substituting trams with buses, all night bus services, Automated Fare Collection, Driver Only suburban trains, Rolling stock maintenance, closure of Preston tram depot, infrastructure maintenance, cleaning, catering contracting out freight and other services. Signed by John McMillan. See also Reg items 3048 and 3052.trams, tramways, services, buses, bus replacement, tram replacement, railways, contracts, preston depot, met ticket, maintenance, unions, atmoea, agreements -
Melbourne Tram Museum
Sign, Melbourne & Metropolitan Tramways Board (MMTB), To stop car pull left hand cord ONCE, 1950's?
Sign - engraved brass sheet, with black lettering and lining on the outside and screw holes in each corner with the words. "To stop car pull left hand cord ONCE / Entering or leaving this car from the wrong side is prohibited. Maximum penalty L5." L = pounds Two copies held - second copy has been hand cleaned and polished. Third - consider spare if needed, added 13/11/2019 ex Mike Ryan. 4th copy - another spare, added 13/8/2020 ex Keith Kings - see htd2300doc.pdf - not formally collected.copy 1 - Scratched into rear "I 3"trams, tramways, signs, tramcars, tramways, passengers -
Melbourne Tram Museum
Photograph - Black & White Photograph/s and Illustration, c1925
Black and white photograph of a illustration of the Royal Park Tramway reproduced from a report The photo is titled: "Section of West Brunswick Electric Tramway Through Royal Park" The newly constructed permanent way viewed from just south of the Melbourne to Fawkner railway embankment (c1925). Note the clean ballast under the track, the guard rail provided on the curves using non grooved rail, the new platform stop and the timber picket fence around the Zoo. Refer to article "A Winding Road" on the Melbourne Tram Museum website for more details. http://www.hawthorntramdepot.org.au/papers/westcoburg-2.htmtrams, tramways, royal park, west brunswick electric tramway, track laying, rails, reserved track -
Bendigo Military Museum
Uniform - JACKET AND TROUSERS, SERVICE DRESS, ARMY, Australian Defence Industries, c.1960's
Uniform issued to "W.O.1 D.M. Field" 313679 - Regimental Sergeant Major.1. Jacket - Khaki colour wool/polyester fabric. Service dress style old plastic buttons, Collar, shoulder epaulettes, four front pockets, top with buttons and two metal press studs on flap, lower button down flap. Sleeve insignia Australian Coat of Arms embroidered on patch, gold, green, blue, red, black and white for W.O.1. Buttons have raised emblem, globe, horse and crown R.A.E.M.E. Green polyester fabric lining with manufacturers label on inside left. 2. Trousers, Khaki colour wool/polyester fabric, service dress style, With fob pocket, two side pockets and one back pocket. Green polyester fabric waist and pocket lining with manufacturers white cotton label inside on back pocket.Manufacturers information on labels - black ink print. 1. "CARBONE APPAREL/ VICTORIA/ 6/ DRY CLEAN ONLY/ RE-PRESS USING IRON AND/ DAMP CLOTH OR MEDIUM/ TO HOT STEAM IRON/ CREASE UPPER HALF OF/ LAPEL ONLY./ SERVICE NO/ NAME" Handwritten blue ink pen "2332/ FIELD" . 2. Print and information on label - illegible.uniform, army, service dress, wo1 d.m. field -
Warrnambool RSL Sub Branch
Uniform - Army, Jacket, C1968
This uniform belonged to Sapper Hughes 3795948 of the Royal Australian Engineers Corps. By the date on the uniform, it is assumed that he served C 1968.This uniform has significance as an example of uniform worn by soldier ranks for daily work and dress parades.Khaki coloured short jacket with lapels, and waist band which has strap and buckle on right hand side. There are two patch pockets on the front have a box pleat down the middle and a V shaped pocket flap at the top, closing with a hidden button. The shoulder epaulets each have a plain khaki coloured button at the neck edge.The sleeves are cuffed fastened with a button however the right button is missing.There are red patches on each shoulder with navy blue text. The back of the jacket has darts stitched at the waist and at shoulder level. There are four khaki buttons down the front. The sleeve seams are bound in cotton tape which also forms a label on the back neck collar with the lining of the waist band also in a cotton twill.Stitched in navy blue on arm banners,” Royal Australian Engineers.” On inner label, “ DUNLOP NSW 1968 8405-66-025-6411 SIZE OF CHEST 35/36S MATCHING TROUSERS 29/30S WAIST DRY CLEAN ONLY CREASE UPPER HALF OF LAPELS ONLY . NAME....HUGHES ( in blue pen) ARMY NO... 3795948 (in blue pen)warrnambool rsl, royal australian engineers, hughes 3795948 -
Beechworth RSL Sub-Branch
Uniform - Jacket, Battle Dress, Australian Government Clothing Factory, 1981
Issued as a uniform item post WWII until the late 1980s. It was also used parade dress until its replacement of a newly designed uniform made of polyester. This particular sample belonged to CPL K. Howe 3144504 whist in the Army Reserves 1982 to 2005The khaki battledress was standard uniform issued post world war two and used until the introduction of the polyester uniform in the late 1980s. This uniform belonged to CPL K. Howe, the donor providing good provenance. In conjunction with other items of militaria donated by the Howe family. Item can be to tell a story of multi generations of military service of the Howe familySingle breasted hip-height jacket in khaki fabric, fastened with five buttons down the centre of the chest. Two pleated breast pockets with triangular flaps fastened with two buttons. All buttons plastic and khaki green in colour. Jacket is fastened around the hips with a belt, attached on left hand side and buckled in a rectangular metal buckle on right hand side. Both left and right sleeves bear two patches, a double chevron and red rectangular patch rounded to follow the seam of the shoulder, with embroidered text. Navy lanyard looped around right shoulder, held in place by epaulet and tucked into right side pocket. Red patch reads "ROYAL AUSTRALIAN ENGINEERS" Internal left chest label reads "A.G.C.F./VIC. 1981/[broad arrow symbol]/6405.66.025.6408/SIZE OF CHEST/SIZE 99-102R/MACQUARIE 80/BATCH J/DRY CLEAN ONLY/CREASE UPPER/HALF OF/LAPELS ONLY/No. 3144504 [handwritten]/NAME/CPL K. HOWE [handwritten]"jacket, battledress jacket, battledress jacket khaki, royal engineers -
Beechworth RSL Sub-Branch
Jacket, Service Dress, Australian Defence Industries, 1990
Jacket worn by Brendan Honey when performing the duties of a Petty Officer Radio Supervisor in the Royal Australian Navy from Oct 1979 to Oct 2000Jacket Double Breasted Service Dress Navy Blue with gold embroided insignia, [Radio Operator Petty Officer] on right upper arm; gold embroided rank insignia [Petty Officer] above three gold embroided chevrons indicating 12 years service on the left upper arm; shoulder flashes with gold embroided word, "Australia" on both shoulders. 8 gold button with embossed Australian Navy Emblem and the word "Australia" in parallel columns of 4. Size 99R (Regular fit) with 2 small gold button with embossed Australian Navy Emblem and the word "Australia" the cuff of each arm.Manufacturer's identification label on inside right breast.Manufacturers label measuring 4mm x 8mm showing company logo ADA / 1990 / arrow pointed up /NSN:8405-66-132-2314 / 70% 30% Wool Poly / size 99R / match / trouser size 89R / No / Name / Dry Clean Only / Made in Australia/ owner's name written in black by a laundry marking penjacket, navy, jacket service dress, jacket petty office radio supervisor -
Bendigo Military Museum
Uniform - JACKET, TROUSERS, SHIRT, BATTLE DRESS, ARMY, Australian Defence Industries, 2. 1990 3. 1988
Uniform issued to "P. Green" No. 32045731. Jacket, Khaki colour wool serge fabric. Battle Dress style, belted at the waist with metal buckle. Dark green plastic buttons. Collar, shoulder epaulettes, two front pockets with concealed button down flap, sleeve cuffs. Green colour cotton twill fabric lining to waistband. Manufacturers white cotton fabric label - left pocket lining. Removeable tag on inside collar. 2. Trousers, khaki colour wool serge fabric. Battle Dress style with fob pocket, two side pockets, one back pocket with concealed button down flap. Dark green plastic buttons, metal zipper fly. Manufacturers white cotton fabric label - back pocket lining. Green colour polyester lining. 3. Shirt, Khaki colour cotton/polyester long sleeves, with shoulder epaulettes and cream plastic buttons. Two front pockets with button down flaps. Manufacturers white cotton fabric label inside back below collar.Manufacturers information on labels - black ink print. 1. "ADI P/L/ VICTORIA/ 1990/ ^ / 8405-66-025- 6418/BATCH P/ SIZE 102/104L/ ARMY NO./ NAME/DRY CLEAN ONLY/ CREASE UPPER/ HALF OF LAPELS ONLY" 2. "ADI P/L/ SUB-4 VIC 1990/ ^ / 8405-66-025-6183/ BATCH S/ SIZE 84R W.84/ DRY CLEAN ONLY/ RE-PRESS ON ORIGINAL/CREASES SET BY/ SI-RO SET/ MENDING PATCH ATTACHED/ ARMY NO/ NAME" 3. " A.G.C.F./ 1988/ ^/ SIZE 40/84/ 8405-66-088-7098/ SERVICE NO./ NAME/ DO NOT BOIL OR WRING/ MACHINE WASHABLE/ DRIP DRY/ IRON LIGHTLY/ WITH WARM IRON" Handwritten - blue ink pen "3204573/Green" uniform, army, battle dress, p. green -
Bendigo Military Museum
Uniform - HATS, WORKDRESS - ARMY, Australian Defence Industries, 2014 - 2016
1. & 2. DCPU (Disruptive Pattern Camouflage Uniform) Work dress, bush hat. colours - light to dark green through to mid to dark brown. Cotton/polyester fabric. Cotton/polyester cord chin strap with plastic lock clip. Hat with crown, fabric tape band of loops around crown, stiff brim and fabric neck protection flap. White colour cotton polyester fabric manufacturers label, inside on brim.Manufacturers information on label - black ink print. 1. "HARD YAKKA/ AUSTRALIA/ APRIL 2014/ PO NO: CC209P/ LAY NO: 8384/ ^/ NSN: 8415-66-151-8828/ SIZE: M 56CM/ NAME: PM KEYS NO:/ 75% COTTON/25% POLYESTER/ CARE INSTRUCTIONS/ HAND WASH IN COLD/ WATER WITH MILD/ DETERGENT RINSE/ WELL DO NOT WRING/ TUMBLE DRY OR DRY CLEAN/ DRIP DRY IN SHADE" 2. "HARD YAKKA/ AUSTRALIA/ AUGUST 2016/ PO NO: CC30WS/ LAY NO: 5020166/ ^/ NSN: 8415-66-151-8829/ SIZE: L 58CM/ NAME: PM KEYS NO:/ 75% COTTON/25% POLYESTER/ CARE INSTRUCTIONS/ HAND WASH IN COLD/ WATER WITH MILD/ DETERGENT RINSE/ WELL DO NOT WRING/ TUMBLE DRY OR DRY CLEAN/ DRIP DRY IN SHADE"uniform, army, work dress, headwear, dcpu -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Domestic object - Watkins Polish, J. R. Watkins Co (USA), 20thC
The J. R. Watkins Co. opened its first overseas branch in Australia in 1935. The J. R. Watkins built a large factory at Highett on a six acres on the east side of Nepean Highway (no. 1123) in 1954. The J. R. Watkins company was founded in 1868 in Plainview, Minnesota USA, moving to Winona in 1885, by J. R. Watkins.Example of industry in the City of Moorabbin.Amber glass bottle with a metal screw on lid. A paper label is on the front of the bottle 'Watkins Polish" printed in yellow, black and white.PRINTED ON LABEL: 11 Fluid ounces - WATKINS POLISH - Gives a hard dry lustre excellent for Dusting For cleaning, dusting and polishing furniture, pianos, woodwork, linoleum, hardwood floors and all polished surfaces. Directions: If the article to be polished is dirty or gummy, clean it by washing with mild soap and warm water. Apply Watkins Polish with a damp, soft cloth (Dampened with water and wrung almost dry). The Polish may be poured on the damp cloth or on the surface to be polished. In either case rub it all with a dry cloth to obtain a high polish. When dusting, dampen the cloth with Watkins Polish - it keeps down the dust and gives a lustre which is neither greasy not gummy. The J. R. Watkins Co. Melbourne - Sydney - Adelaide - Kogarah EMBOSED ON BOTTLE: "The J.R.Watkins co. Made in Australia" the j. r. watkins co, highett, polish -
Mission to Seafarers Victoria
Flag, late 20th to 21st century
Requires more research. The flag appears to be a commemorative listing of British seafarers of World War 2 noting those who served, but this needs confirmation and an improved image. The flag was removed from permanent display in the Flying Angels Club as it requires assessment for cleaning of a build up of dust and smoke. See also existing condition report a new inspection needs to be carried out.If simply a listing of British merchant seamen visiting the Missions in the 2nd half of the 20th Century it is also notable in the history of the MTSV at 717 Flinders st.If confirmed as a WW2 memorial it is also significant. Reg nylon based flag with Union Jack in the top left corner. White trimming down left side with two metal hoops, one at each end. Across the Union Jack is written, 'THE BRITISH MERCHANT NAVY' and in small writing at the bottom of the Union Jack it reads, 'DONATED BY MIKE HALL IN THE U.K.'. Down the right side of the flag says, 'FLAG DONATED BY MIKE HALL IN THE U.K.' The red portion of the flag is covered with handwritten seamen's names and the seamen's registration numbers. THE BRITISH MERCHANT NAVY DONATED BY MIKE HALL IN THE U.K. FLAG DONATED BY MIKE HALL IN THE U.K. See image for more detail flag, british, mike hall, union jack, names, red ensign, merchant navy -
Kiewa Valley Historical Society
Gaiters Riding, Late 19th Century
These gaiters where used circa 1800's to mid 1900's, by horse riders "cattle men" to protect their shins and long trousers against wear and tear. They were used rather than having expensive boots damaged. Gaiters were a lot easier to fasten and clean than boots. They were used in the Kiewa Valley and the High Plains grazing areas.These gaiters were part of a cattleman's "out fit". The Gaiters were easily cleaned and did away with expensive riding boots. They were used throughout the valley and high plains areas both by horse riders herding cattle and the recreational rider of both sexes. After the 1950s more recreational riders from Melbourne ventured onto the high plains and not so rugged mountain slopes. Small settlements such as Mount Beauty, Bogong village and Falls Creek provided a secure backdrop for short term horse back adventures. The increasing pressure of city life provided a greater flow of stressed out city dweller to find the peace and quiet that city life does not have. Horse riding preceded the modern trail bikes and other recreational vehicles of the late 1900s. Thick leather tapered gaiters with six metal Hooks and Leather lacing through metal eyelets. All bar two eyelets have a metal reinforced punch holes. Left gaiter missing most of lacing.horse, country, leather, gaiters, high, grazing, cattlemen, laces, studs -
Wangaratta RSL Sub Branch
Clothing - Stable Belt, RAR, c1980
This stable belt is in the battalion colours of The Royal Australian Regiment. A stable belt is a striped colored belt worn at times by the armed forces of the United Kingdom and other Commonwealth countries. The stripes identify and vary by regiment and corps.The term "stable belt" originates from when UK cavalrymen would place the surcingle around the waist when cleaning the stables and tending to their horsesThe Australian Army adopted the stable belt in the late 1970s. They were removed from service in 1995 but were reintroduced in 2017.Red and dark green striped woven belt with gold coloured buckle with crestBuckle - The Royal Australian Regimentrar, stable belt, royal australian regiment -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Kitchen Equipment, curved sad iron, c1880
Sad-irons or "solid" irons were made by blacksmiths and used to smooth out material by pressing the hot iron over it. A piece of sheet -iron was placed over the kitchen fire and the irons placed on it could be heated whilst remaining clean of ash.. The women used 2 irons - one heating while the other was used. Thick cloth or gloves protected their hands from the hot irons. The handle was removed from the cool iron and re- attached to remove the hot iron from the fire. The cool iron was replaced on the fire or stove to heat again. These irons were cleaned with steel wool to prevent them marking the material. If the iron was too hot the material would scorch. Most homes set aside one day for ironing and some large households had an ironing room with a special stove designed to heat irons. However, most women had to work with a heavy, hot iron close to the fireplace even in summer.The Curtis family were early settlers in Moorabbin Shire c1880 and used sad ironsA small, curved, flat iron, with attached handle, used for cuffs, collars and frillsSILVESTER'S/ PATENT/ SALTERS / No 3 with the pretzel & a arrow going through the centresad iron, kitchen equipment, pioneers, early settlers, market gardeners, sewing, craftwork, clothing, moorabbin, brighton, bentleigh, fireplaces, stoves -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Domestic object - Kitchen equipment, sad iron, c1880
Sad-irons or "solid" irons were made by blacksmiths and used to smooth out material by pressing the hot iron over it. A piece of sheet -iron was placed over the kitchen fire and the irons placed on it could be heated whilst remaining clean of ash.. The women used 2 irons - one heating while the other was used. Thick cloth or gloves protected their hands from the hot irons. The handle was removed from the cool iron and re- attached to remove the hot iron from the fire. The cool iron was replaced on the fire or stove to heat again. These irons were cleaned with steel wool to prevent them marking the material. If the iron was too hot the material would scorch. Most homes set aside one day for ironing and some large households had an ironing room with a special stove designed to heat irons. However, most women had to work with a heavy, hot iron close to the fireplace even in summer.These sad irons remind us of the difficult circumstances experienced in their daily routines by the pioneers and early settlers of Moorabbin Shire. The family of Miss M Curtis were early settlers in Moorabbin Shire. Sad-iron, domestic, flat, cast iron, Silvester's Patent, No 6, Salter, England, c. 1890-1900s A sad iron made from cast iron was heated over a fire or on a stove and used for pressing clothing and table wareSILVESTER'S/ PATENT/ SALTERS / No 6 with the pretzel & a arrow going through the centresad iron, kitchen equipment, pioneers, early settlers, market gardeners, sewing, craftwork, clothing, moorabbin, brighton, bentleigh, fireplaces, stoves -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Domestic object - Kitchen Equipment, flat iron with trivet stand, c1880
Sad-irons or "solid" irons were made by blacksmiths and used to smooth out material by pressing the hot iron over it. A piece of sheet -iron was placed over the kitchen fire and the irons placed on it could be heated whilst remaining clean of ash.. The women used 2 irons - one heating while the other was used. Thick cloth or gloves protected their hands from the hot irons. The handle was removed from the cool iron and re- attached to remove the hot iron from the fire. The cool iron was replaced on the fire or stove to heat again. These irons were cleaned with steel wool to prevent them marking the material. If the iron was too hot the material would scorch. Most homes set aside one day for ironing and some large households had an ironing room with a special stove designed to heat irons. However, most women had to work with a heavy, hot iron close to the fireplace even in summer. These sad irons remind us of the difficult circumstances experienced in their daily routines by the pioneers and early settlers of Moorabbin Shire The family of Miss M Curtis were early settlers in Moorabbin Shire. A) A heavy cast iron, flat iron with B) horseshoe shaped trivet stand c1880 The trivet can be attached to a table by an adjustable clamp.A) 5 on tip of ironsad iron, kitchen equipment, pioneers, early settlers, market gardeners, sewing, craftwork, clothing, moorabbin, brighton, bentleigh, fireplaces, stoves -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Domestic object - Kitchen Equipment, sad iron with lifter, c1900
Sad-irons or "solid" irons were made by blacksmiths and used to smooth out material by pressing the hot iron over it. A piece of sheet -iron was placed over the kitchen fire and the irons placed on it could be heated whilst remaining clean of ash.. The women used 2 irons - one heating while the other was used. Thick cloth or gloves protected their hands from the hot irons. The handle was removed from the cool iron and using the lifter the cool iron was replaced on the fire or stove to heat again. These irons were cleaned with steel wool to prevent them marking the material. If the iron was too hot the material would scorch. Most homes set aside one day for ironing and some large households had an ironing room with a special stove designed to heat irons. However, most women had to work with a heavy, hot iron close to the fireplace even in summer.These sad irons remind us of the difficult circumstances experienced in their daily routines by the pioneers and early settlers of Moorabbin Shire. The Curtis family were early settlers in Moorabbin ShireA) This heavy sad iron, made from cast iron, was heated over a fire or on a stove and used for pressing clothing and haberdashery. B) The separate tapered handle was used to lift the hot iron from the fire and when a "Potts" Handle was attached the ironing commenced. sad iron, kitchen equipment, fireplaces, stoves, pioneers, early settlers, market gardeners, sewing, craftwork, clothing, moorabbin, brighton, bentleigh -
Orbost & District Historical Society
cabinet
Food safes / cabinets are used principally to keep food safe (from flies and other pests), clean and cool. They have been used to store perishable foodstuffs for centuries, and are still made and used today. They are usually placed in a well ventilated area to allow for air flow, thus ensuring the produce is kept cool. This was a normal household item before iceboxes came into regular use.This was a normal household item before iceboxes came into regular use.A wooden cabinet / safe. It has two doors and zinc mesh insets on the sides and front. Inside are two shelves. The back and top are closed. The knob fittings are brass. It has four turned wooden legs and the doors are hinged.furniture-domestic cabinet food-safe -
Orbost & District Historical Society
pruning saw, First half 20th century
A two sided pruning saw blade has a top cutting edge used for making an undercut of a limb while the bottom cutting edge is used for regular pruning. One side of the blade has very coarse, irregularly sized teeth for cutting quickly through large branches. The other side of the blade has fine teeth for making clean cuts on small branches and dead wood.This tool is an example of an early pruning saw commonly used in Orbost.Pruning saw with wooden handle and double sided toothed blade. The wooden handle is attached with three screws. The steel blade has teeth on both edges - small on one side and longer on the other.tool pruning-saw horticulture -
8th/13th Victorian Mounted Rifles Regimental Collection
Photograph - Col Price grave
Colonel Tom Price, following a distinguished military career in India, was tasked with raising Victoria's military forces in 1885. The mounted arm was the Victorian Mounted Rifles. Contingents of the VMR served in the South African War 1899-1902. Following Federation, the companies of the VMR became Australian Light Horse regiments. For a number of years the 8/13 Victorian Mounted Rifles visited the site of the grave to clean it.Example of service to the memory of the founder of the regiment.Black and white photograph of 8/13 Victorian Mounted Rifles soldier removing leaves and debris from the surrounds of the gravestone of Colonel Tom Price founder of the Victorian Mounted Rifles in Melbourne General Cemetery. price colonel tom, victorian mounted rifles, vmr, cemetery, melbourne -
Ballarat Tramway Museum
Photograph - Geelong scrubber turning into Moorabool Street, c1939
Photograph of the Geelong scrubber tram turning from Brougham St into Moorabool St with the Geelong Customs house in the background. The small building on the left hand side of the building has since been removed. The worker is cleaning the points for the wharf line which can be seen the foreground. The wharf line was closed and the rails used to extend the depot line to Beach during Oct. 1940. Photo c1939.Yields information about the Geelong scrubber tram and the line to Geelong wharf.Black and white photograph printed on plain paper.tramcars, geelong, scrubber tram, geelong scrubber, moorabool st, geelong wharf, beach -
Flagstaff Hill Maritime Museum and Village
Spoon, circa 1878
This tea spoon is from the wreck of the LOCH ARD, a Loch Line ship of 1,693 tons which sailed from Gravesend, London, on 2 March 1878 with 17 passengers and a crew of 36 under Captain George Gibbs. “The intention was to discharge cargo in Melbourne, before returning to London via the Horn with wool and wheat”. Instead, on 1 June 1878, after 90 days at sea, she struck the sandstone cliffs of Mutton Bird Island on the south west coast of Victoria, and sank with the loss of 52 lives and all her cargo. The manifest of the LOCH ARD listed an array of manufactured goods and bulk metals being exported to the Colony of Victoria, with a declared value of £53,700. (202 bills of lading show an actual invoice value of £68, 456, with insurance underwriting to £30,000 of all cargo). Included in the manifest is the item of “Tin hardware & cutlery £7,530”. This teaspoon is one of 482 similar items of electro-plated cutlery from the LOCH ARD site, comprising spoons and forks of various sizes but all sharing the same general shape or design and metallic composition. 49 of these pieces display a legible makers’ mark — the initials “W” and “P” placed within a raised diamond outline, which is in turn contained within a sunken crown shape — identifying the manufacturer as William Page & Co of Birmingham. An electroplater’s makers’ marks, unlike sterling silver hallmarks, are not consistent identifiers of quality or date and place of manufacture. A similar line of five impressions was usually made to impress the consumer with an implication of industry standards, but what each one actually signified was not regulated and so they varied according to the whim of the individual foundry. In this case, the maker’s marks are often obscured by sedimentary accretion or removed by corrosion after a century of submersion in the ocean. However sufficient detail has survived to indicate that these samples of electro-plated cutlery probably originated from the same consignment in the LOCH ARD’s cargo. The following descriptions of maker’s marks are drawn from 255 tea spoons, 125 dessert spoons, and 99 table forks. These marks are clearly visible in 66 instances, while the same sequence of general outlines, or depression shapes, is discernible in another 166 examples. 1. A recessed Crown containing a raised Diamond outline and the initials “W” and “P” (the recognised trademark of William Page & Co) 2. An impressed Ellipse containing a raised, pivoted, Triangle in its lower part and bearing a Resurrection Cross on its upper section (a possible dissenting church symbol reflecting religious affiliation); OR a rounded Square impression containing a raised, ‘lazy’, letter “B” (possibly mimicking sterling silver hallmark signifying city of manufacture i.e. Birmingham) 3. An impressed rounded Square filled with a raised Maltese Cross (the base metal composite of nickel silver was also known as ‘German silver’ after its Berlin inventors in 1823) 4. A recessed Circle containing a Crab or Scarab Beetle image; OR a recessed Circle containing a rotated ‘fleur de lys’ or ‘fasces’ design 5. A depressed Diamond shape enclosing a large raised letter “R” and a small raised letter “D” (mimicking the U.K. Patent Office stamp which abbreviated the term ‘registered’ to “RD”, but also included date and class of patent) Suggested trade names for William Page & Co’s particular blend of brass plating are ‘roman silver’ or ‘silverite’. This copper alloy polishes to a lustrous gold when new, discolouring to a murky grey with greenish hue when neglected. HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only seven in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register. The LOCH ARD shipwreck is of State significance – Victorian Heritage Register S 417. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Restored tea spoon from the wreck of the LOCH ARD. The spoon design has a flattened fiddle-back handle, with a thin stem or shank, flared collar, and elongated bowl. The spoons metallic composition is a thin layer of brass alloy which has been electroplated onto a nickel-silver base metal. Spoon has been treated and cleaned to present a shining golden appearance. There is some pitting on the reverse side of the spoon. Four of the five makers marks are clearly visible on the lower rear of the handle: (1) Trade Mark (2) Resurrection Cross (3) Maltese Cross (4) Crab Design.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, electroplated cutlery, loch ard shipwreck, nickel silver, william page & co, birmingham, brass plating, makers marks -
Ballarat Tramway Museum
Slide - 27 mm sq slide/s - set of 6 - depot workers', Lilian Butler, showing various workers at the depot, Sep. 1971
Yields information about the staff at the SEC depot at the time of closure.Set of six Colour 27 x 27 mm slide in Agfachrome blue and white plastic mounts showing various views and scenes at the SEC Wendouree Parade depot with some of the depot staff in the photographs. .1 - W. Kell cleaning point blades and boxes in Wendouree Parade .2 - W. Kell at the depot. - see also Reg Item 6442 .3 - B. Peart and A. Domaschenz in the workshop area. .4 - Stan Lakey with the Depot Foreman's office and depot clock in the background. .5 - Stan Laky standing by No. 12 .6 - E. Davis standing by No. 32 Photo from the collection of Lilian Butler. ballarat, tramways, trams, depot, sec depot, wendouree parade, personnel, tram 12, tram 32, bundy clock -
Ballarat Tramway Museum
Photograph - Digital image Set of 7, John Theodore, c1973
Yields information about the activities inside the depot by the BTPS showing difficulties and the provision of overhead troughing.Set of 7 digital images scanned from 35mm slides of early activities at the BTPS depot c1973. .1 - Noel Forster assisting another member adjust the brakes on a bogie tram inside the depot. .2 - cleaning old paint off a bracket arm with a kerosene blow torch. .3 - repainted trolley pole base at the depot .4 - interior view after the troughing has been positioned. .5 - ditto .6 - view of the depot from the overhead truck - 26, 28 and 40, one road yet to be commenced. .7 - interior view of the depot with workers - Peter Rees, Andrew Cook and Graeme Jordantrams, tramways, btps, trackwork, depot, tramcars, overhead, tram 26, tram 27, tram 40 -
Ballarat Tramway Museum
Functional Object - Bogies - cable cars
Cable Tram bogies(wheel sets) from Sydney road. cable hauled bogie trailers - steel and cast iron components, with white metal bearings, cast steel wheels, cast frame, axle boxes, leaf springs, tie rods, axles - painted yellow - numbered 20.1- 18, 20.2 - 123 - cast letters on plate fixed to side of bogie. Wheels dated - need to be cleaned up to determine origin of manufacture details. Brake Rigging, removed except for support pins. Side support plates added by Preston Workshops. See original worksheet for measurements and sketches. See Mind the Curvetramways, trams, mto & co, mmtb, cable trams, bogie cable trailers, melbourne