Black video cassette cover containing one video cassette; Size 20.5cmHx14cmWcarol-lee aquiline, steve ripley, children of a lessor god, princess elizabeth junior school

2011, 382

1976, 173, city of heidelberg repertory group, heidelberg theatre company inc, directed by elizabeth young

1972, 145, city of heidelberg repertory group, heidelberg theatre company inc, directed by elizabeth young

1958, 42, city of heidelberg repertory group, heidelberg theatre company inc, directed by william (bill) cherrey, ballarat competition

Three people standing in front of single fronted cottage.

john garner collection, ballarat botanical gardens, gardens, ballarat, royal visit, queen elizabeth

Black and white photographqueen elizabeth 11, royal visit australia 1954, ballarat botanical gardens, begonia house 1954

Lady in front of Victorian HousePhoto is named 14880029.jpg on CD

Ernest Wesley BARRIE and Eva Edna MYERS's childrenlocal identities

non-fictionThe story of the life, family and achievements of Arthur Henman, born in 1861 in Lidlington, Bedfordshire, England and his wife Elizabeth Ann nee Pollard of Bonegilla, Victoria. For a time on arrival in Australia at the age of 17, Arthur had a contract to supply timber to the New South Wales Railway Department. After marrying in 1888, Arthur and Elizabeth became successful dairy farmers in Glen Innes, northern New South Wales, before deciding to come to the Barmedman district. They took up the property, now well known as "Pine Valley." They had a pioneer's task to face for a thick belt of green timber stretched from the back door of their first home to Temora. Undaunted by the task, but with great determination and courage, they fashioned a first class property out of the wild and waste of those days and made valuable contribution to the fledgling communities until retirement from active farming in 1923 when they moved to Sydney.pioneers australia, pioneers nsw, arthur henman, elizabeth ann pollard, barmedman district nsw

Australian 1915 - 2000Gouache on paper Signed

Australian 1915 - 2000Charcoal and Goache on brown paperSigned and titled

Australian 1915 - 2000Oil on canvasInitialled l.r Presented to Robert Smith in 2008 by the artist's daughter, Perpetua and son Michael, with appreciation and affection

The order of service of the ceremony to dedicate the Shrine Forecourt by the Queen on 28 February 1954. It was the official commemorative document of the occasion. The Queen lit the Eternal Flame as part of the ceremony. The design of the Forecourt was part of a competition that was run to find a suitable memorial. The Forecourt is cross shaped. The Cenotaph is 65 feet high and rises as a focal point to the Forecourt, it is balanced on the other side by three 70 foot high flagstaffs. The sculpture at the top of the Centoph is "carved in Footscray basalt. It represents six men in battle dress of the Navy, Army and Air Services, carrying a bier on which lies the figure of a dead comrade draped with the national flag. Its simple symbolism harmonises with the great shrine itself and sums up with dramatic power the whole message of the monument - the debt of the living to the dead, the eternal bond between the fallen and those who enjoy the fruits of their sacrifice." Also from the souvenir booklet: "In front of the Cenotaph, surrounded by a protective railing, the Eternal Flame which burns continually in its great bronze bowl. The eternal flame is an ancient symbol signifying at times the continuing spirit of a city, at others the constancy of man to an ideal, and again as they symbol of continuing faith." The document was in a file with other documents concerning the Shrine and it's history (01181 - 01190).A record of the dedication of the Forecourt at the Shrine of Remembrance by the Queen. There was an effort to record historical events for the "Archive Committee" which collected this and other documents relating to the Shrine together in a file (see items 01181 - 01190)Booklet x 12 pages with sepia photos and brown text in a cream card cover for the dedication of the Shrine Forecourt on 28 February 1954.memorial, wreath laying ceremony, royal visit, shrine of remembrance

Ticket and notice about the Dedication of the Forecourt by The Queen, possibly kept as souvenirs by a Legatee. The Forecourt is cross shaped. The Cenotaph is 65 feet high and rises as a focal point to the Forecourt, it is balanced on the other side by three 70 foot high flagstaffs. The sculpture at the top of the Centoph is "carved in Footscray basalt. It represents six men in battle dress of the Navy, Army and Air Services, carrying a bier on which lies the figure of a dead comrade draped with the national flag. Its simple symbolism harmonises with the great shrine itself and sums up with dramatic power the whole message of the monument - the debt of the living to the dead, the eternal bond between the fallen and those who enjoy the fruits of their sacrifice." Also from the souvenir booklet: "In front of the Cenotaph, surrounded by a protective railing, the Eternal Flame which burns continually in its great bronze bowl. The eternal flame is an ancient symbol signifying at times the continuing spirit of a city, at others the constancy of man to an ideal, and again as the symbol of continuing faith." The document was in a file with other documents concerning the Shrine and it's history (01181 - 01191).A record of the dedication of the Forecourt at the Shrine of Remembrance by the Queen. There was an effort to record historical events for the "Archive Committee" which collected this and other documents relating to the Shrine together in a file (see items 01181 - 01191)Ticket for admission and notice about Etiquette for the Dedication of the Shrine Forecourt on 28 February 1954.memorial, wreath laying ceremony, royal visit, shrine of remembrance

The order of service of the ceremony to dedicate the Shrine Forecourt by the Queen on 28 February 1954. The Queen laid a wreath and lit the Eternal Flame as part of the ceremony. The design of the Forecourt was part of a competition that was run to find a suitable memorial. The Forecourt is cross shaped. The Cenotaph is 65 feet high and rises as a focal point to the Forecourt, it is balanced on the other side by three 70 foot high flagstaffs. The sculpture at the top of the Centoph is "carved in Footscray basalt. It represents six men in battle dress of the Navy, Army and Air Services, carrying a bier on which lies the figure of a dead comrade draped with the national flag. Its simple symbolism harmonises with the great shrine itself and sums up with dramatic power the whole message of the monument - the debt of the living to the dead, the eternal bond between the fallen and those who enjoy the fruits of their sacrifice." Also from the souvenir booklet: "In front of the Cenotaph, surrounded by a protective railing, the Eternal Flame which burns continually in its great bronze bowl. The eternal flame is an ancient symbol signifying at times the continuing spirit of a city, at others the constancy of man to an ideal, and again as they symbol of continuing faith." The document was in a file with other documents concerning the Shrine and it's history (01181 - 01191).A record of the dedication of the Forecourt at the Shrine of Remembrance by the Queen. There was an effort to record historical events for the "Archive Committee" which collected this and other documents relating to the Shrine together in a file (see items 01181 - 01191)Cream paper program with blue print, single page folded in half, order of service for the dedication of the Shrine Forecourt on 28 February 1954.memorial, wreath laying ceremony, royal visit, shrine of remembrance

Gis Gervasono served in Northern Australia and was in Darwin for the bombing.Black and white photograph of Gus Gervasoni in AIF Uniform, and his son and wife. This photograph was taken before his World War 2 departure. gus gervasoni, aif, world war two, chocco, chocolate soldier, conscript, john hogan gervasoni, elizabeth gervasoni, george gervasoni, elizabeth hogan

Local newspaper clipping with two notices.Loving wife of the late Alldin Roy, mother of Christine, Mother-in-law of Bob, Nanna-San of Mark, Tara and Phillip. Mother of Sue, Mother-in-law of Ken, Nanna in hospital to Natalie and Aaron. Proudly remembered loved forever, Stephen. Dearly loved sister-in-law of Garnet (dec.) and Dot, loving Aunty of Bruce, Ronda, Peter, Kenneth, Edward and families.

"In 1928 the land on the east side of Johnson Street was subdivided in 60 lots for the ‘Heart of Richmond Estate’. The houses in the subdivision, along the east side of Johnson Street, and in the newly created Hollick, Cole and Kennedy streets were constructed from 1928 to 1937." (Source: City of Yarra Heritage Gaps Review One 2013)Portion of subdivision plan pasted on to cardboard. Area includes Johnson Street, Victoria Street, Kennedy Street, Cole Street, Hollick Street, Bennett StreetTitle Certificate Vol.2381, Folio 476130 Phillips, Fox & Masel, 440 Little Collins Street, Melbourne (Local estate agent: Jas. R. Mathers & McMIllan, 136 Cotham Road, Kew)subdivision plans - richmond (vic.), heart of richmond estate

Elizabeth Buchanan worked at an opportunity shop - possibly Kildonan Care.B & W head and shoulders photograph of Elizabeth Buchananelizabeth buchanan, opportunity shop, kildonan care

Elizabeth Buchanan worked at an opportunity shop - possibly Kildonan Care.B & W waist length photograph of Elizabeth Buchananelizabeth buchanan, opportunity shop, kildonan care

These items have no known provenance and no information has been found on the Barnards on the printing blocks, delivery paper and stamps. The stamp for ‘W.I.O. Barnard’ was sent to an address in Camberwell so it is presumed that the Barnard family members were in Melbourne and not in the Warrnambool district.The only interest in these items is in the printing blocks and stamps. They are good examples of the type of printing used in the early 20th century and the type of stamp used by individuals for letterheads, visiting cards, personal items etc. There are 5 objects in this collection:- 1. A small red cardboard box 2. A printing block with a tapered wooden base and metal type – E.D. Barnard There are three small nails holding the type to the wooden block. 3. A printing block with a metal ring handle – R. Barnard 4. Five metal type letters (G, I, K, O, W) 5. A much-tattered sheet of paper showing delivery of stamp to ‘W.I.O. Barnard’ Wooden Block – E.D. Barnard Metal Block – R. Barnard Box - stamped E.D. Barnard Paper – ‘Linen Stamp Co. 231 Elizabeth St. Melbourne, Please deliver stamp and pad at 2/6, Name: W.I.O. Barnard, Address: 29 Bowen St. Camberwell, Signature: E. Barnard’ barnard, printing blocks