The book tells the story of the shipwreck of the J H Scammell off Point Danger Torquay in 1891.The story of one of the many wrecks on the notorious south coast of Victoria.Typed booklet (27 pages)shipwrecks great ocean road victoria

Associated with - J H Slee & Sons Buildings - Van House People - "Slee, Josiah Henry"

Pleasant Creek. Stawell Hospital Portrait of Mrs. W. H. Syme donor of Syme Ward.stawell hospital medical

Prior to the election of female Councillors and Mayors in the 1960’s, the Lady Mayoress role was one of the few ways women could officially undertake civic duties. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and federal level. They also undertook some Mayoral duties on occasions when their husband was unavailable. The Bendigo Mayoress medallion was commissioned by Sir George Lansell Jnr in the tradition of making a mayoral presentation in gold. It was first worn by Mayoress Snell and was presented to her on April 11th, 1956 at the municipal centenary dinner at the Shamrock Hotel. The medallion was passed on to each subsequent Mayoress when the new Mayor was appointed. The Mayoress medallion was commissioned by Sir George Lansell Jnr in the tradition of making a mayoral presentation in gold. The drop and chain have been hand crafted n 18ct yellow gold and engraved by a master engraver also by hand. It was first worn by Mayoress Snell and was presented to her on April 11th, 1956 at the municipal centenary dinner at the Shamrock Hotel. Front; Progress / BENDIGO. Verso; PRESENTED / TO THE / BENDIGO CITY COUNCIL / by / SIR GEORGE LANSELL, / TO COMMEMORATE THE CENTENARY OF / LOCAL GOVERNMENT IN BENDIGO / 10 - 1 - 56george lansell jnr, mayoress chain, bendigo centenary, mayoress snell, city of greater bendigo ceremonial item, lansell pendant

Light tan colored cardboard document folded into four sections. Contains Factory Rules for employees of the H. V. McKay Sunshine Harvester Works in Sunshine Victoria - May 1926.factory rules, h. v. mckay, sunshine harvester works, mckay, may 1926

Blue faced, white cardboard document folded into three sections. Contains Factory Rules for employees of the H. V. McKay Sunshine Harvester Works in Sunshine Victoria - January 1913.factory rules, h. v. mckay, h. v. mckay's, sunshine harvester works, mckay, january 1913

Joseph Henry Hunter was the son of Robert and Rosanna Hunter (married 1900). Grandson of Edward Hunter, 1818-1895. Edith May Parker. Leonard Robert James b. 1901-1921 (drowned). Edith Evelyn b. 19121974. Record book of Joseph H. Hunter. Fruit Grower. Wandin Yalloak. Has brown cover. Contains rations, calves details, records of cows bought and sold, wagesc21929 etc.books, account books

Situated in King Street, Eltham, Alistair Knox built his home and office in 1962-1963 with mud-bricks made from the local soil and recycled materials blending the house with bush around it. Knox popularised the Eltham earth building movement, begun by Montsalvat founder, Justus Jorgensen. Alistair Knox (1912-1986) was also an Eltham Shire Councillor 1971-1975 and Shire President in 1975. Knox established the inaugural Eltham Community Festival in 1975. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p145 Lack of money was a strong incentive for Alistair Knox to do what he did best when he built his house and office at King Street, Eltham in 1962-63. He used mud-bricks from local soil and recycled materials, characteristically blending the house with the bush around it. The result was a work of art. Knox popularised the Eltham earth building movement,1 begun by Montsalvat founder Justus Jörgensen. He was also an Eltham Shire Councillor from 1971 to 1975 and Shire President in 1975. For Knox mud-brick building was not just a building style, but a spiritual experience and a way of relating with nature. At 40 he rediscovered God and his building reflected his theological, political, philosophical and particularly environmental world view, which was far ahead of its time.2 He also contributed to building development in his use of concrete slab foundations when stumps and bearers were the norm. Knox was introduced to mud-brick construction in 1940 by Jörgensen, then shortly after, Knox joined the Navy. In 1946 Knox studied Building Practice and Theory at Melbourne Technical College (now RMIT University). There he befriended fellow student and artist Matcham Skipper who belonged to what was then called the Jörgensen Artists’ Colony. Knox decided to build an earth building in Eltham, partly because the post-war huge building demands resulted in expensive and scarce building materials. He asked artist Sonia Skipper for help who, with Matcham, had constructed mud-brick buildings at the Artists’ Colony. The simple rectangular low-lying house at King Street is framed by native plants and a 3.6 metres wide pergola surrounds the building. Wedded to the landscape, a door in every room at the perimeter, opens outside. The property also includes a forge, a small hut built by son Macgregor at 15, and a mud-brick tower for chickens. Building materials were foraged from a wide variety of sources. Some of the joinery material came from old whisky vats. When the Oregon of the highest quality ‘was put through the wood-working machines, it gave off a deep smell of whisky that made the whole atmosphere exotic and heady’.3 Amateur builders, including schoolboys from Knox’s Presbyterian Church, made some of the mud-bricks. But the building was finished with the professional help of Yorkshire builder, Eric Hirst. Inside, the light is subdued with the mud-brick, beamed timber ceilings and floors of slate, timber or orange-brown tiles. Skylights, with rich blue and red leadlighting, illuminate one entrance area and this feature is repeated as edging on the door. The centre of the house is like a covered courtyard, with rooms built around it. The central room, 11 metres x 7 metres, was built in the same proportions as Knox’s mud-bricks. Clerestory windows on four sides infuse the room with a soft light. A huge brick fireplace extends beyond one corner and opposite is a small one where timber can only be placed vertically. The slate for the floor was discarded from the Malthouse Brewery now used as a theatre in Southbank. In the middle is a large refectory table and benches that seat 18. Like much of the house, it is rugged, yet beautiful. Made of Western Australian Jarrah by Macgregor with a chain saw and an adze, it retains knot and nail holes. Each wall has an opening, 2.4 metres at the ends and 3.6 metres at the sides. Only one has doors and these concertina doors are made of the backs of old church pews. The main bedroom has an ensuite with a marble hand basin discarded from the Victorian Parliament building; and a dressing room, where two wardrobes of polished timber recovered from a tip are attached to the walls. Separate from the house is the strikingly original circular-shaped office made of bluestone sourced from the original Army campsite at Broadmeadows.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, alistair and margot knox house, alistair knox design, mudbrick construction, eltham, king street

(1) Correspondence between T. Kneen, Principal, and Kraft Foods Ltd. Re George Toyne recipient of a Kraft Scholarship. (2-7) Photographs of George Toyne taken in 1966 for an article about him in the "Kraftsman" November 1966.t.h. kneen, principal, kraft foods ltd, george toyne, kraft scholarship

From around circa 1850 Braybrook was already well established and became a staging point for prospectors on their way to the diggings. Local government for this rural area to the west of Melbourne came when the BRAYBROOK ROAD DISTRICT was proclaimed on 28 May 1860. This authority was superseded on 23 January 1871 with the formation of the SHIRE OF BRAYBROOK. The Shire of Braybrook existed for about 80 years during which time it experienced significant industrial growth. The Shire of Braybrook ceased to exist in 1951 when the CITY OF SUNSHINE was formed.The Coat of Arms informs the observer that the Shire of Braybrook was initially a rural area with its images of a cow, sheep, and hay. The reference to industry however probably does not indicate adequately the large growth in industrial activity that occurred within the Shire. Circular board of Masonite painted by A. H. Walker which is a true depiction of the Coat of Arms for the Shire of Braybrook. It is mainly blue, yellow and red coloured with black writing, and has images of a cow, sheep, and hay, and also indicates a reference to industry.Shire of Braybrook Victoria / Dieu Et Mon Droit / By Industry / A. H. Walkercoat of arms, shire of braybrook, a. h. walker, plaque, sunshine

Grave of Mrs H. W. Stead (died 11/03/1886) Plot# unknown, Greensborough Cemetery.Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many of the early settlers in the district. The cemetery holds approximately 250 grave sites with 350 people buried there. Digital copy of colour photograph of grave/headstone.h w stead, greensborough cemetery

Stawell Hospital Unveiling Tablet of Foundation Stone by Mrs J P Wilson and Mrs H Barkerstawell hospital

Replacement headstone for Wooden Grave Marker Thomas H L Saunders destroyed by fire at Stawell Cemeterystawell memorial

Pencil Drawing by John H. Glover (Deep Lead School) Presentation to Stawell Historical Society 1993stawell education

These five photographs of the George Mann printing presses were probably taken circa 1960s in Lithographic Squadron at the Army Survey Regiment, Fortuna, Bendigo. The photos are not annotated except for .4P. The George Mann Fast Five Printing Press was a two-colour demy quad offset press. It was a robust and well-made lithographic printing machine built by the George Mann company in Leeds, UK. The two presses were in service at the Army Svy Regt in the 1960s and 1970s and replaced with the Komori and Planeta offset printing presses in 1975 and 1976 respectively.This is a set of photographs of the George Mann Printing Presses operational at the Army Survey Regiment, Bendigo from c1960s to 1970s. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) - Photo, black & white, c1960s, printing press, Lithographic Squadron .2) - Photo, black & white, c1960s, unidentified, printing press, Lithographic Squadron .3) - Photo, black & white, c1960s, printing press, Lithographic Squadron .4) - Photo, black & white, c1960s, SPR Howard Dingle, Lithographic Squadron .5) - Photo, black & white, c1960s, printing presses, Lithographic Squadron.1 to .3 – no annotation .4 - personnel names (with rank) annotated on back. .5 – no annotation royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, printing, litho

Luke King’s mixed media artwork Portrait (2023) was shown in the group exhibition Fever’Dreams at the Counihan Gallery in 2023. The group exhibition explored the slippery boundaries between abstract and figurative artwork, showcasing local artists with a strong connection to Merri-bek’s arts community. King uses portraiture to highlight the importance of gesture and facial expression in personal storytelling. Exhibition curator of Fever’Dreams, Mitchel Brannan, writes of King’s work: ‘King explores the profound capacity of the human face to convey emotions within the context of constraint. Through his art, King invites viewers to reflect on the complexities of human expression and the underlying dynamics of restraint within society.’

Issued to Sister Kathleen Heaphy of Australian Army Nursing service. Sister Heaphy was attached, for part of her service, to 28 Camp Hospital Internment camp 1.1 round brass button with a metal shank crown and map of Australia and wording around the circumference. A split pin is through the shank.Australian Military Forces and a crown and map of Australia. P. J. King Pty Ltd Melbourneaustralian army nursing service, sister kathleen heaphy, 28 camp hospital internment camp 1, brass buttons

Issued to Sister Kathleen Heaphy of Australian Army Nursing service. Sister Heaphy was attached, for part of her service, to 28 Camp Hospital Internment camp 1.round brass button with a metal shank. Crown and map of Australia and wording around the circumference.Australian Military Forces A crown and map of Australia P. J. King Pty Ltd Melbaustralian army nursing service, sister kathleen heaphy, 28 camp hospital internment camp 1

Black and white image of a poster relating to the departure of Governor George Arthur from Tasmania.port arthur, convicts, poster, george arthur

These medals were awarded for service in World War 1 and World War 2.These medals are historically significant as a tangible connection to J. H. Pattinson's service during World War 1 and World War 2.Four medals including a WWI Victory Medal, a WWI British War Medal, a 1914-1915 Star Medal and a War Medal 1939-1945 belonging to J. H. Pattinson, Stoker.O.N, 1108/ War for Civilisation 1914-1919j. h. pattinson, victory medal wwi, bristish war medal wwi, 1914-1915 star, 1939-1945 war medal, geelong naval and maritime museum

The George Hotel in St Kilda was one of the largest and most well known hotels in Victoria and the largest in Melbourne outside the city. By the late 1970s and early 1980s, renamed the Seaview in 1976, it no longer operated as a hotel and fostered Melbourne's alternative and punk music scenes. It was de-licenced and closed in 1987 and redeveloped in the mid 1990s as apartments, with bars, cafes and shops at ground level and an art gallery and cinema. On 6 January 1996, Harry Hogg, a local photographer and a member of the Save St Kilda movement, sent the photographs of the demitasse coffee cup to the new owner of The George, Donlevy Fitzpatrick. His covering letter said: 'The reason for this note is to send you copies of photographs of a fragment of a demitasse coffee cup I unearthed recently from along the light rail in Albert Park. I regret the poor quality of the prints (I was funning a test on a 1000 ASA film in low flat light) but hope the contents of the photographs may be of interest to you.'Colour photographSide of cup: George Hotel St Kilda; image of warrior on horse Base of cup: Dunn Bennet's (Gold Medal) Hotel Ware. Burslem, England. Made for: J. Leigh Jones & C Sydney.st kilda, dunn bennett, george hotel, fitzroy street, donlevy fitzpatrick

Book - light grey covers + 8 pages on off white paper, centre stapled titled "Site for Housing Schemes - Considerations which should influence Selection", written by H. H. Bell, Chairman of the MMTB c1939, as it notes the recommendation to use diesel buses on the Bourke St routes. This was done following his overseas tour of 1938. Includes comments on housing schemes and transport in the UK, USA, Melbourne, diesel buses and fares.trams, tramways, public transport, buses, housing, bourke st, overseas tours

Stawell Exhibit at Country Week in Myer Window Tourist Promotion 1927. R H McCracken Exhibit Advisor.stawell

Harry London was a chemist and surgeon dentist who came to Warrnambool in 1891 and brought out the business of the late W.F.G Nettleton.he used the Pasteur filter for water in the making of his medicines. He held a large number of patents for his medicines and mixtures. In 1896 London erected a new chemist shop at the corner of Koroit & Liebig Streets. As well as operating as a chemist and dentist he also dealt in all types of photographic materials and cameras.A common item with links to an innovative business in Warrnambool.Rectangular shaped bottle with embossed writing of company details on front and graduated measurements in ½ tablespoons along the narrow edges. Pale blue in colour. Round lipped neck.H London chemist & Dentist Warrnambool on front. One and two tablespoons along sides.warrnambool, harry london, harry london chemist and dentist , harry london liebig street,