Showing 1456 items
matching green paper
-
Tatura Irrigation & Wartime Camps Museum
Book, Practical Ethnology in Modern Jurisprudence and Legislation, 1935
Dr. Leonhard Adam studied both Anthropology and Jurisdiction as a young manDark green hard cover book with green binding on the spine. Title hand printed in black on a cream background paper glued to front of the book.war camps 2, books, history, local -
Tatura Irrigation & Wartime Camps Museum
Book, Letter Book - Shire of Rodney13/12/1941-3/7/1944, 1941-1944
Book used to record requests for extra petrol rations, during WW2. 13 December 1941 - 3 July, 1944.Green cloth cover, red label, black label, gold lettering on spine. White paper label on spine.shire of rodney, shire requests for rations ww2 -
Melbourne Athenaeum Archives
Theatre program, Compiled by Play Bil printed by Capitol Press Pty Ltd, Jugglers Three (play) by David Williamson performed by the Melbourne Theatre Company at the Russell St Theatre commencing 17 July 1972, 1972
Several programs of the Melbourne Theatre Company performing at Russell Street Theatre contained advertising for the Melbourne Athenaeum Library. Melbourne Theatre Company leased Athenaeum Theatre from 1977 season to 1985Paper program for a play performed at the Russell St Theatre 17 July until 5 August 1972; green cover; 20 p. includes articles about the play, the actors and advertisementsThe front cover has a message for the secretary Mr Stephens regarding future advertising for the seriesmelbourne theatre company, russell st theatre, jugglers three, david williamson, the university of melbourne, australian elizabethan theatre trust, melbourne city council, program -
Tatura Irrigation & Wartime Camps Museum
CD, Roll Call Tatura 1941, 2007
CD containing 4 photographs of 2 bars of soap. 2 photographs show the back of the bars which have got "Lux Toilet Soap" embedded in the soap. The other 2 photographs show the front of the bars and has "Lux soap Tatura Roll Call" painted on a piece of paper and stuck onto the front. CD, gold coloured, blue and green text. Plastic cover, clear front, black backlux soap, tatura internment camps -
Tatura Irrigation & Wartime Camps Museum
Artwork, other - Puppet, Kasper (Punch), WW2
The puppets were made by German POW's in camp 13 and sent to internment camp 3 as gifts for the children at Christmas time.Hand painted brown paper mache head with red lips, blue eyes and black eyebrows. Wearing a blue and white check hat and matching top over a green and red top, skirt and trousers. Long sleeves have a white trim. He has a white frilled neck ruff. The legs are only material at top with wooden boots painted black. There is no body parts. He is wearing a loose leather belt.pow puppets, pow handcrafts, hand puppets, sharon lohe, ww2 camp puppet theatre, puppetry -
Tatura Irrigation & Wartime Camps Museum
Artwork, other - Puppet, The Judge, WW2
The puppets were made by German POW's in camp 13 and sent to internment camp 3 as gifts for the children at Christmas time.Hand painted brown paper mache head with red lips, blue eyes and black eyebrows. Has white judge wig with small round green hat. He has a white frilled neck ruff and wearing a black cape with high stand up collar. There are no body parts. pow puppets, pow handcrafts, hand puppets, sharon lohe, ww2 camp puppet theatre, puppetry -
Tatura Irrigation & Wartime Camps Museum
Artwork, other - Puppet, The Jester, WW2
The puppets were made by German POW's in camp 13 and sent to internment camp 3 as gifts for the children at Christmas time.Hand painted fawn brown paper mache head with red lips and open mouth, green protruding eyes with red outline and big eye sockets. He is wearing a red pointed hat and matching red and gold and fur trimmed coat. There are no body parts. His legs are material with wooden fur boots and stubs for arms.pow puppets, pow handcrafts, hand puppets, sharon lohe, ww2 camp puppet theatre -
Tatura Irrigation & Wartime Camps Museum
Artwork, other - Puppet, Green Lady, WW2
... Tatura the-murray Puppet Artwork, other Green Lady Tan paper ...The puppets were made by German POW's in camp 13 and sent to internment camp 3 as gifts for the children at Christmas time.Tan paper mache head ,face painted with water colours, brown headscarf over white hair, green dress with long sleeves. No body or arms/legs.pow puppets, pow handcrafts, hand puppets, sharron lohe, ww2 internment camp puppet theatre, puppet theatre -
Tatura Irrigation & Wartime Camps Museum
Artwork, other - Puppet, Man with moustache, WW2
The puppets were made by German POW's in camp 13 and sent to internment camp 3 as gifts for the children at Christmas time.Paper mache head of man with large nose, pointed chin and moustache. Hand painted blue eyes. Moustache and eye brows made with cotton thread. Magenta tie stitched to neck. Bottle green felt jacket with magenta trim. Leather hands attached to sleeves. Light brown skirt attached to jacket. leather ears on head. pow puppets, pow handcrafts, hand puppets -
Tatura Irrigation & Wartime Camps Museum
Education kit - Exercise Book, Honour Book 1939, 1939
Used by Mary McNamara for school work whilst a student at St Mary's College Tatura in 1939.School exercise book covered in paper decorated with pastel flowers of green and pink on white background. Blue lined paged containing school work. Inside front page decorated (see inscription). inside front page: AMDG Grs V1 V11 V111 Honour Book 1939 Awarded to Mary McNamara; decorated with flowers.mary mcnamara, st mary's college tatura, education in victoria -
Tatura Irrigation & Wartime Camps Museum
Souvenir - Model - Ship in Bottle
Gifted to John / Jack Yeoman who was a guard at Camp 13Camp 13Ship has 3 decks, portholes, windows, masts, flags, funnel. Colours of cream, tan and green, also blue sea, and blue and yellow on some flagsBottle top is black with M and J written in green. Bottom of bottle has a crown and u690 embossed in glass. Piece of paper in bottom of bottle Murchison 7 . 5 . 945 -
Williamstown High School
Higher school certificate examination result 1974, 1974
The official end of year examination results certificate presented to all Higher School Certificate (HSC) students.Single sheet of off white paper. Black print on watermarked green. Individual number in red.See PDF file.williamstown high school, l.j. smallman, higher school certificate, 1974 -
Williamstown High School
Higher School Certificate results 1974, 1974
Official result notification slip, issued at the end of the HSC school year.Single sheet of white paper printed in black over green watermarkSee attached PDFwilliamstown high school, 1974, higher school certificate, janie winter -
Williamstown High School
Higher School Certificate Examination result 1975, 1975
Official document advising end of HSC school year result. These documents were mailed to students to notify them of their results.Single sheet of white paper printed in black over green watermark. Subjects, result and student name and address and exam number printed separately.See JPGs attached.williamstown high school, 1975, janie winter, higher school certificate -
Williamstown High School
Pupil's cookery certificate 1947
Certificate presented to student who has satisfactorily completed the Course of Instruction in the Theory and Practice of Elementary Cooking. This certificate was presented to Rita Blackstock in 1947 after she completed the above course at Williamstown High School.Buff coloured paper certificate, printed in black with school stamp in green ink.See jpg above.williamstown high school, cookery, 1947, rita blackstock -
Williamstown High School
Drill Hall album
This volume is hand printed in a calligraphical style using black ink. It includes a full colour drawing of the Williamstown High School logo of 1970.It details the history of the old drill hall, includes a photograph and explains the process of funding and building the new hall. The book also includes Members of the Advisory Council 1968-1971; participants in the first official assembly in the new school hall in 1972, signatures of all those present at the official opening; program of the unveiling of the plaque ceremony, 1975.Dark green leather bound volume, plain paper book. Memento of the old drill hall, demolished in 1969, to make way for a new school hall.drill hall, williamstown high school, 1960s, 1970s, opening ceremony -
Bendigo Art Gallery
Print - Work on paper, Ethel SPOWERS, The Green Bridge, 1926-1927
... on paper Print The Green Bridge l.r; ELS seal, l.r; The Green ...l.r; ELS seal, l.r; The Green Bridge 27, l.r; E.L Spowers 1926print, printmaker, printmaking, woodblock, female artist, linocut, bridge, ducks, farming, farm, countryside -
National Wool Museum
Work on paper - Women's Official Occasions Uniform Design Drawings, Wendy Powitt, c. 1992
A set of laminated A3 sketchbook pages depicting designs for the 1992 Barcelona Olympic Women's Official Occasions Uniform designed by Wendy Powitt. On the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The Official Uniform was used for both travel and official functions. This included a tailored blazer and trouser/skirt set (all water repellent) by Fletcher Jones in pure olive green faille fabric by Foster Valley, a cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, a printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy.8116.1 - A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Women's Official Occasions Uniform. The main drawing shows the design for a green skirt and green woollen vest over a yellow button up shirt with printed neck tie. Three smaller drawings on the left side of the page show the details of the vest, necktie and shirt. 8116.2 - A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Women's Official Occasions Uniform. The main drawing shows the design for a black skirt and printed scoop neck, button up blouse, cinched at the waist with a black belt. Around the central drawing are smaller drawings showing the details of the skirt, belt and shoes. 8116.3 - A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Women's Official Occasions Uniform. The main drawing shows the design for a black skirt and black blazer with detailed striping across the right front and right arm. There is a small detailed drawing of the blazer to the right of the main figure which includes the design of a scarf. 8116.4 - A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Women's Official Occasions Uniform. The main drawing shows the design for a green skirt, a yellow printed, sleeveless shirt, yellow gloves, along with a matching headband and scarf.1992 barcelona olympics, sport, athletes, fashion, design, artwork, drawing, uniform -
National Wool Museum
Work on paper - Women's Village/Travel Uniform Design Drawings, Wendy Powitt, c. 1992
A set of laminated A3 sketchbook pages depicting designs for the 1992 Barcelona Olympic Women's Village/Travel Uniform designed by Wendy Powitt. On the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The village clothing was designed to be a highly visible garment meaning that it was easy to "Spot the Aussies" and helped to contribute to a good team spirit. Blocks of contrasting colours were a feature of the pure wool shirts. A newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.8118.1- A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic women's Village/Travel Wear Uniform. The main drawing shows the design for a pair of yellow shorts with a yellow and green printed, striped shirt, cinched at the waist by a brown woven belt. At the bottom of the page is a detailed drawing of the weave of the belt with an Australia shaped belt buckle. A small drawing to the right of the main image also details a small bag/pouch that attaches to the belt. 8118.2- A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic women's Village/Travel Wear Uniform. The main drawing shows the design for a pair of yellow shorts paired with a block colour shirt in green, red, white and yellow with a symbol in the shape of Australia on the right side of the shirt. There are small detail images of shorts and a skirt to the left of the main image and a detail drawing of a brown leather shoe to the right.1992 barcelona olympics, sport, athletes, fashion, design, artwork, drawing, uniform -
National Wool Museum
Work on paper - Men's Village/Travel Uniform Design Drawing, Wendy Powitt, c. 1992
A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Men's Village/Travel Uniform designed by Wendy Powitt. On the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The village clothing was designed to be a highly visible garment meaning that it was easy to "Spot the Aussies" and helped to contribute to a good team spirit. Blocks of contrasting colours were a feature of the pure wool shirts. A newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic men's Village/Travel Wear Uniform. The main drawing shows the design for a pair of yellow shorts, a green and yellow striped shirt with the Australian emblem on the right breast of the shirt and a brown leather woven belt. The top of the page shows a detailed drawing of the belt weave with a symbol of Australia as the belt buckle. To the right of the main image is a detailed drawing of the shorts as well as a drawing of a leather pouch that is attached to the belt.1992 barcelona olympics, sport, athletes, fashion, design, artwork, drawing, uniform -
National Wool Museum
Work on paper - Women's Opening/Closing Ceremony Uniform Design Drawings, Wendy Powitt, c. 1992
A set of laminated A3 sketchbook pages depicting designs for the 1992 Barcelona Olympic Women's Opening/Closing Ceremony Uniform designed by Wendy Powitt. On the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. Opening Ceremony Uniform included a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy.8120.1 - A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Women's Opening/Closing Ceremony Uniform. The main drawing shows the design for a dark green skirt, a yellow printed sleeveless button up shirt, a matching headband and scarf, yellow gloves and brown leather shoes. To the right of the main image are five detail drawings of the skirt, gloves, shoes and scarf as well as a depiction of a brown leather bag. 8120.2 - unnumbered- mounted on green card this sketchbook page depicts a design for the 1992 Barcelona Olympic Women's Opening/Closing Ceremony Uniform. The main drawing shows the design for a dark green skirt, a yellow printed sleeveless button up shirt and yellow gloves. 8120.3 - unnumbered- A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Women's Opening/Closing Ceremony Uniform. The main drawing shows the design for a dark green skirt, a yellow printed sleeveless button up shirt, a matching headband and scarf, yellow gloves and brown leather shoes. To the right of the main image are five detail drawings of the skirt, gloves, shoes and scarf as well as a depiction of a brown leather bag.1992 barcelona olympics, sport, athletes, fashion, design, artwork, drawing, uniform -
National Wool Museum
Work on paper - Barcelona Olympic Uniform Rejected Design Drawings, Wendy Powitt, c. 1992
A set of laminated A3 sketchbook pages depicting rejected designs for the 1992 Barcelona Olympic Uniforms designed by Wendy Powitt. These designs were rejected during the fabrication process and used at a later time by Doug Pleasance in demonstrations to university/TAFE students.8121.1 - A set of laminated A3 sketchbook pages depicting rejected designs for the 1992 Barcelona Olympic Uniforms designed by Wendy Powitt. The main drawing shows the design for a pair of dark green shorts, a yellow and green striped windcheater with a map of Australia in the centre and a brown belt. 8121.2 - A set of laminated A3 sketchbook pages depicting rejected designs for the 1992 Barcelona Olympic Uniforms designed by Wendy Powitt. The main drawing shows the design for a pair of yellow trousers, a red and orange shirt with blue cuffs and a map of Australia on the right breast pocket. To the right of the main drawing is a detailed drawing of brown leather shoes. 8121.3 - A set of laminated A3 sketchbook pages depicting rejected designs for the 1992 Barcelona Olympic Uniforms designed by Wendy Powitt. The main drawing shows the design for a pair of yellow trousers and a dark green button up shirt. In the top right hand corner there is a smaller depiction of the shirt showing the details. 8121.4 - A set of laminated A3 sketchbook pages depicting rejected designs for the 1992 Barcelona Olympic Uniforms designed by Wendy Powitt. The main drawing shows the design for a pair of yellow trousers and a dark green vest with five buttons in the shape of Australia. To the left of the main design are two smaller images, one showing the details of the pants and the other the detail of the buttons.1992 barcelona olympics, sport, athletes, fashion, design, artwork, drawing, uniform -
National Wool Museum
Work on paper - Officials' Uniform Design Drawings, Wendy Powitt, c. 1992
A set of laminated A3 sketchbook pages depicting designs for the 1992 Barcelona Olympic Women's Opening/Closing Ceremony Uniform designed by Wendy Powitt. On the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The Official Uniform was used for both travel and official functions. This included a tailored blazer and trouser/skirt set (all water repellent) by Fletcher Jones in pure olive green faille fabric by Foster Valley, a cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, a printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy.8122.1 - A laminated A3 sketchbook page depicting a design for the Men's 1992 Barcelona Olympics Australian Official's Uniform. The main drawing shows the design for blue suit pants and blazer with six gold buttons, a yellow shirt and a red, green, yellow and cream striped tie. To the left of the main image are four smaller detail drawings of the belt buckle, gold bottons, blazer and shoes. 8122.2 - A laminated A3 sketchbook page depicting a design for the Women's 1992 Barcelona Olympics Australian Official's Uniform. The main drawing shows the design for a blue elbow length, square necked blazer with gold buttons on both the front of the jacket and sleeves paired with a blue pencil skirt and a red, green, yellow and cream shirt. To the right of the main drawing are four smaller detail drawings showing the pattern for a scarf, the striped shirt, the blazer and the shoes. 1992 barcelona olympics, sport, athletes, fashion, design, artwork, drawing, uniform -
Stawell Historical Society Inc
Book - Law Books, The Victorian Statutes 1929. (5 Vols), 1929
The General Public Acts of Victoria Melbourne: By Authority H.J. Green Government PrinterCardboard & PaperHandwriting marginalia loose front cover -
Stawell Historical Society Inc
Booklet - Realia, C.J. Williams Bread Factory, Patrick Street, c.1930
Recipies made with bread. These delicious Dishes are made with BREAD. BREAD is our Best Food Eat more of it.lEconomical, tempting RECIPES From Mor Bread campaign - W Slater M.L.A. Minister for Agricuture. Depresion era recipies.Paper - Blue. Colour Illustration of Woman with bob cut, green dress holding Steaming Dish75 Delicious Dishes made with bread with compliments from C.J. Williams, Bread Factory Patric Street STAWELL Telephone 333 -
Nillumbik Shire Council
Collage: Elizabeth GOWER (b.1952 SA, AUS), Cycles 10, 2015
The 'Cycles' series is an extension of two large scale provisional installations '150 Rotations', Melbourne Now, National Gallery of Victoria, and '356 Rotations', AC Institute in New York, which also re-purposed and aestheticised multiple paper units into hundreds of circular motifs.The immediate tactile connection with the material excesses and detritus of contemporary consumer culture informs the theoretical framework and conceptual understanding of Gower's practice, and associates her work with ideas of recovery and re-purpose, sustainable practice and thrift strategies that critique excesses of mass production and the notion of impermanence. This series was made ‘in transit’ during the artist’s recent studio residencies at Point[B], New York and Laughing Waters, Eltham, and at three temporary studios in Rome, Berlin and Collingwood.Kaleidoscope pattern of multiple segments (logos-Lipton 'Green Tea') from commercial (food) catalogues on commercial packaging (cardboard - round lid). No inscriptions and markingscycles, gower, collage, pattern, logos, commercialism, consumerism, repurpose, recycle, riverbend, laughing waters -
Beechworth Honey Archive
Hand-Written Notes by Frank Lebbell Frost [ca 1915-1924]
Hand-written notes on vegetation and flowering quality. Includes the areas of Rutherglen, Chiltern, Beechworth, Barnawartha, Yackandanda. Includes the trees Yellow Box, Iron Bark, Red Box, Cape Weed, Green Cabbage Box, Stringy Bark and Hill Gum. Written with black ink on paper.hand written, hand-written, notes, flowering, eucalypts, gum, trees, frost, beekeeper, beechworth honey -
Sacred Heart College
Text Book, Working with Words Book 2, reprinted 1951
Typical of English texts used in Victoria in the late 1940s and early 1950s.Various editions used at Sacred Heart College Geelong in English Expression. Red, paper covered English text book.Marita Fitzpatrick, S.H.C. Leaving, 1949, 7/3.shc; sacred heart; sisters of mercy; fitzpatrick; geelong; text book; english; 1949 -
Tatura Irrigation & Wartime Camps Museum
Prints, Lager Skizzen, During World War 2
... Brown paper folder with green print of camp guards... Tatura the-murray Prints Lager Skizzen Brown paper folder ...These items belonged to Wilhelm Eckels who was a wool buyer in Sydney when the war broke out. He was interned in Camp 1, aged 22. Another set of these prints has been donated, see C7968Brown paper folder with green print of camp guards overlooking camp. Inside are six woodcut prints of camp sketches.Internierungslager Tatura ~ Australienlager skizzen, camp 1, wilhelm eckels, woodcuts, wood cut prints -
Tatura Irrigation & Wartime Camps Museum
Book, Optima Press et al, From East to West You Gather a People, 2003
... name (same on dust cover). The paper dust jacket is green back... (same on dust cover). The paper dust jacket is green back ground ...Contains information on the Hartman's of Tatura (see chapter 13).A green hardcover book with gold book and title and authors name (same on dust cover). The paper dust jacket is green back ground with a photograph of a cross and chain in the centre. The book title is in gold at the top of the page. Below picture is "Being Catholic in Australia through eight generations from the convict era to the new millennium. The authors name is at the bottom in gold. as aboverussell hugh hardiman