A box with a picture of three young women on the front. Contains cuttings from various newspaper about famous people and other people in the community. Despite the marking on the box there are no cuttings on homes and antiques. Sources include, 'The Sun,' 'The Age' and 'The Bendigo Advertiser.'HOMES AND ANTIQUES PEOPLEperson, individual, famous people, lydia chancellor, collection, famous people, people, person, individual, male, female, history

Pethard collection, hard cover book of short stories titled The Sunday at Home, published by the Religious Tract Society London, printed by William Clowes & Sons London, green cover with gold plate & black writing, contains black & white plus some colour illustrations. Inscription inside front cover reads, to Mr G.A.Pethard from the children of the Kyneton Wes Sunday School ? Blencowe Superintendent H.H.Reeves Secretary Nov 15th 98Religious Tract Society London, printed buy William Clowes & Sons London.books, albums

Electric Telegraph Office Warrnambool envelope opened out flat and used for note paper. Date on the front Mar 74. Addressed to Mes? Holmes on the front. On the back are names of two families. Names are Jno Holmes age 29 Mrs? Marid age x 3 children. Native England. 5/- P ? ? And Mr H Hattam age 32 Wifes name Charity age 29. 3 children. Miner. Sands & McDougall, Stationers, Melbourne imprinted on the envelope flap.societies, aof, correspondence, ancient order of foresters no. 3770 collection - correspondence, mes? holmes, jno homes, mrs marid, h hattam, charity hattam

An empty envelope. On the front is printed ''Royal Homes Daily Mail Calendar for 1954. Greetings and Best Wishes from--' It is addressed to Mrs. Chancellor, Taraxville, Golden Square, Bendigo, Australia.There is a Postmark over purple postage stamp dated 2 Nov , Plymouth , Devoncommunication, postal, envelope, lydia chancellor, collection, envelope, ephemera

sepia image ( copy ) image shows 13 members of cricket team, dressed in whites, except for President, mid back row, who is dressed in a three piece suit and fob watch. On top of image ' Golden Key Social Cricket Club 1934 - 5 ' On bottom : R. Bolitho, A.L. Ellis, O.V. Bowles, (President ) J.H. Dean ( Vice-Capt ) J.S. Griffiths, D.W. Collier, J. Cook, N. Jones, W.G. Griffiths ( Capt ) H. Vine, R. Cornall, T. Jenkins, V. Vlaeminck. Sign held in front row : Golden Key Social Cricket Club 1935. On back of image ' this was Golden Key Cricket Club, home base Colliers Shoes. Played social cricket Saturday afternoons, Woodstock, Castlemaine, Strathfieldsaye.' x ref 2329 picture showing Golden Key Boot Co., printed on verandah blind.colliers, golden key cricket club, sport

.03 - Picture of donor, Sharon WILCOX in front of Welcome Home rotunda .04 Picture of donor and Rachel McVEAN as waterfront welcomers.societies clubs unions and other organisations, sharon wilcox, rachel mcvean, war - world war i, anzac centenary, remembrance day, waterfront welcomers, boomerang bag, band rotunda

Booknon-fictionArising from research for an exhibition of the same name, which toured Australia 1981- 1982 the book covers the work of 45 amateur and professional photographers and their lives as innovators and travellers. Many of the works come from private collections and have not been previously published.self portraiture, self-portraiture, pictorialism, home magazine, studio photography, melbourne society of women painters and sculptors, olive cotton, ruth hollick

The spoon is a souvenir of the 1964 electoral success of Russell Stokes Liberal MLA for Evelyn.The spoon is a memento of the 1964 election campaign. Russell Stokes was the member for Evelyn 1958-1973. His home was 'Lubra Bend' in Yarra Glen. The item was manufactured by his family firm, Stokes Australasia. Founded in 1856, the firm made a variety of products including the gas lamps in Victoria's parliament and the original 'Rising Sun' badges worn by the Australian Army. See also item 2004.Stainless steel spoon with red and dark blue enamel medallion with gold lettering on handle. In plastic sleeve, blue back, clear front.Sleeve has 'STOKES'.russell stokes, evelyn, liberal, mla, spoon, metal manufacture, stokes australasia.

The boomerang commemorates the successful 1967 election campaign of Russell Stokes, MLA for Evelyn 1958-1973. It was manufactured by his family's firm, Stokes Australasia Limited. Russell Stokes' home was 'Lubra Bend', Yarra Glen.The boomerang is both a souvenir of an election campaign by a long-serving member of the Parliament of Victoria and an example of metal and enamel work by a Ringwood company that is now over 150 years old. See also item 2003.Stainless steel miniature boomerang with round enamel badge, light blue with dark blue border and gold lettering on bend. In plastic display sleeve, blue back, clear front.Sleeve has 'Stokes' in white lettering.russell stokes, metals, badges, souvenirs, evelyn, ringwood, lubra bend, yarra glen, parliament of victoria.

The Hutter H17 is a small single seat glider with a wing span of 9.69 metres, designed in 1934 by Wolfgang Hutter, for flying in the Austrian Alps. Construction of the museum’s example, “Sweetwings” (now registered as VH-GQM), commenced in Perth in 1949. It is one of two Hutter H17 gliders built in Western Australia by N.J. Wynne and A.G. Milligan at the time – the other “Fleetwings” (formerly VH-HDQ and since re-registered as VH-GXV) is located at Millicent, South Australia. Ownership transferred to G.R. Reichelt of Tocumwal New South Wales and later to D.B. Hunt of Thornbury in Melbourne and later Mt Isa, Queensland. It was acquired by Bill Riley of Tocumwal who donated it to the Museum. The glider was last flown on 25 October 1979 at Tocumwal. This exhibit is an example of a 1930s small wood and fabric glider that was designed in Austria for hill soaring. It is a simple design that became a popular choice for home building in the post war years in Australia when gliding as a sport was in recovery. Some examples are still flying.Small single seat glider. Fuselage and wing struts are painted yellow. Wings, rudder and tailplane / elevator are primed with pink dope. It has an open cockpit with small clear Perspex wind screen. Instruments include airspeed indicator and altimeter tucked neatly under front edge of the cockpit rim.australian gliding, glider, sailplane, hutter, sweetwings, fleetwings, reichelt, riley, wynne, milligan

Bought by Phil Rogers, Australian Army no. 2790936 during his time of service in South Vietnam (1969-1970) to celebrate the birth of his son.Donated to the museum by the serviceman himself. This commemorative jacket demonstrates the poignant personal sacrifices made by those in service as significant family events continue at home in their absence.Child's bomber-style jacket made of khaki camouflage print polyester, hand embroidered. Purchased in South Vietnam in 1969 by Phil Rogers, Army No:2790936, B Company 6 RAR, and posted home on the birth of his son Brett 31/08/1969.Back: My daddy is in Vietnam/Vung Tau, 69-70/ Viet Nam plus a labelled map of Vietnam. Sleeves: Golden dragons Front: Tiger's head, Crossed South Vietnam flag and USA flag.commemorative clothing, children, family, vietnamese craft, craft, souvenir

Picture postcard 'Port Melbourne Railway Pier, Melbourne' 1904. Tinted photo on grey background. Penny stamp and Daylesford address on back, message beside picture on front.'6/5/04 Arrived home safe. (illegible initial)'transport - shipping, piers and wharves - railway pier

Clothing. Woman's grey, cream and black dress, with fine all-over swirling fern leaf design fabric.Eleven gores in skirt, home stitched dress. Long sleeves with a turn-back cuff 5cm wide at the peak, tapering to 2.5 cm wide at the 4 cm long opening, which fastens with one metal press-stud. The cuff is trimmed with decorative rouleau loops and coils, giving a flower petal effect. This effect is repeated on the peaks of the revere collar. A rouleau looped bow trims the centre front neckline. A shaped, peaked band on the front bodice extends from the side seams to give the effect of a belt at the back. This is stitched in place and trimmed with three rouleau coils-centre coil 2 cm in diameter, flanked by two coils 1-2 cm in diameter. Skirt has three stitched down pleats, ranging in length from 7 cm to 8.5 cm long,on either side of front skirt.costume, female, woman's grey.cream and black dress

Clothing. High round neckline at back, with peaked turn-back revers at front. Long sleeves, gathered into 3 cm cuff, which fastens with two metal press-studs. Bodice has front opening with three x 2 cm diameter white plastic buttons - peaked in the centre and with an impressed ridged texture. Bodice has two bands of shirring at the front shoulder line giving a ruched effect 6.75 cm wide. Six gored skirt. A band 6.5 cm wide at centre front reducing to 3 cm wide at side seams, forms a midriff panel, before becoming a belt at the back fastening with two metal press-studs. Back bodice is lightly gathered on either side at waistline. A home stitched dress.costume, female, woman's navy dress

Clothing. High round neck at back, with peaked revers at front. Press-stud closure at centre front, with three grey plastic buttons sewn to outside.(two missing). Button is impressed with a circular pattern. Short sleeves. A 4 cm wide panel increasing to 5 cm at centre front is set into front waistline, and extends into a belt at the back-3.25 cm wide and fastening with a metal press-stud. Six gored skirt. Almost certainly home stitched, as several dresses in the collection are of similar style. An oval shaped patch, 16 cm X 8.5 cm has been hand stitched immediately below the centre front waistline. A home stitched dress.costume, female, floral print dress

Clothing. All over floral cotton dress, in a ''shirt-maker'' style. Short sleeves, high round neck at back, and pointed revers at front. Inserted band at front waistline, with a pointed overlap, shaped to 3.5 cm wide stitched down around front. Front opening bodice has a four press-stud closure, and two 1.75 cm white plastic buttons, sewn over the closure. Buttons impressed with a ridged pattern. Two darts on either side of lower edge of bodice, one dart from shoulder on either side of bodice. Six gores in skirt. Probably home stitched. Band inserted at waistline, extends to a 3 cm wide ''belt'' at back, fastening with two press-studs. A home stitched dress.costume, female, short sleeved floral dress

Clothing. Pink background, blue, green, and burgandy floral short sleeved rayon dress. Padded shoulders, high back neckline, V shaped at front. Front yoke, with a scalloped tab, marked with a 1.75 cm white plastic button, with a flower impression. Two white buttons mark the centre front opening. Skirt has six panels. Front bodice gathers to the yoke. Short sleeves have 3.75 cm turn back cuffs. A home stitched dress.ALL RAYON GRAFTON REGD, Anti Shrink, GRAFAINE Styled by Rosecroft REGD.costume, female, short sleeved dress

Clothing. Blue linen dress, with a black and white floral design, possibly home stitched. V neckline at front, high rounded neckline at back. Curved yoke at front bodice. Centre opening, fastened with press-studs. Three decorative buttons are sewn diagonally, side by side on the outside of the opening (X2). Side fronts are gathered to the yoke, and have two darts on either side front, at the waistline. Short set in sleeves. Six panels form the A-line skirt. Some hand stitching on facings and hems. A home stitched dress. Two decorative, curved decorative panels, 5 cm wide and 22 cm long, straddle the waistline at front and back.costume, female, blue linen floral dress

An item from the Bendigo 'Advertiser' magazine section titled 'What sort of man is Bendigo's new mayor?' It includes a photograph of Councillor Oliver in front of his home in Mitchell Street, Bendigo. 3/9/1970.person, individual, n.j. oliver, lydia chancellor collection, collection, bendigo, bendigo mayor, local politics, n.j. oliver, norman joseph oliver, male, individual, person, home, house, building

Blue cover, black text auction catalogue. On front cover: Auction Sale, 11th, and 12th., December. 500 lots and 150 lots linen. Crystal, crockery, silver, etc. Putnam and McEniry, Auctioneers, Shamrock Buildings, Bendigo. Favoured with instrucgtion from Miss C. Conlon, Neale Street, Bendigo. Proceeds therefrom donated to St. Aiden's and Toddlers' Home.bendigo, business, putnam and mceniry

Tan colour cover, black text, auction catalogue. On front cover ' Extensive auction sale of antique and exclusive furnishing and contents of 'Hunter House" 57 Queen Street, Bendigo the mansion home of the late William Hunter ... February 1945' Auctioneers in conjunction R.J. Foote, 304 Williamson Street, Bendigo and T.C. Watts & Son, 253 Mitchell Street, Bendigo. Proceeds therefrom donated to the Bendigo Red Cross by W.D Hunter, Esq.bendigo, business, r.j. vicard-foote, t.c. watts & son

Small hardback book titled: Silver Bells collection of new music for schools, junenile gatherings and the home circle by J.H. Leslie and W.A. Ogden. The blue cover has a boy ringing a bell on the left side and on the left an harp. Inscribed on the inside front cover: Edward John Pinch, Long Gully, Sandhurst, Monday August 28, 1882.books, music

Index, bibliography, notes, ill (maps), p.565.non-fictionPasschendaele epitomises everything that was most terrible about the Western Front. The photographs never sleep of this four-month battle, fought from July to November 1917, the worst year of the war- blackened tree stumps rising out of a field of mud, corpses of men and horses drowned in shell holes, terrified soldiers huddled in trenches awaiting the whistle. The intervening century, the most violent in human history, has not disarmed these pictures of their power to shock. At the very least they ask us, on the 100th anniversary of the battle, to see and to try to understand what happened here. Yes, we commemorate the event. Yes, we adorn our breasts with poppies. But have we seen? Have we understood? Have we dared to reason why? What happened at Passchendaele was the expression of the 'wearing-down war', the war of pure attrition at its most spectacular and ferocious. Paul Ham's Passchendaele- Requiem for Doomed Youth shows how ordinary men on both sides endured this constant state of siege, with a very real awareness that they were being gradually, deliberately, wiped out. Yet the men never broke- they went over the top, when ordered, again and again and again. And if they fell dead or wounded, they were casualties in the 'normal wastage', as the commanders described them, of attritional war. Only the soldier's friends at the front knew him as a man, with thoughts and feelings. His family back home knew him as a son, husband or brother, before he had enlisted. By the end of 1917 he was a different creature- his experiences on the Western Front were simply beyond their powers of comprehension. The book tells the story of ordinary men in the grip of a political and military power struggle that determined their fate and has foreshadowed the destiny of the world for a century. Passchendaele lays down a powerful challenge to the idea of war as an inevitable expression of the human will, and examines the culpability of governments and military commanders in a catastrophe that destroyed the best part of a generation. Collapse summary world war 1914-1918 - campaigns - western front, france - campaigns - passchaendaele

Index, notes, ill, maps, p.222.non-fictionIt would be hard to find anyone better qualified the "Sally Home of the "11th Hussars to tell the story of the Cavalry on the Western front during the First World War.soldiers - great britain - biography, world war 1914-1918 - western front - cavalry corps

bibliography, index, notes, ill, p.152non-fictionTen years after the end of World War I, the Sydney Sun reported that an unknown ANZAC still lay in a Sydney psychiatric hospital. David Hastings follows this one unknown ANZAC, George McQuay, from rural New Zealand through Gallipoli and the Western Front, through desertions and hospitals, and finally home to New Zealandworld war 1914-1918 - biography, mcquay george

Index, bibliography, notes, ill, maps, p.628.non-fictionThe Australian experience of war in all its complexity - from the homefront as well as the battlefront - as the men and women who experienced it chose to understand and remember it. The Great War is, for many Australians, the event that defined our nation. The larrikin diggers, trench warfare, and the landing at Gallipoli have become the stuff of the Anzac legend. But it was also a war fought by the families at home. Their resilience in the face of hardship, their stoic acceptance of enormous casualty lists and their belief that their cause was just, made the war effort possible. This book brings together all the dimensions of World War I. Combining deep scholarship with powerful storytelling, this book brings the war years to life: from the well-known battles at Gallipoli, Pozieres, Fromelles and Villers-Bretonneux, to the lesser known battles in Europe and the Middle East; from the ferocious debates over conscription to the disillusioning Paris peace conference and the devastating Spanish flu the soldiers brought home. We witness the fear and courage of tens of thousands of soldiers, grapple with the strategic nightmares confronting the commanders, and come to understand the impact on Australians at home and at the front of death on an unprecedented scale. A century after the Great War, this book brings lucid insight into the dramatic events, mass grief and political turmoil that makes the memory of this terrible war central to Australia's history.world war 1914-1918- australia - history, world war 1914-1918 - social conditions

Index, bibliography, notes, ill, maps, p.199.non-fictionPhotographic coverage of Australia's involvement in the Vietnam war, on the battlefield and the home front, accompanied by explanatory text. The photographs portray the difficult conditions under which Australians served and fought, in a tribute to those who served and those who did not return.vietnam war - 1961-1975, vietnam conflict - 1961-1975 - pictorial works