Showing 772 items
matching john head
-
Queenscliffe Maritime Museum
Photograph - Photograph of two Queenscliff fishermen
William Withers and Edward Ryan drowned near Point Lonsdale on 19 October 1954 when they tried to enter the Rip at Port Phillip Heads against an ebb tide with a strong south-west wind blowing. They were sailing a large crayfishing boat, the 'Robert John', returning with a load of crayfish from King Island.Photograph shows William (Bill) Withers and Edward Ryan who worked in the local Queenscliff and Victorian fishing industry. The commercial fishing industry developed in Queenscliff from the 1860s, with early fishing developing around the couta boat and barracouta fishing. Crayfishing and shark fishing also became important, especially as the supplies and popularity of barracouta as a commercial species waned. Local Queenscliff fishermen often fished outside Port Phillip into Bass Strait and had to navigate the dangerous entry to Port Phillip, known as 'The Rip', with its turbulent and variable water and weather conditions. This added to the everyday dangers of sailing faced by fishermen in their industry. The local fishermen often had the local knowledge of these waters, but the fishing community in Queenscliff also lived with the threat or fear that the Rip could rob them of one of their own. The entrance to Port Phillip with this Rip is the scene of many shipwrecks,often resulting in tragic loss of life or injuries, including passenger and cargo ships travelling to/from Melbourne and Geelong as well as accidents to local Queenscliff and Port Phillip sailors such as the fishermen or sea pilots. A B/W photograph of two Queenscliff fishermen, William (Bill) Withers and Edward Ryaninformation about photo and donation handwrittten on backfishermen, queenscliff fishermen, withers, william withers, ryan, edward ryan, robert john crayfish boat, shipwreck, port phillip -
Bendigo Historical Society Inc.
Document - Technical school in Bendigo
BHS CollectionTypewritten letter from the Bendigo Inspectorate placement committee to the heads of Primary schools advising them of the change to the boundary between the two technical school. Attached to the letter two drawing showing in the first the area covered by the white Hills technical school and the Kangaroo Flat technical school and in the second the Bendigo, Golden Square and Eaglehawk High School boundaries. The letter is dated 19th July 1968 and signed by W.F.R Budge (District Inspector of Schools) Aileen and John Ellison Collection.technical school, white hills technical, kangaroo flat technical -
Bendigo Historical Society Inc.
Booklet - Tourist Guide
BHS CollectionSmall booklet titled "Bendigo for sunny, carefree, restful days" Yellow cover with two black and white photographs of poppet head in Rosalind Park and a view of Bendigo. An Australian Tourist Publication. Aileen and John Ellison Collection: bendigo, tourism -
Bendigo Historical Society Inc.
Letter - MERLE HALL COLLECTION: ROSALIND PARK CREATIVE VILLAGE BENDIGO PROJECT LETTERS, 1995
MERLE HALL COLLECTION: ROSALIND PARK CREATIVE VILLAGE BENDIGO PROJECT LETTERS Merle Hall Collection: Rosalind Park Creative Village Bendigo Project Letters from Maery Hall (Gabriel). 6 December 1995 To: Merle Hall Arts Bendigo From Maery Hall Content: Outline of what is involved in the design and working of the project. Enclosed are three page of the design outline, one page of tool drawings, three sheets of sketches, photograph of small mosaic sketch using rocks I brought back from my last visit. The letter also contains: Materials, Tools, labour, Other needs, Time, Costs and the Council’s role. 6 November 1995 To: Merle Hall Secretary Arts Bendigo From Maery Hall Content: Contains a rough sketch of the project. Note that the sketch is missing. 29 January 1997 To: Merle Hall Arts Bendigo From Maery Gabriel Content: Contains a drawing for the remaining pavement areas that I submitte before and measurements for the actual slabs for 22 square m. for the two. The result will be 2 (saddle reefs) in style. Also mentioned are two options for payment. Receipts also included for the last two payments and the saw. Thank you for sending the form of transfer for the saw. (Note the drawing is missing) 10 April 1997 To: Merle Hall Arts Bendigo From Maery Gabriel (artist in Mosaic) Content: Thank you for your letter of 9 March and further discussions on costs and layouts. 25 Feb 1997 To: Maery Gabrel, ‘Morningswood’ Pterson’s Road Ellinbank 3821 From Merle Hall Secretary Arts Bendigo Content: Apologies for the delay in not answering last letters and drawings. Mentions the need to meet with the Council to discuss the completion of the project and the need to enquire about funding from the Premier’s ‘community support fund’ 9 March 1997 To: Maery Gabrel From Merle Hall Secretary Arts Bendigo Content: Followup letter from 25 Feb 1997 concerning the last sections of the mosaic project. Outcome of meeting with Bernard Smith of the City of Greater Bendigo One local business sponsor prepared to donate a small amount towards completion of the project P.S. Sharon Hackett; the painter would love to receive her questionare from you. 22 Dec 1996 To: Maery Gabrel From Merle Hall Secretary Arts Bendigo Content: Enclosed is a form to cover transfer of ownership of the diamond saw as reccomended by an adviser. P.S. the transfer is made out to ‘Hall’ - your name under our contracts. I’ve used your name for the address. 20 Dec 1996 To: Maery Gabrel From Merle Hall Secretary Arts Bendigo Content: Arts Bendigo Inc. of P.O. Box 563, Bendigo, 3552, agrees to the transfer of ownership to Maery Hall of ‘Morningswood’, Peterson’s Rd., Ellinbank, 3821 of one ‘Stubbie electric Bricksaw. Purchased from DEMBICON on May 25th 1996 Diamond Blade for $1650, now valued at $1200 Part payment for the contractr of a mosaic pavement around the poppet lookout in Rosalind Park Bendigo. 30 Nov 1995 To: Maery Gabrel From Merle Hall Secretary Arts Bendigo Content: The enclosed survey sketches just arrived. Formal approval from the commissioners. Early next year the poppet head will be re-painted and have scaffolding there for a time, but shouldn’t be a problem. 9 January 1996 To: Maery Gabrel From Merle Hall Secretary Arts Bendigo Content: Summary of discussions with the John Little V.A.C. and Roni Schell from ‘Future Connections’ re her DEET submission and Bernard King from the City and one of the Commisioners. A non-specific plan for being ‘contracted and not employed’ An expectation the ‘Future Connections’ would then offer youseparate contract to conduct workshops for their clients and develop tutorials. 9 November 1995 To: Maery Hall From Merle Hall Secretary Arts Bendigo Content: Sketches enclosed for the poppet head site and comments on them from the City Council. 20 January 1997 From: MaeryGabiel Artist in Mosaic (formerly Maery Hall) To: Merle Hall Secretary Arts Bendigo Content: Receipt of $5000 plus one ‘Stubbie Electric Bricksaw, with stand, serial number 0002056 being payment under contract no. 2 for work on mosaic payments in Bendigo. 20 May 1996 Lisf of Materials and euipmemnt required for Mosaic and tools to be made -
Bendigo Historical Society Inc.
Banner - JOHN WILLIAMS COLLECTION: QUARRY HILL PRIMARY SCHOOL BANNERS
Four banners from Quarry Hill primary school. The banners are blue in colour with a drawing of a poppet head. Each list the names of the grade 6 students with the teachers for the years: 1994 -1996 - 1997 - 1998.bendigo, education, quarry hill primary school -
Kew Historical Society Inc
Book, David Meagher, Fashion speak: interviews with the world's leading designers, 2008
The world of fashion is both highly artistic and highly challenging, with top designers balancing delicately between the cutting edge of creativity and the necessity of running a viable business. In this enthralling collection of interviews, David Meagher talks to top designers the world over, the people whose vision shapes the contemporary and future fashion. The designers—among them Marc Jacobs, Karen Walker, Martin Grant, Christopher Bailey of Burberry, and John Goot—talk about where they've come from, where they're headed, and their philosophy of design. Gorgeously illustrated throughout with full-color photographs from the catwalks of London, Paris, Milan, and New York, this is a fascinating insight into the minds shaping fashion today.North Sydney, N.S.W. : Random House Australia, 2008 281 p. : col. ill. ; 21 cm.non-fictionThe world of fashion is both highly artistic and highly challenging, with top designers balancing delicately between the cutting edge of creativity and the necessity of running a viable business. In this enthralling collection of interviews, David Meagher talks to top designers the world over, the people whose vision shapes the contemporary and future fashion. The designers—among them Marc Jacobs, Karen Walker, Martin Grant, Christopher Bailey of Burberry, and John Goot—talk about where they've come from, where they're headed, and their philosophy of design. Gorgeously illustrated throughout with full-color photographs from the catwalks of London, Paris, Milan, and New York, this is a fascinating insight into the minds shaping fashion today.fashion - history, fashion - interviews, fashion designers -
Tennis Australia
Racquet, Circa 1967
A green, yellow and brown enamel painted wooden racquet with fibreglass strip around outside of head. Inscription, from head to handle, on both sides: CHALLENGE/OC/OPEN CHAMPIONSHIP BY SLAZENGER/SMOOTH. Inscription along right side of stem: EXCLUSIVELY CHOSEN BY THE WINNERS OF THE WORLD'S MAJOR FOUR TITLES/& WORLD PROFESSIONAL STARS * KEN ROSEWALL * JOHN NEWCOMBE. Materials: Wood, Nylon, Metal, Glue, Lacquer, Leather, Ink, Ribbon, Plastic, Paint, Adhesive tape, Fibreglasstennis -
Tennis Australia
Racquet, Circa 1969
A cream, orange, yellow and brown enamel painted wooden racquet with fibreglass strip around outside of head. Black panther emblem features across throat, on both sides, and butt cap. Inscription, from head to handle, on both sides: .../SLAZENGER CHALLENGE/FINEST QUALITY IMPORTED TIMBER/SMOOTH. Inscription along right side of stem: EXCLUSIVELY CHOSEN BY THE WINNERS OF THE WORLD'S MAJOR FOUR TITLES/* KEN ROSEWALL * JOHN NEWCOMBE * MARGARET COURT. Materials: Wood, Gut, Metal, Glue, Lacquer, Leather, Ink, Ribbon, Plastic, Paint, Adhesive tape, Fibreglasstennis -
Tennis Australia
Racquet, Circa 1973
A wooden racquet with white, red, blue, and gold paint work, featuring a head and neck monochrome illustration of John Newcombe on the throat, on both sides. Inscription from head to handle, on obverse: JOHN NEWCOMBE/JUNIOR/SLAZENGER/SMOOTH. Materials: Wood, Nylon, Metal, Glue, Lacquer, Leather, Ink, Ribbon, Adhesive tape, Paint, Plastictennis -
Tennis Australia
Racquet, Circa 1968
A Rawlings, John Newcombe Signature tennis racquet, with ribbon whipping around shoulders, and mottled leather handle grip. Rawlings logo features across base of head. Model name features across throat. Inscription: LAMINATED CONSTRUCTION features along shaft. Rawlings 'R' trademark features on lower shaft. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Ribbon, Adhesive tape, Paint, Leather, Rubber, Bambootennis -
Tennis Australia
Racquet, Circa 1972
A Rawlings, John Newcombe Flash Junior tennis racquet, with plastic whipping around shoulders, and leather handle grip with quatrefoil perforations. Rawlings logo features across base of head. Model name features across throat and along shaft. Rawlings red, black and white 'R' trademark features on lower shaft, and black 'R' on butt cover. Shaft also features autograph by Newcombe. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Plastic, Adhesive tape, Paint, Leather, Rubbertennis -
Tennis Australia
Racquet, Circa 1972
A Rawlings, John Newcombe Meteorite tennis racquet, with plastic whipping around shoulders and shaft, and leather handle grip with quatrefoil perforations. Rawlings logo features across base of head. Model name features across throat. Rawlings red, black and white 'R' trademark features on lower shaft, and black 'R' on butt cover. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Plastic, Adhesive tape, Paint, Leather, Rubbertennis -
Tennis Australia
Racquet, Circa 1973
A Rawlings, John Newcombe, 'The Mark of A Pro' tennis racquet, for young players, with string whipping around shoulders and shaft, and leather handle grip with quatrefoil perforations. Rawlings logo features across base of head. Model name features across throat and along shaft. Rawlings red, black and white 'R' trademark features on lower shaft, and black 'R' on butt cap. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Plastic, Adhesive tape, Paint, Leather, Stringtennis -
Tennis Australia
Racquet, Circa 1973
A Rawlings, John Newcombe, 'The Mark of A Pro' tennis racquet, with string whipping around shoulders and shaft, and leather handle grip with quatrefoil perforations. Rawlings logo features across base of head. Model name features across throat and along shaft. Rawlings red, black and white 'R' trademark features on lower shaft, and black 'R' on butt cap. Adhesive tape, with feint remnants of former owner's name features across throat on obverse. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Plastic, Adhesive tape, Paint, Leather, Stringtennis -
Tennis Australia
Racquet, Circa 1974
A Rawlings, John Newcombe Signature tennis racquet, with ribbon whipping around shoulders, and mottled leather handle grip. Rawlings logo features across base of head. Model name features across throat. Inscription: LAMINATED CONSTRUCTION features along shaft. Black Rawlings 'R' trademark features on lower shaft. Red, white and black 'R' trademark features in sunken butt cap. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Ribbon, Adhesive tape, Paint, Leather, Plastic, Bambootennis -
Tennis Australia
Racquet, Circa 1974
A Rawlings, John Newcombe Court King tennis racquet, with plastic whipping around shoulders and shaft, and mottled leather handle grip. Rawlings logo features across base of head. Model name features across throat. Inscription: LAMINATED CONSTRUCTION features along shaft. Gold Rawlings 'R' trademark features on lower shaft. Red, white and black 'R' trademark features in sunken butt cap. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Plastic, Adhesive tape, Paint, Leather, Plastic, Cloth tapetennis -
Tennis Australia
Racquet, Circa 1975
A Rawlings, John Newcombe tennis racquet, with cross-laminations from shoulders to handle, and leather handle grip with X-formation perforations. Rawlings logo features across base of head. Model name features across throat, in between two red, white and blue arrow devices. Red, white and black cursive 'R' trademark features on lower shaft and in sunken butt cap. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Plastic, Adhesive tape, Leathertennis -
Tennis Australia
Racquet, Circa 1976
A Rawlings, John Newcombe Finalist tennis racquet, with ribbon whipping on shoulders and shaft, and leather handle grip with triangle-patterned perforations. Rawlings logo features across crown, and base of head. Model name features across throat. Cursive 'R' trademark features on lower shaft and in sunken butt cap. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Plastic, Adhesive tape, Leather, Ribbontennis -
Tennis Australia
Racquet, Circa 1976
A Rawlings, John Newcombe Court King tennis racquet, with ribbon whipping on shoulders and shaft, and leather handle grip with triangle-patterned perforations. Rawlings logo features across crown, and along shaft. Model name features across base of head and throat. Cursive 'R' trademark features on lower shaft and in sunken butt cap. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Plastic, Leather, Ribbon, Enameltennis -
Tennis Australia
Racquet, 1977
A Rawlings, John Newcombe Autograph tennis racquet, with ribbon whipping on shoulders and shaft, and leather handle grip with patterned perforations. Rawlings logo features across base of head. Model name features along the shaft. Cursive 'R' trademark features on lower shaft and butt cap. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Plastic, Leather, Ribbon, Enamel, Adhesive tapetennis -
Tennis Australia
Racquet, 1981
A Dunlop, John McEnroe Pro tennis racquet, with ribbon whipping around shoulders. Dunlop logo features across base of head. Model name features across throat and along shaft. 'D' trademark in arrowhead device also features on lower shaft and plastic butt cap. Dunlop logo and trademark feature on left and right sides of shaft. Retailer sticker features on left side of shaft. Materials: Wood, Nylon, Plastic, Ink, Leather, Glue, Lacquer, Metal, Fibreglass, Ribbon, Adhesive tapetennis -
Tennis Australia
Racquet, Circa 1977
A Spalding, "John Alexander" Impact-990 Model tennis racquet. Manufacturer's name along sides of shaft and on butt cap; endorser name across base of head and rest of model name along shaft. 'S' symbol spray-painted across net. Leather hand grip and white plastic butt cap. Materials: Wood, Metal, Lacquer, Glue, Ink, Nylon, Paint, Leather, Plastic, Adhesive tapetennis -
Tennis Australia
Racquet, Circa 1979
A Snauwaert John Newcombe-endorsed 'Boronite Two' model tennis racquet, with handle wrapped in leather, and a plastic butt cap featuring manufacturer logo. Manufacturer name on base of head; endorser name and model name along shaft. Details about construction along edges of shaft. Materials: Wood, Vinyl, Adhesive tape, Leather, Ink, Plastic, Paint, Borontennis -
Tennis Australia
Racquet, Circa 1976
A Rawlings John Newcombe-endorsed 'Tie Breaker' metal tennis racquet, with double shaft, metal throat bridge; black plastic shaft casing; and a handle wrapped in brown leather. Black plastic butt cap with adhesive label featuring 'R' logo. Manufacturer name on label on throat bridge (both sides). Endorser & model name on labels at base of head. Materials: Metal, Plastic, Nylon, Adhesive label, Leathertennis -
Tennis Australia
Racquet, Circa 1976
A Rawlings John Newcombe-endorsed 'Tie Breaker' metal tennis racquet, with double shaft, metal throat bridge; black plastic shaft casing; and a handle wrapped in brown leather. Black plastic butt cap with adhesive label featuring 'R' logo. Manufacturer name on label on throat bridge (both sides). Endorser & model name on labels at base of head. Materials: Metal, Plastic, Nylon, Adhesive label, Leathertennis -
Tennis Australia
Racquet, Circa 1976
A Rawlings John Newcombe-endorsed 'Tie Breaker' metal tennis racquet, with double shaft, metal throat bridge; black plastic shaft casing; and a handle wrapped in Spalding-branded black leather. Black plastic butt cap with adhesive label featuring 'R' logo. Manufacturer name on label on throat bridge (both sides). Endorser & model name on label on base of head. Materials: Metal, Plastic, Nylon, Adhesive label, Leathertennis -
Kew Historical Society Inc
Journal, Kewriosity : August 1993
New Mayor for Kew [Cr Tom Indovino] / p1. Chief Executive's Column [Development at Willsmere] / Malcolm Hutchinson p2&3. Mayor's Comment / Cr Tom Indovino p3. Diary Dates August - September [1993] / p4. New artists at Kew Community House / p5. Windows on women at work [Kew High School] / p5. The Kew Festival Committee needs you! / p5. Council News [Aesthetics Advisory Panel; Whooping Cough; Head lice treatment; Farwell and good luck John [Wheeler]] / p6. Around Kew [Ron Cook 1929-93; Pre-loved toys for needy children] / p7. Teenage holiday action / p8.Kewriosity was a local newsletter combining Kew Council and community news. It was published between November 1983 and June 1994, replacing an earlier Kewriosity [broad] Sheet (1979-84). In producing Kewriosity, Council aimed to provide a range of interesting and informative articles covering its deliberations and decision making, together with items of general interest and importance to the Kew community and information not generally available through daily media outlets.non-fictionNew Mayor for Kew [Cr Tom Indovino] / p1. Chief Executive's Column [Development at Willsmere] / Malcolm Hutchinson p2&3. Mayor's Comment / Cr Tom Indovino p3. Diary Dates August - September [1993] / p4. New artists at Kew Community House / p5. Windows on women at work [Kew High School] / p5. The Kew Festival Committee needs you! / p5. Council News [Aesthetics Advisory Panel; Whooping Cough; Head lice treatment; Farwell and good luck John [Wheeler]] / p6. Around Kew [Ron Cook 1929-93; Pre-loved toys for needy children] / p7. Teenage holiday action / p8.publications -- city of kew (vic.), kewriosity, council newsletters, community newsletters -
Kew Historical Society Inc
Document, Riot at Ballaarat : report of the Board of Enquiry appointed to enquire into circumstances connected with the late disturbance at Ballaarat ; together with The evidence taken by the Board, 1854
Parliamentary paper (Victoria. Parliament) ; 1854, A. no. 27. "Laid upon the Council table by the Colonial Secretary...and ordered to be printed 21st November, 1854." At head of title: 1854 Victoria. Chairman: Sturt, E.P.S. Cover title. No. 1 of 15 entitled : [Eureka Stockade : a series of 15 reports on the riot at Ballaarat.Melbourne : John Ferres, Govt. Printer, 1854 xv, 22 p. ; 35 cm.non-fictionParliamentary paper (Victoria. Parliament) ; 1854, A. no. 27. "Laid upon the Council table by the Colonial Secretary...and ordered to be printed 21st November, 1854." At head of title: 1854 Victoria. Chairman: Sturt, E.P.S. Cover title. No. 1 of 15 entitled : [Eureka Stockade : a series of 15 reports on the riot at Ballaarat. eureka stockade, ballarat, vic., 1854 -- history -- sources, gold mines and mining -- victoria -- ballarat -- history -- sources, ballarat (vic.) -- history -- sources, victoria -- history -- 1851-1891 -- sources -
Kew Historical Society Inc
Functional object - Wrought iron nails from 'Reno', St John's Parade, c. 1864
Comparatively few weatherboard houses in Kew survived from the early years of settlement into the second half of the 20th century. One such property was ‘Reno’, which once stood on the east side of St John’s Parade. Its earliest recorded owner was the architect Samuel Cocking who lived there from c.1865 until his death in 1888. The original landholding was bordered by Cotham Road, Glenferrie Road, Wellington Street, and Charles Street. The southern portion of this land included a fine orchard, with many imported trees. The old summer house, at first in the orchard, was later removed to the house garden. The MMBW Detail Plan No.1576 (1904) shows the remaining portion of the original land holding, including a semi-circular pathway at the front, and garden features such as an aviary, a fountain and grotto, and a fernery. None of these are apparent in photographs dating from the 1960s, where the garden, which once included rare plants provided by Baron Von Mueller, surrounds the cottage in a tangled frenzy. Despite a ‘local significance’ classification by the National Trust, the house was demolished in 1977.7 square headed iron nails collected from Reno before its demolition. In envelope marked with the name Joy Stewartreno, nails, samuel cocking -
Kew Historical Society Inc
Plaque, Kew Presbyterian Church, James Maitland Campbell LL.M, 1931
Extracts from The Church on the Hill: Presbyterianism in Kew 1874-1974 by John A. O’Neill (Mullaya, Canterbury (Vic), 1974, pp.58-60. “An outstanding family which gave devoted service to the Church was the Campbell family of which James Maitland was the “head”. He died at “Ramornie” on the afternoon of Monday 15 December 1930. … “James Maitland Campbell was born in 1847 in Melrose, Scotland, where his father, the Rev. A. J. Campbell D.D., was the Minister of the Kirk. The Rev. Dr. and Mrs. A. J. Campbell, with their family, came to Australia in 1861 and settled in St. George’s Church, Geelong, where he was the first Minister. James Maitland, after completing his secondary education at Geelong College, entered the Melbourne University where he graduated Master of Arts and Master of Laws, and eventually became a partner in the legal firm of Davies and Campbell. When he first came to Melbourne Mr Campbell attended Chalmers Church, East Melbourne, and married Miss Annie Harper, daughter of Robert Harper, a merchant and a sister of Professor Andrew Harper. In March 1875 the young couple settled in Pakington Street, Kew. After the induction of the Rev. Maxwell and the formation of a Board of Management, Mr. Campbell was elected its first Secretary. David Beath, James Maitland Campbell and Duncan Robert McGregor were the first Trustees of our Church. Mr. and Mrs. Campbell joined the Church Choir, and Mr. Campbell became Choir Leader. Members of their family, Bessie, Mary, Nellie and Lewis also sang in the Choir. Mary became a famed teacher of singing in Melbourne. She taught singing to members of the Choir, and gave lessons in voice production to students for the Ministry. In 1879 Mr. Campbell became Superintendent of the Sabbath School, a position he occupied for 27 years. In 1887 he was elected an Elder, and the Session Clerk for 37 years. In 1924 Mr. Campbell compiled a very complete Jubilee History of the Kew Presbyterian Church. Mr. J. M. Campbell saw our existing Church and the Old Manse erected, the Villa purchased, and, with the help of the Kew Congregation, the Charges of West Hawthorn, East Kew and Deepdene established. In the General Assembly of Australia and the General Assembly of Victoria he occupied the important position of Law Agent, and was a member of numerous Church Committees and Councils. … At the Annual Congregational Meeting on Wednesday 28 October 1931, it was decided to erect a tablet in the Church to the memory of the late Mr. J. M. Campbell to record his service to the Church. The tablet was unveiled at the morning service on 13 December by Mr. Legge. The Preacher was Rev. J. Barnaby.”James Maitland Campbell (1847-1930) the owner of “Ramornie” in Pakington Street was an important contributor to the community of Kew in the 19th and early 20th centuries. A Councillor of the Borough of Kew, he was to be elected Mayor on three occasions: 1889-90, 1890-91 and 1892-93. In addition to his political roles, he was the first Secretary of the Kew Presbyterian Church, being actively involved in the life of the Church until his death in 1930. The Kew Historical Society has a small collection of items once belonging to the Campbell family, including a series of invitations issued to Mr. and Mrs. J. M. Campbell for the festivities organised to commemorate the opening of the first Australian Parliament in Melbourne in 1901. Memorial Tablet to James Maitland Campbell (1847-1930) that was originally erected in the Kew Presbyterian Church in Cotham Road. The tablet is comprised of iridescent ceramic tiles.“Erected by the congregation to the Memory of James Maitland Campbell. LL.M. died 15th., December 1930. Session Clerk of this church for 36 years. “A Christian gentleman.”james maitland campbell (1847-1930), kew presbyterian church, ramornie (pakington street), campbell collection