A group of Slovenians attending Slovenian picnic at Emerald early 1960sSocial event, Slovenians at a Slovenian picnicBlack and white photo of a Slovenians at a Picnic organized by Slovenian Association Melbourne at Emerald. Joze ? , Miro Krsevan, Karlo Strancar, Joze Zuzek, Livio Novak, Karlo Bizjak, Lojze Markicslovenian picnic at emerald, slovenian association melbourne

The 2013 Emerging Writers' Festival was programmed by festival Director Sam Twyford-Moore. 2013 marks the tneth anniversary of the organisation.A green, white, brown and orange poster advertising the 2013 Emerging Writers' Festival, which ran from May 23rd until June 2nd in 2013.10th emerging writers' festival, sam twyford-moore, 2013, program, the wheeler centre, emerging writers', literary, anniversary, festival

Slovenian refugee on an outing to explore Latina, ItalySlovenian refugee passing time by exploringBlack and white photo of Lojze (Alojz) Markic in Latina Italy in front of the parish churchslovenian refugee, slovenian association melbourne

Wedding in 1930 in Slovenia, parents of Lojze (Alojz) Markicwedding photoBlack and white photo of a wedding in 1930 Members of Markic family from Podnanos and Lavrencic from Vrhpolje, Slovenia. bride Ivanka Lavrencic groom Alojz Markicslovenia, slovenian association melbourne

Gathering of friendsFriendshipsBlack and white photo

Celebration of Baraga House HostelIst AnniversaryBlack and white photo

Photograph shows a tree carving on the esplanade adjacent to the Torquay front beach based on the figurehead of the barque Inverlochy, a Scottish trading ship wrecked off nearby Anglesea on 8 December 1902. The original figurehead had been saved and mounted on a flagpole at Torquay but it disappeared in the 1950s. In 2001-02 local sculptor Mark Trinham carved a replica image of the figurehead into a 80 year old dead cypress tree on the site of the original flagpole. The Inverlochy was one of many ships that ended their seafaring days on the south coast of Victoria.Black and white photographtorquay victoria, wreck of the inverlochy, wood carving

A Textile Designer’s Fabric Sample Book is an important tool for keeping a record of past designs. This is useful in order to showcase a designer’s previous work; functioning like a portfolio or a résumé. They also serve as a source of inspiration, sometimes even providing a template to re-release iconic designs. The National Wool Museum has a large collection of Fabric Sample Books. They reveal the colour and daring designs produced by textile mills across various time periods. This Fabric Sample Book is from the 1920s and gives us insights into design trends that are now over a century old.The cover of this book has a brown/grey marble. It carries many marks and oils from the hands, after more than a century of use. A strip of red tape has been added to the spine of the book in order to give it integrity. The book internally has white pages that have turned a brown/cream with age. These pages have a faint blue line printed horizontally across them, to assist with handwriting. The contents of the pages are fabric samples which have been staple to them, as well as handwriting with a blue ink. The pages also include technical drawings, relating to the fabric samples and how such samples were woven together.textile design, textile manufacture

My name is Deanne Gilson and I am a proud Wadawurrung woman living on my ancestral Country around Ballarat in Victoria. My practise aims to highlight and bring back traditional women’s symbols and ceremonial practises that reference the lived experience of my ancestors. By reviving traditional marks found on artefacts and women’s business, I am forming links with past ancestral knowledge so that is not lost and continues for the future generations. My art practice relies heavily on the use of symbols and form as a metaphor for the body. I have worked as a full-time artist for over thirty-five years. Many artworks tell stories of the spiritual aspects of culture and myths. Dreaming and Songlines, further creating a yarning space, bring the gap towards reconciliation and healing for my people and others through shared sharing stories. A main focus of my art practice tells the birthing tree and scar tree stories and how Wadawurrung women have evolved and survived, since before and after colonisation. The old symbols find new life, connecting to the contemporary ones, further connecting us all to this Country we all call home.Yaluk, Beep, Murrup, meaning Water, Country, Spirit, incorporates the traditional mark of the wave pattern (often found on wooden shields) used by my ancestors, along with the basalt plains across Wadawurrung Country. By depicting the interaction between the Water and Country, I use ancestral knowledges that are not seen but intuitive to myself, while juxtaposing them against the ancestral stone circle knowledges, embedded with the DNA of our stories. The ochre is reclaimed as real, it is marni-beek, meaning Country, in particular the white ceremonial ochre, often seen on the painted-up figure and used today to reconnect back to our ancestral memory. Reclaiming what was lost through colonisation, but still present in our Dreaming that flows on today through the water spirit. Country has no time limits and water connects to our bodies, which are made up of water. We as a clan, are still here today, living and being on Country, our ancestral spirits live on through us. The original painting is a contemporary account of using ochre to reclaim ancestral knowledge and to be part of the ceremony that is yaluk, beep, murrup. wadawurrung, deanne gilson, water, country, spirit, first nations art

From Box Hill Historical SocietyEmpty box of Capstan medium strength cigarettes which is navy blue with white writing. A small pedestal on a light blue oval in right hand corner. 10 Capstan medium cork. Trade mark W.D &H.O Wills , Sydney ,AustraliaCapstan mediumpersonal effects, smoking accessories

Purchased from Op Shop for collection, K.G. Luke manufacturers in MitchamRectangular badge for Red Cross Emergency Service. Navy blue with gold lettering. Centre of badge, white with red cross outlined in gold. Stamped on reverse: the number 29274, manufacturer's mark and pin bar fasteningK.G. Luke, Melbournenumismatics, badges

Watch used by W.R. Cruickshank from 1920-1970's in Albury when at Nicholson and Smith, Watchmakers & JewellersA silver pocket watch case with a white face and black hands and numbers. It has an additional seconds clock and hand inset at the 6 mark. Markings: Westclox DAX, shock resistant. Made in Canada. Winder and handle at top of case.Westclox DAXhorology, watches

The bedspread (NA2862) and apron were owned by Maria Austin (born 25 August 1867 Buried at Box Hill Cemetery 15 November 1955) and used when she worked as a 'Nanny' in England. Many of the children she cared for kept in touch with her after she came to Australia with her family in 1914. They arrived on Show Day, 1914 on the last ship to leave England before the First World War was declared. She lived at 26 Nelson Road Box Hill now the site of the Box Hill R.S.L. Maria was born 25 August in 18?? and died in 1952 and is buried in the Box Hill Cemetery. She was the Great Aunt of the donor.White bib front apron with ties to back of neck - wide waist band ties - 12 cm hem line - also three 2cm pin tucks above hem line - two 12cm pin tucks at top of bib front. Pocket on right hand side.M Austin. 1.2.1901|Laundry mark in red 59costume, female working

Black and white photo of Barbara & Gordon (Tim) Keene showing Barbara's Wedding Headpiece (NA2908) 25th October, 1958, at St. Mark's Church, Camberwell.keene, gordon, barbara

UnknownClock square with rounded corners cream bakelite electric wall clock with art deco style corners. Silver edged clock face with black numbers on silver edge with cream centre. Black filigree hands with a red minute hand. Black adjustment knob at bottom. Made in Great Britain by Smiths Sectric is marked on face. Back is black bakelite 'Smiths English Clocks' 200/250V 50SFC - Reg Trade Mark. Made in England. Instructions to set hands, press and turn knob. Made under one or moe Brit. Patents 366710 369 336 374 713 384441 484222. Back is cream with black book and white electric cord with black ring-grip plug 250V - 10amp. Made in Australiahorology, clocks, electrical technology, appliances & accessories

Black and white photo of Mrs. Ethel Brocklesby and son, Mark. Photo taken at their home 'Wildwood' Bakers Road, Blackburnbrocklesby, ethel, mark, m.l., wildwood

School 85 - 1975 - 1977 - 85 Students in day clothing. Don Semmens Bendigo photographer -Tutors listed Jenny Stimson, Jack Hutley, Pam Ryan, Frank Sheehan Ron Webb.Colour Photo in White holder held by opening in the corners. Yellow tape marks on all corners - 58 people in photo - Lawn at front and building at backDon Semmens - Photographic studio on back. Names of Tutors on back nursing history, nurse training

Black and white photograph, mounted on cardboard, of 25 young men in military uniform.Written on mount to the left of the photo: "Jim Downs" with a mark on photo pointing to man on far left, second row.soldiers, world war i, world war 1, ww1, wwi

Donated by Mr Ian Stones, a member of the Rutherglen Historical Society.Black & white group photograph, mounted on cardboard, of Rutherglen Band members taken in Rutherglen Park.Members of Rutherglen Band in photograph (Identified on separate sheet of paper): Back left to right - Alec McPherson - Kettle Drum; Thomas Walsh - Tenor Horn; Ollie Nash - Tenor Horn; Alec Johnston - Tenor Horn; Ron Hossack - Trumpet; Les Jones - Turmpet; Arthur Warren - Trumpet; Jack Blowers. Middle row left to right - Victor Leroy; Alec Hayes; Sam Hossack (Uncle to Arthur); Bill Boyd. Front row (seated) left to right - Jack Blowers Jnr. (called Mark); Bill Bevan; Sterling Warren; Hossack, Arthur; Bert Bevan.

Donated by Mr Greg Thomson, a former resident of RutherglenBlack & white reproduction, unframed, laminated. This reproduction is of the Rutherglen Post-Office as it was in the 1900s. The residence (to the left of pen mark cross on picket fence) has since been demolished and today that is where the present Post-Office stands, building to right of cross still stands. Original building built in 1863, altered in 1910Signs on front of building: "Electric Telegraph Office. Post Office" On back of photo: "Photographed pre 1910"rutherglen post office

Three black and white photographs of old postcards, mounted on a sheet of decorative grey paper. Top one is a view of Main Street, Rutherglen, looking west, featuring Younkman's Store and the Victoria Hotel. Middle one is also of Main Street, looking west, featuring the Star Hotel at the corner of High Street, with horses and carts in the street. Bottom one is of the Victoria Hotel in Main Street, with cars of 1970s vintage parked along the street.Centre photo has an upside down post mark: "Sydney | Jan 5 | 12 [illeg.] | 1909 | 75"main street, high street, star hotel, victoria hotel, s younkman & co

Black and white group photograph of men in Fire Brigade uniforms.On back of photo: "Back - Neville Miller, Gordon Miller, Gordon Smith, Ron Eggleston, Fred Collins, Norm Smith, Bill Gayfer, Stewart Jones, Sam Stones. Middle - Jack O'Keefe, Terry Cooper, ___, Reg Edwards, Robert Parkin, ___, Allan Miller, John (Herbie) Collins. Front - Hec Francis, Robert (Bob) Smith, Ken Buscall, Norm Hawking, Mark Blowers, Bill (Gandy) Collins, Peter Walsh." fire brigade, neville miller, gordon miller, gordon smith, ron eggleston, fred collins, norm smith, bill gayfer, stewart jones, sam stones, jack okeefe, terry cooper, reg edwards, robert parkin, allan miller, john collins, hec francis, robert smith, ken buscall, norm hawking, mark blowers, bill collins, peter walsh

This is a map produced to attempt to bring order to the cemetery. Originally the layout was not well defined and it is difficult to use this plan to locate a particular grave, also the fact that not all graves are marked and foot paths are not defined has exacerbated this issue. Photocopy, White paper, black printing, black line work showing lot and compartment boundariesReferences Grid Survey points at 50 feet centres shown (as a cross with the reference mark number in brackets) Lot Number shown at left side of graves. Burial Number shown at right side of grave. Lots with unidentified burials show with dashed cross with in the lot. topographic survey, cadastral survey, carlyle cemetery, burials, graves, lot boundary, rotunda

This is a map produced to attempt to bring order to the cemetery. Originally the layout was not well defined and it is difficult to use this plan to locate a particular grave, also the fact that not all graves are marked and foot paths are not defined has exacerbated this issue. Photocopy, White paper, black printing, black line work showing lot and compartment boundariesReferences Grid Survey points at 50 feet centres shown (as a cross with the reference mark number in brackets) Lot Number shown at left side of graves. Burial Number shown at right side of grave. Lots with unidentified burials show with dashed cross with in the lot. topographic survey, cadastral survey, carlyle cemetery, burials, graves, lot boundary, rotunda

This is a map produced to attempt to bring order to the cemetery. Originally the layout was not well defined and it is difficult to use this plan to locate a particular grave, also the fact that not all graves are marked and foot paths are not defined has exacerbated this issue. Photocopy, White paper, black printing, black line work showing lot and compartment boundariesReferences Grid Survey points at 50 feet centres shown (as a cross with the reference mark number in brackets) Lot Number shown at left side of graves. Burial Number shown at right side of grave. Lots with unidentified burials show with dashed cross with in the lot. topographic survey, cadastral survey, carlyle cemetery, burials, graves, lot boundary, rotunda

This is a map produced to attempt to bring order to the cemetery. Originally the layout was not well defined and it is difficult to use this plan to locate a particular grave, also the fact that not all graves are marked and foot paths are not defined has exacerbated this issue. Photocopy, White paper, black printing, black line work showing lot and compartment boundariesReferences Grid Survey points at 50 feet centres shown (as a cross with the reference mark number in brackets) Lot Number shown at left side of graves. Burial Number shown at right side of grave. Lots with unidentified burials show with dashed cross with in the lot. topographic survey, cadastral survey, carlyle cemetery, burials, graves, lot boundary, rotunda

Lanercost Priory was founded around 1169 by Robert de Vaux, and was home to an order of Augustinian canons until 1538 when is was dissolved by Henry VIII. In 1542 the priory and lands were granted to Thomas Dacre, an illegitimate son of Thomas, Lord Dacre. Mason's marks can be found throughout the undercroft. Plan on white paper with black and red ink printing and a drawingEnglish Heritage Lanercost Priorymason's marks, marks, stone marks, stonemasons, lanercost, priory, plan, 1169