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Port Melbourne Historical & Preservation Society
Photograph - Sculpture, Mission Arts Centre, Missions to Seamen buiding, Port Melbourne, Alison Kelly, c. 1988
One of thirty photos taken by Alison Kelly at the Mission Arts Centre, late 1980s, early 1990s. Some with captions. Many have copies already in collection. Black and white photo of sculpturemissions to seamen, arts and entertainment, celebrations fetes and exhibitions, mission arts centre -
Port Melbourne Historical & Preservation Society
Photograph - Missions to Seamen, Port Melbourne. Interior, Alison Kelly, 1990
Photographed by Alison Kelly while she was joint caretaker of the building during the Mission Arts Centre days 1987 to 1991 Port Melbourne Missions to Seamen building, colour view of sculpture in Huntingfield Hall, showing wave motif on ventilators, mural by Brian Couldrey 1987. From album of photos mostly by Alison Kelly:missions to seamen, built environment -
Lakes Entrance Historical Society
Photograph - WW1 Plaque, 2002
Colour photograph group of people, TAFE students, visitors, standing along the foreshore, fishing boats in background, following the unveiling of the War World 1 sculptures memorial plaque. Lakes Entrance Victoriaww 1, plaques, memorials -
Greensborough Historical Society
Photograph - Digital Image, Homefront: Reunion [boy], 11/07/2018
"Homefront" is the name of the group of chainsaw statues in Greensborough's War Memorial Park. Banyule Council initiated the project. The sculptures were designed by Amanda Gibson, carved by Hikaru Kodama and Leigh Conkie. This sculpture "Reunion" represents the joy of reunion and what has been happening on the ‘Homefront’ while soldiers are serving overseas. The two sculptures are placed apart, facing each other. The excitement on the young boy’s face as he runs to his father is a joy to see. Dad waits patiently, taking in the sight of his boy. The Homefront project replaces Leigh Conkie's original chainsaw sculptures in War Memorial Park.Digital copy of colour photographsgreensborough war memorial park, war memorials, homefront project -
Greensborough Historical Society
Photograph - Digital Image, Homefront: Reunion [father], 11/07/2018
"Homefront" is the name of the group of chainsaw statues in Greensborough's War Memorial Park. Banyule Council initiated the project. The sculptures were designed by Amanda Gibson, carved by Hikaru Kodama and Leigh Conkie. This sculpture "Reunion" represents the joy of reunion and what has been happening on the ‘Homefront’ while soldiers are serving overseas. The two sculptures are placed apart, facing each other. The excitement on the young boy’s face as he runs to his father is a joy to see. Dad waits patiently, taking in the sight of his boy. The Homefront project replaces Leigh Conkie's original chainsaw sculptures in War Memorial Park.Digital copy of colour photographsgreensborough war memorial park, war memorials, homefront project -
Federation University Historical Collection
Sculpture, Metal sculptures
A metal bird, flower and six petaled flower, thought to have been made at the Ballarat Technical Art School.sculpture, metalwork, ballarat technical art school, bird, flower, flora, fauna -
Bendigo Art Gallery
Sculpture, Michael KUTSCHBACH, Go you little dynamo, go! (pink), 2008
sculpture, surreal, australian artist, alien, metal, dynamo, fibreglass -
Bendigo Art Gallery
Sculpture, Benjamin ARMSTRONG, Conjurer III, 2012
sculpture, woodwork, parsnip, conjurer, australian artist, plywood, creature -
Tatura Irrigation & Wartime Camps Museum
Sculpture - Monkey, 1940's
Carving from stone of a figure of a monkey in a sitting poisition with it's tail in its mouth. Painted brown with cream flecks. Text and marking have been etched in to the stoneRicordo POW (ricordo translated means remember or memory)monkey, sculpture, ricordo, bilney r, ww 2 camp, handrafts, italian pow -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Sculpture - galvanised wrought iron, David Wood, Spirit of place, 2021
David Wood, Spirit of place 2021, galvanised wrought iron, 375 x 300 x 300 cm. Bayside City Council Art and Heritage Collection. Commissioned 2021public art, sculpture, reeds, spirit of place, david wood, elsternwick park, phragmites australis -
Federation University Art Collection
Sculpture, 'The Collaboration of Commonality and Difference' by Cassandra McArthur, 2014
The 'Collaboration of Commonality and Difference' has its conceptual roots in teh notion that only when we accept and nurture both commonality and difference, can we, humankind, foster unity. With the acceptance and nurturing of commanality and difference, peoples of the world are afforded equal validity for a collaborative approach towards peaceful resolution and possible unity. Integral to the conceptual foundation of the work is the use of papers sourced from around the world. Paper is at once universal and individual, and in this instance is representative of humanking. The jigsaw design draws on the understanding that each piece is integral to the creation and resolution of the whole. Commanality is suggested through repetition, however, no two pieces are the samem emphasizinf the beautym strength and validity of difference. Established in 2004, generously supported by George Lucato, the Lucato Peace Prize was an annual acquisitive art award open to all enrolled Federation University Australia tertiary students and all senior secondary students enrolled at any City of Ballarat secondary school or college. Prizes were awarded to the applicants whose work best illustrates or expresses the idea that 'peaceful alternatives are always preferable to armed confrontations'. First prize of $2250.00 was awarded to Cassandra McArthur for her work, Commonality and Difference, 2014, and it was the last Lucato Peace Prize Awarded after the death of George Lucato in 2014. Cassandra McArthur was undertaking a Bachelor of Visual Arts (Fine Arts) at the Federation University Arts Academy when this artwork was produced. Winner of the Lucato Peace Prize 2014 artists, artworks, sculpture, mcarthur, cassy mcarthur, lucato peace prize, alumni -
Federation University Art Collection
Sculpture, 'Fire Pit' by Glenn Romanis, 2004
My visual stories seek to inform about the natural and cultural histories that attribute to the experience of country (place), in order hat the audience gains respect, understanding and a sense of belonging to the place. My practice involves various mediums in two and three dimensional form, which include permanent and ephemeral installation, paving, stonework, woodwork, metal work, lighting design, illustration, mural painting and mosaic work. I am competent in using all these mediums, but do have a preference to stone and wood. Having been involved in public and community art as a designer and sculpture/maker in both individual and collaborations for the past fifteen years, I have been fortunate to work with and partake in various collaborations and project teams; working with council organizations, landscape designers, art practitioners, artisans and arts workers. (https://www.glennromanis.com/biography, accessed 08 June 2022)Glenn ROMANIS Wurundjeri/woi wurrung and Boonwerrung This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A fire pit with sculpted redgum seats in the shape of a gum leaf. It was created for the Arts Victoria 'Artlands' Conference held in Horsham in 2004. Artlands is a national event designed to reflect and respond to emerging trends and shine a spotlight on arts in regional Australia. It is designed to showcase new thinking, present contemporary work, and generate exchange and conversations. The programming champions best practice and strengthens a national network of artists and practitioners working in regional, rural and remote Australia. Presented and delivered by Regional Arts Australia, Artlands is positioned as a multi-art, cross-industry and inter-generational. It presents a critical survey of the contemporary regional cultural landscape; and provides much-needed opportunities for artists to gather, present work and enter into meaningful exchange.art, artwork, aboriginal, glenn romanis, sculpture, campsite, camp fire -
Camberwell Historical Society
Book, Morgan, Marjorie, Legacy in Sculptured Wood: an appreciation of the work of John Kendrick Blogg 1851-1936, 1993
Biography of John Kendrick Blogg and on woodcarving. Contains article on 'The Art of Woodcarving' by John K. Blogg. First published 1993. sculpture, woodcarving -
Lakes Entrance Historical Society
Photograph - Mr Stringy, 1939 c
This stump one of several replacements. Black and white photograph of carved tree stump on Omeo Road known as Mr Stringy East Gippslandsculpture, local history -
NMIT (Northern Melbourne Institute of TAFE)
Magazine: Preston Technical School 1951-1969, Preston Technical School magazine 1951-1969
Preston Technical School opened in 1937. Magazines held include 1951-1960. The school changed its name to Preston Technical College and magazines held for this entity range from 1963-1967. Preston Institute of Technology: Girls' section magazines for 1968 and 1969. Boys' section 1968 held.The school magazines present a record of each year's school events such as staffing, programs, outings and includie student writings and drawings, reports and photos of events and teams. Preston Technical School: 1951 issue consists of 48 pages, with a drawing of the school building on the front cover. Preston Technical College magazine 1963-. From 1964 the cover image changed to a graphic image of Kupper's sculpture which stood in the foyer of the WJ Baker Memorial Hall. Preston Institute of Technology: Girls' section, and Boys' section also has the sculpture image on the cover. Electronic copies of PTS magazine (editions 1953-1956) have been scanned and available on CD.preston techinical school, school magazines, preston technical college, preston institute of technology, nmit -
Greensborough Historical Society
Article, Vietnam vet, Justin the dog feature in revived timber war memorial, by Carolyn Webb, 23/04/2019
Bill Cantwell, Vietnam veteran, was the model for the new sculptures in Greensborough War Memorial Park 1 p. transcribed article with colour photographbill cantwell, greensborough war memorial park, homefront sculptures, homefront project -
Lakes Entrance Historical Society
Photograph, Lakes Post Newspaper, 1/11/1992 12:00:00 AM
Pyramid of Ra houses a massive tree root sculpture cleaned and polished by Jack RamsdellBlack and white photograph taken during removal of Pyramid of Ra from Ramsdells sawmill and installation at Mingling Waters Nowa Nowa Victoriaaccommodation, hotels -
Phillip Island and District Historical Society Inc.
Sculpture - Figurehead, Late 19th Century
Saved from the ship Speke which ran aground on the coast of Phillip Island on the 22nd of February 1906. The figure head of the Speke was in the shape of woman, wearing a flowing white dress with blue cuffs and collar and carrying a large bunch of daffodils. It was originally nine feet four inches long. This sculpture went missing after the event and decades later the head only was re-discovered in Mr Thompson’s garage. It was then restored by Headmaster Kevin and the senior children of Cowes State school in 1940.The Speke was an all steel ship built in Wales in 1891. She was delivering wheat to Geelong and confused a bushfire in Cowes for navigation lights. Many local people salvaged goods from the resulting wreckage.Large wooden figure head, carved to resemble a woman. Painted aspects of hair, face, collar. Mounted on an undecorated wooden shield.phillip island, speke, kitty miller bay, figurehead, cowes state school -
Greensborough Historical Society
Newspaper Clipping, Diamond Valley Leader, Artists polish up war tributes, 31/08/2016
New sculptures honouring returned service man and women will be created for Greensborough's War Memorial Park.News clipping, black text and colour image.leigh conkie, greensborough war memorial park -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Richard Armstrong Crouch. 1868-1949, Notes on his life by John Garner
Richard Armstrong Crouch initiated the Avenue of Sculptures of Australian Prime Ministers in the Ballarat Botanical Gardens. R.A.Crouch is mainly remembered for initiating the Prime Ministers' Avenue in the Ballarat Botanical Gardens. 1 white sheet of paper; half a page of print. (3 copies)Nonejohn garner, doctor, ballarat botanical gardens, avenue of australian prime ministers, benefactor, ballarat fine art gallery bequest, politician, labor party, barrister and solicitor, protectionist, war record., lt colonel, richard armstrong crouch, crouch, john garner collection, gardens, ballarat -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Ballarat Botanical Gardens - Plaques, Location, Name and Item, c 2005
Each plaque is listed whether it is naming a sculpture, statue, lawn, tree, seat, garden, or pond. The plaques are important not only to those who are directly associated with the Ballarat Botanical Gardens but as important information available to the general public.Three pages, 21/2 of print in three columns.Noneballarat botanical gardens, plaques, location, name, item, john garner collection, garner, dr, gardens, ballarat -
Federation University Historical Collection
Photograph, Mount Helen Campus Buildings, c2003
.1) Former Art building at Mt Helen. In 2005 it was used by IBM. .2) Roundabout in Chancellor Drive, looking towards the Geoffrey Blainey Auditorium. .3) Peter Blizzard sculpture in front of the Geoffrey Blainey Auditorium. art building, a building, mount helen campus, ibm, geoffrey blainey auditorium -
Port Melbourne Historical & Preservation Society
Letter - Sculpture to commemorate Allan WHITTAKER, 1983
This was a joint project of the Waterside Workers Federation and the Port Melbourne Council. The project developed to a high level of detail. Was never realised. Note that Allan WHITTAKER was referred to as 'James' at the time.Material relating to the proposed installation of a sculpture to commemorate Allan WHITTAKER (referred to as James WHITTACKER), shot by police at Hogan's Flat in 1928. Correspondence from Jean McLEAN (ACTU) to Perce WHITE and Claude CUMBERLIDGE, 1983societies clubs unions and other organisations, local government - city of port melbourne, memorials, allan whittaker, actu, waterside workers federation, frederick robert winduss, perce mcguire white, perce white, matcham skipper -
Bendigo Historical Society Inc.
Postcard - BLANCHE SLY POSTCARD COLLECTION, 1900 - 1920
Postcard Album of Blanche Sly. Postcards stored in Folder 81 (49 postcards). 1403.1 - 1403.28 Grey linen look cover with picture of a small sailing boat pasted centre front pf cover. Partly torn sticker on lower LH corner. Blanche Victoria SLY Born: 11 Oct 1890, daughter of William and Hannah Sly Address: 1913; Loddon Vale Address: 1980; 100 Barnard Street Bendigo Died: Bendigo 12 June 1982, buried Bendigo G3 William Sly: Born: 1856 at Smythesdale, Victoria Married in Victoria in 1887; Hannah Theilman Died: Bendigo 1937, buried Bendigo G1 Hannah Sly Nee Theilman Born: 1866 Married in Victoria in 1887; William Sly Died: Bendigo 1948, buried Bendigo G3 See additional Research .Postcard Album of Blanche Sly containing 49 postcards. See 1403 B&W photo of the tomb of Jules Verne at Amiens (Somme) In front of the headstone is a sculpture of the bust of a man with right arm reaching upward.Addressee - not given Sender - Pte F Olgaiti Not Dated postcard, collector, blanche sly -
Glenelg Shire Council Cultural Collection
Sculpture - Bas-relief, Untitled (Early Pastoral Industries), n.d
Commissioned by State Bank to produce 5 copper bas-reliefs for 73 Percy Street, Portland. Spoke with Miss Betty Vivian (Member of the Portland Historical Society) re Portland's history. Commonwealth Bank stored objects in Melbourne (c.1991). Negotiations between Portland Historical Society and Commonwealth Bank of Australia led to gift of works to People of Portland. Stored at Council depot c.1998, retrieved for Maritime Discovery Centre display.Copper bas-relief depicting a man bent over to shear a sheep. His shirt sleeves are rolled up and he is bent toward the viewer.sculpture, industry, rural, copper, bas-relief, shearing, sheep, shearer -
Bendigo Art Gallery
Sculpture, Jan NELSON, Walking in Tall Grass, Blackwood, 2004
sculpture, australian artist, figure, female figure, hoodie, jeans, sitting, seated -
Bendigo Art Gallery
Sculpture, Tony ALBERT, We come in Peace, 2013
sculpture, first nations, australian artist, playing cards, peace, game, australiana, southern cross -
Bendigo Art Gallery
Sculpture, Hany ARMANIOUS, African witch doctor, 2011
sculpture, totem pole, witch doctor, egyptian artist, australian artist, duct tape, plastic, woven -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Sculpture - sandstone, Junee Gurney et al, Quartet, 2002
‘Quartet’ is designed by the late Junee Gurney (1909-1984), who lived in Bayside for many years and was the wife of Alex Gurney, creator of the 'Bluey and Curley' cartoons. The work made posthumously based on her design and was carved by David Glyn Davies.Junee Gurney, Sculpted by David Glyn Davis, Quartet 2002, sandstone, 185 x 90 cm. Bayside City Council Art and Heritage Collection. Commissioned 2002Sandstone Public Art Commission located in Landcox Park, Brighton Eastsculpture, public art, landcox park, family, figures, junee gurney, david glyn davis, quartet -
Federation University Art Collection
Sculpture - Ceramic - Raku, Michelle Michalos, Dragon, 1990
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Ceramic dragon. If you can provide information on this artist or artwork please use the email link below. art, artwork, ceramics, dragon, sculpture, alumni, horsham campus art collection, horsham available