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Greensborough Historical Society
Newspaper Clipping, Diamond Valley Leader, Artists polish up war tributes, 31/08/2016
New sculptures honouring returned service man and women will be created for Greensborough's War Memorial Park.News clipping, black text and colour image.leigh conkie, greensborough war memorial park -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Richard Armstrong Crouch. 1868-1949, Notes on his life by John Garner
Richard Armstrong Crouch initiated the Avenue of Sculptures of Australian Prime Ministers in the Ballarat Botanical Gardens. R.A.Crouch is mainly remembered for initiating the Prime Ministers' Avenue in the Ballarat Botanical Gardens. 1 white sheet of paper; half a page of print. (3 copies)Nonejohn garner, doctor, ballarat botanical gardens, avenue of australian prime ministers, benefactor, ballarat fine art gallery bequest, politician, labor party, barrister and solicitor, protectionist, war record., lt colonel, richard armstrong crouch, crouch, john garner collection, gardens, ballarat -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Ballarat Botanical Gardens - Plaques, Location, Name and Item, c 2005
Each plaque is listed whether it is naming a sculpture, statue, lawn, tree, seat, garden, or pond. The plaques are important not only to those who are directly associated with the Ballarat Botanical Gardens but as important information available to the general public.Three pages, 21/2 of print in three columns.Noneballarat botanical gardens, plaques, location, name, item, john garner collection, garner, dr, gardens, ballarat -
Flagstaff Hill Maritime Museum and Village
Domestic object - Fire screen
Fire screen, gold plated meta,l fan shaped. Centre stem has sculptured head of loon (?)-type animal with wings. Main fan area has fold away leaves that fold to centre stem.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, fire screen, fan shaped fire screen, fire guard, fireplace, fire place tool -
Bendigo Historical Society Inc.
Leisure object - UNDERWOOD STEREOSCOPE VIEWER
An Underwood & Underwood stereoscope viewer, timber with aluminium hood with felt trim moveable card holder and folding handle. Hood etched with design and a Sun Sculpture Trademark U&U, 2 magnifier eye glass pieces.Man'f'd by Underwood & Underwood New York Patented June 11 1901 Foreign Patents applied for.photography, viewers, stereographic -
Bendigo Historical Society Inc.
Photograph - JOHN WILLIAMS COLLECTION: PHOTOGRAPH LOTUS FLOWER MODEL, CHINESE DRAGON MUSEUM
Colour photograph of lotus flower sculpture in forecourt of Golden Dragon Museum, Bendigo. Image shows Town Hall clock tower in LH background, large orange and yellow lotus flower model in foreground. Photo is laminated.bendigo, chinese, lotus flower sculpture -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Sculpture - sandstone, Junee Gurney et al, Quartet, 2002
‘Quartet’ is designed by the late Junee Gurney (1909-1984), who lived in Bayside for many years and was the wife of Alex Gurney, creator of the 'Bluey and Curley' cartoons. The work made posthumously based on her design and was carved by David Glyn Davies.Junee Gurney, Sculpted by David Glyn Davis, Quartet 2002, sandstone, 185 x 90 cm. Bayside City Council Art and Heritage Collection. Commissioned 2002Sandstone Public Art Commission located in Landcox Park, Brighton Eastsculpture, public art, landcox park, family, figures, junee gurney, david glyn davis, quartet -
Bendigo Art Gallery
Sculpture, Jan NELSON, Walking in Tall Grass, Blackwood, 2004
sculpture, australian artist, figure, female figure, hoodie, jeans, sitting, seated -
Bendigo Art Gallery
Sculpture, Tony ALBERT, We come in Peace, 2013
sculpture, first nations, australian artist, playing cards, peace, game, australiana, southern cross -
Bendigo Art Gallery
Sculpture, Hany ARMANIOUS, African witch doctor, 2011
sculpture, totem pole, witch doctor, egyptian artist, australian artist, duct tape, plastic, woven -
Federation University Art Collection
Sculpture - Ceramic - Raku, Michelle Michalos, Dragon, 1990
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Ceramic dragon. If you can provide information on this artist or artwork please use the email link below. art, artwork, ceramics, dragon, sculpture, alumni, horsham campus art collection, horsham available -
Glenelg Shire Council Cultural Collection
Sculpture - Bas-relief, Untitled (Early Pastoral Industries), n.d
Commissioned by State Bank to produce 5 copper bas-reliefs for 73 Percy Street, Portland. Spoke with Miss Betty Vivian (Member of the Portland Historical Society) re Portland's history. Commonwealth Bank stored objects in Melbourne (c.1991). Negotiations between Portland Historical Society and Commonwealth Bank of Australia led to gift of works to People of Portland. Stored at Council depot c.1998, retrieved for Maritime Discovery Centre display.Copper bas-relief depicting a man bent over to shear a sheep. His shirt sleeves are rolled up and he is bent toward the viewer.sculpture, industry, rural, copper, bas-relief, shearing, sheep, shearer -
Canterbury Primary School
Bronze Statue, 2007
Bronze statue of 2 children on concrete plinth.1908 - 2008/This Centennial Sculpture, symbolising friendship,/was created to commemorate the first 100 years/of canterbury Primary School - 1908 - 2008./Unveiled by/Lady Southey A.C./on/23rd October, 2008/Sculptor: Dean Bowenstatue, canterbury -
Flagstaff Hill Maritime Museum and Village
Stereoscope
Stereoscope wooden with metal eye-shield with inscription "Sun Sculpture U&U Trade Mark" and folding handle. Also inscribed "Manf'd by Underwood and Underwood New York. Patented June 11, 1901, Foreign Patents Applied For".flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Churchill Island Heritage Farm
Photograph - Set of card mounted photographs
Ian Crosbie was a signwriter and keen photographer. He was a member of the Phillip Island Camera Club and organised many photographic exhibitions. He often donated to cancer research, and his interest in photography waned with the advent of the digital cameras. These photographs were taken and printed by Ian Crosbie and show picturesque views around the Phillip Island area3 Clydesdale sculpture photographs (2004); 2 sunset photographs of Phillip Island (02/07/2004); 3 sunrise photographs at Cowes (05/07/2004). All eight photographs mounted on a single large piece of card.PENTAY 210 CAMERA - SAMSUNG 200 FILM/PHOTOS BY 'ICROS' CLYDESDALE/CHAIN SAW CARVING/CHURCHILL ISLAND/2004 DAY'S END PHILLIP ISLAND JULY 2 2004 EARLY SUNRISE AT COWES JULY 5 2004 churchill island, working horse festival, ian crosbie, clydesdale -
Port Melbourne Historical & Preservation Society
Document - Proposal, Sculpture to commemorate Allan WHITTAKER, 1983
This was a joint project of the Waterside Workers Federation and the Port Melbourne Council. The project developed to a high level of detail. Was never realised. Note that Allan WHITTAKER was referred to as 'James' at the time.Material relating to the proposed installation of a sculpture to commemorate AlLan WHITTAKER (referred to as James WHITTACKER), shot by police at Hogan's Flat in1928. Estimate from sculptor Matcham SKIPPER, plus lasercopies A4 and A3, of some of his artworkssocieties clubs unions and other organisations., local government - city of port melbourne, memorials, actu, waterside workers federation, allan whittaker, matcham skipper, perce mcguire white, perce white -
Tennis Australia
Trophy, Circa 1973
Two identical trophies, each featuring a stylised, surrealist tennis racquet sculpture, mounted onto a heavy black metallic plinth, with an engraved inscription. One trophy is for the boys (.1), the other for girls (.2). Materials: Metal, Rubber, Gluetennis -
Orbost & District Historical Society
magazines, The Girl's Own Paper, August 4 1888
The first weekly number of The Girl's Own Paper appeared on 3 January 1880. As with its male counterpart The Boy's Own Paper, the magazine was published by the Religious Tract Society (which subsequently became Lutterworth Press). In October 1929, the title became The Girl's Own Paper and Woman's Magazine but in 1930 the Woman's Magazine became a separate publication. In December 1947 the name was changed to The Girl's Own Paper and Heiress. By 1951 it was called Heiress incorporating the Girl's Own Paper. In 1956 Heiress closed down, and the name "Girl's Own Paper" ceased to exist. J. Hossack was probably James Hossack. The Hossacks were staunch Presbyterians.The Girl's Own Paper was an important and positive influence on generations of girls and women, and a vital outlet for women's writing and ideas, for more than three-quarters of a century.A black/white magazine with a masthead at the top of the front cover. The masthead is based on the sculpture The Spirit of Love and Truth by Joseph Edwards. There are black / white illustrations of young ladies and dogs on the cover. It contains, stories, educational articles, poetry, music and a serial.on front - "J. Hossack, Orbost"magazine literature-children's girl's-own-paper -
Bendigo Historical Society Inc.
Photograph - VAL CAMPBELL COLLECTION: PHOTOGRAPH OF FIVE CHILDREN AND ONE ADULT IN FRONT OF AN ATHLETICS SCULPTURE, 2003
Colour photograph of five children and one adult standing in front of an athletics sculpture at an unknown location. The centre child has a collection of medals on ribbons around her neck. Written on the back of the photo: State Sprint 2003 Melissa Murphyrecreations, sports, swimming -
Nillumbik Shire Council
Sculpture, Ghost, 2012
The (logging) truck carries a representation of John Glover’s painted landscapes, which Cox has painted on a solid block of wood. John Glover is one of Australia’s most celebrated colonial landscape painters. Born in England, he was a highly successful water-colourist and painter of landscapes in the tradition of French artist Claude Lorrain. Arriving in Australia in 1831, Glover adapted his picturesque style and luminous technique to his new surrounds, creating naturalistic and atmospheric paintings of Australian nature, settler life, and Aboriginal culture. Working out of doors, Glover developed an understanding of the unfamiliar Australian landscape, especially the twisting forms of native eucalyptus trees. His direct experience of nature, as both pioneer settler and painter, resulted in a new approach using a subtle palette of olive greens, ochres, misty greys and intense blues, and layered glazes of mauve, grey and gold, to portray Australian light and atmosphere. Dale Cox continues the ongoing preoccupation and tradition of landscape painting in the Nillumbik area and our impact on the environment in a contemporary way. The truck creates a playful nexus between painting (representational landscape) and sculpture, purposely bluring boundaries across these traditionally distinct disciplines. ‘Ghost’ seeks to convey the idea that when we remove something significant from a location, like the landscape itself, the remaining ‘place’ changes to become a new ‘place’. This may seem self-evident until we think more deeply about location and landscape. The white truck is a ghost, an ethereal, transient being that spirits away an entire place, forever removed from itself, and forever changed. Logging wild trees can never be like harvesting a ‘crop’. Logging removes a landscape, and changes a place forever. The ‘packaging’ of this painted landscape highlights the anomaly between commodity and our environment. Dale Cox was a local artist and this work was highly commended at the 2012 Nillumbik Prize. White plastic toy (logging) truck with a landscape painting on a wooden block. The landscape painting is reminiscent of paintings by colonial artist John Glover. N/Alandscape, truck, sculpture, environment, john glover, colonial, painting, ghost, nillumbik prize -
Greensborough Historical Society
Newspaper Clipping, Diamond Valley Leader, A cut above in paying tribute, 13/02/2018
Final touches are being carved on wartime wooden sculptures that will be prominently displayed at Greensborough War Memorial Park ahead of Anzac Day.News article 1 page, black text and colour image .greensborough war memorial park, anzac day, chainsaw sculptures, hikaru kodama, homefront project -
Greensborough Historical Society
Invitation, Long Neck Turtle Project. Opening, 21/11/2019
Official opening of Long Neck Turtle Project, a collaborative community sculpture project at the Lower Plenty Shopping Centre, 21 November 2019.Colour leaflet, printed both sideslower plenty shopping centre, long neck turtle project -
Bendigo Historical Society Inc.
Leisure object - UNDERWOOD STEREOSCOPE VIEWER
An Underwood & Underwood stereoscope viewer with aluminium covered hood with etched design & Sun Sculpture Trade Mark U&U. A folding wooden handle & moveable card holder, felt trim around hood with 2 magnifier glass eye pieces.Man'f'd by Underwood & Underwood New York. Patented June 11 1901 Foreign Patents applied for.photography, viewers, stereographic -
Federation University Art Collection
Work on paper - Printmaking - Coloured etching, Clutterbuck, Jock, 'Mohammed and the Origami Lightning No 1' by Jock Clutterbuck, 1980
Mohammed and the Origami Lightning" was a print I made in 1980, soon after my return from Mossman, north Queensland and a six month stint of studying the metaphysics of Shaik Ibn Arabi with Diane Cilento. The unspeakable omniscience of the prophet is conjured up in the left hand part of the image, and the playfull fantasy of a make believe world in the right hand part. These two realities spliced into the one printed image was what I found very attractive at the time. (March 2021)Jock CLUTTERBUCK (1945- ) Born Edenhope, Victoria Jock Clutterbuck is a sculptor and printmaker of national significance, his prints in colour etchings and aquatints are often from shaped plates and reflect themes found in his sculpture. Known for sophisticated and detailed abstract form, Clutterbuck studied sculpture and drawing at the Royal Melbourne Institute of Technology from 1965 – 1966, where he subsequently taught from 1969 – 1973 before taking up a role as the lecturer in Sculpture at the Victorian College of the Arts from 1974 – 2000. This work is an etching with aquatint and colour stencil on Torinoko An early supporter was Tate Adams, who established the Crossley Gallery to exhibit prints. He urged Jock Clutterbuck to create a series of etchings for Crossley Gallery, a gallery estabished by Tate to exhibit prints. Clutterbuck was awarded the National Gallery of Victoria Society Drawing Prize in 1966, the Australian Print Council Prize in 1969 and 1973, the Geelong Print Prize in 1972, the State Government Bicentenary award for sculpture in 1970, the PCA print prize in 1973, the Fremantle Arts Centre Print Prize in 1976 and the Caulfield Arts Centre Sculpture Award in 1979. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, jock clutterbuck, printmaking, etching, printmaking etching, available -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Richard Armstrong Crouch. 1868-1949, War Service Records, 3/1915 - 4/1916
R.A.Crouch is remembered in Ballarat for his Ballarat Fine Art Gallery bequests and initiating the Avenue of Sculptures of Australian Prime Ministers in the Ballarat Botanical Gardens.Richard Armstrong Crouch is a significant figure in Ballarat's history having started the Prime Minister's Avenue in the Ballarat Botanical Gardens which has become a famous landmark in the city.6 pages of photocopies, grey in colour, with ring folder holes, left hand side of each page.P.5 4 lines of notes in blue biro written by John Garner concerning dates of Crouch's War Records. john garner, doctor, ballarat botanical gardens, prime ministers' avenue, bequests, ballarat fine art gallery, war service, barrister and solicitor, protectionist, labor party, philanthropist, benefactor., politics, central gardens, john garner collection, crouch, gradens, ballarat -
City of Ballarat
Sculpture - Public Artwork, George Allen, Mother Earth by George Allen, 1952
Mother Earth was created by modernist era sculptor George Allen. It is located in the western median strip at the intersection of Sturt and Raglan Streets. Made from Hawksbury stone on a granite base, the sculptor has created a female figure as the centrepiece, with two reliefs figures at the front and rear depicting a miner and a farmer. The work was created in commemoration of Mr Frank Pinkerton, an esteemed local lawyer in Ballarat. George Allen won the commission to design and execute the Pinkerton Statue in open competition in 1949. The statue is a significant work of one of Victoria's leading sculptors of the mid twentieth century, and controversy at the time surrounding its installation reflects the general attitude of the period to progressive public sculpture.Mother Earth was classified as regionally significant by the National Trust in 2003. The statement of significance below ha been provided by the National Trust, Victoria: The Pinkerton Statue by George Allen is of a simplified female figure which symbolises 'Earth', with smaller figures representing Mining and Agriculture carved in bas-relief at its base. The statue is carved in Hawkesbury Freestone and mounted on a granite plinth. It is located in a prominent position in central Ballarat. The statue in commemoration of Mr. Frank Pinkerton, an esteemed local lawyer, erected in Ballarat in 1952 is significant for aesthetic and social reasons at a Regional level. The statue is a significant example of the work of one of Victoria's leading sculptors of the mid twentieth century, and the controversy at the time surrounding its installation reflects the general attitude of the period to progressive public sculptures. George Allen won the commission to design and execute the Pinkerton Statue in open competition in 1949 against a large group of his peers. Following this. Allen was again successful in another major competition to design the National War Memorial for the Forecourt of the Shrine of Remembrance in Melbourne in 1951. Allen chose to work in a 'symbolic' manner using simplified forms with little detail, and relying on the strength of composition, 'boldness of statement' and the consideration of material for impact. Because of its lack of realism the Pinkerton Statue engendered much controversy, particularly within the popular press at the time, although it was generally appreciated in artistic circles. Allen had travelled extensively in Europe in the late 1930's, but his work mainly reflected influences from early modem sculptors in the United Kingdom such as Frank Dobson and Eric Gill. The Pinkerton Statue was the first example of modem sculpture to be erected in Ballarat and is an excellent example Allen's own work and the changing artistic culture of the period. Allen himself said that it reflected the "spirit of the time". A large Hawkesbury Freestone statue of a female figure and smaller figures representing Mining and Agriculture carved in bas-relief at its base. The statue is mounted on a granite plinth.CENTRAL FIGURE EARTH EMERGING FROM RELIEF FIGURES REPRESENTING THE INDUSTRIES OF MINING AND AGRICULTURE.pinkerton, mother earth -
City of Ballarat
Artwork, other - Public Artwork, Friends of Learmonth, Flock by The Friends of Learmonth
The Flock is a kinetic sculpture made up of 11 parts. It celebrates a local migratory bird, the ibis. The sculpture comprises tall steel poles with a steel ibis balanced on the top of each pole by its beak. Balanced on a spherical joint to allow fluid movement in all directions, each element of the Flock is designed to look like a bird in flight. The kinetic wind-powered elements of the artwork were inspired by the nearby Waubra Wind Farm.The artwork is of aesthetic and social significance to the people of BallaratEleven white and black birds on poles with moving partsibis, friends of learmonth, learmonth -
Federation University Historical Collection
Photograph - Photograph - Colour, Alan Scarlett, Traralgon War Memorial, 2015
The Traralgon War Memorial was originally erected in memory of the fallen soldiers of World War One. The Gippsland Times of 01 March 1923."On Sunday a memorial that has been erected in memory of the fallen soldiers of the district was unveiled. The ceremony was performed by Mr G. H.Wise, and addresses were delivered by Mr W West, M.LA. the president of the shire and local clergymen. The memorial, which cost £700, and contains 54 names of young men who made the supreme sacrifice is a lifesized figure of an Australian soldier and is made white Italian marble. It now commemorates Australian servicemen and women who have served in all wars and conflicts. It was re-dedicated on 11 November 1999.Colour photograph of the Traralgon War Memorial with surrounding townscape. The war memorial features a life sizes sculpture of an Australian world war soldier wearing a slouch hat. Loy Yang Power stations are evident in the background. Traralgon Post office on right foreground. traralgon, world war one, anzac day, loy yang, traralgon post office, anzac centenary -
Federation University Historical Collection
Correspondence, Sculptor Paul Beadle to the Ballarat School of Mines, 1949
Letterhead from Paul Beadle Sculptor and Designer, and response from Dick Richards from the Ballarat School of Mines.paul beadle, sculpture, goldfields costume -
Federation University Historical Collection
Book - Exhibition Catalogue, Peter Blizzard: A Retrospective, 2009
non-fictionpeter blizzard, sculpture, eucharistic congress melbourne