Short sleeved nylon dress with black background with white, pink and khaki motifs: has tie belt with self-fabric: V-neck with slightly flared skirt.Label - House of Lucas, size 16 - waist 75cm: bust 95cm; hip 100cmclothing, dress, house of lucas

The Prager and Stadly families were internees in Camp 3 during WW2. Photograph taken 10 March 1945. Back row (left to right standing): Alfred Stadly and Fritz Prager. Front row sitting: Fred Stadly, Luise Stadly, Ursula Prager, Gertrud Prager and Rolf Prager. Black and white photograph in file. Foam backed photograph in file. Sepia photograph of two men standing behind two women and three children sitting. Hut in right hand side and left hand side. Shrubs behind the group.824alfred stadly, fritz prager, fred stadly, luise stadly, ursula prager, gertrud prager, rolf prager, camp 3 internees

Post Card Valentines c 1950. Main Street Stawell looking West. The view show cars parked at an angle down Main St. and shops mainly along one side. The town hall clock can be seen above the building with the Coles sign, Macrows and Geo on the right hand edge.Valentine's Post card of Main St., Stawell looking West. The scene is of many 1950 cars parked along the street with Coles Variety Store, Macrows and Geo stores dominating to the right of the photo."VII" "Main Street, Stawell" (on the front) "Valentine's Post Card sending you greetings" (on the back)stawell business streetscape

John Thomas O'Bree MM, Regt No 6865. Refer Cat No 1334 for his service details and award of the “MM”.Wooden board with two medallions. Medallions are gold coloured with a shield supported by a kangaroo and emu underneath a boomerang. On the shield is an infantryman and underneath is an arrangement of leaves. The medallion on the right is flipped around to show the inscription on the back.On rear of right medal: "Presented to Lce Cpl O'Bree from his Piangil Friends for services in →France← 1919"numismatics-medals-commemorative, piangil, obree

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of the Angela Gee Residency 1983 and 1984Laminated screenprint depicting an early street scene of Bentinck Street in Portland. The left side of the work depicts the row of buildings along Bentinck Street with the 'Gordon Hotel' in the foreground. In the centre of the image two figures on horses ride away from the viewer. On the right is a large tree with with two figures walking below it.Front: Karina Fredericks 84' (lower right) (pencil) Back: 9

Historic home at 90 Captenter St 'Corrumbene' is pictured on right hand side of photograph. Godsell's house opposite on Western side of North ArmBlack and white photograph showing view of lower reaches of North Arm, part of town, Cunninghame Arm and sand dunes in background, and North Arm on right. Photo taken from Allens Hill, Myer St, vacant paddocks in foreground, known as Butcher's Paddock, slaughterhouse and buildings in mid view. Lakes Entrance Victoriatownship, waterways, animals

Items in collection re Allan Frederick Goodall DFC, RAAF, refer Cat No 543.2 for his service history..1) Photograph sepia tone showing three Airmen with two local children in the Middle East. .2) Photo showing two Airmen with 10 rabbits lined up on a table. .3) Photo showing Allan Goodall sitting astride a large bomb, tent in back ground..1) On rear in pen, "Bob, self, Johnny". .2) On rear in pencil, "Myself, Wilma, Shifty, Ginger, Penny, Goodall, Snowy, Taffy, Snowy the second, un named, Charlie & the old man Elna, taken March 44". Self & Myself relate to Allan Goodall. photographs, rabbits, middle east, dfc

Painted by Sue JarvisFramed oil painting featuring a Buckland Valley landscape. Titled: "Valley" painted by Sue Jarvis. Brown wood frame. Signed by the artist lower right corner. Painting of a view of a valley with a tree on the left hand lower corner and hills in the distance. Painted predominately in shades of blues and greens. Framed in a gold frame. Note: Item approved for deaccession August 2023. SGSC will now follow deaccession procedures as outlined in the Arts and Civic Memorabilia Collection Policy - https://www.southgippsland.vic.gov.au/downloads/file/2763/arts_and_artefacts_collection_policy_c69. Signed by the artist lower right corner

black and white photo of those who recieved the 'queen long service and good conduct medal'. Left: fireman Jack Prendergast Centre: station officer Max Reeves Right: fireman Tom SandersonBlack and white Photographqueen long service and good conduct medal Left: fireman Jack Prendergast Centre: station officer Max Reeves Right: fireman Tom Sanderson LE DAWN STUDIOS the proffesional photographers, Wangaratta and Myrtleford (stamp)' 20cm wide - bottom centre red 'A' in a circle above a scibbled out 13 - bottom rightjack prendergast, max reeves, tom sanderson

The Gown of the Year Program was a gala event in Melbourne's cultural calendar. Australia's supermodels of the day, such as Diane Masters (pictured), Bambi Shmith, and Betty Jackson modelled clothes by Melbourne's leading designers, Hall Ludlow, Le Louvre, and others. Diane Masters has played a seminal role in contributing to the Design Archives through her personal and professional fashion archive, her role in the Hall Ludlow collection and archive, the Laurie Carew collection, and her generosity in gifting items from the Frederick Romberg archive to the RMIT Design Archives. She has been and remains a key figure in Melbourne and Australian fashion. Suzanne Davies, 2017Black and white photograph features fashion designer Hall Ludlow (right), holding his trophies for winning the 1959 Gown of the Year at the Menzies Hotel, Melbourne. Model Diane Masters (right) is wearing the winning gown: a pale full length gown with short sleeves, scoop neck, and ruffled skirt. The matching coat also features small ruffled down its length.Verso: Stamped in black ink, bottom right: 'Photographed by/ ATHOL SHMITH/ F.R.P.S . . F.R.S.A/ 125 COLLINS STREET, MELBOURNE/ TELEPHONE MF 5[illegible]4australian fashion, fashion design, mid-century modern

History has it that the origins of the Slouch Hat began with the Victorian Mounted Rifles; a hat of similar design had been worn in South Africa by the Cape Mounted Rifles for many years before 1885. The design of the Victorian Mounted Rifle hat originated from headgear of native police in Burma where Lieutenant-Colonel Tom Price had recognised its value. The Victorian hat was an ordinary bush felt hat turned up on the right side. The intention of turning up the right side of the hat was to ensure it would not be caught during the drill movement of “shoulder arms” from “order arms”. The Slouch Hat became standard issue headdress in 1903 and its brim position was mostly standardised. The slouch hat became a famous symbol of the Australian fighting man during World War One and continued to be worn throughout World War Two. Its use since that time has made it a national symbol.Slouch Hat - made of fur felt with an 8 fold hat band (puggaree) it has the blue/gold unit badge on the band denoting the 8th Light Horse brigade with a leather chin strap. The right hand side is held by a brass rising sun badge.army, slouch hat

Strampp lived and worked at Clifton Pugh's artist colony Dunmoochin from 1980 to 1985. 'Into the Night' is Strampps' "own marriage painting". The wedding dress and horse, "a symbol of virility and passion" represents Strampp and the background landscape was inspired by her stay in Somerset, England. The cliff edge on the left symbolises "an audacious step into the future." The painting "is of a bride, passionate yet absent, about to embark upon a new journey in life, and of the voyage ahead. It is about acknowledging the past, and having the courage to move forward. To take risks". Strampp was largely influenced by both the new German Neo-Expressionists of the time and by English artist John Walker, which is evident in this painting. Her work took on popular stylistic trends and themes of the time, which included a painterly aesthetic and an energetic application of the medium, which transferred to an emotional and or personal connection to subject matter that was communicated symbolically. Strampp is an artist of national significance. This work encompasses themes and a style of painting (Neo - Expressionism) that was prevalent during the time of its making in the eighties. This work represents a transition from Strampp's highly regarded early paintings of heroic horses in the mid to late 1980’s to her highly regarded paintings of contemporary wedding and/or armour-like bodices dresses of the 1990s. Both the 'horse' and 'dress' were often set in empty backgrounds or dreamy/foreboding landscapes. Painted in oil on linen (x2) in a 'Neo-Expressionist' style, 'Into the Night' depicts a ghostly white horse to the right of the painting looking away from a ghostly white wedding dress to the left of the painting. The dress has sprouted white wings and is adorned with bows on the bottom edge of the dress and roses on the sleeves. The dress seems full bodied although there is no figure. The dress and horse are placed in the foreground on a stage like platform with a white curtain framing the picture to the right, and a black ladder and brown cliff edge framing the picture to the left. The background depicts a foreboding and dark cloudy sky and seascape with a firery red landscape burning on the horizon. Signed low right (1988.7b VA) with brush in purple (light) 'Adriane Strampp 87'. into the night, neo expressionism, wedding dress, horse, symbolism, painting, seascape, dramatic, emotional, poetic, strampp

Views of St. Patrick’s Catholic Church. Two of the photos are identical showing the parish hall on left of photo and a small part of priest's residence on right. A car can be seen parked below the church fence. Photo recorded to be taken by Ruby Willy Estate. The other photo shows a different view with a timber sign out the front of the church and two trees either side of the sign. This third photo also just shows the priests house on the right and taken around 1965 -1970.Three black and white photos of St Patrick's Church. Two are identical showing parish Hall on left of photo and small part of priest's residence on right. The other photo of the church taken at a different angle shows two trees and a church sign out the front. Electricity lines can be seen across the photo.stawell

A mechanical date stamp made by VELOS. Steel parts with a red plastic grip. Push down mechanism to stamp date and to change numbers. Has a self inking pad.On side - 444 Velos and a trade mark|on base Made in Englandcommerce, office equipment / stationery

Portrait of two gentlemen in suites seated in Cane Chairs. Jim Greenwood right (Engine Driver at 3 Jacks Mine) and his friend.A Sepia Photograph of two (2) seated males in cane chairs by a table, both dressed in suits, both with short haircuts.Herbert's Studio St (the rest is missing) in gold print on rear, in hand written script: Uncle Jim Greenwood right and his friend Engine drive at 3 Jack's Mine Stawellstawell, greenwood

The artwork is compiled by putting art sheets againts each other on a yellow wash background. It is more than 3 metres long with the start on the left and finish on the right. This scroll portraits Peter O'Neil's ruminations on Vietnam war and the damaging effect on him.The artwork is compiled by putting art sheets againts each other on a yellow wash background. It is more than 3 metres long with the start on the left and finish on the right. This scroll portraits Peter O'Neil's ruminations on Vietnam war and the damaging effect on him.THE QUEER PLACE, "VIET-NAM THE CIRCUS WITH TOO MANY CLOWNS", "INEXPLICABLE VIET-NAM"1 rar, art work, peter o'neill, pte peter denis o'neill, 1201351, royal australian infantry corps, the royal australian regiment, 1st battalion

Textiles. Linen flour bag printed on both sides in red and green.1. ''WITTSCHEIBE BROS. The famous WB Brand Regd. World's Best Self Raising Flour prepared from the choicest Victorian wheat. Factory 172 MITCHELL ST>< BENDIGO< 5 lbs''. Side 1 printed in black ink KA No 712. Side 2 printed in pen ink 1149. 5lbs net. Self raising Flour W.B. Brand Self Raising Flour is mixed and prepared from the choicest Victorian grown wheat, and possessing highly nutritious qualities is unequalled for Scones, Cakes, Puddings, ETC 172 Mitchell St., Bendigo, Telephone 339''.textiles, domestic, wittscheibe bros, bendigo. flour bag

Item donated along with the collection of the Hoffman brothers memorabilia Photograph framed of Miss Anna Hoffman holding a photo of her father JacobOn self adhesive label attached to bottom left hand corner, with the words Miss Anna Hoffman and her father Jacob anna hoffman, picture framed

Light card cover, mould and mildew staining, discoloration from light exposure. Minor insect damage to top right front cover. Mould staining front four pages. Mildew & fluid stains through out. Some foxing throughout. Blue cloth backstrip on spine, worn at top and bottom. Binding intact. Fair condition.non-fictionA descriptive atlas of the Eucalypts of Australia and the adjoining islandsbotany, eucalypts, australia

Camp 3. made by Gudrun and Isolde Frank, camp 3 c.Black and white sketches for calendar. 1943. 5 sketches (all have 1943 above them): 1 - 3 men with part of hut on left hand side and huts behind. Poles with wire in front of huts; 2 - 5 guards marching with rifles with a big tree to the right of the photo and a fence with 4 posts in front; 3 - part of a hut showing an open door and open window; 4 - wild flowers from in camp; 8 people standing behind a bonfire holding signs. the number 4 top right hand cornercamp 3, gudrun frank, isolde frank, frank zimmer, camp calendars, templers

Image showing three stone buildings in a country scene. In the foreground there is man and child and two goats. There is a car with three people surrounding it. The weather looks dark, dark clouds. A large Norfolk Pine behind the building. The middle building is two storey with an outhouse attached. A chimney and two spires at each end of the house. The building to the right of the main building is weatherboard with a fence. To the left of the main building is a ruined stone building with the roof fallen in. Trees and hills surround. Gold painted frame.Bottom right - Kenneth Jack - July 1952

Black and white image depicting two men wearing aprons standing in front of Moorabbin Co-operative Stores, Nepean Highway Cheltenham. Exchange Hotel to the right. Three horse drawn wagons, on the left two white horses with a man holding the reins, one carrying a load with hessian sacks and another on the far right with a man in the seat of the wagon also wearing an apron, suggesting they are workers at the store.Black and white image of two men wearing aprons standing in front of Moorabbin Co-operative Store with three horse drawn wagons, on the left two white horses with a man holding the reins, one carrying a load with hessian sacks and another on the far right with a man in the seat of the wagon also wearing an apron. A sign on the left hand side of the building Havelock Tabacco.Printed in black text a round white sticker: 75 Hand written in red ink: 75%horse drawn wagon, workers, moorabbin, cheltenham, commerce, trade

Four servicemen standing engaging in a conversation. From left to right are: Major Bill Brydon, WO 11 Marty McGaughlin, WO 11 Ray Simpson and Col Wood, USSF. WO11 Ray Simpson is being advised of his award of the Victoria Cross, Saigon June 1969. Framed black and white photograph. From left to right are: Major Bill Brydon, WO 11 Marty McGaughlin, WO 11 Ray Simpson and Col Wood, USSF in 1969 being advised of his award of the Victoria Cross. victoria cross, photograph, major bill brydon, wo 11 marty mcgauglin, wo 11 ray simpson, col wood, ussf, john vincent