A small oval photo of a man, unable to open it but it looks either Daguerreotype or Ambrotype. The frame is gold in colour with a fancy edging. The man has dark hair with a chin strap beard. He is wearing a dark suit with a large bow tie and light coloured shirt The back is a black solid material.person, individual, male, daguerreotype. ambrotype.

The Medal will enable the community to thank those who have made Australia’s first hundred years as a federal nation such a great success and who have laid solid foundations for Australia’s future. The award of the medal to them will be a fitting acknowledgement from the nation of their long contribution to Australia .Hans was awarded the Medal for his contribution to fund raising for R.S.L. Welfare.The Centenary Medal is an award created by the Australian Government in 2001. It was established to commemorate the Centenary of Federation of Australia and to honour people who have made a contribution to Australian society or government. It was also awarded to centenarians: Australian citizens born on or before 31 December 1901 who lived to celebrate the centenary of federation on 1 January 2001.Rectangular shaped glass covered photo frame showing presentation photo.Presentation of the Centenary of Federation Medal to Hans Van Der Horst.medals,centenary of federation medal,awards,lara r.s.l.

Items were brought at the ASCO Services Canteen or the US PX System. Purchases were made with MPC (Military Payment Currency). This was money especially printed for use by allied soldiers in base installations. Bought by Wesley BERTUCH while serving in South Vietnam, refer Cat No 1664.2 for details.Toshiba Solid State Stereo Radio Phonograph powered by 6 x 1.5V D Cell batteries. 2 x Detachable speakers operated on leads with individual volume controls. Unit can also operate on 24 V. Speakers, black plastic. Radio & turntable woodgrain sides with metallic front.On side of both speakers: “Toshiba Stereophonic”personal effects, communications, radio, bertuch

A wooden racquet with a solid, convex throat, painted orange, and grooved handle. Decal logo on throat on obverse comprises of a winged ball, with inscription: VICTOR/.../SPORTING GOODS CO. Decal inscription across throat on reverse: CLUB. Materials: Wood, Gut, Metal, Glue, Lacquer, String, Leather, Ink, Painttennis

A wooden racquet with a solid, convex throat, painted orange, and grooved handle. Decal logo on throat on obverse comprises of a winged ball, with inscription: VICTOR/.../SPORTING GOODS CO. Decal inscription across throat on reverse: CLUB. Materials: Wood, Gut, Metal, Glue, Lacquer, String, Leather, Ink, Painttennis

A Tryon Eclipse tennis racquet with a solid, convex throat, and fine-grooved handle. Details feature on obverse. Model name ECLIPSE features across crown. Inscription across throat: EDW. K. TRYON CO./PHILADELPHIA,/PA. Materials: Wood, Gut, Ink, Leather, Cloth, Glue, Lacquer, Metaltennis

A wooden tennis racquet with solid, convex throat, cloth whipping around shoulders, and fine grooved handle grip. Model name across crown on obverse is worn and unintelligible. Inscription along throat on obverse: T.H. PROSSER + SONS. Materials: Wood, Gut, Ink, Leather, Glue, Lacquer, Metal, Clothtennis

An Ajax 'Calumet' late transitional flat-top tennis racquet, with solid convex throat, and cork handle. Model name features across crown on obverse. Manufacturer's name, with floral design, features across throat on obverse. Materials: Wood, Lacquer, Glue, Metal, Gut, Ink, String, Cork, Painttennis

A tilt-top tennis racquet with: solid convex throat; rare double strung net; whipping around uncharacteristically short shaft; and, a fine-grooved, rounded handle. Impressed inscription across throat on obverse: P.T.A.S./+WORTHING+/-1881-/X. Materials: Wood, Lacquer, Glue, Metal, Gut, Leather, Inktennis

A Sykes National Special tennis racquet, with solid convex throat, string shoulder and crown whipping, and fine-grooved handle. Model and manufacturer's details feature across crown and throat on obverse. Manufacturer's details also on butt cover. Materials: Wood, Lacquer, Glue, Metal, Ink, Leather, String, Guttennis

This solid, late Victorian era piano is branded Renardi, which is a German name. In the late 19th century thousands of pianos were exported from Germany to Australia. Some, unfortunately, were amongst the cargo of shipwrecks. It seems that the Renardi pianos were not made by a Renardi company but made to order by any of a number of German piano manufacturer and branded for distribution by Australian music stores.This Renardi piano represents an era where musical gatherings were part of domestic entertainment. Pianos were ialso installed in clubs, public halls and hospitality businesses for song nights and concerts were encouraged for community unity.Piano, upright, walnut veneer with floral design on panels. Turned columns, hinged lid and two metal pedals. Branded Renardi, a German name, made c. 1900. "RENARDI"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, musical instrument, upright piano, german, renardi, victorian era, late 19th century, entertainment

Invented in 1923 by Wilhelm Ritzerfeld. A Spirit duplicator' refers to the alcohols that were a major component of the solvents used in the machine.Limited number of copies one could make from an original along with the low cost and corresponding low quality of copying. Used to make multiple copies of a document eg. in office at a school for eg. a newsletterUsed at Bogong Primary SchoolFormerly UKV 048 Solid black, heavy, steel machine on 4 legs with flat tray at the front and roller at the back. The roller has a cover on the sides and front. From the top you can see the silver roller which is operated by a handle on the right side. There is a small lever and 2 knobs on the same side.In gold on the back "Fordigraph" and "The Nipper Fordigraph" with a blue circle made by 3 arcs with arrows. 2 labels on one side, screwed on. The labels have a silver background and black print. "Off" and "On"fordigraph machine, copying

This restored porthole frame was recovered from the wreck of the Falls of Halladale at Peterborough Victoria. The Falls of Halladale- The ship was an iron-hulled, four-masted barque, used as a bulk carrier of general cargo. She left New York in August 1908 bound for Melbourne and Sydney. In her hold was general cargo consisting of roofing tiles, barbed wire, stoves, oil, benzene, and many other manufactured items. After three months at sea and close to her destination, a navigational error caused the Falls of Halladale to be wrecked on a reef off the Peterborough headland on the 15th of November, 1908. The captain and 29 crew members survived, but her cargo was largely lost, despite two salvage attempts in 1908-09 and 1910. The Court of Marine Inquiry in Melbourne ruled that the foundering of the ship was entirely due to Captain David Wood Thomson's navigational error, not too technical failure of the Clyde-built ship. The Falls of Halladale was built in1886 by Russell & Co., at Greenock shipyards on the River Clyde, Scotland for Wright, Breakenridge & Co of Glasgow. She was one of several designs of the Falls Line of ships named after waterfalls in Scotland. The company was founded between 1870- 1873 as a partnership between Joseph Russell, Anderson Rodger, and William Todd Lithgow. During 1882-92 Russell & Co. standardised designs sped up their building process so much that they could build 271 ships during that time. The Falls of Halladale had a sturdy construction built to carry maximum cargo and was able to maintain full sail in heavy gales, one of the last of the 'windjammers' that sailed the Trade Route. She and her sister ship, the Falls of Garry, were the first ships in the world to include fore and aft lifting bridges. Previously, heavily loaded vessels could have heavy seas break along the full length of the deck, causing serious injury or even death to those on deck. The new, raised catwalk-type decking allowed the crew to move above the deck in stormy conditions. This artefact is important as it is an example of the materials and design of late-19th century ship’s rigging equipment. The object is also significant for its association with the historic sailing ship Falls of Halladale, wrecked in local waters in the early 20th century. The clipper ship Falls of Halladale shipwreck is of historical significance and is listed on the Victorian Heritage Register, No. S255. She was one of the last ships to sail the Trade Routes. She was one of the first vessels to have fore and aft lifting bridges. The vessel is an example of an International Cargo Ship's remains and represents aspects of Victoria’s shipping industry. Porthole frame; cast brass circular frame with several fixing holes, and hinged frame for holding the glass window. The frame has two screw dogs and a solid hinge. The porthole frame has been recondition and the layer of concretion has been removed. The porthole frame was recovered from the wrecked FALLS OF HALLADALE.flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, falls of halladale, shippwreck, shipwreck artefact, porthole, pprthole frame, ship's window, ship construction, shipwreck, peterborough, 1908 shipwreck, peterborough shipwreck, russell & co., greenock, wright breakenridge & co. glasgow, clipper ship

A wooden, transitional flat-top Horsman 'Eclipse Special' tennis racquet, with oriental gut (silk) strings, solid convex throat, and, cross-hatched slender octagonal handle. Inscription across obverse, from crown to throat: SPECIAL/E.I. HORSMAN/ECLIPSE. Materials: Wood, Metal, Lacquer, Ink, Glue, Silktennis

A Spalding 'The Slocum' flat-top tennis racquet, featuring: solid convex throat; slender, octagonal handle; and wooden butt cap. Decal of model name and Spalding logo within ball trademark feature across black-painted throat on obverse. Materials: Wood, Lacquer, Glue, Metal, Gut, Ink, Painttennis

A Spalding transitional flat-top, junior tennis racquet, featuring: solid convex throat; and, cross hatched handle. Decal of Spalding logo in wreathed ball trademark features on throat on obverse. Decal of model name features across crown, but is illegible. Materials: Wood, Lacquer, Glue, Metal, Ink, Leather, Guttennis

A Spalding transitional flat-top tennis racquet, featuring: solid convex throat; and, rare handle with baseball club butt. Decal of Spalding logo in wreathed ball trademark features on throat on obverse. Decal of model name features across crown, but is illegible. Materials: Wood, Lacquer, Glue, Metal, Ink, Guttennis

A Spalding 'The Greenwood' transitional flat-top tennis racquet, featuring: solid convex throat; and, cross-hatched handle. Decal of Spalding logo in wreathed ball trademark features on throat on obverse. Decal of model name features across crown, on obverse. Materials: Wood, Lacquer, Glue, Metal, Ink, Gut, Leathertennis

A Spalding 'The Greenwood' transitional flat-top tennis racquet, featuring: solid convex throat; and, cross-hatched handle. Decal of Spalding logo in wreathed ball trademark features on throat on obverse. Decal of model name features across crown, on obverse. Materials: Wood, Lacquer, Glue, Metal, Ink, Gut, Leathertennis

A ' The Ubique' tennis racquet with tansitional flat top head, convex solid throat with one bolt and a fishtail handle. Model name (Ubique is Latin for 'everywhere') is imprinted and inked across throat on obverse. Handle has fine grooves and two large furrows. Materials: Wood, Lacquer, Metal, Glue, Ink, Guttennis

An unstrung John Piggott 'The Gripwell' tennis racquet, with solid, convex throat, and furrowed handle with rounded butt. Model name in decal features along throat on obverse. Manufacturer's details in decal feature across throat on reverse. Initials 'AS' burnt across throat on reverse. Materials: Wood, Lacquer, Glue, Metal, Inktennis

An F.H. Ayres Champion wooden tennis racquet, with tilt-top, solid convex throat, leather collar, slightly rounded square handle, and leather end wrap. Inscription across crown and throat on obverse: CHAMPION/F.H. AYRES/14 OZ/SUPERIOR. Materials: Wood, Lacquer, Glue, Metal, Leather, Guttennis

Promotional catalogue of third year, University of Ballarat, Bachelor of Visual Arts (Graphic Design / Multimedia) graduating student work, 2000. Interactive CD Rom titled "Liquid" accompanies Re_Designed pack, features students and examples of their work. Successfully tested on vintage Macintosh G4 with Mac OS 9.2.2 The end of year exhibition theme appears to have been "Solid, Liquid, Gas"CD Rom printed two colours (yellow and very dark teal) single sided.university of ballarat, federation university, graphic design, multimedia, belinda janetski, ben sanders, angelina teo, selina shillito, justin weyers, andrew strack, debbie ferris, yuri tanabe, nandor rakosi, jason grace, wes prendergast, michael fennelly, brett van lieshout, derek fong, abby vanstan, vince luc, lynette heenan, van sanders, sam harmer

The building under the chimney housed the boiler which provided steam to heat the kilns which were located behind. The boiler had 2 fuel burners. One used sawdust, the other solid fuel, such as wood off-cuts. The chimney was the smoke outlet. Pipes brought sawdust waste from machining into the boiler room. Dust extractors on the roof are clearly visible from Sherbourne Road.The Briar Hill Timber and Trading Company was active during the 1930s - 1950s during the development of the local area with many houses being built by owner-builders who used the company for their needs. Group of 29 colour or black and white photographsbriar hill timber and trading company, briar hill timber, alison lendoudis, bob manuell, sherbourne road briar hill, squire family, purdys furniture briar hill

In the early days of beekeeping, protective veils were not worn. It was considered a sign of weakness if you could not put up with bee stings. This veil was made by Amy Robinson- her husband and his brother had no interest in putting up with being stung. The solid cloth at the back stops bee stings completely; the veil, while good, does not stop stings if it is pushed up against skin.Original handmade beekeepers veil belonging to Bill Robinson. Mended many times over by his wife Amy Robinson.Handmade beekeepers veil; metal mesh over front facing, cloth veil. Repaired with brown cotton. Very fragile.beekeeper, veil, antique, equiptment, beekeepers veil, beechworth honey

Before the introduction of electric irons, various irons were used including flat irons, sad irons, and box irons. These irons were heated on a pre-existing hot surface such as a stove (flat irons, sad irons) or heated internally with a metal slug or hot coals (box irons). Sad irons were heavier than flat irons, as they had a solid block of metal as a base.Cast iron flat iron.flat irons, household equipment

Before the introduction of electric irons, various irons were used including flat irons, sad irons, and box irons. These irons were heated on a pre-existing hot surface such as a stove (flat irons, sad irons) or heated internally with a metal slug or hot coals (box irons). Sad irons were heavier than flat irons, as they had a solid block of metal as a base.Flat iron with metal handleflat irons, household objects

THE CARRON COMPANY The Carron Company established its ironworks on the banks of the River Carron in Falkirk, Stirlingshire, Scotland, in 1759, and became an incorporated company in 1773. The company was the largest ironworks in Europe during the 19th century. It supplied ammunition and armaments, steamboat engines, pig iron, cast iron goods such as flat irons, balustrades, fire grates and bath tubs, pillar boxes and telephone boxes, and even cast iron rings for underground tunnels. In 1982 it became insolvent and was taken over by the Franke Corporation, using the brand Carron Phoenix.This iron is representative of the domestic appliances used throughout Australia up until electricity became widely available for domestic use.An antique Carron iron made of solid cast iron. These types of iron were nicknamed "sad irons" from the Old English where "sad" was originally a word which meant "heavy and solid". Typically, there would be two irons simultaneously in use: one to iron with and one being heated up on the stove or in the fire. This iron has a flat bottom and back and it curves to a point at the front. It has a goose neck handle which has a twist. Irons such as this were often given the name "goose" irons. Near the front of the iron on its top '11' is marked. These irons were used from the late 18th to mid 20th centuries before electricity was widely available in all areas, particularly in rural environments.On top of iron "CARRON"flat irons, domestic appliances