Copy of Studio portrait of 6852 Private Rupert James Cavanagh Moore, 22nd Battalion, of Wangaratta, Vic., (seated), and two other unidentified soldiers of 22nd Battalion. Pte Moore, a printer prior to enlisting on 6 February 1917, embarked from Melbourne on HMAT Ascanius on 11 May 1917 with the 19th Reinforcements. He was killed in action in France on 13 July 1918, at the age of 25. Reproduction copy of black and white portrait of three uniformed men two standing and one seated in front.Attached to photograph - Private Rupert James Cavanagh Moore (seated) Enlisted in Wangaratta 6/2/1917 Killed in action in France 13/7/1918rupert james cavanagh moore, wangaratta, 22nd battalion, ww1, kia, 3rd machine gun battalion

Matte sepia toned head and shoulders studio portrait of Rev. F. H. Williams who is looking directly at the camera with his body facing to his right. He is wearing his clerical collar. The photograph is tipped on beige textured card which has been mounted on tan textured paper. The Rev Williams' name is written on the front of the photograph in script."Rev. F. H. Williams"rev f h williams methodist minister, prince of wales park methodist circuit, northcote (prince of wales park)

Albert Thomas Holden was born in 1866 at Geelong, died in 1935 and is buried in Boroondara cemetery. From 1883-84 he taught in Kyneton and became a Methodist lay preacher. He graduated with a B.A. from Ormond College in 1888. He entered the Methodist ministry and worked in Burwood and at the Omeo Home Mission. During 1892 he toured Europe and the Middle East with Rev Bickford. In 1898 Holden was an army chaplain and served South Africa. He became Methodist Chaplain General in 1913. In 1904 Holden became Secretary of Methodist Home Missions and traveled throughout Australia. Holden was General Superintendent of the Methodist Church of Australasia from 1929 - 1932 and then President- General. Holden became a Freemason in 1898. [taken from the Australian Dictionary of Biography]F46.5.1, F46.5.2 and F46.5.3 - Sepia toned studio portraits of Rev. A. T. Holden standing next to an open window, with hands clasped behind back. He is wearing his clerical collar and has two badges on his left lapel. The photographs are on brown card mounts. F46.5.2 has the photographer's mark embossed on the bottom front. F46.5.3 has a deckle edge."REV. A. T. Holdne C.B.E. (Gen Superintendent)"rev albert thomas holden methodist minister, victorian fourth contingent (imperial bushmen), methodist chaplain general, australian imperial force, methodist home missions secretary, general superintendent of the methodist church of australasia, grand master of the grand lodge of freemasons of victoria

From Chapman family album. Children's photographer not known but meant to be a set. Sepia Formal Studio Portrait of married couple if front of a background of a waiving tree. Wife holding husbands elbow. Husband is bearded in a three piece suit. Wife wearing a dress and overtop. Individual busts of children. -1 Mary -2 Jane (Mrs Hansen) -3 Kate -4 Lizzie -5 Small Child -6 10 to 11 year old childOn Reverse With our compliments from Mr and Mrs McCracken

Francis John Papworth - VX66806 - Studio photograph - portrait style. Shot in March 1943 while on leave after escape from TimorThis photograph displays historic significance from WW2 and Curly Papworth's service in the 2nd/2nd Independent Company. It has strong provenance as part of the Papworth Family donated collectionSepia Studio photographww2, world war two, 2nd/2nd commando, commando, francis john papworth

Francis John Papworth - VX66806 - Studio photograph - portrait style. Shot in March 1943 while on leave after escape from TimorThis photograph displays historic significance from WW2 and Curly Papworth's service in the 2nd/2nd Independent Company. It has strong provenance as part of the Papworth Family donated collectionSepia Studio photographww2, world war two, 2nd/2nd commando, commando, francis john papworth

Francis John Papworth - VX66806 - Studio photograph - portrait style. Shot in March 1943 while on leave after escape from TimorThis photograph displays historic significance from WW2 and Curly Papworth's service in the 2nd/2nd Independent Company. It has strong provenance as part of the Papworth Family donated collectionFrancis John Papworth VX66806 - Studio photographOn leave - 1943ww2, world war two, 2nd/2nd commando, commando, francis john papworth

Francis John Papworth - VX66806 - Studio photograph - portrait style. Shot in March 1943 while on leave after escape from TimorThis photograph displays historic significance from WW2 and Curly Papworth's service in the 2nd/2nd Independent Company. It has strong provenance as part of the Papworth Family donated collectionSepia Studio photographww2, world war two, 2nd/2nd commando, commando, francis john papworth

This photograph of Jane Shields was taken at the Burlington Studio, Melbourne in the late 19th to early 20th century. Jane Shields became friends with Eva Carmichael in 1878, a friendship that continued throughout their lives. The item was created by layering fabric glued onto card, the the oval-cut photograph blued onto the fabric. A tea set was given by Eva Carmichael, a survivor of the ship Loch Ard which was wrecked near Port Campbell in 1878, to Jane Shields, who was the young woman who supported Eva during her recovery from the ordeal. Jane was Eva’s close companion while she was convalescing at Glenample Homestead. The friendship between the two women continued after Eva Carmichael returned to her home in Britain, became Mrs Townsend, and had three sons. Jane Shields also married, becoming Mrs John Osborne and bearing four daughters and two sons. In 1926-27, almost forty-eight years after the shipwreck, one of Jane’s daughters (Ella Marie Schulz nee Osborne) visited Eva in England. Eva gave her the tea set to take back home to her mother. Jane died in 1932 and her tea set was inherited by her daughters, who divided it between themselves, a four-piece place setting for each of them. This photograph of Jane Osborne nee Shields is significant for its connection with Eva Carmichael and the wreck of the Loch Ard in 1878. Memorabilia connected to Eva Carmichael are precious and rare. The shipwreck of the Loch Ard itself is of significance for Victoria and is registered on the Victorian Heritage Register (S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulations of artefacts from this notable Victorian shipwreck. The collection gives a snapshot of history, enabling us to interpret the story of this tragic event and the lives of the people involved. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allow us to interpret Victoria's social and historical themes of the time. The collection's historical significance is that it is associated unfortunately with the worst and best-known shipwreck in Victoria's history.Photograph; studio portrait of the upper torso of a female. The photograph has been has been cut into an oval shape, glued on rectangular fabric that was already glued onto card. The woman is wearing a light-coloured jacket, white blouse and bow tie. The figure is Jane Osbourne, nee Jane Shields, a friend of Eva Carmichael. An inscription is handwritten on the matt card. Burlington, Melbourne, produced the photograph."Burlington, Melb." flagstaff hill, warrnambool, flagstaff hill maritime museum and village, shipwreck coast, great ocean road, china tea set, tea cup, tea set, royal blue china, eva carmichael, jane shields, glenample, loch ard, place setting, eva townsend, jane osborne

In 1920 Michael Taffe was awarded Junior Cornet Solo Champion at Ballarat's South St competitions, The Grand National Eisteddfod of Australasia. This competition was the premier band contest in Australia with musicians from every state and New Zealand taking part. The large framed studio portrait of Michael together with his cornet and medals was on display in the window of Allan's Music store Melbourne when the building was severely damaged by fire but these items were saved. Part of a large family collection of local & family history items at Hymettus Cottage, home to the same Ballarat family for the past 125. This portrait has a well documented provenance and a known owner and has hung in this historic house for the past 102 years. It forms part of a significant and representative historical collection that reflects Ballarat's local history from a family perspective. It contributes to our understanding of social and family life in Ballarat from the 19th to the 21st century and provides interpretative capacity for family, local, and social history themes.cornet, music, michael taffe, south street competitions, ballarat

Black & white E C Waddington & Co studio portrait of male standing beside penny farthing bicycle. Melbourne Show xxv xxv ? Barely discernible on gate photo right hand side. Male early thirties clothed in jackboots, breeches, buttoned up jacket, turned down collar with pale bow tie, moustache and badged cap. Double 'Albert' chain & fob watch.E C Waddington & Co Elizabetth St Melbourne.photograph, person, male

Elaine Donnellon, the donor of the photograph is the daughter of Shelia's sister Matilda. Thomas Coughlan and Shelia Whelan were married 03-09-1947. Not highly significant but typical of a mid 20th century portrait taken in a photographer's studio. The style of the wedding finery is representitive of the fashion of the period.Studio Portrait on original mount. Thomas Coughlan bridegroom, dark double-breasted suit,orange-blossom buttonhole. Shelia Whelan bride, embossed satin bridal gown with train and leg-o-mutton sleeves,a lace insert at the neckline, finished with a dainty locket. An embroidered full lengh veil and ruched head-dress with orange-blossom is complimented by a floral trailer-bouquet and horseshoes. Portrait backdrop, curtain and chair. Bottom right-hand corner, hand written, "Mendilnohy/Melb."studio portrait, 1947, thomas coughlan, shelia whelan, orange blossom, embossed satin, wedding gown, double breasted suit, veil, trailer, bouquet

Patrick Ryan married 'Ellie' Forrester of Towaninnie in 1918 at Inglewood Vic. 'Ellie' daughter of Richard & Ellen Forrester (nee Dauber) of Towaninnie Vic. This photo depicts the more sombre dress worn for weddings during the war years.Studio portrait of Elizabeth Helena Forrester 'Ellie', bride is wearing a two piece ankle length suit, court shoes and carrying a large bouquet of flowers with trailing ribbons. Organdie lace trimmed blouse fastened with a brooch, a smart brimmed hat and necklace completed the elegant ensemble. Patrick Ryan groom, single breasted suit with waistcoat, white bow tie and gloves, button hole and lace up boots.Right hand corner - on embossed card mount "Richards & Co Ballarat". Reverse - "For Auntie Ellen with love Ellie & Pat" hat, studio portrait, forrester, wedding, 1918, bouquet, bride, groom, two piece tailored suit, single breasted suit waistcoat, towaninnie

Jean Stirling , born 1901 in Orbost, married Charles Frances Reginald Joyes on 15th July 1922 in Orbost. Jean's father was John Stirling, son of James Stirling and Ann Gray. Her mother was Robina Harvey McNair, Aged 19 James Stirling arrived in Melbourne on January 26, 1842 with his family - parents, three sisters and two brothers. James Stirling moved around a lot to Whittlesea, Ballarat goldfields, Cunninghame, (now Lakes Entrance), then to the Old Station about 36 miles to the east along the coast near the mouth of the Snowy River and for a time settled there with his wife also from Wigton, Scotland, and their family four sons two daughters (James, John, William, George, Margaret and Polly). The first settler to occupy the Marlo township area was James Stirling around the year 1875. He built a bark hut on the bluff that had two rooms, bark walls, earthen floors and a shingle roof. By 1884, this structure had expanded to a 9 roomed accommodation house and in 1886 became the Marlo Hotel when a liquor license was granted. (more information from “Snowy River Mail”, Wednesday, April 13th 1977: MEMORIES OF MARLO by Mrs Elsbeth Conlon (nee Stirling )This photograph is associated with the Stirling family early settlers of Marlo. It is also a pictorial record of styles of wedding dress popular in the 1920s.A black / white studio portrait / photograph of a bridal couple. The bride on the left is wearing a typical 1920s wedding dress. tTe front is short with a hem that is in different length in front than behind. She is wearing a hat in the cloche-style. She is holding a bouquet of flowers and her train is draped to the left. The groom is wearing a three piece morning suit. he has a with a wingtip collar white dress shirt and a cravat tie.on front - hand - written "Jean Stirling's wedding (Marlo) ? Joyce"stirling-jean-wedding melba-&co wedding-clothing-1920s joyes-charles-francis-reginald

Ellen was the Manageress of the Continental Guest House. Comment on this photo Sally Douglas 16 December 2017 10:36 PM This has to be Ellen Florence Soumprou 1895 Carlton. Her nickname was Nellie. She was a first cousin of my mother Ella (Sevior) Douglas. In 1928 Ellen married Thomas Percy Swinburne. Ellen's parents were Ellen Sevior and Louis Alfred Soumprou. I have later pics of Ellen Soumprou and a Studio Portrait of Ellen SeviorBlack & white photograph, manually colouredEllen Soumprouelllen soumprou, phillip island, continental guest house, local history

Margaret Jane Porter, born 1867, and her sister Julia Ann Porter, born 1884, were the daughters of David Porter and Mary Nihill, of "The Pines", Newtown. Julia married Henry (Harry) O'Beirne in 1919. They lived on the Skipton Road a little further up from the O'Beirne skin yards.Black and white copy of a studio portrait showing two women standing in front of a wooden gate. The woman on the left is wearing a long dress which has a high neck and highly decorated sleeves and bodice and is worn with a wide black belt with a metal buckle. The woman on the right (with glasses) is wearing a dark jacket, a long, dark skirt and a white blouse with a high neck. Both women are wearing brooches pinned at the throat, and both are wearing pendants.julia ann o'beirne née julia ann porter, margaret jane (maggie) porter

Studio group portrait of five men in suites Top Jack Watson, uncle Jim Rathgeber, Mick Flanigan, Bottom Tony Rathgeber(dad), uncle Fred Rathgeber. Mounted on card

The Henty family and their descendants were notable settlers in Australia, initially in Western Australia, then in Launceston and finally in Victoria. While most family members settled in Victoria from 1834, others remained in England and in Tasmania. The identity of the woman in this mid 19th studio portrait is as yet unidentified. The tintype was purchased by the Society as part of a small collection of Henty memorabilia and portraits from the owner of Moorabool Antiques, Geelong in 2021, which had in turn acquired the item from the estate of Dennis Alston of Alston's Antiques in Hamilton, Victoria.Members of the extended Henty family were notable British settlers of southeastern and southwestern Australia. The connection to Kew (Vic.) is that members of the Henty family owned important mansions in Kew in the 19th century. Stephen George Henty's family lived at 'Findon', and Francis Henty of 'Merino Downs' in the Western District lived in his final years at 'Field Place', Kew. Numerous members of the Henty family are buried in the Boroondara General Cemetery.Small tintype of a female member of the Henty family. The hand-tinted close-up studio image is of an unidentified member of the family. The sitter's hair is parted in the middle as was typical of the period. She wears a dark dress with a white collar and a cameo at the throat.henty family, australia - early settlers, tintypes

The Henty family and their descendants were notable settlers in Australia, initially in Western Australia, then in Launceston and finally in Victoria. While most family members settled in Victoria from 1834, others remained in England and in Tasmania. The identity of the woman in this 1920s studio portrait is as yet unidentified. The photograph was purchased by the Society as part of a small collection of Henty memorabilia and portraits from the owner of Moorabool Antiques, Geelong in 2021, which had in turn acquired the item from the estate of Dennis Alston of Alston's Antiques in Hamilton, Victoria.Members of the extended Henty family were notable British settlers of southeastern and southwestern Australia. The connection to Kew (Vic.) is that members of the Henty family owned important mansions in Kew in the 19th century. Stephen George Henty's family lived at 'Findon', and Francis Henty of 'Merino Downs' in the Western District lived in his final years at 'Field Place', Kew. Numerous members of the Henty family are buried in the Boroondara General Cemetery.Oval convex portrait of an as yet unidentified member of the Henty family. The unsigned photograph mounted on a metal backing is sepia tinted. It shows a woman, photographed at an oblique angle, gazing at the photographer. Her dress and hairstyle allow us to date the portrait to the 1920s.henty family, australia - early settlers

Ellen was the Manageress of the Continental Guest House from about 1923. Comment left on site Sally Douglas 16 December 2017 10:36 PM This has to be Ellen Florence Soumprou 1895 Carlton. Her nickname was Nellie. She was a first cousin of my mother Ella (Sevior) Douglas. In 1928 Ellen married Thomas Percy Swinburne. Ellen's parents were Ellen Sevior and Louis Alfred Soumprou. I have later pics of Ellen Soumprou and a Studio Portrait of Ellen SeviorSephia photograph Ellen Soumprou, manageress of Continental Guest House 1923ellen soumprou, continental guest house, phillip island,

Black and white photograph on fawn mount. Studio portrait of Mayor of Bendigo, in full mayoral robes with chain of office. Taken in mayor's parlour in Town Hall (?). Inscriptions: 'Bartlett Bros, Bendigo'. On front - on top RHC 'P675'. Circular stamp 'Royal Historical society of Victoria, Bendigo Branch'. Bottom centre in pencil 'Cr A Dunstan, Mayor 1904 - 1905, 1918 - 1919'. History: Portrait of Councillor Albert Dunstan, elected Mayor of Bendigo 1905 and 1918.Bartlett Bros, Bendigoperson, group, mayor

Rev. E. H. Chapple (1866 - 1956) was educated at the University of Melbourne, and was ordained a Wesleyan minister. He was admitted Presbyterian in 1904. Matte, black and white 3/4 studio portrait of Rev. Edward Henry Chapple who is standing and looking directly at the camera. He is dressed in an academic gown over his clerical suit and collar and is holding a rolled document in his left had. The photograph has a grey which has a gold border and a black and gold script inscription. It is tipped onto brown card which has some pencil handwriting and an ink handwritten dedication at the bottom right.Front: "REV. E. H. CHAPPLE - B.A. MINISTER ST. ANDREWS 1913 - 1934" Back: "For Victor Taken 1930"rev e h chapple ba, st andrew's presbyterian church oakleigh, rev e h chapple ba presbyterian minister

This photo of Alice Maud Marsh has traditionally been associated with the Marsh family that operated a butcher's shop on the corner of Edgevale Road and Fitzwilliam Street, Kew.Cabinet card. Studio portrait of Alice Marsh, J.E. Marsh whose family owned Marsh's Butcher Shop in Edgevale Road from 1915 to 1970. Previously the butcher shop had been owned by Mr Charlie Watson. Alice managed the shop until about 1928, when she became quite ill in about 1924 and died in 1930. The original donor, Nell Baker, who stated that .'..Alice could split lambs and breakup beef, no wonder she became ill!'BORN 29TH NOVEMBER 1877 / ALICE MAUD MARSH / DIED 2 JUNE 1930 / AGED (52) 52. Also photographed are two donation letters: that from Nell Baker to Mr Andrews [the current owner of the shop] in 1988, and from Diana Andrews [undated].alice maud marsh, marsh's butcher shop -- kew (vic.)

An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in the mansion originally named Illapa, 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937) and his wife Edith Mary Weir (1867-1948). George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.Important group family photograph, taken in Broken Hill, of Edith Mary Weir and her children. Another aspect of the photograph is that it is revealing about fashion and the tastes of the period.Studio portrait of Edith Mary Weir and her five children, taken by a photographer of the Sykes Studio in Broken Hill, New South Wales. The members of the family are from left to right: John Rigby Weir (1910-1971), Edith Mary Weir (nee Betteridge), Cecil Rigby Weir (1904-1983), Horace Rigby Weir (1907-1988), George Rigby Weir (1901-1927), and Edith Rigby Weir (1899-1981). [John Rigby Weir was the donor's father].Stykes Studio / Broken Hillweir collection, george weir, horace rigby weir, george rigby weir, john rigby weir, edith rigby weir, edith mary weir (nee betteridge), sykes studio -- broken hill

The man is possibly a ship master or captain and the photo of the couple depicts also his wife. Studio photographic portrait of two people: female standing dressed in black? formal attire, arm leaning on seated male also formally dressed in 3 piece suit with watch chain and bowler hat.skipper, captain, ship master

Moira Bird Oliver (nee Good) daughter of Rev Good of St Jude's Carlton first met Frank Oliver circa 1915. They were engaged for some 7 years while Frank did wartime service and then on return to Melbourne completed a Theology degree at Trinity College and was then ordained. They married on the 18th of July 1925 at St Jude's Church in Carlton. Frank Oliver was then naval chaplain on the HMAS Platypus. After various postings the married couple eventually arrived and were appointed to the Chaplaincy to the Mission to Seamen based at 717 Flinders St from 1930-1960. The Olivers weathered many significant issues between 1930 and 1960, a depression, WW2, strikes and waterfront unrest in the 1950s and financial struggles resulting from changed shipping patterns. This photograph was gifted by a descendant who told us that Mrs Oliver was a very enthusiastic photographer. Mrs Oliver was a well loved and respected woman and is memorialised by a window in the Mission Chapel. It is possible she is one of the many anonymous photographers who contributed various photographs especially of the 1930s and forties that make up a substantial part of the Mission Heritage Collection. Mrs Oliver died in 1969 see elsewhere this database for memorial plaque and window.Mounted studio b & w photograph portrait of a bride in white dress and trainpadre oliver, reverend good, st. jude's church, reverend frank leslie oliver, moira bird good, moira oliver, hmas platypus, royal australian navy, r.a.n. chaplain

An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in the mansion originally named Illapa, 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937) and his wife Edith Mary Weir (1867-1948). George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.Important group family photograph, taken in Broken Hill, of the two Weir parents and their children. Another aspect of the photograph is that it is revealing about fashion and the tastes of the period.Studio portrait of George and Edith Weir and their five children, taken by a photographer of the Sykes Studio in Broken Hill, New South Wales. The members of the family are from left to right: Cecil Rigby Weir (1904-1983), Edith Mary Weir (nee Betteridge) (1867-1948), Edith Rigby Weir (1899-1981), John Rigby Weir (1910-1971), George Weir (1866-1937), Horace Rigby Weir (1907-1988), and George Rigby Weir (1901-1927). [John Rigby Weir was the father of the donor]weir collection, george weir, horace rigby weir, george rigby weir, john rigby weir, edith rigby weir, edith mary weir (nee betteridge), sykes studio -- broken hill

Studio portrait of 5347 Private Cyril Buckler, 14th Battalion. A postman from Wangaratta, Victoria, prior to enlistment on 16 February 1916 he embarked from Melbourne aboard HMAT Euripides on 4 April 1916 for Egypt. His unit relocated to the Western Front, France, in June 1916. Pte Buckler was killed in action near Pozieres, France, on 7 August 1916. He has no known grave and he is commemorated on the Villers-Bretonneux Memorial. This photograph of Cyril Buckler in the rank of Sergeant was probably taken while he was serving in the Senior Cadets or the Citizen Forces prior to enlistment in the AIF.Cyril Buckler was a postman in Wangaratta prior to enlisting in the AIF on February 16 1916 at the age of 19 years 11 months. He was killed in action on August 7th 1916 near Pozieres in France aged 20 years. He has no known grave. His military service record revealed his parents named their property "Pozieres" after his death.Unframed black and white photograph mounted on light brown cardboard of soldier holding whip.Sgt Cyril Buckler Killed in Action in France August 7th 1916wangaratta, kia 7/8/1916, cyril buckler 5347