Devizes is a medieval market town in the centre of Wiltshire, 16 miles from Stonehenge and 8 miles from Avebury. The building of a castle in Norman times dictated the layout of the town which is still visible. It contains over 50 Heritage Plaques. There were people in Devizes locality in prehistoric times and a Roman villa once stood on The green. The Wiltshire Museum is home to one of the best Bronze Age collections in Britain and includes finds from around Stonehenge including the famous Bush Barrow gold. Some convicts that were tried at the Devizes Assizes were transported to Australia. Amongst these was John Chew, transported to Tasmania, but later his family settled in Victoria.devizes, bear hotel, staircase, window

Fortuna Villa was initially commenced as a modest single storey home in 1861 next to the 180 Mine by Theodore Ballerstedt, who sold the mine and house to George Lansell in 1869. Lansell already owned the adjacent Fortuna Mine, and through deeper mining techniques greatly expanded the mine's operation, his personal wealth, and the house and grounds. Lansell was soon known as the 'Quartz King', Australia's first gold mining millionaire and credited as the driving force behind much of Bendigo's prosperity. He continuously added to and expanded the villa, decorating it extravagantly with the finest of artworks and materials, into a sprawling mansion with extensive landscaped grounds, to create a house and grounds of a size and grandeur with few rivals in Australia. After his death in 1907, his second wife Edith carried on with improvements, creating a house and grounds developed over 50 years. The attached mine also contributes to its significance, being one of the richest mines in Bendigo, and at one stage probably the deepest gold mine in the world at 3176 feet. The 1875 crushing works are attached directly to the mansion, and the mine's tailings and settling ponds (turned into ornamental lakes) represent a direct link between George Lansell's wealth and its source. Fortuna was compulsorily acquired by the Commonwealth in 1942 as the Cartographic Headquarters of the Australian Survey Corps during World War II, and many ancillary structures were added while preserving the main house and ornamental grounds. Victorian Heritage Database Report https://vhd.heritagecouncil.vic.gov.au/places/68334/download-reportPreliminary report of Structural assessment of Building 16 Fortuna Complex, Chum Street, Bendigo. Four page preliminary report finding the building is structurally safe as at Wed 19 December 2007 with three recommendations. Prepared for DIGO by Structural Engineers - Terry Stevens Consulting Engineers Pty Ltd.fortuna, structural assessment

Fortuna Villa was initially commenced as a modest single storey home in 1861 next to the 180 Mine by Theodore Ballerstedt, who sold the mine and house to George Lansell in 1869. Lansell already owned the adjacent Fortuna Mine, and through deeper mining techniques greatly expanded the mine's operation, his personal wealth, and the house and grounds. Lansell was soon known as the 'Quartz King', Australia's first gold mining millionaire and credited as the driving force behind much of Bendigo's prosperity. He continuously added to and expanded the villa, decorating it extravagantly with the finest of artworks and materials, into a sprawling mansion with extensive landscaped grounds, to create a house and grounds of a size and grandeur with few rivals in Australia. After his death in 1907, his second wife Edith carried on with improvements, creating a house and grounds developed over 50 years. The attached mine also contributes to its significance, being one of the richest mines in Bendigo, and at one stage probably the deepest gold mine in the world at 3176 feet. The 1875 crushing works are attached directly to the mansion, and the mine's tailings and settling ponds (turned into ornamental lakes) represent a direct link between George Lansell's wealth and its source. Fortuna was compulsorily acquired by the Commonwealth in 1942 as the Cartographic Headquarters of the Australian Survey Corps during World War II, and many ancillary structures were added while preserving the main house and ornamental grounds. Victorian Heritage Database Report https://vhd.heritagecouncil.vic.gov.au/places/68334/download-reportConservation report for the Pompeii Fountain & Adjacent Structures at "Fortuna" Chum Street, Golden Square, Victoria. Prepared for Fortuna Historical Committee. March 1996.Halina Eckersley, Architect & Conservation Planner, Kewpompeii fountain, greenhouse, fortuna lake, gardens

Black and white photograph of a room at Fortuna Villa. This room is highly decorated with framed photographs, small figurines, tall ornate lamp with bulbous glass, glass fuel container, left is a small carved table with small figurine, tray and container, next is another table covered with a decorated cloth, in the corner is a taller cabinet style cupboard with glass panels in the door, and a number of small items with a framed photo at the rear, next is a short standard light with artistically decorated shade, to the right is very decorative shelving unit, with small figurines on the shelves, large decorated cylinder with lid, smaller jar with painted decoration and deep lid, foreground has a table made up of 4 triangular pieces and a glass vase and flowersindustries

Pru Sanderson, in her groundbreaking ‘City of Kew Urban Conservation Study : Volume 2 - Development History’ (1988), summarised the periods of urban development and subdivisions of land in Kew. The periods that she identified included 1845-1880, 1880-1893, 1893-1921, 1921-1933, 1933-1943, and Post-War Development. These periods were selected as they represented periods of rapid growth or decline in urban development. An obvious starting point for Sanderson’s groupings involved population growth and the associated economic cycles. These cycles also highlighted urban expansion onto land that was predominantly rural, although in other cases it represented the decline and breakup of large estates. A number of the plans in the Kew Historical Society’s collection can also be found in other collections, such as those of the State Library of Victoria and the Boroondara Library Service. A number are however unique to the collection.The Kew Historical Society collection includes almost 100 subdivision plans pertaining to suburbs of the City of Melbourne. Most of these are of Kew, Kew East or Studley Park, although a smaller number are plans of Camberwell, Deepdene, Balwyn and Hawthorn. It is believed that the majority of the plans were gifted to the Society by persons connected with the real estate firm - J. R. Mathers and McMillan, 136 Cotham Road, Kew. The Plans in the collection are rarely in pristine form, being working plans on which the agent would write notes and record lots sold and the prices of these. The subdivision plans are historically significant examples of the growth of urban Melbourne from the beginning of the 20th Century up until the 1980s. A number of the plans are double-sided and often include a photograph on the reverse. A number of the latter are by noted photographers such as J.E. Barnes.An unnamed subdivision in Studley Park including five lots for sale in Studley Park Road, Highfield Grove and Tara Avenue. Unidentified on the plan, but clearly existing, are the Henty family mansion of Field Place and Tara Hall in Studley Park Road. The first attempted subdivision of Tara Hall was advertised in 1927 in which Lots 5, 6 and 7 in this plan were also advertised. Unusually, Lot 2 in Studley Park Road was created from the northern part of the Henty mansion, rather than Tara Hall. In the subdivision, lots were advertised at varying prices, with the highest price for land being Lot 2 in Studley Park Road. The plan notes that only one villa is to be allowed on each allotment.subdivision plans - kew, field place subdivision -- studley park – kew (vic.), highfield grove – kew (vic.), tara avenue – kew (vic.)

The gouache was presented to Cr Jill O'Brien, Mayor of Kew in 1983-4, who was instrumental in the purchase of the window. The same Kewriosity article, referred to in the physical description, states that the window was originally commissioned from the artist by a Kew timber merchant, and following ownership by successive owners found its way back to Kew. The framed photograph is part of the Jill O'Brien collection which was gifted to the Kew Historical Society following her death in July 2016. The collection includes important primary sources relating to a number of areas in which Jill O'Brien made a significant contribution including the establishment of the Villa Alba Museum, local government, the Kew Historical Society, the Yarra Bend Trust, and the arts.Framed gouache on paper of the design by the artist Alan Sumner for his window, The Four Seasons. The window, now in Kew Library was purchased to commemorate Kew's 125th Anniversary. An article in a contemporary issue of Kewriosity states: The window is approximately three metres in diameter and divided into one central and four outer panels. Clockwise from the top is Autumn with sinuous lines in yellow and brown, then winter in cool blues and mauves with lines and circles suggesting rain, snow and hail. Spring follows in the bottom left quadrant with organic ovaloid shapes richly coloured and lines evoking growth. Then to the top where summer explodes with the colours of fire and blue of the sky at the height of summer. The centre panel has a powerful image of sun, moon and stars which links the surrounding panels".jill o’brien, public art - kew (vic), stained glass - kew (vic), alan sumner - the four seasons, kew library, public art

The architect, Edward Kilburn designed Byram in the Arts & Crafts style for the industrialist George Ramsden. Construction began in 1888 and was reputed to have lasted three years. The mansion had frontages to Studley Park Road and Stevenson Street, including gardens laid out with great taste, including pleasure grounds, tennis lawn, fruit and flower garden, and paddock.The size of many of the trees in the garden indicate that many survived from the garden of Clifton Villa, the previous single-storeyed house built on the site by the Stevenson brothers. Byram had views to Melbourne and Port Phillip Bay. The house was demolished in 1960, despite opposition from the National Trust (Victoria), and its gardens subdivided into residential allotments.An early photograph of Goathland (also known as Byram, Lowan and Tara Hall). The photo shows the front of the building during the period of Sir Malcolm McEacharn’s occupation of the house (1901-11). Edward George Kilburn, of Ellerker & Kilburn, had originally designed the house for the industrialist George Ramsden in 1888. When Sir Malcolm McEacharn purchased Byram, he was to rename it as Goathland. This has led to some confusion, as Goathland was also the name used for McEacharn’s other home in St. Kilda. The period of McEacharn’s ownership represented the high point of the mansion’s history. 'Lost Glories: a memorial to forgotten Australian buildings' was published by David Latta in 1986. It tells the story of a number of significant Australian buildings that had previously been demolished. A chapter in the book was devoted to Goathland, later known as Tara Hall. To supplement the text, he sourced photographs from a range of suppliers, chiefly the Royal Women's Hospital which had once owned Tara Hall, but had sold it in 1960. This is one of the photographs donated to KHS by the author."'Goathland', The Residence of Sir Malcolm D McEacharn"byram, goathland, tara hall, lowan, studley park road -- kew (vic.), melbourne mansions, e g kilburn - architect

Contents: • History is … by Jim Connor • Our Next Meeting – 7:30pm Wednesday 8th February 2023 • Heritage Excursion – Eltham South Farms - Saturday 4th March • Eltham Horse and Pony Club by Tony Brocksopp • Gordon Ford: My Garden Rocks by Richard Pinn • Shire of Eltham Pioneers Photographic Collection by Liz Pidgeon • The Research Historic Horse Trough by Jim Connor • A Story From Our Records: “Eltham District” (The Argus, July 24, 1856) • Eltham Cemetery Stories by Liz Pidgeon o Harriet Wilson (nee Morris), 1842-1874, Eltham Pioneer • Eltham Villa Brings £2,500 (The Advertiser, Friday, July 8, 1932)The Shire of Eltham Historical Society was formed in October 1967. The first newsletter of the Society was issued May 1978 and has been published continuously ever since on a bi-monthly basis. With the cessation of the Shire of Eltham in late 1994, the Society's name was revised to Eltham District Historical Society and this name first appeared with issue No. 103, July 1995. The collection of the Society's newsletters provides a valuable resource on the history of the Society's activities, office bearers and committee members, guest speakers and subjects of historical interest pertinent to the former Shire of Eltham and the Eltham District.A4 newsletter distributed to members (Digital and A4 photocopy)newsletter, eltham district historical society

The Melbourne and Metropolitan Board of Works (MMBW) plans were produced from the 1890s to the 1950s. They were crucial to the design and development of Melbourne's sewerage and drainage system. The plans, at a scale of 40 feet to 1 inch (1:480), provide a detailed historical record of Melbourne streetscapes and environmental features. Each plan covers one or two street blocks (roughly six streets), showing details of buildings, including garden layouts and ownership boundaries, and features such as laneways, drains, bridges, parks, municipal boundaries and other prominent landmarks as they existed at the time each plan was produced. (Source: State Library of Victoria). This plan forms part of a large group of MMBW plans and maps that was donated to the Society by the Mr Poulter, City Engineer of the City of Kew in 1989. Within this collection, thirty-five hand-coloured plans, backed with linen, are of statewide significance as they include annotations that provide details of construction materials used in buildings in the first decade of the 20th century as well as additional information about land ownership and usage. The copies in the Public Record Office Victoria and the State Library of Victoria are monochrome versions which do not denote building materials so that the maps in this collection are invaluable and unique tools for researchers and heritage consultants. A number of the plans are not held in the collection of the State Library of Victoria so they have the additional attribute of rarity.Original survey plan, issued by the MMBW to a contractor with responsibility for constructing sewers in the area identified on the plan within the Borough of Kew. The plan was at some stage hand-coloured, possibly by the contractor, but more likely by officers working in the Engineering Department of the Borough and later Town, then City of Kew. The hand-coloured sections of buildings on the plan were used to denote masonry or brick constructions (pink), weatherboard constructions (yellow), and public buildings (grey). In MMBW Plan No.1592, the pink line indicates that area of the plan for which the contracting engineer was responsible. Included in the Plan are a number of primarily brick villas in a section of Belmont Avenue off Cotham Road. The house ‘Uvadale’ north of Belmont Avenue, and facing Cotham Road is also included in the contract. Excluded from the contract but shown on the Plan are ‘Glendonald’, ‘Mont Belmont’ and ‘Gilden’.melbourne and metropolitan board of works, detail plans, survey plans - borough of kew, mmbw 1592, cartography

Self-published book on institutional care around Yarra Bend, Melbourne, including sections on: Merri Creek Protectorate Station and Aboriginal School (1841-51), Yarra Bend Lunatic Asylum (1848-1925), Fairfield Infectious Diseases Hospital (1904-96), Fairhaven (1927-51), Fairlea Women's Prison (1956-96), Thomas Embling Hospital (2000- ), Abbotsford Convent (1863-1975), Kew Lunatic Asylum / Willsmere Hospital (1872-1988), Kew Cottages (1887-2008), Caritas Christi Hospice (1938- ), Villa Alba / Henry Pride hospital services (1954-98), Royal Talbot Rehabilitation Centre (at Kew since 1961), National Guide Dog Training Centre / Guide Dogs Victoria (1962- ). ISBN: 978-0-6480223-0-5"Donated by the author March 2017"merri creek protectorate station and aboriginal school (1841-51), yarra bend lunatic asylum (1848-1925), fairfield infectious diseases hospital (1904-96), fairhaven (1927-51), fairlea women's prison (1956-96), thomas embling hospital (2000- ), abbotsford convent (1863-1975), kew lunatic asylum / willsmere hospital (1872-1988), kew cottages (1887-2008), caritas christi hospice (1938- ), villa alba / henry pride hospital services (1954-98), royal talbot rehabilitation centre (at kew since 1961), national guide dog training centre / guide dogs victoria (1962- )

This is a set of 21 photographs of Lithographic Squadron equipment and personnel as well equipment operated by Cartographic Squadron, Army Survey Regiment, Fortuna, Bendigo circa 1975. The photos were mainly taken in the Printing, Camera, proofing and external buildings. Cartographic Squadron’s CPL Arty Lane operated the Fotosetter type setting machine, as shown in photo .21P for many years in a room on the top floor of Fortuna Villa. There is more information on the Ultra-MAN-III Printing Presses, the KLIMSCH Commodore camera, Gavin Neilson and the Fotosetter type setting machine on pages 70-71, and the Newkoni Komori printing press on page 120 of Valerie Lovejoy’s book 'Mapmakers of Fortuna – A history of the Army Survey Regiment’ ISBN: 0-646-42120-4.This is a set of 21 photograph of Lithographic Squadron equipment and personnel, Army Survey Regiment at Fortuna, Bendigo, 1989. Black and white photographs .1P to .13P are on 35mm negative film and scanned at 96 dpi. Black and white photos .14P to .21P are on photographic paper and were scanned at 300 dpi. .1) - Photo, black & white, c1975, tri-linear film punch. .2) to .5) - Photo, black & white, c1975, Newkoni Komori printing press components. .6) - Photo, black & white, c1975, Newkoni Komori printing press components, Alex Cook. .7) - Photo, black & white, c1975, Newkoni Komori printing press components. .8) to .12) - Photo, black & white, c1975, northern exterior of print buildings. .13) - Photo, black & white, c1975, L to R: unidentified (x2), Jim Mulqueen, Ian ‘Lofty’ Turner. .14) - Photo, black & white, c1975, Log Electonics film processor. .15) - Photo, black & white, c1975, contact frame. .16) - Photo, black & white, c1975, film tri-punch stud registration table. .17) - Photo, black & white, c1975, Ultra-MAN-III Printing Presses. .18) to .19) - Photo, black & white, c1975, KLIMSCH Commodore camera, Gavin Neilson. .20) - Photo, black & white, c1975, map proof whirler. .21) - Photo, black & white, c1975, Fotosetter type setting machine.No personnel are identified. .14P, .16P to .19P and .20P to .21P are annotated with 5-digit numbers on top right corner of photo.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho, carto

The photograph depicts the two-storey building of the Bank of Victoria which was built in 1858 and was replaced in 1867 after a fire destroyed the original building. The branch had originally opened under John Farran in 1856 before the office building was erected in Beechworth. The building was located on the corner of Ford and Camp streets and embodied the dignified appearance of Beechworth during the mid-1800s due to the building's features. The Bank of Victoria was designed by "Smith and Watts" and built from white brick and render, which cost three thousand and seven hundred pounds to construct. The building was inspired by a formal Italian villa, including square-headed windows, cornices, and a parapet. The ground floor consisted of banking chambers, a strong room, and servants' quarters. The residential quarters were located on the second floor.The photograph is significant as it depicts not only depicts a building of importance to the town of Beechworth but it also shows aesthetic significance due to the style it was built in. As the Bank of Victoria was constructed in the classic Italian style, it exemplifies the classic quality and refined manner of this architectural style. This building style represents the image Beechworth held for itself at that time, which was a sophisticated and distinguished town.Black and white rectangular photograph printed on paper.Reverse: 23/80 / Beechworth / (Indecipherable) / Banking to (Indecipherable) / Sydney / “Bank of Victoria” / BMM 8692.1 / [Stamped: ILFORD]bank of victoria, beechworth, banks, beechworth bank, 1858, 1867, ford street, camp street, victoria, john farran, smith and watts, italian architecture, italian style building, brick building, brick, banking, money, fire, building destroyed

These 10 photographs were taken over two decades from the late 1950s to 1979 at the Army Survey Regiment, Fortuna, Bendigo. The two photos taken in 1961 are annotated with named personnel and the date. The other photos are not annotated with dates, locations and names of personnel, although the technicians in the last three photos taken in 1979 are positively identified. The photos were most likely taken in the Ballroom, Ante Room and Attic, Cartographic Squadron’s main production rooms on the top floor of Fortuna Villa. Scribing was the cartographic process of drafting topographic features such as drainage, relief, vegetation, roads and culture on specially coated map reproduction material. The cartographic technician scribed out the map feature such as a creek to a specified line width on the map sheet, using a tool affixed with a metal or sapphire tipped cutter.This is a set of 10 photographs of technicians scribing topographic features at the Army Survey Regiment, Bendigo. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) - Photo, black & white, c1950s. unidentified personnel in Cartographic Squadron .2) - Photo, black & white, c1960s. unidentified personnel in Cartographic Squadron .3) - Photo, black & white, c1960s. unidentified personnel in Cartographic Squadron Attic .4) - Photo, black & white, c1960s. Cartographic Squadron Attic .5) - Photo, black & white, Oct 1961. L to R: PTE P. Carseldine, PTE H.S. Pasley, PTE C.A. Brown, WO2 M.A. McLaren, CPL Jennifer H. Murray. Cartographic Squadron .6) - Photo, black & white, Oct 1961. CPL Jennifer H. Murray. Cartographic Squadron .7) - Photo, black & white, 1979. SPR Mick Ellis in Cartographic Squadron .8) - Photo, black & white, 1979. SPR Mark Casey in Cartographic Squadron .9) - Photo, black & white, 1979. SPR Sharon (Jones) Treble in Cartographic Squadron .10) - Photo, black & white, 1961. PTE BJ Madex. Cartographic Squadron.1 to .4 - annotated “Scribing” .5 – annotated “Scribing PTE P. Carseldine, PTE H.S. Pasley, PTE C.A. Brown, WO2 M.A. McLaren, CPL Jennifer H. Murray. Oct 1961” .6 - annotated “Scribing CPL Jennifer H. Murray. Oct 1961” .7 to .9 - annotated “Scribing” .10 – annotated “PTE Madex Oct 61”royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, carto

1. National Trust 2005 calendar titled 'Early Images of Central Victoria' . 2. A4 sized Deidre Chesney correspondence to Jim Evans thanking him for inclusion of two BHS donated photographs. 3. Order Form. Calendar images in consecutive order 1. Bicycle Race Bendigo c1930. [BHS] 2. First Locomotive leaving Thompson's Foundry Castlemaine. 3. Portrait of Five Sisters. 4. Hanging Rock Races 1890. 5. Heath's Grocery Store. 6. Bendigo Women's Sewing Circle for the Boer War held in Fortuna Villa. 7. The Corner 'Ballarat first Mining Exchange'. 8. Clunes Children in Fancy Dress. 9. Walking Group ,Trentham Falls 1920. 10. Motorcyclists outside the Dunn & Allan store Ararat 1920. 12. Daylesford Lacrosse Team, 1910.bendigo, history, early images

This is a photocopy of the original report. The report is headed "Council of Agricultural Education, Victoria". At this time the Burnley School of Horticulture was under the aegis of the Council of Agricultural Education. Photocopy of Annual Report by C. Bogue Luffmann, 2 copies Annual Report, an examination paper and essays on horticultural subjects by C. Bogue Luffmann and several students. It is 39 pages, contains an annual report, an examination paper and essays on horticultural subjects, by C Bogue Luffmann and also by several students. These essays include: The prospectus of commercial fruit growing in Victoria - C Bogue Luffmann - principal The economy of design in fruit trees - C Bogue Luffmann How to choose, prepare and maintain fertility in orchard and garden soil - Tessa Smith - 1st year student Villa Gardening - Marian W Thompson - 1st year student Lemon culture - Florence Jacomb - 1st year student - and MW Thompson An examination paper - FJ Wilmoth - 1st year student Appendix: Select list of 12 leading fruits suitable for local and export marketscharles bogue luffman, principal, students, horticulture, horticulture school report, villa gardening, lemon culture, fruit trees, horticulture writing 19th century, turn of the century, 1899 horticulture school, luffmann

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. Property is included the City of Glen Eira's Amendment C190glen as HO177 Ida Villa. As of 18/03/2021, Amendment C190 is noted as "Approval Under Consideration" by the Minister of Planning.Page 147 of Photograph Album with one landscape photograph of a Victorian brick house on Neerim Road.Handwritten: Neerim Road [top left] / 234 [under photo] / 147 [bottom left]trevor hart, neerim road, arched windows, verandah, porch, decorative brackets, bull nosed verandah, cast iron columns, ross land sales, ross, carnegie, victorian style, cast iron work, polychrome bricks, brick houses, tessellated tiled deck, ida villa

Collection of Merle Bush Ephemera - cuttings, letters etc relating to Bush family; 1. obituary Albert Bush , Bairnsdale Advertiser 6th June 1916; 2. Obit Albert Bush ''Every Week'' (Bairnsdale), June 8th, 1916; 3.Retirement of C R Stilwell, 1899; 4. Balance Sheet (single page handwritten) June 1st 1916; 5.Handwritten details of children born to Albert Bush - 1860 - 1878; 6. Receipt for purchase of ''Villa Abbey Lieux'' (1921) on letterhead of Stan Hall, Furniture New and Second-hand, Hargreaves St. (725 Pounds); 7.signature of A Bush (dated 1851?); 8.receipt for Federal Palace Hotel accommodation October 1902; 9. Receipt for purchase of Ladies cycle 1909 and guarantee; 10. Certificate of Vaccination for Muriel Bush, daughter of A Bush , 1897; 11.handwritten copy of letter regarding appointment of Executor to will (addressed to Albert Bush), September 1905.person, individual, bush collection - personal

At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.This panoramic view was probably taken from the roof of Xavier College. It invites the viewer to look down on the buildings and streets of Kew, and across to the distant horizon. Mansions and solid bourgeois villas dominate the view of Charles and Wellington Streets. The imposing spires of the Presbyterian and Methodist Churches, built in one of the highest areas of Kew, can be seen in the distance. In the foreground, the photographer includes three significant mansions: Molina, Roxeth and Elsinore. Molina, in the foreground, and the group of weatherboard buildings in its yard was used at this stage for the privately operated ‘Kew High School’ (founded 1872). Roxeth, the home of Herbert Henty can be identified by its distinctive four-sided tower. All three buildings are now part of Trinity Grammar. Other built structures observable in the photograph include Wilton (now the Kew RSL), designed by Guyon Purchas for Dr William Walsh in 1886, and the only known image of the Prospect Hill Hotel prior to the renovation of 1935. Bird's Eye View Looking Northkew illustrated, kew where we live, photographic books, henry kellett

At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.This is the earliest known photograph of the exterior of Byram (later Tara Hall). It shows the original red brick fence, its asymmetrical gate and gateposts, with a large terra cotta gargoyle surmounting the higher of the two. The architect, Edward Kilburn designed Byram in the Arts & Crafts style for the industrialist George Ramsden. Construction began in 1888 and was reputed to have lasted three years. The mansion had frontages to Studley Park Road and Stevenson Street, including gardens laid out with great taste, including pleasure grounds, tennis lawn, fruit and flower garden, and paddock. The size of many of the trees in the garden indicate that many survived from the garden of Clifton Villa, the previous single-storeyed house built on the site by the Stevenson brothers. Byram had views to Melbourne and Port Phillip Bay. The house was demolished in 1960, despite opposition from the National Trust (Victoria), and its gardens subdivided into residential allotments.A View in Studley Park Roadkew illustrated, kew where we live, photographic books, henry kellett, byram, tara hall, goathlands

This is a set of nine photographs of medal presentations at the Army Survey Regiment, Fortuna, Bendigo. In photos .1P to .8P, the Defence Force Service Medal was presented to personnel in recognition of 15 years of efficient remunerated service, or the Clasp for each further 5-year period of service. The photos were taken on four separate occasions. Photos .1P to .3P were taken on the parade ground. LTCOL John Nolan was the CO of the Army Headquarters Survey Regiment from 1965 to 1969. He was subsequently promoted to COL and was the Director of Military Survey from 1972 to 1975. MAJ Lionel ‘Bill’ Sprenger MBE, MID was subsequently promoted to LTCOL and was the CO of the unit from 1969 to 1970. Photos .4P to .7P were taken in circa mid-1970s and Photo .8P was taken on Friday 21 October 1976. Photos .4P to .8P were taken next to the flagpole in Fortuna Villa’s front garden. This is a set of nine photographs of medal presentations at the Army Survey Regiment, Bendigo circa 1960s-1970s. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) - Photo, black & white, c1967. L to R: MAJ Lionel ‘Bill’ Sprenger MBE, MID; unidentified visiting General, CO LTCOL John Nolan, LT Jack McNeale. .2) - Photo, black & white, c1967. L to R: MAJ Lionel ‘Bill’ Sprenger MBE, MID; unidentified visiting General, CO LTCOL John Nolan, WO1 Jack Gore. .3) - Photo, black & white, c1967. L to R: MAJ Lionel ‘Bill’ Sprenger MBE, MID; unidentified visiting General, CO LTCOL John Nolan, WO2 Robin Wilson. .4) & .5) - Photo, black & white, c1976. L to R: WO1 Don Taylor, BRIG Jim SHELTON DSO, MC, MID. .6) & .7) - Photo, black & white, c1976. L to R: SGT Syd Davis, Brigadier Jim SHELTON DSO, MC, MID. .8) - Photo, black & white, 1976. L to R: SSGT Gordon Haswell, WO1 Marj Knight, MAJGEN John Williamson AO, OBE GOC FF COMD. .9) - Photo, black & white, c1976-1980. L to R: unidentified (x2), WO2 John McCulloch, unidentified, WO1 Darby Munro, CO LTCOL Bob Skitch, unidentified visiting General..1P to .9P – no annotationsroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr

The Land Headquarters Cartographic Company relocated to Fortuna Villa, Bendigo in 1942. With printing presses acquired from a number of civilian organizations it printed the maps needed for the Australian WW11 war effort. These records detail which maps were printed during those years. Photographs of the printing machines and the printers who used them are shown in Victorian Collections item 6148 LHQ Carto Coy Souvenir Booklet. 6352.1 Map Publishing and Reprinting Reports 1 July 1942 - 31 Dec 1943 6352.2 Map Publishing and Reprinting Reports 1 July 1943 - 31 Dec 1944 6352.3 Map Publishing and Reprinting Reports 1 July 1944 - 31 Dec 1945 6352.4 Map Publishing and Reprinting Reports 1 July 1945 - 31 Dec 1946 6352.5 Map Publishing and Reprinting Reports 1 July 1946 - 31 Dec 1947Five Manilla Folders containing Map Printing ReportsHand written on the Folder covers: 6352.1 Map Publishing and Reprinting Reports 1 July 1942 - 31 Dec 1943 6352.2 Map Publishing and Reprinting Reports 1 July 1943 - 31 Dec 1944 6352.3 Map Publishing and Reprinting Reports 1 July 1944 - 31 Dec 1945 6352.4 Map Publishing and Reprinting Reports 1 July 1945 - 31 Dec 1946 6352.5 Map Publishing and Reprinting Reports 1 July 1946 - 31 Dec 1947royal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. From Victorian Heritage Database citation for 84 Orrong Crescent https://vhd.heritagecouncil.vic.gov.au/places/35584 as at (28/10/2020) "St. Reliers" at 84 Orrong Crescent is important as an unusually excessively enriched asymmetrical villa residence of the Boom period. From Victorian Heritage Database citation for HO50 84 Orrong Crescent Caulfield North https://vhd.heritagecouncil.vic.gov.au/places/35584 as at (28/10/2020) An imposing Italianate two storeyed asymmetrical villa with overpainted stuccoed surfaces to the facade, distinguished by their ornate treatment. Unusually rich ornamentation includes the acanthus leaf impost capitals, aedicules with swags and volutes, foliated panels to the frieze, ashlar treatment to the lower level and quoins above. The two storeyed cast iron verandah with timber frieze rail protects a black and white tiled floor. The hipped roof has patterned slates.Page 152 of Photograph Album with two landscape photographs of Bonhurst on Orrong Crescent.Handwritten: 84 Orrong Crescent [top right] / NOW 84 - PREVIOUSLY 120 ORRONG CRESCENT / "BONHURST" [under bottom photo] / 152 [bottom right]trevor hart, verandah, porch, slate roof, garden, decorative brackets, fanlight, protruding bay, bay window, garden lamp, asymmetrical, bonhurst, st reliers, rendered, orrong crescent, caulfield north, cast iron work, victorian style, mansions, house names, slate roofs, italianate style

A Souvenir Booklet recording the Section photos and a Nominal roll of those who served 1942-45 at the Land Headquarters Cartographic Company, Australian Survey Corps located at "Fortuna Villa" Bendigo was produced at the end of WWII. Each member of the unit was presented with a copy of the booklet. The booklet besides being a great memory for those who served is a very valuable resource as it names the individuals in the photographs and very importantly records a Nominal Roll of unit members and their Military details. This booklet is one of those original booklets. The booklet has been reprinted on a number of occasions with different coloured covers. The first and original booklet had a red cover. Editions with brown, dark blue and black exist. The black covered edition was the last reprint. This booklet was donated by Carol Hargrave of Grenfell, NSW after discovering it in an old trunk that she purchased. A black covered edition was donated by a local Bendigo Antique Dealer in September 2024.A4 sized red cloth covered hard covered book mainly containing sub-unit photographs of section members and includes their names. 23 x double sided pages of photographs and 2 double sided pages of a Nominal Roll of those who served at Fortuna 1942 - 45. Each of the 50 pages were scanned at 600 dpi in JPEG (.jpg) format and stored on the attached 16GB USB Memory Stick. The images have been converted into MPEG-4 (.mp4) video format, 9Mb in size that runs for 4 Minutes and is also stored on the memory stick.royal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr

Alexander Wright was killed whilst performing at the Birmingham Empire as the result of a German air Attack in October 1940. The theatre had a direct hit. The stage name of Alex Wright was 'Navarre' "Prince of Mimics". According to Frank Wright Alex was a great impersonator with a unique range Bass - tenor with many accents (not unlike Peter Dawson) "AUSTRALIAN KILLED An Australian, Alexander Wright, radio variety star, who toured Europe and Australia under the pseudonym of Navarre, was killed during a recent air raid in a Midland . town. His broth-er, Frank Wright, is musical director for the London County council."(Border Morning Mail, 22 Oct 1940) Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and became the Australian Open Cornet Champion by the age of eighteen. Sepia formal photograph of a seated man with two boys, one standing on either side of him. They are posed in front of a backdrop showing one side of a window and its curtain, panelling and a painting. The boys are dressed in shoes, socks, knee pants, vests with a chain, white shirts and a jacket. The man is similarly dressed although with long trousers.frank wright, alex wright, navarre, alexander wright, william wright

Captain John Marshall was born in Dundee, Scotland c.1833. Within eleven years of his arrival in Melbourne in 1852, he had established an important colonial shipping company, Anderson & Marshall, and married Mary Austin, the eldest daughter of Thomas Austin Esq of Clifton Villa in Cotham Road. Elected to the Kew Borough Council in 1869, he remained an active member until 1875. During this period, he was elected Mayor of Kew in 1872. A Scottish Protestant by birth and conviction, John Marshall was, with David Beath, a member of the inaugural committee that began planning for a separate Presbyterian Church in Kew, lending the Committee the funds to purchase land on the corner of Cotham Road and Highbury Grove. John Marshall lived at his home, 'Maryfield', at what was then 239 [now 197] Cotham Road until shortly before his death at the age of 70 in January 1903. He was buried on 14 January in Grave 493, Presbyterian Compartment A, Boroondara General Cemetery.Family portrait of an important civic figure in Kew in the 19th century who was also a notable businessman and shipowner in the Colony of Victoria.Albumen Silver photograph on card of Captain John Marshall and family, Mayor of Kew 1872-73.The inscription was added by the family and at one stage modified. In addition to the title, the sitters' names are inscribed beneath the photograph on the mountCaptain John Marshall and family / Mayor of Kew 1872-73 Webster - Maud - Austin - Mary Marshall - John Marshall - May - Andrew - Polly / Residence “Maryvale” 197 Cotham Road. john marshall, maryvale (cotham road, kew), maryfield (cotham road, kew), webster marshall, maud marshall, austin marshall, mary marshall, may marshall, andrew marshall, polly marshall

Captain John Marshall was born in Dundee, Scotland c.1833. Within eleven years of his arrival in Melbourne in 1852, he had established an important colonial shipping company, Anderson & Marshall, and married Mary Austin, the eldest daughter of Thomas Austin Esq of Clifton Villa in Cotham Road. Elected to the Kew Borough Council in 1869, he remained an active member until 1875. During this period, he was elected Mayor of Kew in 1872. A Scottish Protestant by birth and conviction, John Marshall was, with David Beath, a member of the inaugural committee that began planning for a separate Presbyterian Church in Kew, lending the Committee the funds to purchase land on the corner of Cotham Road and Highbury Grove. John Marshall lived at his home, 'Maryfield', at what was then 239 [now 197] Cotham Road until shortly before his death at the age of 70 in January 1903. He was buried on 14 January in Grave 493, Presbyterian Compartment A, Boroondara General Cemetery.Family portrait of the relatives of an important civic figure in Kew in the 19th century who was also a notable businessman and shipowner in the Colony of Victoria.Albumen silver photograph on card of the Marshall family grouped in three rows in a garden setting. The twenty-three members of the extended family do not include John Marshall so the photograph presumably dates from after his death in 1903. His wife, Mary Marshall, is in the middle row, five from left. marshall family, john marshall -- mayor of kew

Army Headquarters Survey Regiment, Bendigo. Public Inspection at 'Fortuna', 10 May 1964. Donation 2/-. Includes photos of the Entrance Hall, Music Room and Villa. 3 army photos. In 1942 the mansion was occupied by the Australian Survey Corps and 'Fortuna' became the site of the base map production plant of the Australian Army for the remainder of the war years. During this period approximately sixteen million maps of Australian Territories and theatres of operation in the South West Pacific Area, were produced for use by the Allied Services. This function was continued as a peace time role in the post war years, and in 1951 ''Fortuna'' was purchased by the Commonwealth Government. As the largest unit of the Royal Australian Survey Corps, AHQ Survey Regiment carries out mapping in all parts of the Commonwealth and Territories including Papua and New Guinea. The Regiment is not only capable of doing its own field surveys but is responsible for the drawing and printing of map compilations from Royal Australian Survey Corps units in all States. . . . Includes map of grounds.buildings, residential, fortuna villa, army headquarters survey regiment, bendigo. public inspection at 'fortuna', 1964. photos of the entrance hall, music room and villa. mansion was occupied by australian survey corps and 'fortuna' site of the base map production plant australian army war. sixteen million maps australian territories and theatres of operation in the south west pacific area, were produced for use by the allied services. 1951 ''fortuna'' was purchased by the commonwealth government. royal australian survey corps, ahq survey regiment mapping commonwealth and territories including papua and new guinea. royal australian survey corps units in all states. map of grounds