Photograph of an unidentified Australian soldierDigital copy of black and white photograph. charles marshall, world war 1

Photograph of the well at the Citadel, Cairo.Digital copy of black and white photograph"well at the Citadel Cairo"charles marshall, world war 1, cairo

Photograph of Australian troops in camp.Digital copy of black and white photograph. charles marshall, world war 1

Photograph of Australian troops in camp.Digital copy of black and white photograph. charles marshall, world war 1

Photograph of Tomb of Absalom, Jerusalem.Digital copy of black and white photograph. "Tomb of Absalom Jerusalem"charles marshall, world war 1

Photograph of Australian troops in campDigital copy of black and white photograph. charles marshall, world war 1

Photograph of Straight Street Damascus.Digital copy of black and white photograph. "Damascus. The end of the street called Straight. The gate where St Paul escaped"charles marshall, world war 1

This photograph shows a Canal sceneDigital copy of black and white photograph. Notation on back of photo is illegiblecharles marshall, world war 1

This photograph shows locals with a camel.Digital copy of black and white photograph. No caption on this photo.charles marshall, world war 1

.Colour photograph of the Polly WoodsideRealism, historical, colour photographColour photograph of the Queenscliffe Signal StationOn the reverse - "nil"three masted barque polly woodside at the melbourne maritime museum

Part of original kit produced by a Primary and Senior Secondary School in Western Australia dealing with communication, language and Aboriginal History. Video 1. Moving Into Other Worlds Video 2. Two Way Learning and Two Kinds of Power Video 3. Now You See It, Now You Don?t Video 4. A Shared World of Communicationb&w illustrations, colour illustrations, b&w photographs, colour photographs, DVDaboriginal education, aboriginal english, cultural awareness, school curriculum, language and literacy, bilingualism, two way learning

Dictionary with text in English and Keerray Wooroong and related dialects.maps, word lists, b&w illustrations, b&w photographs, colour photographswestern district, keerray woorroong, gunditjmara, warrnambool, peek wooroong, koornkopanoot, wooloowoorroong, keewoorroong, tyagootwoorroong, thawoortwoorong

"The hated Protector" tells for the first time the real story behind the extraordinary experiences of Charles Sievwright, Assistant Aboriginal Protector from 1839-42 in what was then part of the British colony of New South Wales, but is now the Western District of the Australian state of Victoria. Sievwright, an Edinburgh-born former British army officer, lived in the bush with his young family as he tried to save the Aborigines of the District from extinction. In doing so, he would isolate himself from the rest of his fellow whites. The hated Protector tells of this process. The book should appeal to anyone interested in British colonial and Australian history, particularly in the years of first contact between British settlers and the Aborigines. More broadly, it should also appeal to anyone interested a story of one man's battle against overwhelming odds, where the price of failure was numerous deaths. It is a story of hatred, prejudice, courage, determination, and hope. In telling Sievwright's story, Lindsey Arkley draws largely on original archival material, including official reports, journals and letters, found in Melbourne, Sydney, Hobart, Edinburgh and London. Most has never before been published. The archival material is supplemented by contemporary newspaper accounts, and some oral history. Full notes are given to all sources, and the book is indexed and lavishly illustrated with drawings by Joan Bognuda, as well as about 80 paintings and samples of documents. Contents: 1. In the bush 2. "Equal and indiscriminate justice" 3. "A few doses of lead" 4. "A curse to the land" 5. "The most unpopular man" 6. Retaliation 7. A hostage debate 8. Hallucinations 9. A mass escape 10. Possessors of the soil 11. Move to Keilambete 12. Bureaucratic 13. "A hideous pandemonium" 14. Divine visitations 15. Pay backs 16. Explanations 17. A squatter on trial 18. Claptrap and deceit 19. The black cap - 20. To Mt Rouse 21. "The impending evil" 22. In the balance 23. An arrest at Mt Rouse 24. A fair moral name 25. Roger's trial 16. Intensified evidence 27. A declaration of war 28. Mr Cold Morning 29. Holding ranks 30. To rags 31. Fightback 32. Return to London 33. The inquiry 34. Judgement 35. And what remains.maps, document reproductions, b&w photographs, colour photographs, b&w illustrationscharles wightman sievwright, racial policies, british colonial history, race relations, victorian history

A series of information sheets on the west Port Phillip region, divided into zones, giving a guide to the tree and shrub species that occurred in those areas and where in the landscape they occurred.maps, b&w photographs, colour photographs, illustrations, word lists, wall mapindigenous plants, vegetation, species guide, revegetation

The photograph was taken by Alwyn Till for a competition using a flashlight camera. Technical details are attached to the bottom of the photograph.Professional photograph of two Gorsuch children - Judith 5 years and Peter 3 years, seated on a couch. Both are clasping furry toys. The photograph is mounted on card. Taken in 1939gorsuch, peter, fry, judith, gorsuch, judith, till. alwyn

These photographs shows the World War I "Fallen Soldiers" Memorial at it's original site in Main Street Greensborough. Photographs appear to be taken early 1920s.The Memorial has been moved several times and is now situated the War Memorial Park in Henry Street Greensborough.Digital image of 2 black and white photographs.greensborough war memorial park, fallen soldiers memorial greensborough

Part of a collection of photographs copied from the late Shirley Fraser (nee Black), also descendant of the McLaughlin family. This photograph shows "Auntie" Berthe Black.Digital copy of black and white studio photographshirley fraser, black family, berthe black

Part of a collection of photographs copied from the late Shirley Fraser (nee Black), also descendant of the McLaughlin family. This photograph shows Betty Black as infant.Digital copy of black and white studio photograph.shirley fraser, betty black, black family

This photograph shows crowded cable dummy at night with "Northcote' destination and "The Aquarium Exhibition Building' sign on the side of roof. See item 1655 for other photographs.Yields information about closure of cable tram network. Black and white photograph with pencil note on rear. 2730 last cable tram to run on Bourke St cable routetram, cable tram, last tram, bourke st cable tram

Black and white photographs (2)Photographs show volunteers constructing the flood wall along the Miles Avenue frontage. Text attached to photos includes names of Committee Members who accepted the responsibility of recommending changes in 1979 including the flood wall.

Black and White photograph, mounted onto dark grey card of 4 men in standing by a generator at the Essendon or Ascot Vale Power House operated by The North Melbourne and Electric Tramways and Lighting Company. NMETL Has the power station equipment in the background. Photo by "Darge" Photos, 175 Collins St Melbourne with the name impressed into the bottom right hand corner.One person has been arrowed the expression "ME" written onto the photograph.trams, tramways, power station, personnel, equipment, essendon, nmetl

Photographs of the J. Gadsden and Co. picnic in Greensborough, in 1934. In this photograph a large group of adults pose for the camera. Possibly before they set out on the picnic, see palm trees in background (not Greensborough). Gadsden's produced packing materials - originally paper and cardboard, then food cans.Digital copy of black and white photograph.gadsden and co., picnics in greensborough

In 2018, Greensborough Historical Society placed plaques in the Main Street area of Greensborough. In these photographs, GHS member Chris Foster has photographed the installation of the plaque of Main Street Greensborough 1923. The Main Street Plaques Project placed historical information about original Greensborough buildings as close to the original site as possible. Further information available on the GHS website. The Plaques were made possible through a Greensborough RSL Grant.Digital copy of 2 colour photographs.main street plaques project, main street greensborough

Part of a collection of photographs copied from the late Shirley Fraser (nee Black), also descendant of the McLaughlin family. This photograph shows Harry (William Henry) and Lorna Cooling on their wedding day. Digital copy of black and white photograph.shirley fraser, lorna cooling, harry cooling

Victorian Mounted Police photographed at the Police Stables. Trevor Partington is in this photograph. He joined the mounted police in 1958. Trevor later became a detective and retired from Victoria Police in 1985.Digital copy of black and white photograph.trevor partington, mounted police

Photograph shows MTOCo horse tram No. 43 on the Zoo, Royal Park service. Photo c1910 from the CB Thomas collection. See item 5152 for a similar photograph with the same tramcar.Yields information about the Royal Park - Zoo horse tramway.Black and white photograph with notes on rear.In ink "4" and "K McC"tramcars, tramways, horse tram, zoo tram, zoo horse tram, royal park, tram 43

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. Caulfield Town Hall is now known as Glen Eira Town Hall.From Victorian Heritage Database: Citation for Town Hall, Corner Glen Eira and Hawthorn Roads - HO106 https://vhd.heritagecouncil.vic.gov.au/places/43613 as at (19/10/2020) The former City of Caulfield (now City of Glen Eira) Municipal Offices, located at the south-west corner of Hawthorn and Glen Eira Roads, Caulfield South, were commenced for the Borough of Caulfield in 1884 when they also included a Post and Telegraph Office and Court of Petty Sessions. They were designed by the Borough surveyor, Sydney Smith. The hall was completed in 1890 to the design of Alexander Rankin and the present hall, foyer and portico completed to the design of Goldsmith and Jenkin, architects, in 1931. The complex is historically, aesthetically and socially significant. It is historically significant {Criterion A) as the centre of Local Government services in the area since 1885 and as a centre of post and telegraph and legal services for a period. Its association with architect and Borough surveyor, Sydney W. Smith is important in that the east elevation and facade (ground floor level only)as far west as the tower (lower two stages) survive as evidence of his work, the practice which his son continued after his death in 1886, becoming highly successful. The work of Goldsmith and Jenkin is historically important in that it indirectly demonstrates the growth of the City sustained during the Inter-war period, the work proceeding in spite of the Depression. It compares with other similar work of that time including the refurbishment of the Malvern Municipal Offices and Hall in 1927 (Hudson and Wardrop), the Melbourne Corporation Offices and Hall in 1925-28 (Stephenson and Meldrum, A. and K. Henderson) and the Camberwell Offices and Council Chamber in 1924 (Leighton Irwin and Roy Stevenson), other comparable municipal projects being undertaken during the 1930s. Finally, the Goldsmith and Jenkin works are important as a project of the Depression years organised specifically to alleviate unemployment problems in the Municipality. The complex is aesthetically important (Criterion E) as a prominent and imposing Classically derived complex of its type with individually noteworthy interior spaces being the entry hall and staircase, main Hall, Foyer and Council Chamber. The Adamesque plasterwork, timber panelling and furniture, Art Nouveaux enrichment and Classically derived treatment with sparing use of Australian decorative motifs are contributory elements. Exterior .elements of note include the remains of the original design prepared by Sydney Smith and the clock tower and portico which have come to symbolise important Municipal complexes erected prior to the Second World War. The complex is socially important (Criterion G) for the value placed on it by the community which has made use of it for activities including that of Local government for well over a century.Page 74 of Photograph Album with four photographs (three portrait and one landscape) of different views of the Caulfield Town Hall.Hand written: Caulfield Town Hall cnr Hawthorn & Glen Eira Rds [top right] / 74 [bottom right] trevor hart, caulfield, glen eira, caulfield town hall, sydney smith, sydney w smith, municipal, adamesque plasterwork, adamesque, art nouveaux, portico, council chambers, alexander rankin, foyer, local government, timber panelling, tower, unemployment, clock tower, hawthorn road, glen eira road, city of glen eira, municipal offices, post and telegraph office, goldsmith and jenkin, courthouses, surveyors, architects, classical architectural style, streetscapes, gardens, cars, glen eira town hall, depression 1929-1939

Black and white photograph of brick church. Woman with toddler and child in pusher walking past.Typed below photograph, "Old Methodist Church Cnr. Station St. and Greenwood Ave. 1963" Written on backing sheet, "Methodist Church Feb. 1963".

Unframed black and white photograph of a long weatherboard building with verandas across much of the front.Printed below photograph: "Viticultural College Rutherglen" On message side of postcard: "Secretary, Soldiers' Fathers' Assn., Manufacturers' Building, 312 Flinders St., Melbourne."viticultural college

The photograph shows the back of the Lighthouse Keeper's Quarters and the privy, Upper Lighthouse and Flagstaff, and the condition and placement of these buildings and the street. The note on the back points out the uniqueness of the double-sided toilet building, and the well at the back of the Quarters. This photograph, a print, is one of a set of five that show the site of Flagstaff Hill. It is presumed to have been taken by John Lindsay, Founding Director of Flagstaff Hill Maritime Museum and Village. One of the photographs in the set has the pencil inscription "Photo J Lindsay". It was taken in the early 1970s during the initial stages of the development of Flagstaff Hill as a Museum and Maritime Village. The photographs belonged to the donor's grandparents, who lived in the Warrnambool district of Allansford/Naringal. The photograph is a record of the site and surrounds of Flagstaff Hill Maritime Museum and Village before its development and opening in 1975. It shows the Heritage Listed Precinct; the Lighthouse Keepers' Quarters, the privy and the Upper Lighthouse. The photograph is significant for recording the location and condition of the buildings on the hill, erected in the 1870s.Coloured photograph, glassy print, one of a set of five. Photograph shows the back of the Lighthouse Keepers' Cottage or Residence, the privy and the Upper Lighthouse. The photograph's paper has the printer's watermark on the back. The early 1970s scene is presumed to have been photographed by John Lindsay, Warrnambool.Label on the back: "THE COTTAGE, FROM THE GUN EMPLACEMENTS, LOOKING ACROSS THE PORTS AND HARBOURS AREA / The two-doored toilet is of interest, and the covered well is between the toilet and the rear door of the cottage."flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, 1970s, photograph, flagstaff hill site, john lindsay, lighthouse keepers' cottage, lighthouse keepers' residence, privy, upper lighthouse, upper light, lighthouse keepers' quarters