This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. HISTORY:-- From Victorian Heritage Database citation for Labassa https://vhd.heritagecouncil.vic.gov.au/places/278 as at (26/10/2020) Labassa, Caulfield is one of Melbourne's most lavishly decorated nineteenth century mansions. It resulted from the extensive remodelling in 1890, of an earlier house, known as Sylliott Hill, which was begun in 1862-3 for lawyer, Richard A. Billing. The land at the corner of Balaclava and Orrong Roads was first acquired in 1854 by William Lyall, transferred to his partner, John Mickle, in 1859, who also acquired the adjoining allotment in Balaclava Road, and the three allotments were conveyed to Billing. His first eight-roomed house was extended significantly in 1873 into a twenty-roomed house by architects Crouch and Wilson, who were possibly also responsible for the first house. This reflected Billing's success as a barrister, and he resided at this property until his death in 1882. In 1883 prominent Melbourne businessman, Alexander William Robertson, leased the Sylliott Hill property from Billing's widow, and in 1885 he purchased the adjoining allotment in Balaclava Road. He purchased the Billing's property in 1887 and renamed the 6.31 hectare property, Ontario. In 1889-90, Robertson commissioned the German born architect, John A. B. Koch, to extensively remodel the house into a thirty-five roomed mansion. The existing house was extended and altered, largely resulting in the nineteenth century mansion as it now appears. After Robertson's death in 1896, the house was tenanted until it was eventually sold to the mining millionaire, John Boyd Watson, in 1904. He renamed the property Labassa and carried out repair and re-decoration work to the house. In the early twentieth century, many large estates were subdivided into smaller allotments as the demand for land grew and it became difficult to maintain such large estates. After Watson's death in 1911, portions of the Labassa estate were offered for sale, with Mrs Watson retaining a 1.73 hectare portion containing the house. In 1913 forty-six allotments were auctioned at Labassa Estate, with the formation of Labassa Grove and Ontario Street to the east of the property. Labassa was first recorded as containing flats in 1923 and in the late 1920s, the owner, Robert Hannon, built a red brick block of flats adjacent to the house. Subdivision continued, until the National Trust of Australia (Victoria) purchased the house in 1980 and subsequently purchased adjoining sites, one to the south-east in 1984 (house demolished in 1988) and to the west in 1988. Labassa as it now stands is substantially as it appeared when Koch completed the work in 1890. The original two storey house was transformed into a French Renaissance style mansion, with the addition of a two level L-shaped arcaded verandah and two prominent terminating bays to the south and the east. The building is of unpainted cement render with dressed bluestone plinths, balustraded parapet and steep, slate covered, flat topped mansard roofs behind. A truncated conical roof is a feature of the south bay and a helmeted head is incorporated in the parapet over the east bay. The main south and east facades incorporate many cast cement details, including sculptures, elaborate cornices, swagged Corinthian columns and caryatid consoles flanking the entrance porch, as well as pink marble panels and imitation marble, or scagliola, on curved surfaces. At the rear of the building is a two storey wing and a single storey cottage, the former being connected to the main house by a tower. This section of the house was constructed in 1873. The estate at its peak included stables (1873), conservatory (probably 1890) and a tennis pavilion (probably 1890). All of these outbuildings survive, with the stables and conservatory being converted for residential use after 1922. Internally a range of decorative treatments remain from the late nineteenth century and the early twentieth century, both from the Robertson and Watson periods of occupancy. These include wallpapers, ceiling decoration, chimney pieces, mouldings, joinery and decorative glass. From Victorian Heritage Database citation for H0135 Labassa 2/2A Manor Grove Caulfield North https://vhd.heritagecouncil.vic.gov.au/places/278 as at (26/10/2020) HOW IS IT SIGNIFICANT? Labassa, Caulfield is of architectural, aesthetic and historical significance to the State of Victoria. WHY IS IT SIGNIFICANT? Labassa, Caulfield is of architectural significance as the most prominent example of a small number of houses built in Australia in the French Renaissance style. It is of further note due to the German interpretation of the style and the use of Hellenistic sources, via Germany. It is exceptional for its lavish treatment externally, including marble, scagliola, caryatids, swagged columns, mansard roofs and ornamental cresting. Labassa is of architectural significance as the most important surviving example of German architect, John Koch's domestic work. He undertook a large variety of work in Melbourne, including a number of houses, however Labassa is the most lavish example of his work. Labassa is of aesthetic significance for its outstanding assemblage of late nineteenth and early twentieth century European style interior decoration, which remain remarkably intact. These include a trompe l'oeil ceiling, painted ceilings, embossed imitation leather and other papers, chimney pieces, ceramic tilework, oak parquetry and stained glass, including a tripartite window by Ferguson and Urie, probably dating from the 1873 period. Labassa is of historical significance as an illustrative example of the wealth acquired by a number of prominent Victorian families in the second half of the 19th century. The early development of the property, Sylliott Hill, was due to the wealth acquired by Richard Billing, barrister and fifth Victorian to be appointed Queen's Counsel in 1878. The significant development in 1890 of Ontario, is illustrative of the wealth of Alexander Robertson, a partner in Cobb and Co., a director of Goldsborough Mort & Co., and a pastoral speculator. John B. Watson, whose father had acquired great wealth from the goldfields of Bendigo and subsequently invested in city and country properties, was the third resident to impact on the house, particularly the interiors. The Labassa estate is of historical significance as an illustrative example of the development that occurred in such suburbs as Caulfield in the 1880s due to the land boom, its proximity to Melbourne and the establishment of the Melbourne to Gippsland railway in 1879. It is also illustrative of an estate which succumbed to the pressures of subdividing in the early twentieth century, as properties became difficult to maintain and demand for land close to the city grew. It was typically divided into flats in the 1920s and was used as such for about sixty years. It is of historical significance for its associations with the remnants of the earlier estate which remain extant. These include the stables, conservatory (H2005) and tennis pavilion which all remain on separate sites. Also significant are the remains of early electrical wiring and fittings. Labassa was one of the first houses in Caulfield to be electrified and some of the original wires remain. [Online Data Upgrade Project 2004]Page 128 of Photograph Album with four photographs (two portrait and two landscape) of Labassa.Handwritten: "Labassa" 4 Manor Grove [top right] / Neg 232 8 Oct 1966 [under bottom right photo] / 128 [bottom right]trevor hart, bracketed eaves, slate roof, bay windows, decorative brackets, caulfield north, labassa, richard a. billing, balaclava road, orrong road, sylliott hill, william lyall, crouch and wilson, alexander william robertson, ontario, 1880's, john a. b. koch, mansion, john boyd watson, labassa grove, french renaissance style, l-shaped arcaded verandah, bluestone plinths, balustraded parapet, flat topped mansard roofs, conical roof, elaborate cornices, corinthian columns, caryatid consoles, marble panels, imitation marble, scagliola, tower, conservatory, stables, tennis pavilion, mouldings, decorative glass, caryatids, swagged columns, ornamental cresting, trompe l'oeil ceiling, embossed imitation leather, oak parquetry, stained glass, tripartite window, triple window, ferguson and urie, 1870's, flats, 1920's, electric wiring, 1860's, verandahs, curved windows, arched windows, italianate, terraces, gargoyles, ornamentation, ornate entrance, la bassa, manor grove, st kilda east, victorian, cast iron work, john koch, richard billing, architects, electrification, john mickle, land subdivision, mrs watson, labassa estate, robert hannon, national trust of australia (victoria), sculpture

In the 18th century, spring scales appeared. To produce these scales, a manufacturer would use the resistance of a spring to calculate weights, which could be read automatically on the scale’s face. The ease of use of spring scales over balance scales is what led most post offices to outfit their clerks with spring postal scales. One of the most common types of spring scales was the kitchen scale—also known as a family or dial scale. Designed for horizontal surfaces, these scales used the weight of goods in a pan at the top of the scale to force the spring down. Such scales were common in early-20th-century households and were sold by Sears and Montgomery Ward. Many had flat weighing surfaces but some were topped by shallow pans. Companies such as Salters, Chatillon, and Fairbanks made both. SALTER HOUSEWARES began in the late 1760 in the village of Bilston, England. At this time Richard Salter, a spring maker, began making 'pocket steelyards', a scale similar to the fisherman's scale of today. By 1825 his nephew George had taken over the company, which became known as George Salter & Co. and later established a large, well equipped manufacturing site in the town of West Bromwich. The business thrived throughout the 1900s, and in 1972 the company was purchased by Staveley Industries Plc. In 2002, the management team at Salter Housewares Ltd, backed by Barclays Private Equity, bought the company out from the group, to concentrate on its consumer businesses. In 2004 was sold to the US-based HoMedics company, and in 2006, Salter Housewares USA and Taylor Precision Products Inc (also owned by HoMedics) merged. A portable, brass balance scale , 'Salters' for weighing items. A steel ring holds a brass plate marked with graduations 0 – 26 to which is attached a steel hook. ( rope & arrow TM ) / SALTER / POCKET / BALANCE / MADE IN ENGLAND Graduated 0 – 26 / PATENT / No. 8 Base rope & anchor S (trade mark) pioneers, early settlers, market gardeners, moorabbin, brighton, cheltenham, tools, craftsman, balance, scales, weights, imperial measure,, salter housewares pty ltd, west bromwich, england, salter george, salter richard, bilston england,

Sale of property of the estate of Charles McCarthy Stott, a local estate agent. Example of the progress of the Municipality of MoorabbinAdvertising flyer for outstanding Auction Sales in the estate of Charles McCarthy Stott (1870-1956).Saturday 1 June 1957 - 4 properties for sale in Beaumaris - Saturday 8 June 1957 - 4 properties for sale in Highett (x2), Moorabbin, Ormondormond, 33 wells road beaumaris, 7 & 9 douglas street beaumaris, 100 oak street beaumaris, 5 & 6 balcombe road beaumaris, 34 tennyson street highett, 13 leopold st ormond, lot 93 tennyson street highett, lot 52 delma st moorabbin, auction, real estate

3 ply wood cut into the shape of a luggage label with a hole for cord. One side has German address, the other side an internment camp address - Tatura.PWGM 36583 Internment & PW Camp Tatura Vic Aust. 11 Gunter Knop LongeoogerslatzsI 23 in a circle. Bremen 8 Germany Brit Zoneluggage label, travel, camp, internee, handmade

The church, on the corner of Scott and Cameron Streets, Cavendish, Vic 3144 replaced an earlier church built in the 1860s.S059.1 small engraved silver trowel with turned wood handle. S059.2 Yale style lock brass key with a small wood fob with gilt text.S059.1 "Presented to Rev. C. Irving Benson on occasion of LAYING FOUNDATIOIN STONE METHODIST CHURCH CAVENDISH 17-8-1938" S059.2 "Cavendish 25.8.54"cavendish methodist church, rev c irving benson, commemorative trowel, key

Penleigh Boyd, Robin and Patricia Boyd's son, writes “Prior to 1950 Robin, like most other amateur or hobby photographers, took black and white printed photographs. The oldest slides date from 1950 when Robin and Patricia travelled to Europe on Robin’s Robert Haddon Travelling Scholarship.” In 1948 Robin Boyd was awarded ‘joint first place’ in the Robert Haddon competition for his design of Mildura art gallery. The scholarship helped fund their first overseas trip. Robin and Patricia were passengers on the Greek ship “Cyrenia” departing in May 1950, passing through the Suez Canal and landing in Genoa five weeks later. For six months, they travelled extensively throughout Europe (predominantly driving themselves) - France, Italy, United Kingdom, Sweden, Denmark, Germany, Austria, Switzerland and Spain.Colour slide in a mount. Interior of Johannes Church, Basel, Switzerland. (Architects: Karl Egender and Ernst Friedrich Burckhardt.)Basle / St. Johanns Ch. / 5'3 7 3 3/8 Trim / Equally from Top & Bottom for Proportion / Encircled 15 (All Handwritten)haddon travelling scholarship, haddon, robin boyd, slide

Colour slide in a mount. War veterans housing, location unknown, AustraliaMade in Australia / 8 / MAY 64M / Encircled 31 (Handwritten) / Encircled 11 (Handwritten) / War Vets Housing (Handwritten) / See also No 2 (Handwritten)slide, robin boyd

Silver commemorative trowel with a black Bakelite handle in a dark blue cardboard box."Presented to M.WHITE ESQ. JP by the Architect CLIVE H. LORD, A.R.I.A. to lay the FOUNDATION STONE of the NORTH BALWYN METHODIST CHURCH. 30-8-41."white, m., north balwyn methodist church, lord, clive h.

'Skin, Surfaces and Shadows' was created by Tommaso Durante in 2004 during his stay in Bundanon (gifted to the Australian people by Arthur & Yvonne Boyd - South East Australia) as international artist in residence and it was enriched during the artist’s stay in Broome (Western Australia) in 2005. On that occasion he collected the raw materials that were subsequently wrought to develop the actual bookwork.On the edge of artistic practice and philosophical inspiration, 'Skin, Surfaces and Shadows' pushes the boundaries of art, craft and design by combining digital technologies with traditional techniques and materials. Durante visually explores the surfaces of organic things (trees, surface textures, etc.) and the figurative dividing line of the shadow. The poet Wallace-Crabbe responds to these images in words. The poet and the artist flit in and out of shadows, skin and the surfaces of paper and life.(a) prints, artist's book (80 pages), ink; Somerset Book White paper (175gsm), digital images, printed in eight inkjet colour pigments, from digital files. Set in digital typefaces Utopia STD Display, Italic and Bold, Frutiger 57 Condensed, 67 Bold Condensed, and 56 Italic. Section sewn around 3 tapes. Full paper binding with blind blocking on front cover handmade head and tail bands. (b) CD of slide presentation to accompany bookwork on display Primary Insc: In black biro, signed and editioned by Tommaso Durante and Chris Wallace-Crabbe (last page '8/25 T DURANTE CWallace-Crabbe')prints, artist book, skin, surface, shadow, poetry, durante, wallace-crabbe

Of Pleasant Creek Stawell Hospital. Sent back from France for safe keeping . Mr Heal Laura McLeod, -Witney, Sister Mc Fay George Mitchell Mag Williams, Mabel Wennerbom, Ann Gullen, May Booth Theresa Healy Dr Fox Matron Jennie Wren Nurses seated at tables surrounded by committee at entrance to Pleasant Creek HospitalFavril France 1/12/15 This is the committeemen & their wives at afternoon tea with us . The unveiling of the Honour roll. Sincerely yours May 25-8-18hospital, ww1, medical, nursing

Coloured woodcut printSigned and dated lower right corner under printed image. Edition 3/8 and title 'Red 2' lower left corner under print.

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It contains patterns for a knitting machine, using Riverhart yarns.RIVERHART / HOME KNITTING MACHINE YARNS / 3 Ply / Pattern Book / No 3 / Pattern No. / Q3-9 / Pattern No. / Q3-7 / Pattern No. / Q3-8machine knitting, riverhart yarns

This knitting pattern book was published by the Villawood Textile Company, Sydney and contains knitting patterns for childrens knitted garments. The photographs have been taken at Taronga Park Zoo.Villawool / Book 88 / DESIGNS for / CHILDREN / FEATURING 5 PLY STARLITE AND GLEAM CREPE / 8 PLY SPEEDIKNIT, ARGYLL, CELESTE / AND NYLO TWEED / 2'9knitting handicrafts - history, villawood textile company, knitting, handicrafts - history

Black and white photograph, mounted on cardboard, showing the front of the Mardling Bros General Store. At either side of photo is a horse cart with a man standing near the horse. Between these carts, stand 2 men, 3 women (one holding a baby), and 4 small children.On back of photo (some illegible): "This photo was taken 1903" | "Blackie" | "11539" [crossed out] | "6:4 5:8 In" | "Intelegent [illeg. - possibly] Intellegent"general store, mardling brothers, mardling bros, mardling family

Linked to Cfn R.R. Clarke. Vietnam War History.Ashtray made of brass with a medium size shell cartridge in the middle and 2 smaller size bullet shells attached to the cartridge. The brim of the astray lifts off the main body. (Trench art).Presented to Cfn R.R. Clarke from G.E. Section, 106 Fd Wksp, Nui Dat. South Vietnam 13-8-70 is inscribed on the side.

Issued to Australian servicemen during World War 2.Creature comforts for men at warRound metal tin used for tobaccoWD & HO WILLS (AUSTRALIA) LTD SYDNEY, TRADE MARK and an 8 pointed star on lid. CAPSTAN NAVY CUT TOBACCO E FINE on base.tobacco, smoking, world war 2, ww2, second world war

Boyd presents a thorough description of Harold Desbrowe-Annear's 1915 design for The University of Western Australia, Crawley with a focus on siting and how this was revised by Leslie Wilkinson in the late 1920s. Elements of Desbrowe-Annear's original layout plan that were retained, include the placement of the medical school and sporting facilities.Typewritten, carbon copy, foolscap, 12 pagesBlue pen mark up on pages 1, 2, 3, 4, 8, 9, 10, 11. Pencil mark up on pages 5, 6.university of western australia, crawley, harold desbrowe-annear, leslie wilkinson, talbot hobbs, professor whitfeld, w.b. hardwick, a.r.l. wright

Brown wooden trophy and base with silver shields attached. The largest Shield has an image of three football players. Inscribed in the shields is text reading:KORRUMBEINS v SCHOOL Korrumbeins 1957 9/12 to 9/8 School 1964 16/11 to 9/9 Presented by MR R. STONE

Yields information about the Sebastopol terminus, the tram liveries in 1963.Black and white print on heavy matt photographic paper of No. 35 at the Sebastopol terminus with the conductor pulling the pole down. The tram has the destination of Sebastopol. In the background are homes. 2nd copy - laser print - with date etc on rear - added 22/2/2010, copy from Ron Hann. Printed on Fujifilm, Fujicolour Crystal Archive for Frontier"On rear in pencil "35 Sebastopo1963", 2nd copy has label "Reference 6/113/8 Photo by Ron Hann" and another label "Ballarat 01.63"tramways, trams, sebastopol, tram 35

Yields information about Ballarat and Sturt St c1907 following the information of trams.Printed colour postcard of Ballarat electric tram leaving the Grenville St. terminus, at the bottom end of Sturt St terminus with an early motor bus or taxi in front of the tram crossing to the south side of Sturt St. Has buildings on both sides of Sturt St. in photograph, with some other horse drawn vehicles and many pedestrians. Note, none of the buildings have names shown on them - have been printed out. Photo taken soon after opening, no roof mounted destination boxes. On rear are places for correspondences stamp, address and manufacturers' name in a fancy motif "WTP". Titled "Sturt Street, Ballarat" in the top left-hand corner". 2924.1 - Same postcard from the Wal Jack Album, see images i3 and i4 for front and rear. The rear of the postcard has a message written on it. 2924.2 - colour illustration from a publication.On rear in ink - addressed to Mrs Wolfenden of Prahran Melbourne, with a message from her daughter, dated 8-1-1907, has had stamp removed.trams, tramways, sturt st, postcards, esco, buses, grenville st

In woodworking, a moulding plane is a specialised plane used for making the complex shapes found in wooden mouldings. Traditionally, moulding planes were blocks of wear resistant hardwood, often beech or maple, which were worked to the shape of the intended moulding. The blade, or iron was likewise formed to the intended moulding profile and secured in the body of the plane with a wooden wedge. A traditional cabinetmakers shop might have many, perhaps hundreds, of moulding planes for the full range of work to be performed.Bertie Robert Edgar Greenwood was born c. 1880/81 and died aged 82 in Hawthorn in 1963. His father and possibly his grandfather were also carpenters. Bertie’s work as a cabinetmaker required precise planing to give lovely edges and other elaborate decorations. The major item in the tool collection is Bertie’s wooden box, which houses 45 different moulding planes. Later in his life, he used these skills extensively when he worked as a patternmaker for a plastering company. Bertie worked through his seventies, retiring when he lost a finger. The tool collection was donated to the Kew Historical Society by Bertie’s granddaughter, Pamela Webster Bloom, a former resident of Kew.Plane - Wooden Moulding, Beechwood & Metal, 1/2” Cove, Moseley & Son London. Stamped ‘8’, and owner name ‘G. Greenwood’, with ‘G’ subsequently over-stamped with ‘B’. Later engraved number ‘6’ added on entering the collection in 2010.carpentry, bertie greenwood, woodworking tools, moulding planes, burwood road — hawthorn (vic.)

Lieutenant Albert Borella, 26th Battalion AIF, was awarded the Victoria Cross for his actions at Villers Bretonneux, France, in March 1918.Possibly the only self portrait of an Australian VC winner.Framed self portrait of Captain Albert C Borella VC MM MID in World War One (1914-1918) uniform with 'Sam Browne' belt and medals. Stained wooden frame has been covered with a protective clear acrylic sheet.Engraved plaque on lower face of frame "Capt Albert C Borella VC MM MID presented to 8/13 VMR by Mrs E Borella"borella, victoria cross, self-portrait

The 8th Light Horse Regiment was engaged in the battle to capture Turkish defences at Tel El Khuweifle 16 Kilometres north of Beersheba from 1 to 6 November 1917. Other units were drawn from Imperial Camel Corps, British Yeomanry Division, New Zealand Mounted Rifles and 53 Welsh Division. The 8th Light Horse Regiment AIF was raised at Broadmeadows Victoria in September 1914 under the command of Lieutenant Colonel Alexander White and formed part of the 3rd Light Horse Brigade. The regiment served at Gallipoli where in a courageous but ill-fated charge at the Nek on 7 August 1915 it suffered horrendous casualties including Lieutenant Colonel White. Rebuilt in Egypt under the command of Lieutenant Colonel Leslie Maygar VC the regiment went on the serve throughout the Middle East Campaign. Colonel Maygar died of wounds at Beersheba when the regiment was attacked by enemy aircraft while waiting to follow up the successful charge of the 4th LH Brigade on 30 October 1917. The 8th Light Horse AIF was disbanded in 1919, but soon after re-raised as the 8th (Indi) Light Horse in the Citizen Military Forces, superseding 16th (Indi) Light Horse.Part of a rare collection of photographs of 8th Light Horse Regiment AIF during WWI (1914-1918).Black and white photograph of two soldiers of the 8th Light Horse Regiment AIF wearing slouch hats and armed with rifles. They are near three figures wearing helmets lying on the ground, possibly men of the Imperial Camel Corps or British infantry. Below photograph "Stony desert landscape known as Khuweilfe ( Thirsty Ridge ), 8 miles north of Beersheba. Only had a little water hence the name",tel el khuweifle, 8th, light horse, world war one, wwi

Arthur Henry Miers, pictured in the photograph played for cricket, football and baseball teams in Kew for a number of decades in the first half of the twentieth century. He was born on 22 November 1901, the son of Rodolph Theophilus Miers (1874-1951) and Margaret Frances (Margaretta) Fry (1875-1958). He had two brothers, Rodolph Cecil Miers (1904-80) and Charles Wilfred Miers (1906-88), and a sister Marjorie Elizabeth Miers (1911-84). Arthur Miers died in Kew on 25 January 1966, and after his body was cremated, his body was interred in the Mausoleum of Boroondara General (Kew) Cemetery.Rare early photograph of a cricket club team in the late 192osCricket club team photograph, mounted on card. Donor notes: CRICKET - PHOTO 11.5" X 8", OVERALL SIZE 18" X 13.5" / ARTHUR MIERS 2ND FROM RIGHT - FRONT ROW arthur miers, cricket, cricket teams

Sixteen page black and white pattern book featuring designs for slippers. Book contains black and white photographs and printed text. Front cover shows four pairs of children’s shoes. front: [printed] BESTWAY / BOOK / No 109 / 9 D. / SLIPPERS / for / CHILDREN / Age 2-8 Years / 11 / Designs in / Knitting, / Crochet, / Felt, etc.fashion, women, knitting, crochet, home life, patterns

Widows beside trading tables of books and magazines at Legacy House. It was the annual fete run by the Widows Club as a fundraising event. Beryl Billings on left in black, Irene Noll serving at the table in grey jacket. It is believed the date is 17 November 1988 due to the reference number 881117.A record of the type of activities Legacy provided as a social outlet for widows. Colour photo of a trading table of books at Legacy house.Stamped on back Picture credit and copyright to "Keesing Photographic, 18 Winton St Burwood." Photo reference number: 881117-8 written in blue pen.widows, fundraising, fete

Single page black & white photocopy of subdivision plan showing layout of 28 residential allotments with inset showing price list & some marked 'sold'.Director and Licensed Estate Agent - R.F. Jennings Pty Ltd., 8 Streeton Lane, Doncaster East 3109. Phone 842 7666 all hours.

Korean War/Japanese Occupation period historical significance2 x laminated black and white photographs. Both photos contain a picture of A34219 Stuart Simpson during flight training in Archerfield Australia.On rear of photograph hand written 'A' Flight No 8 Aircrew Training Course, Archerfield 1951/52. Stuart Simpson 2nd from left - front row.

Alice McGREGOR Born: 1908; unknown parents. Possibly adopted by the Salter family? Electoral Roll 1936: Highland Terrace Kangaroo Flat. Alice Mary Salter and William Robert Salter living together; presumed to be sister and brother. William Robert Salter was killed in a MVA in Bendigo in 1937 aged 26. In Victoria in 1938, Alice Mary Salter married James Thomas McGregor (born Victoria 1917, died Victoria 1983, buried Fawkner Cemetery) Lived: 1968; 22 Wade Street Golden Square Alice McGregor Died: 1999 aged 91 at Anne Caudle Centre, Bendigo Buried: Kangaroo Flat Cemetery See additional research. Postcard Album of Alice McGregor contained 86 post cards.Postcard Album of Alice McGregor containing 86 postcards. See 1400 Colour photo of Commissioner St., Johannesburg, S. Africa Horse drawn vehicles, a tram and pedestrians on the street. Addressed to Miss A. Stapleton, Arcade, Bendigo, Victoria, Australia Sender - Miss G Owen, Church Street, Clitenhage (?), S.Africa Dated 8/7/05 postcard, collector, alice mcgregor