Established in 1906, Frank Moore soon became well known amongst discerning tradespeople for the quality & accuracy of his tools. The Company was acquired by John Shaw & Son in 1945 & James Neill & Co in 1970. Currently part of the Bower Meteorology UK Group, they still produce superb tools & measuring instruments in Sheffield. The subject item is made from high-grade carbon silver tool steel with the patented 'Firm Lock' joint, that identifies the maker as Moore & Wright.A tool used for external measurement of items made by a maker who patented the "firm lock" jointing system now used on many different types of tools in many different industries. These items are now collectible and quite rare as a result are sought by tool collectors in the USA and UK.‘Firm Joint’ external measuring calipers believed made by Moore & Wright. Impressed into the metal "L A J S" (Probably the owner and company that used the item nothing to do with manufacturing) flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, calipers, callipers, external calipers, outer caliper, pottery tools, masonry tools, glass making tools, external measurement

In 1898 Arthur Fussell did Mechanics in Mining at School of Mines Ballarat.A small red cloth bound book of 189 pages containing diagrams and illustratins. The cover title was printed in gold. On the inside cover and on the title page is written in pencil Arthur Fussell, 73 Errard St S, Ballaratwannans, engine driver's guide, steam boilers, steam engines, pumps, arthur fussell, steam

Soft cover school magazine showing alternative covers - "Wicked Witch" and "Good Witch" editions. Winter supplement attached "Looking back on Semester One".non-fiction

photo taken in 1973black and white photograph, unmounted, good conditionstamped on back: Graeme S. Breydon, 204 Carlisle St, Balaclava, 3183, phone 94 2886

photo taken in 1973, 1960s/ 70s car parkedin the street, 'Victorian' house on left has 1950s-70s filled in verandablack and white photograph, unmounted, fair conditionstamped on back: Graeme S. Breydon, 204 Carlisle St, Balaclava, 3183, phone 94 2886

photo taken in 1973black and white photograph, unmounted, good conditionstamped on back: Graeme S. Breydon, 204 Carlisle St, Balaclava, 3183, phone 94 2886

Reinterment of Glenhuntly Pioneers black and white photograph accompanied by a copy27/8/98 (1898) OW A 144B. Glen Huntly Pioneer Grave S K Cem.

The "Zion" Welsh Independent Chapel was established in Albert Street Sebastopol in 1861. The church moved from Albert Street to Walker Street in around 1882.B & W exterior photograph of the Zion Congregational Church, Sebastopol.From J.D. Northey to Rev S. M ... (?) Taken around the turn of the century before the hedge was planted.sebastopol, welsh, congregational, chapel, zion

Photo depicts a final year woolclassing class from the Gordon Institute in Geelong. They have prepared a display re: woolclassing for the visit of the Prince of Wales to Geelong in 1920. They are on the top floor of the Dennys Lascelles woolstore. The donor's father, Mr Cyril Cameron, can be seen in the photo at sixth from the right. Cyril Cameron (known as 'Cam') came from the family property 'Burnside' near Glenthompson in the Western District. He joined Strachan & Co. as an office boy in Aug. 1914 and then joined the 8th Battalion, 1st AIF in January 1915. He returned to Australia in early 1920 and started work at Strachan's again. He did the wool classing course (one year, evening?) at the Gordon in 1920-21. He became Head Wool Valuer at Strachan's in 1938 and retired in 1970. His office at Strachan's was on the top floor, directly overlooking what is now the entrance to the National Wool Museum (formerly Dennys Lascelles woolstore). He died in 1983. Interestingly, within the photo, can be seen a poster on the wall advertising the RSS or Diggers' Mill. The mill opened in 1922 but had been advertising for investors since the end of the war.Photograph, Gordon Technical College wool classing course, 1920. Wool classing display for the visit of the Prince of Wales at the Dennys Lascelles wool store.GEOFFREY S. WOOD, PHOTO, GEELONG Dennys Lascelles Show Floor 1920 / Visit of Prince of Waleswoolclassing royal visits, gordon technical college - woolclassing department, cameron, mr cyril, dennys lascelles wool store, woolclassing, royal visits

Black and white photograph, mounted on grey cardboard, of wheat harvest, showing bags of grain, stack of straw, horses, men and machinery.On back of mount: "Mitchell Bros. Threshing Machine and Chaffcutter props. Balldale, N. S. Wales, 1912"mitchell brothers threshing machine, threshing machinery, chaffcutters, balldale, harvesting

Copy of book, autographed by the author, originally from the collection of Brian Jasper105 page book containing black and white illustrations, facsimilies, maps and portraits. Cover is printed in colour showing a painting of a forested landscape. Book presents the history of the Shire of Wangaratta on the occasion of its centenary in 1967.Autographed by the author on the inside of the front cover: "Colin Angus". At top of title page: "Brian S. Jasper"wangaratta shire, wangaratta council, centenary

Suzy Boyd was Patricia and Robin's daughter.Leaving on a Jet Plane. B side: The House Song. Single 45 RPM, Catalogue Number: WB 7340 MX 160607, small 45 paper sleeve, 1 vinyl disk. Peter, Paul and Mary.S. Boyd' handwritten on both sides of centre vinyl. '$1.00' handwritten on one side of paper sleevelp, sound recording

Has a strong association with the formation of COTMA and the work undertaken by Australasia tramway and rail heritage organisations at the time and the organisers of the first COTMA Conference in 1975.82 page A4 sized bound document - "The First Conference of Australian Tramway Museums Ballarat 25-27 April 1975" . Has a light weight card cover, with black plastic binding/spine strip. Produced by Trolley Wire 1st Conference Proceedings Contents: Acknowledgements Message from BTPS President - Maurice Calnin Convenor's Note - Bill Kingsley List of Museums Invited List of Delegates Conference Minutes of Special General Meeting COTMA Operational Guidelines Papers Wymond - Financing the Railway / Tramway Operating Museum Kahn - A history of experience Breydon - Accounting methods suitable for museum operations Prentice - Tramcar Maintenance - Museum Style Radcliffe - Buses - their preservation and relevance to tramway museums (supplement document_ Rawlings - The formation of an Association of Tramway Museums of Australasia Stamford - Museum Publications Workshops Engineering Cars and Parts Treasury Publicity Management Governments Removals Membership Special Has a red dot, taped onto the spine of the front cover.Inside front cover label "Graeme S. Breydon" and his address and on front cover in pencil, "G.Breydon".trams, tramways, cotma, ballarat, proceedings, conferences

Bruno Moretti was a key early Australian Paralympian, and a gold and silver medallist in the Paralympics during the 1960s. A founding and later life member of Disability Sport & Recreation, Moretti continued to contribute to the disabled sports movement after his retirement from competition.Black and white photograph of Bruno Moretti with two trophies.The reverse side of the photo has the handwritten description (in pencil): Bruno Moretti BEST PLAYER 1960'S

Red hard cover book with a coloured images on the front and back. The book has black text on the spine. non-fiction"swanston street sunday school, sunday school prizes, mabel barnes 1904, rev robert tuck

Photo shows Victorian Railways tram No. 34 at the Brighton Beach terminus, late 1950s. On the left-hand side, a suburban train can be seen at the adjacent Brighton Beach railway station.Yields information about VR tram 34 and the Brighton Beach terminus.Photograph - black and white - VR Tram 34 at Brighton terminusOn rear in ink - '"VR No. 34 at Brighton Beach terminus - late 1950's R. Lilburn Photo"tramways, melbourne, victorian railways, tram 34, brighton beach, vr trams

Book - 16 pages, perfect bound, titled "Capital City Transport", containing five sheets of four stamps and a short note about each city transport means - Sydney Ferries, Melbourne Trams, Sydney Trains, Perth Trains and Adelaide O'Bahn. Printed and published by Australia Post 2012, priced $12.95 on rear cover. The Melbourne stamps and photos feature W2 529, 266 and on the stamp - SW6? Image credits on the last page - mostly National Archives.Has "K. S 22-2-12" in ink on the top right hand corner of the first page.trams, tramways, buses, trams, ferries, melbourne, sydney, adelaide, perth, stamps, w2 class

Book - 92 semi gloss pages + card covers, perfect bound titled "Clang clang Clang", by Marc Fiddian,1993, published by the Pakenham Gazette. Has a photograph of A231 in Church St Richmond about to cross Swan St. Looks at Melbourne's tramway history, initial comparison with San Francisco, formation of the MMTB, the War Years, ticket, travel experiences, history. Has a map, list of route numbers, Bibliography, index, and an extensive list of other books by the author.Has a price liable on the front cover $15.95 and in ink " K. S. Stodden 6-3-93"trams, tramways, melbourne, tramways, history, travel books

Geelong Street Directory - "Mac's Key to Geelong", 14 maps, giving a directory of streets, suburb listing and abbreviations, Municipal and Public offices of Government departments and a list of Justices of the Peace. Shows the tram routes and rail lines. Has many advertisements for Geelong businesses or products. Possibly late 1930s as map 1 does not show the line to the Beach.Yields information about Geelong suburbs and businesses, late 1930sPrinted booklet - 40 pages + card cover, centre stapled.On front cover "To be retained in D/S's Office" in ink and on page 1 "Ex B. Weedon with thanks"tramways, geelong, maps

Appears to have been used in an exhibitionColour photograph pasted on polystyrene board. Renovated and repurposed DairyCaption, "The dairy shed in 1990, by now reclad. In the 1980's it was used for storage of landscape and arboriculture equipment."dairy shed, storage, equipment, dairy, renovated

Black and white photographWritten on back of photograph: "Mayor S. Morris speaking at 'Back to' at Civic Centre, 19/10/74'.

Black and white photographWritten on back of photograph: "Mayor S. Morris speaking at 'Back to' Civic Centre, 19/10/74."

Discovered in 2003 when owner, Ken Gray, of Tatura, noticed the covering paper peeling away on the wall of a galvanised iron shed on his property. He believed the shed was bought at the internment camp 4 auction conducted by the Commonwealth Government in the early 1950's and transported to the property which he now owns.Cartoon like painting depicting men (army garrison soldiers) playing billiards. One man appears to be sitting on the edge of the billiard table. Item unframed. (conservation work done on this in 2021 and now framed)kenneth gray, camp 4, internment camp auction

Rolex and Bucherer Jewelers were retail partners. In the 1950's Keepsake or souvenir spoons were made as an advertising gimmick. To obtain one of these spoons a customer had to purchase a Rolex watch from a Bucherer store. They were not sold separately. This spoon features the Lucerne lion and is actually the most common of the Rolex spoons.Souvenir spoon. Logo impressed in bowl of spoon - Lion, and cross..ROLEX Bucherer. Indistinguishable? Bucherer of Switzerlandephemera, mementoes, souvenir spoon

Rolex and Bucherer Jewelers were retail partners. In the 1950's Keepsake or souvenir spoons were made as an advertising gimmick. To obtain one of these spoons a customer had to purchase a Rolex watch from a Bucherer store. They were not sold separately. This spoon features the Lucerne lion and is actually the most common of the Rolex spoons.Souvenir spoon. Rolex Bucherer. Lion and cross logo in bowl of spoon. Logo on handle.Bucherer of Switzerlandephemera, mementoes, souvenir spoon

This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. The Crimson Rosella is relatively easy to see as it forages on the ground or among the leaves of eucalypts, with its spectacular combination of deep-crimson, royal-blue and black plumage. However, not all Crimson Rosellas look the same. Along the Murray River, Crimson Rosellas aren’t crimson at all — they are yellow, black and blue, with the yellow feathering replacing the crimson plumage. In southern South Australia they differ again, being roughly intermediate between crimson and yellow, with varying amounts of red and yellow in their plumage. Research featured in the 'State of Australia's Birds 2015' headline and regional reports suggest that the Crimson Rosella may be declining in the East Coast. There are several populations of the Crimson Rosella. Red (crimson) birds occur in northern Queensland, in southern Queensland to south-eastern South Australia and on Kangaroo Island. Orange birds are restricted to the Flinders Ranges region of South Australia, while yellow ones are found along the Murray, Murrumbidgee and neighbouring rivers (where yellow birds meet red birds they hybridise, producing orange offspring). Red birds have been introduced to Norfolk Island and New Zealand.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.There are several colour forms of the Crimson Rosella. The form it is named for has mostly crimson (red) plumage and bright blue cheeks. The feathers of the back and wing coverts are black broadly edged with red. The flight feathers of the wings have broad blue edges and the tail is blue above and pale blue below and on the outer feathers. This particular specimen has lost some feathers in its plumage and its colour is not as bright as that of a live specimen.Label: 77a / Pennant's Parakeet / See catalogue, page 22taxidermy, crimson rosella, bird, australian bird, rosella, crimson

The American Crow is common throughout North America. They reside in areas with open view and trees but can often frequent city parks, suburbs of large cities and along the seashore. The Crow is a robber and therefore, find living in locations which they can raid for food perfect. These birds are sociable animals and are often found in small groups made up of family members. All their lives they reside in the one location; however, they do migrate south during the autumn. They usually find their food by walking along the ground and eat both plant and animal foods. This includes worms, larvae, insects and fruits and nuts. Crows are also known to feed on small rabbits, frogs and mice. They are also identified as nest predators because they feed on eggs. In areas occupied by humans, the Crow will find their food source from trash and also road kill. The American Crow is not considered to be an endangered species and list them on the IUCN Red List as Least Concern. However, large amounts of crows are killed for sporting and during campaigns (having a desire to reduce the population of the Crow in America). This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This American Crow has black plumage which has slightly faded in colour. This colour fading could also indicate that the bird was molting because the feathers of the American Crow appear brownish when the are about to molt and these feathers give way to new glossy black feathers. The specimen has two black glass eyes, a dark bill and dark legs with talons. Both the edges of the bill and the talons are faded into a pale buff colour. It is likely that the legs and talons were painted a dark black by the taxidermist and the paint has either worn off or faded over the years. The bird is standing tall on a wooden mount and looking forwards. It has a paper identification tag attached to the right leg. The tail is short and the feathers are rounded at the ends.153a. / See catalogue page 61taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, america, crow, american crow

The Silver Gull is more commonly referred to as the 'Seagull'. Found all along the coast of mainland Australia and Tasmania, it can also be found in New Caledonia and New Zealand. These birds are a common nuisance at beaches and urban areas, such as shopping centres. Since the 1950s, humans have become increasingly wasteful, leading to an explosion of the Silver Gull population due to the availability of rubbish to scavenge. They feed mainly on small marine life, but they are a versatile scavenger. The population increase has impacted the breeding of other bird species, as Silver Gulls have dominated offshore island breeding grounds. Their breeding season is from August to December, when they nest on the ground, however mating can occur year-round. This species has a harsh, high-pitched call 'kwarwh', well known to all Australians. Although protected under Australian Environmental Law, there are many strategies in place to discourage increasing the numbers of Seagulls. This specimen is an inaccurate example of a Silver Gull, which although is in good condition and intact, does not look like an accurate representation of this species. The legs have been mounted too far towards the tail on this specimen, giving it an unbalanced appearance. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This adult Silver Gull has a white head, body, underpart and tail. Its wings are silver-grey, with black and white tips. It has an orange-red bill, feet and beak, indicative of its maturity. The irises are white. This specimen stands upon a wooden platform and has an identification tag tied around its leg.Swing-tag: 11a / Silver Gull / See catalogue, page, 40. taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, seagull, silver gull, australian bird, nuisance