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Marysville & District Historical Society
Postcard (item) - Black and white postcard, Rose Stereograph Company, Panorama From "Kerami", Marysville, Victoria, 1913-1967
A postcard in a series produced by the Rose Stereograph Company in Victoria, Australia as a souvenir of Marysville.An early postcard of the view of Marysville from "Kerami", Marysville, Victoria. Kerami was a guesthouse in Marysville that was destroyed in the 2009 Black Saturday bushfires.POST CARD THE "ROSE" SERIES/ DE LUXE/ REAL PHOTOS PUBLISHED IN/ AUSTRALIA Published by the Rose Stereographs/ Armadale/ Victoriakerami, marysville, victoria, p.2299, rose series postcard, postcard, souvenir, guesthouse -
Phillip Island and District Historical Society Inc.
Photography, Fishing on rocky headland
... postcards ...Part of collection of Rose & Valentine Series of Postcards - Copied by John Jansson 1984Black & White Postcard. Picnic party on rocks looking towards Pyramid Rock. CopyRocks Headlands near Cowes, Phillip Island. over printed "A Merry Xmas"local history, photography, photographs, postcards, views phillip island, picnic party, beach rocks, pyramid rock, phillip island -
Clunes Museum
Photograph - POSTCARD, HORNBY STUDIO, CLUNES, 1913
POSTCARD/PHOTOGRAPH OF MINERS STANDING ON POPET LEGS WITH ONLOOKERS. LETTER ON REVERSE SIDE.SEPIA POSTCARD OF POPPET HEAD, WORKING MEN ON STRUCTURE, OTHER MEN STANDING BY-1913..CLUNES -GOLD MINES 1913photography, poppet head, mining -
Melbourne Tram Museum
Postcard, "Main Street Clifton Hill", c1900
Colour postcard, with two cable tram sets in Queens Parade Clifton Hil and the buildings on with side of the very wide roadway. Yields information about the view along Queens Parade Clifton Hill.Postcard - colour with divided back, used with a Victorian 1d stamp on the rear.Handwritten note and date stamp of the Clifton Hill Post Office. Has a Christmas Greetings on the rear for a person in Sebastopol.trams, tramways, cable trams, clfiton hill, queens parade -
Marysville & District Historical Society
Postcard (item) - Black and white postcard, Rose Stereograph Company, Stevenson Falls, Marysville, Vic, 1930
A postcard in a series produced by the Rose Stereograph Company in Victoria, Australia. A black and white photograph of Steavenson Falls in Marysville in Victoria. The Steavenson Falls is named after the Victorian Assistant Commissioner of Roads and Bridges, John Steavenson, who arrived in Victoria in the early 1860s. This postcard was produced by the Rose Stereograph Company as a souvenir of Marysville.POST CARD. Correspondence Addressmarysville, victoria, waterfalls, stevenson falls, steavenson falls, southern cross series, 4990, postcard, souvenir, john steavenson -
Stawell Historical Society Inc
Photograph, Sister Rocks Stawell, 1920's
B/W Postcard, Rose Series of Sister Rocks StawellB/W Postcard Rose Series of Sister Rocks. Trees in foreground, boy sitting on rockThe Rose Series P.2724 Copyright The Sister Rocks, Stawell, Victoria Looking Easttourism -
Ballarat Tramway Museum
Postcard, Rose Stereograph Co, Ryrie St Geelong, 1930s
Reproduction of Rose Series postcard No. 547 of Ryrie St Geelong with tram No. 7 east bound and another tram in the distance. Photo shows the tramway centre poles. Has the old Geelong Post Office (see reference) on the left side of the image.Yields information about Ryrie St Geelong.Reproduction of Rose series postcard No. P547 trams, tramways, geelong, ryrie st, geelong post office, tram 7 -
Ballarat Tramway Museum
Postcard, Rose Stereograph Co, Ryrie St Geelong, 1930s
Reproduction of Rose Series postcard No. 547 of Ryrie St Geelong with tram No. 7 east bound and another tram in the distance. Photo shows the tramway centre poles. Has the old Geelong Post Office (see reference) on the left side of the image.Yields information about Ryrie St Geelong.Reproduction of Rose series postcard No. P547 trams, tramways, geelong, ryrie st, geelong post office, tram 7 -
Ballarat Tramway Museum
Postcard, Valentine & Sons Publishing Co, 'Alexandra Fountain Bendigo", late 1940s
Printed black and white postcard of Alexandra Fountain Bendigo with an ex-Melbourne SEC tram on the right side, going to Eaglehawk. In the view are the National Mutual, Australian Mutual Provident Society, and the Armstrong Tyre Service station. Published by Valentine of Melbourne and Sydney.Yields information about Bendigo's Charing Cross and View St late 1940s.Postcard black and white, used - No. 6.Has a letter on the rear with two stamps dated 27-6-1949 to Ken Magor from Roy and Ken about their visits to the three provincial tram systems and the narrow gauge at Ferntree Gully. The weather had not been good for their visit. See rear image.tramways, trams, bendigo, charing cross, view point -
Ballarat Tramway Museum
Postcard, "High Street Eaglehawk", c1905
Printed coloured postcard of a view of High St Eaglehawk with the Town Hall in the background. An ESCo Bendigo tram, possibly No 8 is returning to Bendigo. On the rear is a message to a person in Collingwood saying that this is the third of three views of Eaglehawk - see also item 9082.Yields information about Eaglehawk Bendigo and ESCo trams.Postcard - colour divided back usedHand written message written on the rear - card 3tramways, trams, bendigo, eaglehawk, esco, high st -
Kew Historical Society Inc
Postcard, Rose Stereograph Company, Looking across the Yarra River, Melbourne, Vic, 1935
One of a number of 'real photo' and commercial postcards created by or owned by members of the Christian and Washfold families of Kew. The postcards are part of a larger collection of photographs, postcards and publications donated to the collection in May 2021.Monochrome postcard of view of the north bank of the Yarra River between Flinders and Russell Streets. Scene shows palm trees, boats and stores under embankmentThe Rose Series P. 2808yarra river, city of melbourne, postcards -- melbourne, christian-washfold collection -
Kew Historical Society Inc
Postcard, Tudor Village, Fitzroy Gardens, 1948-52
... postcards ...One of a number of 'real photo' and commercial postcards created by or owned by members of the Christian and Washfold families of Kew. The postcards are part of a larger collection of photographs, postcards and publications donated to the collection in May 2021.Black and white postcard of the miniature village in the Fitzroy Gardens. Printed by Kodak Melbourne, and possibly printed from a photograph by a member of the Christian or Washfold families of Kew. postcards, miniature village -- fitzroy gardens, christian-washfold collection -
National Wool Museum
Postcard
Postcard of the Metalexport building in Warsaw, Poland. Metalexport was the sole exporter of textile machinery from Poland.Postcard of the Metalexport building in Warsaw, Poland, 1959. Metalexport was the sole exporter of textile machinery from Poland. Back of a postcard of the Metalexport building in Warsaw, Poland, 1959. Metalexport was the sole exporter of textile machinery from Poland.METALEXPORTtextile machinery, metalexport -
Glenelg Shire Council Cultural Collection
Postcard - Postcard - Henty Beach Portland, Victoria, n.d
Photo postcard, black background, figures and lighters, red flames from the burning lighters, ?Henty Beach, Portland, 24 Jun. 1919Front: ' "THE LIGHTERS A-LIGHT' PEACE CELEBRATIONS AT PORTLAND, June 24 1919, TOYE PHOTO' -white script, bottom edge postcardhenty beach, portland -
Federation University Historical Collection
Postcard - Postcard Booklet, Levi Fils & Co, Vues Detachables
Levy Sons & Co. 1895-1919 Paris, France and London, England In 1864 the Parisian photographic studio of Ferrier pere*, fils & Soulier was bought out and became M. Leon & J. Levy. This partnership lasted until 1872 when Leon left and it was renamed J. Levy & Co., which became an important producer of stereo-views and lantern slides. By 1895 his sons had joined the company and it was renamed once again to Levy Sons & Co. (or Levy et ses Fils). His son Lucien became a well known photographer who began publishing international view-cards from his own work depicting scenes mostly from within the French empire, though quite a number are from England and there are some from Australia and Russia as well. There are few French towns that are not captured by his cards. His name does not appear on the cards but - L.L. follows the title as a photo credit. Many of their cards are not attributed. These cards were printed as colotypes in black & white, sepia, and over speckled color lithography. In 1920 the studio united with Neurdein Freres to become Levy & Neurdein reunis. Their negatives are now owned by the Roger-Viollet Photographic Agency. *Claude Marie Ferrier (1811-1889) was also an important early photographer. He was the 'Pere' in Ferrier Pere, Fils & Soulier - best remembered for their stunning series of glass views. Sorting this collection is a challenge. The postcard rears display a variety of forms - a) garland emblem with LL inside, b) with an addition emblem within (FPS?). Or c) - no emblem which may mean production by another company - however LL. remains on the front as a credit to the photographer. http://www.metropostcard.com/picslogos/pcl-levylucien.jpg.jpg http://www.unpi.com/clem/unpostcards/LON1919PC2Naback.jpg Example Colour Card circa 1920 No. 78 Paris - L'Escalier de l'Opera - LL. http://www.postcardcollector.org/forum/index.php?p=/discussion/1306/levy-fils-cie-paris-specifically-lucien-levy-llAbbeyville was a town in the Somme, so that this is a possible reason that the name has been erased on the postcard. http://www.france-voyage.com/travel-photos/abbeville-11435.htmSmall brown covered book of 12 postcards with views of Abbeyville in the Somme. Issue between each each individual postcard. The cover has an oval on front and the name "Abbeyville" in its centre has been erased. The name of the town has also been erased (censored) throughout the booklet. There is a garland in maroon around the maroon oval on the front cover. Print in dark grey on bottom left and right hand side corners.Print "Modele ... Depose" in dark grey on bottom left and "12 Vues Detachables" on right hand side corners. Names of places printed inside but the name of the town has been erased throughout. "Carte Postale" with logo underneath at centre and "Correspondence" LHS and "Adresse" RHS on top of verso of each postcard in booklet. "Levy Fils & Co, Paris sideways along centre line of postcard on verso.abbeyville, levy fils, postcard, vues, panorama, place de l'amiral-courbet, monument, rue alfred-cendre, alfred-cendre street, statue, saint vulfran church, saint gilles church, museum, prarona statue, avenue de la gars, avenue of the station, chevalier de la barre, river somme, somme, talence bridge, correspondence, carte postale, censor, censored -
St Kilda Historical Society
Ephemera - Postcard, Imitators can't hurt the Dandies, c1911 - 1918
Postcard advertising the Dandies, a collection of troupes, each of around a dozen performers that were popular in Australia throughout World War I. The Dandies were established in 1911 by Edward Branscombe.Unused postcard, yellowed white card printed in brown.the dandies, edward branscombe -
St Kilda Historical Society
Ephemera - Postcard, I'm going to see the Dandies, c1911-1918
Postcard advertising the Dandies, a collection of troupes, each of around a dozen performers that were popular in Australia throughout World War I. The Dandies were established in 1911 by Edward Branscombe.Unused postcard, yellowed white card printed in brown.the dandies, edward branscombe -
The Beechworth Burke Museum
Postcard
The postcard depicts a large group of young men and women posing inside the Beechworth Town Hall. They are attending the Back to Childhood Ball in Beechworth on 3 November 1937. Joining them is a small goat in the front row.The postcard provides insight into entertainment, leisure and recreation in Beechworth during the 1930s. It enriches the community's understanding of how entertainment has developed in Beechworth since the early twentieth century.Black and white rectangular postcard printed on card.Obverse: a memento of the Back To Childhood Ball "Beechworth" / 3.11.37 / Reverse: 3708 / POST CARD / KODAK / CORRESPONDENCE / ADDRESS ONLY / AUSTRAL / A / AUSTRAL / KODAK / N. R. McGEEHAN, (Flashlight Specialist.) / 154 HOTHAM ST., ST. KILDA. S. 2. /entertainment, entertainment album, beechworth, 1930s, goat, recreation, performance, leisure, back to childhood ball, social -
Canterbury History Group
Postcard - Bourke Street Melbourne
Postcard of Bourke Street Melbourne looking east with Melbourne Town Hall , about early 1900sOn reverse of postcard. 16 Willandra Street Dec. 19th/Canterbury/Wishing Albert and Amy/ A Happy Xmas from Ern and Katiestreetscapes, melbourne town hall, bourke street -
Melbourne Tram Museum
Postcard, Colonial Tramcar Restaurant, Tram 442 - Restaurant tram, c1983
Postcard featuring the first Melbourne Restaurant tram No. 442, by The Colonial Tramcar Restaurant. On the rear has the contact details and Reservations number and address. Possibly the first card produced by the Company as it gives a Brighton address. Operations commenced late 1982 or early 1983.Demonstrates the work of the Colonial Tramcar RestaurantPostcard - full colour, divided back.tramways, tramcars, colonial tramcar restaurant, tram 442, restaurant tram -
Eltham District Historical Society Inc
Photograph postcard, State School, Research, c.1910
... postcards ...Postcard inscribed on reverse "Eltham 26.12.12"Digital file only Postcards scanned from the collection of Michael Aitken on loan to EDHS, 13 Feb 2018michael aitken collection, postcards, research (vic.), state school -
Eltham District Historical Society Inc
Photograph postcard, Near Research
... postcards ...Postcard inscribed on reverse "Eltham 26.12.12"Digital file only Postcards scanned from the collection of Michael Aitken on loan to EDHS, 13 Feb 2018michael aitken collection, postcards, research (vic.) -
Phillip Island and District Historical Society Inc.
Photograph - Post Card, Early 20th Century
One of a collection of 11 photographs/postcards donated by Meg Davis & Nancy McHaffie from the estate of Brenda Higgins, grand-daughter of JD & Georgianna McHaffieSepia Postcard of a horse and gig with man and dog. Nobbies in the backgroundThe Rose Series P 666. Looking to The Nobbies, Phillip island, Victoria.the blowhole phillip island, phillip island coastline, horse & gig, meg davis, nancy mchaffie, brenda higgins -
Phillip Island and District Historical Society Inc.
Photograph - Post Card, Early 20th Century
One of a collection of 11 photographs/postcards donated by Meg Davis & Nancy McHaffie from the estate of Brenda Higgins, grand-daughter of JD & Georgianna McHaffieBlack & White postcard of the Cowes Pier with Jetty Shed in the foreground.The Rose Series, P 672. The Pier, Cowes, Phillip Island, Victoriacowes pier, cowes pier phillip island, cowes jetty, cowes jetty shed, meg davis, nancy mchaffie, brenda higgins -
Wangaratta RSL Sub Branch
Embroidered Postcard, c. 1916
Postcard from WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion while posted in France to his family at home.Embroidered silk postcards were first made in 1900 for the Paris Exposition. The popularity of silk postcards peaked during the First World War 1914 - 1918.They were mostly embroidered by French women in their homes and then sent to the factories for cutting and mounting on cards. Many of the cards were illustrated with patriotic symbols, flags, slogans, or sentimental texts. During the First World War, many Allied officers and soldiers based in France sent silk embroidered postcards to their loved ones back homeWhite rectangular postcard with embroidered flags. Handwritten message on back.Front: "Victory / and / Liberty" (embroidered) Back: "To Alice from Will / Best love / hope you are all well as it leave me at present / xxxxxx"wwi, postcard, embroidered postcard, carte postale -
Ararat & District Historical Society (operating the Langi Morgala Museum)
Postcard
Black and white postcard of Barkly Street, Ararat. The photo is taken from the Town Hall. The Commercial Hotel and its balcony are pictured on the right while the zig zag of the main street looks like a dirt road.Addressed to Mr G. Mitchell, Collins St, Melbourne also a letter written on the back of the postcard -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Postcard
Also another photograph tinted on postcard of Mavis Fish a little older 05055.2 14 x 8.5 cm in oval frameBlack and white postcard of baby Mavis Fish daughter of Ted Fishgenealogy -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Postcard, 1920 c
Also anothe black and white postcard of Lake scene from Fair Haven Mallacoota 05121.2 9 x 14 cmBlack and white postcard of jetty at Fair Haven guesthouse Mallacoota VictoriaJatty Scene at 'Fair Haven'Mallacootawaterways -
Eltham District Historical Society Inc
Photograph - Postcard, Geisha Sakae looking into a mirror applying makeup, c.1905 to c.1920s
The text on reverse translates Kikaha toilet department. There is also the printed image of a swallow on the back, which suggests that it was taken by the S. N. Banshiudo Studio in Shiba Park, Tokyo. Geisha Sakae was an extremely popular postcard model shortly after the Russo-Japanese war 1904-05, people used to line up early in the morning whenever a new postcard was released at the postcard shop in Ginza. The beauty of her gait was so widely admired that her walk inspired many of the leading Onnagata (male Kabuki actors in female roles) of the day. She went on to marry Ichikawa Sadanji II, one of the most popular Kabuki actors in Japan, who worked hard to promote new plays and revive long-forgotten classical dramas. [Ref: https://www.flickr.com/photos/blue_ruin_1/8448420741] During the Russo-Japanese War (1904–05), the Japanese government sent postcards of beautiful Japanese women, bijin ehagaki (美人絵葉書), to soldiers to motivate them. Publishers continued to print them well into the 1920s. [Ref: Duits, Kjeld (February 21, 2022). 1910s: Geisha Postcards, OLD PHOTOS of JAPAN. Retrieved on March 31, 2024 (GMT) from https://www.oldphotosjapan.com/photos/883/vintage-geisha-postcards-early-20th-century] See also: Sakae さかえ - Meiji / Taishō Era Geisha https://www.flickr.com/groups/1988804@N22/pool/ The photochrom process Photochroms are not photographs but actual prints, produced using 6 to 15 colors and the lithography printing process. The technique was invented by the Swiss Hans Jakob Schmid during the 1880s. The fascinating aspect of these prints is that they are created from black and white photographs. It required quite some work and talent to create these images. The photographer would usually make notes about the colors in the image he shot. These enabled a painter to create a painting that served as a color guide for the litho stone maker. This artisan would then create multiple exposures of the original black-and-white negative, changing the exposure time, development settings, and using dodge and burn techniques to create the required set of 6 to 15 stones that would each be used to print one specific color. By combining all these colors you get the prints [Ref: https://www.prepressure.com/printing/history/photochrome-prints]This item, a souvenir from Japan from between the wars (circa 1923) was brought home to Research, Victoria by Bill Teagle who was serving in the Royal Australian Navy (1919-1945). Bill Teagle's sister Violet Amelda Teagle had married Theodore (Curly) Feldbauer in 1933. Bill's brother-in-law Curly was taken as a Prisoner of War by the Japanese and died at Sandakan in March 1945. The family did not learn of Curly’s death till months later and Bill's sister, Violet, herself could never forgive the Japanese for what happened to Curly. Curly is remembered on the Eltham Roll of Honour Board and his son, Albert Feldbauer (Bill’s nephew and youngest child of the children of the soldier fathers attending a school in the district), was given the honour of turning the first sod for the Eltham War Memorial Infant Welfare Centre Building. Despite this, the family maintained this cherished souvenir from a time of previous foreign friendship with Japan. The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. (Eddie had been engaged to someone else before he went to war, but his fiancée broke it off before his return to Australia.) It was cared for by the Teagle/Fielding family for approximately one hundred years. It is of particular significance given the family's connection to the Eltham War Memorial and the significance of that memorial to the local community and represents that despite the horrors of war, former friends then foes can become friends again.tom fielding collection, geisha sakae, japanese postcard, postcard -
Eltham District Historical Society Inc
Photograph - Postcard, Geisha Sakae holding an Ichimatsu Doll, c.1905 to c.1920s
The text on reverse translates to Kikaha toilet department. There is also the printed image of a swallow on the back, which suggests that it was taken by the S. N. Banshiudo Studio in Shiba Park, Tokyo. Geisha Sakae was an extremely popular postcard model shortly after the Russo-Japanese war 1904-05, people used to line up early in the morning whenever a new postcard was released at the postcard shop in Ginza. The beauty of her gait was so widely admired that her walk inspired many of the leading Onnagata (male Kabuki actors in female roles) of the day. She went on to marry Ichikawa Sadanji II, one of the most popular Kabuki actors in Japan, who worked hard to promote new plays and revive long-forgotten classical dramas. [Ref: https://www.flickr.com/photos/blue_ruin_1/8448420741] During the Russo-Japanese War (1904–05), the Japanese government sent postcards of beautiful Japanese women, bijin ehagaki (美人絵葉書), to soldiers to motivate them. Publishers continued to print them well into the 1920s. [Ref: Duits, Kjeld (February 21, 2022). 1910s: Geisha Postcards, OLD PHOTOS of JAPAN. Retrieved on March 31, 2024 (GMT) from https://www.oldphotosjapan.com/photos/883/vintage-geisha-postcards-early-20th-century] See also: Sakae さかえ - Meiji / Taishō Era Geisha https://www.flickr.com/groups/1988804@N22/pool/ The photochrom process Photochroms are not photographs but actual prints, produced using 6 to 15 colors and the lithography printing process. The technique was invented by the Swiss Hans Jakob Schmid during the 1880s. The fascinating aspect of these prints is that they are created from black and white photographs. It required quite some work and talent to create these images. The photographer would usually make notes about the colors in the image he shot. These enabled a painter to create a painting that served as a color guide for the litho stone maker. This artisan would then create multiple exposures of the original black-and-white negative, changing the exposure time, development settings, and using dodge and burn techniques to create the required set of 6 to 15 stones that would each be used to print one specific color. By combining all these colors you get the prints [Ref: https://www.prepressure.com/printing/history/photochrome-prints]This item, a souvenir from Japan from between the wars (circa 1923) was brought home to Research, Victoria by Bill Teagle who was serving in the Royal Australian Navy (1919-1945). Bill Teagle's sister Violet Amelda Teagle had married Theodore (Curly) Feldbauer in 1933. Bill's brother-in-law Curly was taken as a Prisoner of War by the Japanese and died at Sandakan in March 1945. The family did not learn of Curly’s death till months later and Bill's sister, Violet, herself could never forgive the Japanese for what happened to Curly. Curly is remembered on the Eltham Roll of Honour Board and his son, Albert Feldbauer (Bill’s nephew and youngest child of the children of the soldier fathers attending a school in the district), was given the honour of turning the first sod for the Eltham War Memorial Infant Welfare Centre Building. Despite this, the family maintained this cherished souvenir from a time of previous foreign friendship with Japan. The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. (Eddie had been engaged to someone else before he went to war, but his fiancée broke it off before his return to Australia.) It was cared for by the Teagle/Fielding family for approximately one hundred years. It is of particular significance given the family's connection to the Eltham War Memorial and the significance of that memorial to the local community and represents that despite the horrors of war, former friends then foes can become friends again.tom fielding collection, geisha sakae, japanese postcard, postcard