Boys scramble over a 1920's style car, in the front gardens of RVIB St Kilda Road. One sits on the roof and another on the bonnet, both reaching to feel the windscreen wipers. Three boys are at the front, touching the engine, whilst two more touch the front of the tyre and another boy touches the rear of the tyre. The final three boys sit on the running board with various components in their hands.royal victorian institute for the blind, education, children

This cut-glass vase was presented to the Donald Auxiliary in recognition of their 60th Anniversary. It has lattice style cut glass around the body of the vase and 'shell' cuts around the neck and top. Just below the neck is engraved: Presented to Donald Auxiliary 60th Anniversary 1989. Many auxiliaries received vases such as this, however only one has been retained for representation.1 cut glass vase with inscription upon bulb of basePresented to RVIB Donald Auxiliary 60th Anniversary 1989royal victorian institute for the blind, auxiliaries, awards

This artwork was created in collaboration by Shanaya Sheridan and Josh Muir in 2018. Josh Muir was a proud Yorta Yorta, Gunditjmara and Barkinji man, who holds his culture close to his heart as it gives him a voice and great sense of identity. Josh is a Ballarat-based multimedia artist. In 2015 Josh was the recipient of the Telstra National Indigenous and Torres Strait Islander Art Award – Youth Award and the Hutchinson Scholarship, through which he undertook a 12-month residency at the Victorian College of the Arts in Melbourne. Muir's work has been acquired by the Koorie Heritage Trust, The National Gallery of Australia, the Museum and Art Gallery of the Northern Territory, the National Gallery of Victoria and was commissioned as a major project artist by White Night. Shanaya Sheridan, is a proud Yorta Yorta, Dja Dja Wurrung and Boon Wurrung woman who has resided in Ballarat for 20 years, after living in Horsham, Shepparton and Melbourne. Growing up and watching her Elders, and their style of artworks, Shanaya is influenced by a traditional style of Aboriginal art, mixing it up with contemporary colours. This reconciliation piece is Shanaya’s first commission. Artists' Statement: '“This painting represents reconciliation across all lands, from the skies down to the waters including the mountains, grass and sand. The hands represent people of all cultures reaching for a brighter future, and the men and women in talks of how reconciliation can be achieved. Last but not least, the footprints represent our Aboriginal and Torres Strait Islander ancestors that have fought for reconciliation before us and their steps/progress towards reconciliation.' Digital prints of this artwork on aluminum are displayed at Federation University Australia campuses at Mt Helen, Gippsland (Churchill), Berwick, Brisbane and Horsham.reconciliation, josh muir, shanaya sheridan, aboriginal, reconciliation action plan

George Kyriakides migrated to Australia on the 1 January, 1948, leaving his home country of Cyprus for the promise of new opportunities in Australia. His silversmith skills were learned from a young age, working with his father to supplement the family income. The Saracen Plate Company was founded in 1952, from small beginnings in the garage of his family home in the Melbourne suburb of Malvern. The business grew quickly and facilitated the purchase of the property at 152 Lygon Street, Carlton. This original dwelling on the site was demolished and rebuilt as both a workshop and living space for the growing Kyriakides family. The business was primarily a wholesale manufacturer and supplied prominent Victorian department stores and Jewellers, such as Myer, Dunklings and Prouds. The Saracen Plate Company specialised in a style of silver plate known as 'Sheffield Reproduction', which featured in many homes as commemorative gifts or serving ware. (Hunter, A. (2017) Saracen Plate Company - Lygon Street Carlton 1952-1974 in Museums Victoria Collections https://collections.museumsvictoria.com.au/articles/15804) The origins of this item is unknown although it was possibly either a gift or purchased by the City for use. Silver plated ice bucket with lion head handles and braided trim. Missing insert.On base; Saracen reproduction. Silver plated. city of greater bendigo corporate gift, george kyriakides

"A court was established in Melton by 1864, when the first recorded case was heard before Mr BA Porter JP, with Mr A Carroll as the Clerk of Courts. John James was convicted of being drunk, for which he was fined five shillings or 24 hours imprisonment. The court was held in the ‘long room’ of the old Melton Hotel, before moving to rented accommodation at the Raglan Hotel, and finally to the Roads Board office. Tenders for construction of the present building were called for by the Public Works Department on 13th February 1892. The architect Samuel Edward Brindley was born in Birmingham, England, in 1842. He was articled to the local architect, J.R. Botham, FRIBA, before emigrating to Victoria where he was employed as an architect in the Education Department from 18 August 1873. With the amalgamation of the architectural branch of the Education Department with the Public Works Department in 1884, Bindley was placed in charge of Victorian government building design for the North-Western District. In 1975, the Melton and District Historical Society became concerned at hearsay that the court house was to be demolished to make way for carparking space. Melton had been declared a ‘satellite city’ and was developing rapidly. A new shopping centre had recently been built at a setback of 60 feet (c.18 metre) from 323-329 High Street, and the court house, together with the adjacent weatherboard police station, had been left standing alone. A new police station was planned, and the weatherboard police station was subsequently demolished. In its nomination of the building for National Trust classification the Society argued that the Court House was ‘the best of two early buildings left in the main street’ (the other being a bluestone hotel) and that its loss would be ‘tragic’. However the nomination was unsuccessful, the National Trust at the time judging that it was of no particular ‘distinction’ or ‘antiquity’. The building continued to be used as a court house at least until 1991 when the Department of Housing and Construction (formerly the PWD) conducted a heritage study of court houses. By this time Federation-era architecture had achieved acceptance within the heritage movement. The building was recognised as being ‘the only surviving example in brick of the Federation Queen Anne style which was used for court houses only twice.’ Twenty years later when it was proposed to modify the eastern façade of the building to accommodate a café, the M&DHS was again concerned. This time the National Trust objected that the proposed extension would be an over-development of the site, and questioned the changes to the interior court room furnishings and fittings. The site never appears to have been nominated to the Victorian Heritage Register. It has since been converted into the Shire of Melton Tourist Information Centre". Opening of the Visitor Centre in Meltoncouncil, local architecture

This fairly substantial wooden desk with vinyl top was issued to Wilson’s Promontory Lightstation by the Department of Public Works in the 1960’s. Primarily the desk was used for correspondence purposes, and now has the Bureau of Meteorology computer stationed on it. Although the design and make of this desk is common to many lightstations across Victoria, it is a good example of the kind of furniture that was provided to Victorian lightstations in the 1960’s. The solidly constructed desk was used in the lightstation office. It is made of honeycoloured hardwood and has a green vinyl top and three drawers on the left side. The style suggests that it may date to the 1960s. Gabo Island Lightstation has two identical desks, and all were probably standard issue from the Commonwealth Lighthouse Service or Public Works Office. Another twentieth century vinyl topped desk at Gabo is manufactured with a steel frame. Cape Nelson, Cape Schanck, Point Hicks and Gabo Island retain nineteenth century cedar desks. The desk at Wilsons Promontory has second level significance as a good example of the style of office furnishing provided to lightstations in the 1960s.Wooden desk with square legs and green vinyl top. It has three drawers with wooden handles on the left . The top drawer has a keyhole.

Badly damaged grey fabric covered hardcover Victorian reader Fourth Book which has a home made outer vinyl red, pink floral and square patterned dust jacket style cover. There are ink and pencil markings throughout. The cover is coming away from the spine. There are black and white illustrations. Lance Sebire is written in ink on the front cover.183p.non-fictionThis is a first edition of The Victorian Readers Fourth Book published by the Education Department of Victoria. school reader, textbooks, schools, victorian education department

This photo is a very early example of an action image from an Australian Rules football match in a rural area in Victoria. The identity of the two teams is not confirmed. The team with the dark colored uniform is probably the Bacchus Marsh football team. The other team is possibly Parwan. The style of uniforms suggest the date of the photo is from around 1910 or possibly a few years earlier. This item has particular historic and social significance as an action image of two of the early sporting teams of Bacchus Marsh and district. These type of images are very rare for teams outside of the major metropolitan competitions such as the Victorian Football League of Victorian Football Association. It therefore provides a rare and fascinating depiction of an early football game as it was played and the ground conditions in which footballers played in the early 1900s.A black and white photograph produced from a digitized glass negative held by the State Library of Victoria titled, ‘Men and boys playing football on an oval set among trees and fields’ ca. 1910, Pictures Collection, State Library Victoria, H92.433/20. The description for the image held by the State Library of Victoria does not identify the location where the image was taken. By close comparison with other images of Maddingley Park held by the Bacchus Marsh and District Historical Society the location has been identified as Maddingley Park, Bacchus Marsh. A significant identifier for this image is the presence of the Evans Pavilion in the background which was built in 1896. Trees and statues in the background on the left side of the image also match other images of Maddingley Park from this time.australian rules football, bacchus marsh football club, australian rules football action images

Presented by Sir Walter Leitch KB, CBE to the Drums of the Victorian Scottish Regiment for Annual competition 30/11/37.Trophy is of a silver finish, is of a cup and standard style with two handles the base is of a compisit mat. Base has a plate engraved 1938 DMR J.W.E WARHURST, 1963 DMR R. LORD, 1964 DMR W. STEVENS Cup is engraved "Presented by Sir Walter Leitch KB, CBE to the Drums of the Victorian Scottish Regiment for Annual competition 30/11/37. 1 x handle has been broken off.1938 DMR J.W.E WARHURST, 1963 DMR R. LORD, 1964 DMR W. STEVENS Cup is engraved "Presented by Sir Walter Leitch KB, CBE to the Drums of the Victorian Scottish Regiment for Annual competition 30/11/37trophy, 5/6 rvr pipes and drums, victorian scottish, 5/6 rvr bhq

presented by Sir Walter Leitch KB, CBE to the pipes of the Victorian Scottish Regiment for annual competition 30 Nov 37Trophy is of silver finish is of cup standard style with two handles. The base is of a compisit base. Base has a plate engraved 1938 Piper A.R lanz 1963 Piper H. Agnew, 1964 piper D.B Bail Cup is engraved "presented by Sir Walter Leitch KB, CBE to the pipes of the Victorian Scottish Regiment for annual competition 30 Nov 371938 Piper A.R lanz 1963 Piper H. Agnew, 1964 piper D.B Bail Cup is engraved "presented by Sir Walter Leitch KB, CBE to the pipes of the Victorian Scottish Regiment for annual competition 30 Nov 375/6rvr pipes and drums, victorian scottish, trophy, 5/6 rvr bhq

The collection of thirteen model horse drawn vehicles were carefully handmade by Mr Chas W Davis 1925 - 2002. He was a talented artist and saw doctor. This model of a horse drawn Cobb and Co coach replicates the vehicle that enjoyed respect from the public during the 1880's. There were four horse drawn models as well.A model of a red Cobb and Co enclosed coach which is a four wheeled passenger horse drawn vehicle where the driver sits at the front behind the two light brown and grey horses. The name ROYAL MAIL COBB.CO is painted in white lettering on both sides. It has four gold painted spoked wheels with black rims, two gold painted coach lamps, black padded seating and four open windows with blinds that are rolled up. There are 2 doors with a drop-down step for easy access into the coach. A long brown wooden shaft separates the horses which also have black leather shaft style straps on both sides as well as the necessary horse tack for carriage use to help the driver communicate with the horses. There is a black wooden slotted luggage rack at the back held on by gold chains. On top of the coach is a decorative gold painted luggage rack. Freeman Cobb established Cobb and Co in Australia in 1853 to operate horse drawn mail and passengers between Melbourne and the Victorian Goldfields. It expanded to Queensland in 1865. ROYAL MAIL COBB.COreplicas, models, scale models, vehicles, carriages, horse drawn vehicles, toy horses, postal services, road transport, goldfields, coaches

The Victorian Bands' League was officially founded on the 10th of April, 1931. This new organisation quickly gained the affliations of all brass bands in Victoria and took over the control of bands from the Victorian Bands' Association. The new VBL started presenting massed bands events at the MCG and ran competitions around Victoria. This program pamphlet is a unique example of the style of massed bands events that were held at the MCG with 24 brass bands all marching into the ground and performing a number of items individually or in groups. This would have been quite a spectacle! This small program is very significant to the banding history in Victoria. It provides a wealth of information as to the bands that existed in 1933 as well as what they played, and how the VBL organised events. As well as this, there is evidence of a large number of metropolitan bands as well as bands from country areas.Small printed pamphlet on thin paper.victorian bands' league, melbourne cricket ground, malvern tramway junior, malvern tramways band, stonnington city brass, coburg west boys, prahran city, kingsville and yarraville citizens', footscray city, footscray-yarraville city brass, coburg city, northcote citizens and soldiers', essendon citizens', moonee valley brass band, geelong city, terang brass, geelong west city, south melbourne city, reservoir citizens', st. kilda city, oakleigh city, oakleigh band, hawthorn city, kensington district, brunswick city, moreland city band, moorabbin shire, metropolitan fire brigade, sunshine district, sunshine community brass, kew city, kynetown town

This is an extremely significant document highlighting the operations of the Victorian Bands' League in only its third year. Here we have an Annual General Meeting notice and report which would have been sent to all bands and delegates. It outlines the business of the league up until this date and the financial details. It is evident that a number of bandsmen from all over Victoria took an interest in the league given the locations and bands of the office bearers.This AGM notice is extremely significant to the history of the Victorian Bands' League due to the information that's contained and the style of presentation. It is unclear whether other AGM notices still survive which makes this rare notice very valuable for research purposes.Printed on stiff papervictorian bands' league, brunswick city, warrnambool municipal, collingwood citizens', warracknabeal and district, mentone citizens', northcote citizens' and soldiers', heidelberg municipal, south melbourne city, williamstown city, yallourn and district, shepparton and district, geelong west city, terang brass, hamilton town, stawell brass, metropolitan fire brigade

Commonwealth government issue. This nest of tables are currently in use by the lighthouse staff.The set of three tables of descending size are designed in the same distinctive style as the bookcases and share the same wood type and finish (GILS 0012.2). Information on the underside of the tables indicates they were purchased by the Commonwealth through the Department of Transport for the CLS. The design bears the stylistic marks of the easily recognisable furnishings produced by the Kalmar firm, Sydney. Steven Kalmar (1909-1989), who migrated to Australia in 1939 and opened his own interiors business in 1949, played a significant role in popularising modernist design concepts in Australia drawing his ideas from Scandinavian and American trends. Born in Hungary, he trained as an architect and his contemporary affordable furnishings were especially suitable for the open-plan houses built in Australia’s new post-war suburbs. He closed the retail side of this in 1957 and concentrated on commissions, some for large-scale orders. One of these bulk orders came from the Commonwealth Government sometime between 1957 and the early 1970s, with several examples of light, compact and functional domestic furnishings supplied to lightstations in Victoria. Because the order was placed by the CLS, it is possible that Kalmar furnishings were also provided to lightstations in other states. Additional examples at Gabo Island include three bedside tables (GILS 0042.2 & 0076.10), chest of drawers (GILS 0077) and two bookcases (GILS 0012.2), with the backs of at least two of the furnishings bearing the Kalmar label. Kalmar furnishings in the other Victorian lightstations investigated by this study include bookcases at Cape Otway, Cape Nelson (3 examples) and Point Hicks (2 examples); two bedside tables at Cape Otway, and a long coffee table at Wilsons Promontory. The set of tables has first level contributory significance for their clear provenance, completeness and association with Steven Kalmar whose functional designs introduced modern, low cost furnishings to a number of Australia’s lightstations.Nest of three Scandinavian style tables, solid wood. Curved U shaped legs, one bar at base of table.Underside of GILS007.3:"C of A / D.O.T 1444248" (Commonwealth of Australia, Department of Transport.) •All tables have "16" on underside.

The blue work coveralls would have been worn as protective clothing for Victorian Railways employees working on train maintenance and workshop tasks in the later part of the 20th century. The style of the exterior pockets on the front suggests a date of c. 1970s-1980s.The Victorian Railways coveralls have local significant as part of the Wodonga Historical Society's donations from Wodonga residents. They also have significance from a social history perspective due to the VR logo on the front and the relative rarity of protective work clothing for Victorian Railways employees.Blue Victorian Railways work coveralls, with the VR logo above the proper left pocket on the front. The blue fabric is worn and stained from use."VR" logo above the proper left pocket on the front of the coveralls. "JONES / workwear / SIZE 87 R - 5" on the side of the proper left pocket on the front of the coveralls.victorian railways, v.r., victorian railways coveralls, victorian railways prtective work clothing

John Woodland was the first President, Secretary and Engineer for the Shire of Wodonga, after it separated from the Yackandandah Shire in 1876, when the Victorian Government agreed to a ratepayers' petitions to form a new municipality.The framed photograph of John Woodland has local significance as he was the first President, Secretary and Engineer for the Shire of Wodonga when it was established in 1876. The photograph has historical significance as it is an illustration of three generations of a prominent family in Wodonga in the late 19th century in the stylised setting typical of that time. It also shows the kind of clothes and hair styles men, women and children from well-to-do familes wore.Sepia-toned photograph of John Woodland and his family in a brown wooden frame with a gold bevelled edge and grey matt board. Hand written inscription on the cardboard on the back of the frame." MrJohn Woodland / & Family / first President / Secretary / Engineer } for Wodonga Sh---" on the top of the cardboard back and above the following inscription: "Son Mr Charles Woodland & Grandson. / Daughters Mrs. R. F. Murphy, Secretary for Council for ... / years after her father's d... / Mrs. Susan Noonan"john woodland, wodonga shire, woodland family, wodonga, john woodland photographs

Cambourne homestead was built by 1903 for Rebecca S. Carkeek, who purchased the property in Wodonga in 1899. Cambourne is situated on the original Wodonga run which was established in 1836. The township of Belvoir, later renamed as Wodonga. In 1855 the pre-emptive right of 171 acres of the Wodonga run was granted and sold the following year. The allotments on which the five-acre Cambourne property developed, were purchased in 1873 and 1876, coinciding with the opening of the railway from Melbourne. The property was purchased by Rebecca Carkeek in June 1899, wife of William Carkeek, publican of Wodonga and shire councillor. Local architects Gordon and Gordon have been credited with the design of Cambourne. The house at Cambourne was built at some stage between 1900 and 1903 as a large single storey homestead. It was constructed in red brick with corrugated iron roof and encircling verandah. Cambourne is a probable work of architects Gordon and Gordon, it is amongst their best preserved and one of their few surviving buildings in Victoria. Today Cambourne remains on a reduced allotment due to the acquisition of land in 1972 by the Country Roads Board and in 2006 by Vic Roads for road works adjacent to the property.This drawing is significant as a representation of Cambourne in Wodonga. Cambourne is of historical significance due to its links with the early settlement of the district and as an example of closer settlement which occurred in regional centres of the State. Cambourne, Wodonga is also of architectural significance as a largely intact late Victorian style house with elaborate decorative cast iron work and distinctive transverse plan. As a probable work of architects Gordon and Gordon, it is amongst their best preserved and one of their few surviving buildings in Victoria. A framed drawing of historic home, Cambourne in Wodonga. The drawing has been mounted and framed.On bottom right corner" Kevin P. Clark 1984"cambourne wodonga, gordon and gordon architects, historic buildings wodonga, heritage buildings wodonga

The Former Clyde Cameron College was constructed in 1976-7 as a residential training college for trade unions. The college was commissioned and operated by the Trade Union Training Authority (TUTA) from 1977 until its closure in 1996. The design team was the Architects Group and the Commonwealth Department of Construction was responsible for site supervision and contract administration. The building was constructed jointly by Costain Australia Ltd and M.A. & A.W. Chick of Albury. The foundation stone was unveiled by Clyde Cameron in 1976. He was the serving Federal Minister for Labour from 1972 to 1974, Minister for Labour and Immigration 1974 - 1975 and Minister for Science and Consumer Affairs in 1975. The building was completed at a cost of $6.5 million in 1977. It was one of the most controversial of the 1970s due to its Brutalist architecture. The complex consists of a series of wings of one and two storeys linked by pre-cast concrete pipe walkways. Inside the wiring and pipes were left exposed and painted in primary colours to show off the workmanship. The accommodation, most of them single rooms, were able to house 70 students at a time with 1200 students to go through each year. The training college was closed in 1996 and was taken over by the Murray Valley Private Hospital and Murray Valley Radiation Oncology. In July 2008, the Royal Australian Institute of Architects awarded its “25 Year Award for Enduring Architecture” to Clyde Cameron College. The building was again sold in February 2023, although its future is yet to be determined.The former Clyde Cameron College is of architectural significance as an example of the late twentieth century Brutalist style and the work of Victorian architect and lecturer Kevin Borland. It also has historical significance for its association with the Trade Union movement, and the Whitlam government, including its role as Australia’s first residential trade union training facility. It is a physical reminder of the influence of the union movement in the 1970sA collection of colour photographs documenting the buildings at the former Clyde Cameron College, Wodonga.clyde cameron, trade union training, clyde cameron college

Stan and Mary Parker commenced the Plant Farm in Smythe Street Wodonga in February 1949. The nursery consisted of two blocks, on one of which their house was built. They started off with approximately £70 and a 1939 Singer mini-Ute. In the early days most customers came from the farming community. In late 1951 the Parkers purchased to a new site on the corner of High and Osburne Streets. Business went well and in 1957 they purchased the adjoining block. They later demolished the old house on the corner of High Street and Osburne Street, building a new home lower on the same block. As the nursery prospered Stan and Mary built a shop and showrooms with glassed-in portion for the indoor plants and a large shaded area for the display of shrubs. In 1978 they sold the nursery to Mr. & Mrs. John Gale. In 1981 the Wodonga Plant farm was purchased Geoff and Kay Pollard and they moved to its current location at the corner of Beechworth Road and Huon Creek Road. Initially they brought it as an investment but it soon got into their blood and chose to not only continue but expand the nursery and its offerings. This included a large showroom, a water shop which specialises in pool equipment, chemicals and water testing, a children's playground and an outdoor blind centre. Further expansions led to the addition of a Tuscan-style cafe on the site which has become a meeting place. The business was nominated the Yates Victorian Best Garden Centre in Australia for many years and won the award in 1997. In 2024, the Wodonga Plant Farm is still a vibrant and popular business being operated by the Pollard Family.These items are significant because they document the story of respected Wodonga Business which has served the community for over 60 years.A selection of photographs and article documenting the story of the Wodonga Plant Farmearly wodonga businesses, wodonga plant farm, pollard family, geoff and kay pollard

The Hamilton-Smith collection was donated by the children of Grace Mary Hamilton-Smith nee Ellwood (1911-2004) and John Hamilton-Smith (1909-1984) who settled in Wodonga in the 1940s. The Ellwood family had lived in north-east Victoria since the late 1800s. Grace’s mother, Rosina Ellwood nee Smale, was the first teacher at Baranduda in 1888, and a foundation member of the C.W.A. Rosina and her husband Mark retired to Wodonga in 1934. Grace and John married at St. David’s Church, Albury in 1941. John was a grazier, and actively involved in Agricultural Societies. The collection contains significant items which reflect the local history of Wodonga, including handmade needlework, books, photographs, a wedding dress, maps, and material relating to the world wars. This quilt sampler was made before 1900 by Rosina Ellwood. Crazy quilts were fashionable in the late Victorian era. The rise of the trend is attributed to the display of Japanese art and ceramics at the 1876 Philadelphia Centennial Exposition (U.S.A.) that featured asymmetrical designs. Inspired, quilters began sewing pieces of fabric of different sizes and textures together into abstract, asymmetrical patterns. The craze spread from America around the world. Embroidery, ribbon and silk embellishments, and hand stitched applique birds and flowers were popular additions. One magazine estimated that a detailed crazy quilt could take over 1,500 hours to complete. Crazy quilts remained in fashion in metropolitan cities until about 1910, though the style endured for longer in rural areas. This item is unique, handmade and has a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history and women’s history.A colourful patchwork quilt sampler using mixed fabric types including velvet, cotton, brocade and satin, backed on cardboard.hamilton-smith collection, hamilton-smith, stiching, needlework, sewing, handmade, domestic, quilt, quilts, crazy quilt, crazy quilts, women's history

ill, maps, p.144.non-fictionFrom the vast emptiness of the Nullarbor Plain, on the longest straight rail line in the world, to the twisting tracks of outback Queensland and the rainforests of the north, Australia's railways offer a rich variety of contrasting experiences. Taking the train is an ideal way to explore the continent in comfort and style. Features include: fully revised fifth edition- updated and expanded: with seventy maps including the new Ghan extension to Darwin, rail travel for all budgets--from the five-star luxury of the Great South Pacific Express to economy sleeping berths for budget-conscious travellers, plus full details of the Austrailpass and other passes and ticket bargains, railway route guides with seventy rail maps--all main lines and branches, what to look out for when travelling, and where to stop, railway history--and the battle for the survival of rail in Australia, city guides and maps--the best sights, recommended hotels, and restaurants in many stops along the lines; with extensive sections on Sydney, Melbourne, Brisbane, Adelaide, Perth, Darwin, and Canberra.railroad travel -- australia -- guidebooks, railroad travel -- australia

Admission tag to Australian Open 2002. Played at Victoria Golf Club 21-24 Nov 2002. Bruce Harding was a rules official at this Australian Open at Victoria Golf Club.Bruce Harding is a past HGC President and was involved with Victoria's junior teams, the Victorian Golf Association and was a rules official..Red enamel on metal with red strap. Keyring style.Obverse: “Holden Australian Open Victorian GC Vic” Reverse: “Admits to course and clubhouse. Victoria Golf Club 21-24 Nov 2002. Dress regulations apply”bruce harding, australian open (golf)

Admission tag to Australian Open 2002. Played at The Grand Golf Club, Queensland 22-25 Nov 2001. Bruce Harding was a rules official at this Australian Open at The Grand Golf Club, Queensland.Bruce Harding is a past HGC President and was involved with Victoria's junior teams, the Victorian Golf Association and was a rules official..Red enamel on metal with red strap. Keyring style.Obverse: “Holden Australian Open The Grand GC QLD” Reverse: “Admits to course and clubhouse. The Grand Golf Club 22-25 Nov 2001. Dress regulations apply”bruce harding, australian open (golf)

Admission tag to Mastercard Masters 2004. Played at Huntingdale Golf Club. 9-12 December 2004. Bruce Harding was a VGA councillor. Bruce Harding is a past HGC President and was involved with Victoria's junior teams, the Victorian Golf Association and was a rules official..Blue enamel on metal with blue strap. Keyring style.Obverse: “Mastercard Masters VIP 2004” Reverse: "Admits to course and clubhouse. Huntingdale Golf Club, 9-12 December 2004"bruce harding

The old style luggage barrow or porter's trolley is used at railway stations throughout Australia. These types of porter trolleys served a vital role in supporting passengers to move their luggage around on a station platform. An everyday item used on stations platforms to move luggage around by a porter it is significant as it is an item not used now but can give us a historical view of social life and snapshot of Australia's main source of transport in the Victorian era the train.Luggage or cargo barrow without sides, made from iron wheel and wooden slats with metal supports. It is used as a trolley to move luggage.Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, wheelbarrow, luggage barrow, luggage trolley, porter's trolley