Pipe in the ground - High St. Bridge G/A01/03/1990Polaroidorganisation, industry, gas and fuel

Pipe in the ground - High Street Bridge GIA 01/03/1990Polaroidorganisation, industry, gas and fuel

Pipe in the ground - High Street Bridge GIA 01/03/1990Polaroidorganisation, industry, gas and fuel, pipe in the ground - high street bridge gia 01/03/1990

Pipe in the ground - High Street Bridge GIA 01/03/1990Polaroidorganisation, industry, gas and fuel, pipe in the ground - high street bridge gia 01/03/1990

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of the Ampol Trial Car starting from Cowes in 1959local history, photography, start of the ampol trial car from cowes 1959, black & white photograph, ampol car trial 1959, cowes, john jenner, bryant west

Photos from a book compiled about the Legacy children's residence called Stanhope. Including residents at a dance in the house, watching television, a cat and washing day. Names written next to the dance photos are: Beverley Long, Betty Henderson, Jacky King, Doreen Devlin and Peter. Girls watching television were: Sandra Lucas, Karen Pearce, Geraldine Grant, Gloria Kenneth, Kay Ponsford and Dorothy Brook. The girl in the washing photo is June (possibly June Brook). The cat is called Polly. Stanhope was supervised by Matron Dorothy (Dorrie) Vines from the time it opened in 1946 until she retired in December 1966. It is likely she compiled this notebook as she is referred to as 'self' in one photo. Individual pages of photos or newspaper clippings have been added separately. Items 01817 to 01827. Blamey House (purchased 1947) , Stanhope (purchased 1945) and Harelands (purchased 1950) were residences run by Melbourne Legacy to take care of children whose fathers were servicemen, and who may have been left orphans, or whose mother may have been unable to care for them herself. Harelands accomodated boys and girls under the age of 14, Blamey House looked after boys over 14, and Stanhope looked after girls over 14. The children were cared for until they were old enough to become independent. A record of life at Stanhope in 1959 showing social activities and everyday chores.Black and white photo x 6 of activities at Stanhope in 1959.stanhope, residences

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of Rolls Royce car in the 1959 Moomba Parade. The car was stated to have cost 8,000 pounds in 1945, and was used on the set for filming part of "On the Beach" in 1959 at Cowes, Phillip Island. local history, photography, a rolls royce limousine, black & white photograph, motor transport, moomba, on the beach filming, john jenner, bryant west

Sewer Main Damaged in Barkly Street Outside No. 9 - 06/02/1992Polaroidorganisation, industry, gas and fuel

In February 1959 eight NBH carriages were tranfered from storage at Newport to Colac in time for the first tentatively organized trip over the Colac-Beech Forest railway line. Eventually seventeen excursion trains ran, with carriages and an NC guard's van, usually hauled by G41 or G42, but occasionally 14A locomotive. The train run by 14A ran soon after the carriages were delivered.B/W. At McDevitt station locomotive 14A passes through on a rare NA-hauled eight excursion carriage and NC guard's van train. The front of the engine is labelled "The Ridge; 21 M(arch) 1959; ARHS", the Australian Railways Historical Society.colac; beech forest; railways; mcdevitt;

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of members of the cast of the "Q" Theatre Guild in their 1959 production of Michael Balfe's The Bohemian Girl. Beatrice Oakley was the producer and John Trotter the musical director. The costumes were designed and made by Marion Tilley while the scenery was designed by Claude Ward and Lachlan Stebbins. An annotation, in the corresponding programme, records that Joan Carden (later a star of the Australian Opera) performed in the Ladies of the Chorus.Marion Tilley, the creator of the scrapbook, wrote the following names underneath the photograph: "Fred C., Esme M., Val Breen, Jeanette R., Alan Wilson, B. Meagher, Irene T., Gwen Bolden".performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, theatre programmes, musical comedy -- melbourne -- victoria

The HMAS Sydney FFG 03 was an Adelaide-class guided-missile frigate of the Royal Australia Navy. She was constructed in the United States of America and was launched in 1980. The Sydney was commissioned on 29 January 1983 and decommissioned on 07 November 2015.The HMAS Sydney was commissioned to the Royal Australian Navy and has been involved in responses in Fiji and Bougainville, she was also deployed to the Persian Gulf on five occasions to support US Gulf War operations.A stained wooden plaque with an etched picture of the Sydney and the ships motto 'Thorough and Ready' on a plate attached to the wooden plaque, there is also a presentation plate attached to the plaque.HMAS Sydney FFG 03 Presented to Geelong RSL by HMAS Sydney 13 July 1991hmas sydney, ffg 03, adelaide class frigate, ran,

Negative No. N392 and black and white print made by a laser printer (stored in folder) of Ballarat tram No. 40 at the City terminus in Sturt St. on the south side. Tram has the destination of Sebastopol. Has the National Mutual Life Association building in the background, the Commonwealth Bank building and Prouds Jewellers. Date of photo on folder - 5/9/1959. Original negative rescanned 24/5/2020 and image file updated.Paper folder that contained the negative had "NR6A" in red ink, "BA20" in pencil, date stamp of "5/9/1959" on front, and on rear date stamps "26 Sep 1962" and "26 Sep 1962".trams, tramways, sturt st, grenville st, signals, safeworking, tram 40

A collection of photographs/postcards sent to the Phillip Island & District Genealogical Society by Chick Walker, the Vice President of the Benalla Family Research Group. The Genealogical Society passed them onto our Society.Nine Black & White photographs & postcard taken around Phillip Island. 359-01: Waves breaking over rocks possibly near The Nobbies. 359-02: The Nobbies. 359-03: Thompson Avenue, Cowes with cars infront of the shops. 359-04: Penguins returning at dusk after fishing out in the sea. 359-05: Seals on Seal Rocks. 359-06: Looking from the water at the Cowes Pier and Isle of Wight Hotel in the background. 359-07: The Cowes Pier. 359-08: People on the rocks at The Blowhole and Seal Rocks in the distance. 359-09: Two penguin chicks.359-01: Murray Views No. 43. "The Lion" Breaker Cowes Phillip Island Vic. 359-02: Murray Views No. 17. The Nobbies & Breakers Phillip Island. 359-03: Murray Views No. 11. Thompson Avenue, Cowes, Vic. 359-04: Murray Views No. 41. Penguins Cowes Phillip Island. 359-05: Murray Views No. 26. Seal Rocks Cowes Phillip Island Vic. 359-06: Murray Views No. 14. The Pier & Isle of Wight Hotel Cowes Vic. 359-07: Murray Views No. 3. The Pier Cowes Phillip Island Vic. 359-08: Murray Views No. 12. Blow Hole and Seal Rocks, Cowes, Vic. 359-09: Photo Shop Series. Penguin Chicks Phillip Island. the nobbies phillip island, cowes pier, the isle of wight hotel cowes phillip island, wildlife - penguins, wildlife - seals, the blowhole phillip island, seals on seal rocks phillip island, thompson avenue cowes, chick walker

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of Val Breen and members of the cast of the "Q" Theatre Guild production of Michael Balfe's The Bohemian Girl in 1959. Beatrice Oakley was the producer and John Trotter the musical director. The costumes were designed and made by Marion Tilley while the scenery was designed by Claude Ward and Lachlan Stebbins. An annotation, in the corresponding programme, records that Joan Carden (later a star of the Australian Opera) performed in the Ladies of the Chorus.Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Val Breen in my wedding dress".performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of Val Breen and Alan Wilson in the "Q" Theatre Guild production of Michael Balfe's The Bohemian Girl in 1959. Beatrice Oakley was the producer and John Trotter the musical director. The costumes were designed and made by Marion Tilley while the scenery was designed by Claude Ward and Lachlan Stebbins. An annotation, in the corresponding programme, records that Joan Carden (later a star of the Australian Opera) performed in the Ladies of the Chorus.Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Val Breen in my wedding dress".performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, musical comedy -- melbourne -- victoria

Bendigo Advertiser article from 03/06/1970 "School revisits Bendigo". A three days school, with a strong leaning to history based in Bendigo, will arrive here on Friday evening June 12. The school has been arranged by the council of Adult Education, Melbourne, for the Queen's Birthday weekend.newspaper, bendigo advertiser

Claxton was born in 1832 in England and settled in Ballarat in 1856. He was an active member of the Ballarat community and the development of the Lake and Gardens. Claxton's contributions to the development of Ballarat were significant especially the development of the Gardens and the Lake.01 Ballarat Courier article undated with coloured photo of the monument. 02 Thumbnail sketch of Claxton's life (3 Copies) 03 Legible small print Mayor's Report 04 The Claxton Memorial (Commentary for Video) p1 2copies and half of p1. Pages 1-4 2 copies Pages 1-6 one copy.03 Written in biro across the top of the page, "Mayor William Little from Mayor's Annual Report 1890".frederick moses claxton, claxton memorial, mayor of ballarat, development of the lake and gardens, ballarat's city fathers, foundation member of civic organisations in ballarat, english cholera, webster street, restoration of the claxton memorial, death of claxton, "modesty", john garner collection, garner, dr, ballarat, ballarat botanical gardens, gardens, claxton, grave, ballarat old cemetery

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of Alan Wilson and Iaan Young in the "Q" Theatre Guild production of Michael Balfe's The Bohemian Girl in 1959. Beatrice Oakley was the producer and John Trotter the musical director. The costumes were designed and made by Marion Tilley while the scenery was designed by Claude Ward and Lachlan Stebbins. The photograph shows two cast members: Alan Wilson seated, and Iaan Young who played Thaddeus (an exiled Rebel).Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Alan Wilson, Iaan Young".performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria

Original design by Dorothy Leviny, aged 25, while she was a student at the Bendigo School Of Mines under the tutelage of Arthur T. Woodward. Woodward, who had come to Australia from Britain, was a renowned proponent of the Arts and Crafts Movement in Australia during the late nineteenth and early twentieth centuries. Dorothy Leviny, along with two of her sisters, entered a number of items in the First Australian Exhibition of Women's Work, Melbourne, 1907, and was awarded second prize for one of her wallpaper designs. Dorothy Leviny was the ninth child born to noted colonial silversmith and jeweller, Ernest Leviny, and his wife, Bertha (nee Hudson).This original wallpaper design by Dorothy Leviny is one of few that remain in existence from the early twentieth century showing the influence of the British Arts and Crafts Movement in Australia.Original wallpaper design made by (Bertha) Dorothy Leviny painted in watercolour. The repetitive floral design consists of pale pink bell-shaped flowers with green stems and leaves. Paper, card, watercolour paint.'D. Leviny /06'.dorothy leviny, watercolour painting, arts and crafts movement, 1906, buda, castlemaine, arthur t woodward, bendigo school of mines, exhibition of womens work 1907, wallpaper design, illustration

Four of a collection of slides taken by Laurie Dixon. (Scanned by E Alexander) The new bridge was built in 1968.Four coloured photographs scanned from slides. Three aerial views. 273-01. Aerial view of the old and new bridges and Newhaven, San Remo and Churchill Island - extra close up of same photo. 273-02. Aerial view of the old and new bridges looking towards Cape Woolamai on the top right. 273-03. Aerial view of the Cowes Pier and township - extra close up of same photo. 273-04. Looking down the Cowes Pier towards the township with Isle of Wight Hotel in the background.273-03. Inscription on the slide: Cowes from the air Jan 1968.phillip island suspension bridge, two bridges phillip island, san remo, newhaven, laurie dixon, cowes pier, cowes pier phillip island

Arthur Woodley who donated the photographs, was a friend of Jimmy Clarke, who was Captain of the Killarra Ferry and lived at Narabeen Guesthouse in Cowes, Phillip Island. The family lived at San Remo - father was George Clarke. 325-01 - Sepia photo/postcard of 7 WWI soldiers - Jimmy Clarke on right at back and Jack Clarke on left at back. 325-02 - Sepia portrait of Jimmy Clarke in Army uniform. 325-03. Sepia photo/postcard of 3 WWI soldiers in uniform. 325-04. Sepia photograph of 4 WWI soldiers. Jimmy Clarke 3rd from left and Jack on the right. 325-05. Small sepia photograph on black cardboard of 8 WWI soldiers in France. Jimmy & Jack Clarke in the front. 325-06. Sepia photograph of a large group of WWI soldiers in France. Jack & Jimmy Clarke standing at left.325-01 - Letter on postcard: "Dear Dick, This is our gun team with Corporal, Lance Corporal M. Medal, Jim on your right and your humble on your left. Kind love to all. From Jack. Rec'd your letter dated Feb 24th. France 15/5/1918." 325-03. "Either Jimmy or Jack Clarke standing" 325-04. "Taken at Tannery, St. Aubin, Floreunes. A. R. Joyce, R. R. Godden, Jim & I. French Mortar Crew. First World War 1914-18. 325-05. "Jimmy" & Jack Clarke front in France WWI. 325-06. "Balance of Battery "Apre le Geurre" France 1919. wwi soldiers, jimmy clarke, jack clarke, arthur woodley

A collection of 6 postcards and 1 photograph taken around Phillip Island. Donated by Julie Barnett.Photograph 228-01. Black & White photograph of the Cowes Pier with vehicles and pedestrians. Rail tracks on pier. Isle of Wight Hotel in background. Sheds at end. Photograph 228-02. Black & White aerial photograph of "Broadwater" Guesthouse, Cowes. Photograph 228-03. Black & White photograph of Cowes Pier with Steamer coming in. Shed at end of Jetty and Cenotaph in the foreground. Looking north. Photograph 228-04. Black & White photograph of a Koala and her young. Photograph 228-05. Black & White photograph looking over the Cowes shoreline near Lover's Walk. Photograph 228-06. Black & White photograph of a group of penguins coming home at dusk at the "Penguin Parade". Photograph 228-07. Black & White photograph of Bert West holding a Shearwater (Mutton Bird) with it's wings outstretched.Photo 01. "Photo Shop Series". "Cowes from the Jetty". Photo 02. Aerial view of "Broadwater" Cowes, Phillip Island. No. 146 Photo 03. "Photo Shop Series". The Jetty. Cowes. Photo 04. "Photo Shop Series". "Koala Bear". Phillip Island Photo 05. "The Rose Series P3416". "Near the Lovers' Walk, Cowes, Phillip Is., Vic. Photo 06. "Penguins, Phillip Island." No. 82. Valentines Series. Photo 07. On Back: Mr West with Mutton bird at Phillip Island.wildlife - koalas, wildlife - penguins, penguin parade, bert west, wildlife - mutton birds, mutton birds, shearwaters, cowes pier phillip island, cowes jetty, lover's walk cowes, broadwater guesthouse cowes phillip island, guesthouses cowes phillip island, julie barnett