This building was the first residential housing for the newly established International House in Melbourne, which had been in its planning stages since 1954. The building housed both domestic and international students.residential college, international house, architecture

St Laurence O'Toole church and cemetery is located in a rural setting at 801/821 Creswick-Newstead Rd, Sandon. Originally a small wooden school (22’x14’) was erected in Sandon by Father Patrick Smyth (who was involved in the Eureka Stockade movement) in 1859. It was also used for Mass and became known as a chapel. In June 1882 tenders were called for the construction of a brick Church by the Castlemaine architect, T.F. Kibble, and it was built at a cost of 1000 pounds. The church was blessed by Archbishop Goold on 06 May 1883 and dedicated to St Laurence O'Toole. The brick building demonstrates original design qualities of a Victorian Rudimentary Gothic style, including the steeply pitched, parapet gable roof form, together with a central steeply pitched, gabled porch that projects slightly from the main gable end. Other intact qualities include the exposed brick wall construction, lapped galvanised corrugated iron roof cladding, minor gabled porch at the rear, small ventilation dormers nearby the roof ridgeline, series of stone steps that lead to the central porch with its double pointed door opening and vertical boarded doors, simple rose window in the main gable end, pointed windows, brick buttresses with double lower copings, and the light masonry detailing (the banding marking the floor level within, buttress copings, window and door surrounds and quoins, and the drip moulds).(Shire of Mount Alexander: Heritage Study of the former Shire of Newstead, 2000) The visually connected cemetery demonstrates important visual qualities formed by the regular rows of graves and cemetery architecture, and the grassed and treed rural landscape. It is a rare and substantially intact example of a Victorian Catholic Church with a cemetery in its churchyard. Many headstones and cemetery architecture, date from the 19th century and represent some fine examples of masonry craftsmanship. Some refurbisments occurred during the 1940s and in 2002 a major restoration project was undertaken from roof to footings, by a dedicated band of volunteers and trades people. Work was completed mid 2003 and in November 2003 St Laurence’s was re-dedicated with the celebration of Mass and a picnic tea. Colour photograph of a brick church at Sandon, Victoria.sandon, sandon cemetery, st laurence o'toole catholic church, sandon

St Laurence O'Toole church and cemetery is located in a rural setting at 801/821 Creswick-Newstead Rd, Sandon. Originally a small wooden school (22’x14’) was erected in Sandon by Father Patrick Smyth (who was involved in the Eureka Stockade movement) in 1859. It was also used for Mass and became known as a chapel. In June 1882 tenders were called for the construction of a brick Church by the Castlemaine architect, T.F. Kibble, and it was built at a cost of 1000 pounds. The church was blessed by Archbishop Goold on 06 May 1883 and dedicated to St Laurence O'Toole. The brick building demonstrates original design qualities of a Victorian Rudimentary Gothic style, including the steeply pitched, parapet gable roof form, together with a central steeply pitched, gabled porch that projects slightly from the main gable end. Other intact qualities include the exposed brick wall construction, lapped galvanised corrugated iron roof cladding, minor gabled porch at the rear, small ventilation dormers nearby the roof ridgeline, series of stone steps that lead to the central porch with its double pointed door opening and vertical boarded doors, simple rose window in the main gable end, pointed windows, brick buttresses with double lower copings, and the light masonry detailing (the banding marking the floor level within, buttress copings, window and door surrounds and quoins, and the drip moulds).(Shire of Mount Alexander: Heritage Study of the former Shire of Newstead, 2000) The visually connected cemetery demonstrates important visual qualities formed by the regular rows of graves and cemetery architecture, and the grassed and treed rural landscape. It is a rare and substantially intact example of a Victorian Catholic Church with a cemetery in its churchyard. Many headstones and cemetery architecture, date from the 19th century and represent some fine examples of masonry craftsmanship. Some refurbisments occurred during the 1940s and in 2002 a major restoration project was undertaken from roof to footings, by a dedicated band of volunteers and trades people. Work was completed mid 2003 and in November 2003 St Laurence’s was re-dedicated with the celebration of Mass and a picnic tea. Brick church at Sandon, Victoriasandon, sandon cemetery, st laurence o'toole catholic church, sandon

St Laurence O'Toole church and cemetery is located in a rural setting at 801/821 Creswick-Newstead Rd, Sandon. Originally a small wooden school (22’x14’) was erected in Sandon by Father Patrick Smyth (who was involved in the Eureka Stockade movement) in 1859. It was also used for Mass and became known as a chapel. In June 1882 tenders were called for the construction of a brick Church by the Castlemaine architect, T.F. Kibble, and it was built at a cost of 1000 pounds. The church was blessed by Archbishop Goold on 06 May 1883 and dedicated to St Laurence O'Toole. The brick building demonstrates original design qualities of a Victorian Rudimentary Gothic style, including the steeply pitched, parapet gable roof form, together with a central steeply pitched, gabled porch that projects slightly from the main gable end. Other intact qualities include the exposed brick wall construction, lapped galvanised corrugated iron roof cladding, minor gabled porch at the rear, small ventilation dormers nearby the roof ridgeline, series of stone steps that lead to the central porch with its double pointed door opening and vertical boarded doors, simple rose window in the main gable end, pointed windows, brick buttresses with double lower copings, and the light masonry detailing (the banding marking the floor level within, buttress copings, window and door surrounds and quoins, and the drip moulds).(Shire of Mount Alexander: Heritage Study of the former Shire of Newstead, 2000) The visually connected cemetery demonstrates important visual qualities formed by the regular rows of graves and cemetery architecture, and the grassed and treed rural landscape. It is a rare and substantially intact example of a Victorian Catholic Church with a cemetery in its churchyard. Many headstones and cemetery architecture, date from the 19th century and represent some fine examples of masonry craftsmanship. Some refurbisments occurred during the 1940s and in 2002 a major restoration project was undertaken from roof to footings, by a dedicated band of volunteers and trades people. Work was completed mid 2003 and in November 2003 St Laurence’s was re-dedicated with the celebration of Mass and a picnic tea. Colour photograph of a red brick church in Sandon. sandon, sandon cemetery, st laurence o'toole catholic church, sandon

St Laurence O'Toole church and cemetery is located in a rural setting at 801/821 Creswick-Newstead Rd, Sandon. Originally a small wooden school (22’x14’) was erected in Sandon by Father Patrick Smyth (who was involved in the Eureka Stockade movement) in 1859. It was also used for Mass and became known as a chapel. In June 1882 tenders were called for the construction of a brick Church by the Castlemaine architect, T.F. Kibble, and it was built at a cost of 1000 pounds. The church was blessed by Archbishop Goold on 06 May 1883 and dedicated to St Laurence O'Toole. The brick building demonstrates original design qualities of a Victorian Rudimentary Gothic style, including the steeply pitched, parapet gable roof form, together with a central steeply pitched, gabled porch that projects slightly from the main gable end. Other intact qualities include the exposed brick wall construction, lapped galvanised corrugated iron roof cladding, minor gabled porch at the rear, small ventilation dormers nearby the roof ridgeline, series of stone steps that lead to the central porch with its double pointed door opening and vertical boarded doors, simple rose window in the main gable end, pointed windows, brick buttresses with double lower copings, and the light masonry detailing (the banding marking the floor level within, buttress copings, window and door surrounds and quoins, and the drip moulds).(Shire of Mount Alexander: Heritage Study of the former Shire of Newstead, 2000) The visually connected cemetery demonstrates important visual qualities formed by the regular rows of graves and cemetery architecture, and the grassed and treed rural landscape. It is a rare and substantially intact example of a Victorian Catholic Church with a cemetery in its churchyard. Many headstones and cemetery architecture, date from the 19th century and represent some fine examples of masonry craftsmanship. Some refurbisments occurred during the 1940s and in 2002 a major restoration project was undertaken from roof to footings, by a dedicated band of volunteers and trades people. Work was completed mid 2003 and in November 2003 St Laurence’s was re-dedicated with the celebration of Mass and a picnic tea. Colour photograph of bushland behind a church at Sandon, Victoria.sandon, sandon cemetery, st laurence o'toole catholic church, sandon, landscape, road

Colour photograph of the historic building on the Ballarat Campus of Australian Catholic Universuty.australian catholic university, architecture, retallick

The Polish born artist, designer and filmmaker, Stanislaus Ostoja-Kotkowski (1922-1944), who arrived in Melbourne in 1949 on the 'Fairsea', a ship carrying displaced persons from Europe and the Baltic States. He sought employment in architectural and design practices, and also enrolled in classes at the National Gallery School. From 1952 until 1953 Ostoja-Kotkowski had a brief, but productive, period working as a designer in the Prestige Fabric Design Studio in Melbourne. Ann Carew, 2017The textile design has aesthetic significance as an example of the early Australian work of noted emigre artist, designer and filmmaker, Stanislaus Ostoja-Kotkowski, and it has historical significance for its association with the Prestige's Textile Design Studio, and the studio's art director, Gerhard Herbst. Small sample of pale green rayon fabric with a bold, repeating geometric pattern printed in black and white.emigre, polish, design, textile design, rmit design archives

The Shine Dome is one of seven projects that the Royal Australian Institute of Architects has nominated to the World Register of Significant Twentieth Century Architecture. In 1956 six architects were invited to submit plans for the Academy of Science's new building in Canberra and the Academy's building design committee selected Grounds Romberg and Boyd's proposal designed by Roy Grounds. It features a shallow arcaded concrete dome, sheeted in copper and was one of a number of domed buildings that appeared around this time internationally, expressing the optimism of the post-war years. It perfectly reflected the Academy's ambition to champion excellence in Australian science and promote international scientific engagement. Paul Wallace, a well-known Melbourne renderer, drew this perspective of the proposed design, possibly for the competition submission, in 1956.Coloured perspective of the Academy of Science buiding in Canberra.Printed text on attached sticker, 'ACADEMY OF SCIENCE, CANBERRA / 1958 / Grounds, Romberg and Boyd, / Architects'. Printed centre on verso, 'ACADEMY OF SCIENCE CANBERRA GROUND, ROMBERG AND BOYD ARCHITECTS 340 ALBERT STE., MELBOURNE C2'.science, canberra, architecture, rmit design archives, design

Eric Thake had a unique way of looking at the world, uniting a singular vision that found the extraordinary in the everyday, with a whimsical sense of humour and refined modernist aesthetic. One of his lesser-known commissions was a mural for the Victorian Manager’s office at the ETA Factory in Braybrook designed by Frederick Romberg in 1957. Photographed here by Kenneth Ross, the mural depicted a stylised map of Australia, with Indonesia above and New Zealand to the south, and showed the peanuts and other raw materials that ETA used in the production of various foodstuffs against a striking and entirely gilded wall. Kirsty Grant, 2017 Black and white photograph of a mural by Eric Thake in the manager's office at the ETA Factory, Melbourne.Typed lower center, 'ETA FACTORY 1961/ MURAL BY ERIC THAKE/ IN MANAGER'S OFFICE'eta, mural, braybrook, manufacturing, architecture, artist

Architectural perspective drawing featuring aerial view of the Chancery at the Australian High Commission, Kuala Lumpurink, acetate

John and Phyllis Murphy designed this house and garden in Kew for Sir Frank and Lady Macfarlane Burnet in 1959, the year before Burnet and Peter Medaware received the Nobel Prize for discovering acquired immunological tolerance. For the most highly honoured scientist to have worked in Australia, Burnet's house is modest - single storey with two bedrooms. Typical of post-war suburban housing thought, the garden is a generous, and the planting a mix of existing shrubs and trees, old favourites such as camelias, hydrangeas, lilacs, and a unusually 'a thick copse of native trees'. John Murphy (1920-2004) and Phyllis Murphy (nee Slater) (1924-) are alumni of RMIT. John commenced his architectural studies at Swinburne Technical College prior to WW2, and subsequently studied at Melbourne Technical College (now RMIT University) from 1944 to 1946. Phyllis studied architecture at Melbourne Technical College from 1942, before transferring to Melbourne University's Architectural Atelier in 1944 They both completed their Bachelor of Architecture in 1949, with Phyllis topping the fourth year, and John coming in second. They established their architectural practice in 1950. One early project was their design with Kevin Borland and Peter McIntyre for the Olympic Swimming Pool (1956). Ann Carew 2018dye, paper, garden design, kew

Book was produced for the seminar "New Skills for Designers", October 4 1968, in Melbourne, Australia. First published by William J. Mitchell as honours thesis for B.Arch (Hons) Melbourne University.ink, paper

Robin Cocks (1941- ) and Peter Carmichael (1942 - ) formed their partnership in 1967, and designed some of Australia's most innovative project houses in the late 1960s and early 1970s. The award winning Civic Growth House (1974) was designed for Civic Construction. It provided clients with a modular grid and a range of components that allowed choice in location and spatial variation. The houses were designed to be expanded as families grew or as finance became available. The one-level Civic X2 was constructed in full-brick, included a pergola and deck, and a private courtyard off the main bedroom, This drawing includes floor plan, elevation and section.architecture, domestic architecture, project homes

This is Boyer lecture 5 of 'Artificial Australia' by Robin Boyd. 'Artificial Australia' consisted of five lectures given by Robin Boyd in 1967 on the Australian Broadcasting Commission radio. The lectures were (1) Creative Man in a Frontier Society, (2) The Architecture of Ideas, (3) Integrity in the Artificial Object, (4) The Environmental Arts in Australia. (5) The Australian Myth in the Modern World. Sanyo CDboyer lecture, artificial australia, robin boyd

This contains Lecture 3 (28 min 56 sec) and Lecture 4 (28 min 32 sec) of the series Artificial Australia by Robin Boyd. Artificial Australia was the title of a five Boyer lectures given by Robin Boyd in 1967 on the Australian Broadcasting Commission radio. The lectures were (1) Creative Man in a Frontier Society, (2) The Architecture of Ideas, (3) Integrity in the Artificial Object, (4) The Environmental Arts in Australia. (5) The Australian Myth in the Modern World.Sanyo CDboyer lecture, artificial australia, robin boyd

This article announces that Robin Boyd had been awarded the Gold medal by the Australian Institute of Architects. It is a comprehensive biographical piece.Photocopy of newspaper clipping.walsh st library

This a copy of a book review of Robin Boyd's 'Australia's Home'.Photocopy of an article. The last column has not copied correctly, as newspaper must have been crumpled.australia's home, walsh st library

Book review of Robin Boyd's book 'Living in Australia' written by G.C.A.Tanner.Photocopy single page of a card "with the editors compliments AJ 6.10.71 from 'The Architects' Journal' along with the reviewliving in australia, g.c.a.tanner, walsh st library

J M Richards, the Editor of Architectural Review, writes to thank Robin Boyd for sending him a copy of 'Living in Australia'.Typewritten, one page

This letter from RB Silvers, the Editor of Harper's Magazine in New York, is in regards to gathering the illustrations for Boyd's article and also regarding the possibility of the American publication of "The Australian Ugliness". The Harper's article referred to here is Robin Boyd's 'The New Vision in Architecture', Harper's Magazine, Vol.223, No.1334, July 1961, pp.73-81.

This letter, from John Worrall, Producer of University of the Air, expresses his wish to stick to the original suggestion of a series on Australian design and not expanding it to world architecture. Suggested recording dates are from November 1964.Two pages.The author adds a comment at the end of the letter.

This letter, from John Worrall, Producer of University of the Air, thanks Robin Boyd for agreeing to stick with the original plan for the series and provides dates for the eight programs - from 4 November through to 12 December 1964. Australian design and not expanding it to world architecture. The letter also sets out what Robin needs to prepare in the preliminary stages.Two pages.Robin Boyd's handwriting and plan sketch in pencil on the reverse of second page.

The letter is in response to Robin Boyd's request for help with work of the Melbourne University School of Architecture. It contains the opening address of Thomas Rowe, President of the Institute of Architects and information on the Institute of Architects NSW (not in Boyd's papers) and on the history of the establishment of The Royal Australian Institute of Architects. It also lists further information of office records at RAIA in Sydney, that Boyd can access on a visit. Mention is made that NSW has not got far with its Small Homes Service.Signed by Secretary of RAIA

This letter from the Assistant Editor, Evan Williams, confirms the arrangement that Robin Boyd will write a piece for The Sunday Australian every fortnight, starting with the first edition on 28 February, 1971. It also states that the book 'Experimental Architecture' (Peter Cook, 1970) is being sent to Boyd and they would be glad of his review. Boyd wrote about this book in the article 'Utopians versus the Squares' (See D055).Quarto, letter plus extra page.There is an extra page where Robin Boyd wrote down the address of Associate Editor and the dates and arrangements discussed in the letter.

By the late 1950s, Robin Boyd had developed a network of connections in the United States, and a reputation there as an important architectural critic. In 1960 he was awarded an Honorary Fellowship by the American Institute of Architects. This certificate is dated April 18, 1960, the day earlier than another certificate at Walsh Street (item D492). It is also signed by the President Philip Will Jr. 1960–1962 and the Secretary, Jeremy Leanne (?).Certificate from The American Institute of Architects, with crest, awarding Robin Boyd an Honorary Fellowship. Dated April 18, 1960 and signed by the President, Philip Will Jr, and Secretary Jeremy Leanne. It is inside an envelope.The American Institute of Architects certificate of Honorary Fellowship Robin Boyd eminent architect, citizen of Australia having been admitted to Honorary Fellowship by the Board of Directors in recognition of his distinguished achievements is declared to be an Honorary Fellow The American Institute of Architects entitled to use that title and to enjoy all the privileges of that membership.the american institute of architects, aia fellow, fellowship, robin boyd

By the late 1950s Robin Boyd had developed a network of connections in the United States, and a reputation there as an important architectural critic. In 1960 he was awarded an Honorary Fellowship by the American Institute of Architects. This certificate was put on display in Penleigh's bedroom by the Robin Boyd Foundation. This certificate is dated April 19, 1960, the day earlier than another certificate at Walsh Street (item D491). It is also signed by the President John Noble Richards who served 1958–1960.Framed certificate from The American Institute of Architects, with crest, awarding Robin Boyd an Honorary Fellowship. Dated April 18,1960 and signed by the President, John Noble Richards, but unsigned by the Secretary. It has a simple timber frame by Deans, 346 Little Collins St. No 17121.The American Institute of Architects certificate of Honorary Fellowship Robin Boyd eminent architect, citizen of Australia having been admitted to Honorary Fellowship by the Board of Directors in recognition of his distinguished achievements is declared to be an Honorary fellow The American Institute of Architects entitled to use that title and to enjoy all the privileges of that membership.the american institute of architects, fellowship, aia fellow, robin boyd, ohm2022, ohm2022_38

In 1958 Robin Boyd was elected a Fellow of the The Royal Australian Institute of Architects.Certificate from The Royal Australian Institute of Architects, with common seal, stating that Robin Boyd has been elected Fellow on 27th June 1958. It is signed by the President, Wilfred Thomas Haslam, and Hon. Secretary, Allan E Stafford. Certificate is registered No 2008. There are pin marks at each of the corners.The Royal Australian Institute of Architects. This is to certify that Robin Gerard Penleigh Boyd of Melbourne, Victoria has been elected Fellow of the Royal Australian Institute of Architects, founded in the year of our Lord One Thousand Nine Hundred and Twenty Nine (1929) as The Australian Institute of Architects, and incorporated in the year of our Lord One Thousand Nine Hundred and Thirty as Royal Australian Institute of Architects for the Advancement, Protection, and Elevation of Architecture. In Witness whereof the Common Seal has been hereunto affixed as required under the Articles of Association this Twenty-seventh day of June, 1958. Signed by the President and Hon Secretary.royal australian institute of architects, fellow, raia fellow, robin boyd

Robin Boyd was the architect of the Featherstone House, 1969.An Award of Merit to The Featherstone House, Ivanhoe. It is signed by Chairman, J Gates (?) and Secretary, P A Love (?). It is rolled and tied with blue ribbon.Victorian Architecture Award. In accordance with the decision of the Victorian Chapter: The Royal Institute of Architects to record its appreciation of the architecture. Architect Romberg and Boyd Builder P.M. Versteegen & Sons Pty.Ltd. Signed by the Chairman and Secretaryroyal australian institute of architects, raia award, featherstone, robin boyd

Robin Boyd, a Fellow of RAIA since 1958, won the RAIA Gold medal in 1969 and then was elected Life Fellow the following year in 1970.Certificate from The Royal Australian Institute of Architects stating that Robin Boyd has been elected Life Fellow on 9th February 1970. It is signed by the President and Secretary. Certificate is registered No 5773. This is in a timber frame.The Royal Australian Institute of Architects. This is to certify that Robin Gerard Penleigh Boyd of Melbourne, Victoria has been elected a Life Fellow of the Royal Australian Institute of Architects, founded in the year of our Lord One Thousand Nine Hundred and Twenty Nine (1929) as The Australian Institute of Architects, and incorporated in the year of our Lord One Thousand Nine Hundred and Thirty as Royal Australian Institute of Architects for the Advancement, Protection, and Elevation of Architecture. In Witness whereof the Common Seal has been hereunto affixed as required under the Articles of Association 9th February, 1970. Signed by president and Secretary. Registered No. 5773. The reverse has Dean's framing sticker. Handwritten No 7436/D.royal australian institute of architects, fellow, raia fellow, robin boyd

This is the citation appointing Robin Gerard Penleigh Boyd, Esquire F.R.A.I.A., F.A.I.A., F.R.S.A. a Commander of the Civil Division of the Most Excellent Order of the British Empire. The citation states "Member, National Capital Planning Committee. For services to Architecture and Government".Citation on Governor General Commonwealth of Australia letterhead in envelope.Honours and Awards 12 June, 1971. Appointed a Commander of the Civil Division of the Most Excellent Order of the British Empire Robin Gerard Penleigh Boyd, Esquire F.R.A.I.A., F.A.I.A., F.R.S.A. Member, National Capital Planning Committee. For services to architecture and Government.