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matching australian - 19th century
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Flagstaff Hill Maritime Museum and Village
Drawing - Pastel Picture, W.R. Angus (Dr. William Roy Angus), 1925
This large pastel drawing was created by Dr W.R. Angus in 1925, the year after he graduated as a doctor in South Australia. In 1926 Dr Angus was appointed as Medical Assistant to Dr Thomas Francis Ryan, in Nhill, Victoria, where he extended his experiences in radiology and pharmacy. Eventually, in 1939, he and his wife Gladys moved to Warrnambool, Victoria, with their children. The drawing is part of the W.R. Angus Collection, which includes another of the doctor’s pastel drawings and a box of used pastels. The picture was framed by W.H. Rogers & Co. of North Terrace, Adelaide. The business also framed maps and plans. This pastel drawing is locally significant for being the work of Warrnambool doctor, W.R. Angus. It is part of the W.R. Angus Collection, which is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. The collection of medical instruments and other equipment is culturally significant, being a historical example of medicine, administration, household equipment and clothing from late 19th to mid-20th century. Dr Angus assisted Dr Tom Ryan, a pioneer in the use of X-rays and in ocular surgery. The collection includes Army objects, which are examples of items issued to Doctors and Surgeons in the Medical Services of the Australian Army in World War 2. It also includes household items used by Dr Angus and his family from the 1920s in various locations including Warrnambool, together creating an understanding of the furnishing of an early to mid-20th century home.Pastel drawing behind glass in a rectangular wooden frame with an unusual oval wooden matt. The subject is a scene with a pink-tinted sky reflected in a river running between the foot of two hills with trees. The picture was created and signed by W R Angus in 1925. The back is covered in brown paper and has a mounting wire. Inscriptions are on the picture and the back. A remnant of the framer’s label is attached. The picture is part of the W.R. Angus Collection. Signature and date; “W.R.A. / 1925” Printed on label remnant; “—Rogers & Co. / - ORIA STREET / - way Station, North Terrace / “THE CORRECT FRAMERS” / -lise in Map and Plan Mounting / PHONE 5437”flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, drawing, pastel drawing, pastel drawing by w.r. angus 1925, rogers & co., w.h. rogers & co., correct framers, w.r. angus collection -
Flagstaff Hill Maritime Museum and Village
Equipment - Ship's Telegraph section, Chadburn & Sons, 1875-1898
This is the Bridge Section of a ship’s telegraph and is a Duplex Gong model, made by Chadburn & Son of Liverpool. This duplex gong model would sound two signals whenever the navigational commands were given by the ship’s pilot to change the speed or direction. The ship’s telegraph was installed on Flagstaff Hill’s exhibit of the 1909 Hobart, Tasmania, ferry “SS Rowitta” installed in 1975 and enjoyed for more than 40 years. Communication between the ship’s pilot and the engine room in the late 19th century to the mid-20th-century was made with a system called an Engine Order Telegraph (E.O.T.) or ship’s telegraph. The equipment has two parts, the Bridge Section and the Engine Room Section. The Bridge Section is usually mounted onto a pedestal, and the Engine Room Section is attached to a vertical surface. The standard marine commands are printed or stamped around the face of the dial and indicated by a pointer or arrow that is usually moved by a rotating brass section or handle. The ship’s pilot stationed on the Bridge of a vessel sends his Orders for speed and direction to the Engine Room with the E.O.T. He moves the lever or levers, depending on the number of engines the ship has, to change the indicator on the Bridge Section’s dial to point in the new direction and speed of travel. This change causes the Orders to be duplicated on the Engine Room Section’s dial and a bell or bells to signal the change at the same time. The engineer then adjusts the ship’s engines and steering equipment to follow the pilot’s Order. CHADBURN & SON, Liverpool- Chadburn Brothers, William and C.H., were joint inventors and well-established makers of optical and scientific instruments and marine gauges. The firm was granted the Prince Albert Royal Warrant in the late 19th century. In 1870 William Chadburn applied for a patent for his navigational communication device for use on ships. By 1875 Chadburn & Son was producing the brass Engine Order Telegraph in its plant at 71 Lord Street, Liverpool. In 1911 the ship RMS Titanic was launched, fitted with Chadburn & Sons E.O.T. The Chadburn Ship Telegraph Company Limited was registered in 1898 to take over Chadburn & Sons. In 1903 a large factory at Bootle, near Liverpool, and their products were being sold overseas. In 1920 electric-powered telegraphs were developed. In 1944 the name changed to Chadburn’s (Liverpool) Limited. In 1968 the company became Chadburn Bloctube Ltd. In 2000 the company, now Bloctube Marine Limited, was still manufacturing ship telegraphs. SS ROWITTA: - The 1909 steam ferry, SS Rowitta, was installed as an exhibit at Flagstaff Hill in 1975 and was enjoyed by many visitors for 40 years. Rowitta was a timber steam ferry built in Hobart in 1909 using planks of Huon and Karri wood. It was a favourite of sightseeing passengers along Tasmania’s Tamar and Derwent rivers for 30 years. Rowitta was also known as Tarkarri and Sorrento and had worked as a coastal trading vessel between Devonport and Melbourne, and Melbourne Queenscliff and Sorrento. In 1974 Rowitta was purchased by Flagstaff Hilt to convert into a representation of the Speculant, a historic and locally significant sailing ship listed on the Victorian Heritage Database. (The Speculant was built in Scotland in 1895 and traded timber between the United Kingdom and Russia. Warrnambool’s P J McGennan & Co. then bought the vessel to trade pine timber from New Zealand to Victorian ports and cargo to Melbourne. It was the largest ship registered with Warrnambool as her home port, playing a key role in the early 1900s in the Port of Warrnambool. In 1911, on her way to Melbourne, it was wrecked near Cape Otway. None of the nine crew lost their lives.) The promised funds for converting Rowitta into the Speculant were no longer available, so it was restored back to its original configuration. The vessel represented the importance of coastal traders to transport, trade and communication in Australia times before rail and motor vehicles. Sadly, in 2015 the time had come to demolish the Rowitta due to her excessive deterioration and the high cost of ongoing repairs. The vessel had given over 100 years of service and pleasure to those who knew her. This Bridge section of a ship’s Engine Order Telegraph, used with an Engine Room section, represents late-19th century change and progress in communication and navigation at sea. This type of equipment was still in use in the mid-20th century. The object is significant for its association with its maker, Chadburn & Son, of Liverpool, a well-known marine instrument maker whose work was recognised by English Royalty, and whose products were selected to supply similar equipment for use on the RMS Titanic. This ship’s telegraph is connected to the history of the Rowitta, which was a large exhibit on display at Flagstaff Hill Maritime Village from the museum’s early beginnings until the vessel’s end of life 40 years later. The display was used as an aid to maritime education. The Rowitta represents the importance of coastal traders to transport, trade and communication along the coast of Victoria, between states, and in Australia before rail and motor vehicles. The vessel was an example of a ferry built in the early 20th century that served many different roles over its lifetime of over 100 years. Bridge section of a Ship’s Telegraph or Engine Order Telegraph (E.O.T.). The round double-sided, painted glass dial is contained within a brass case behind glass. It is fitted onto an outward tapering brass pedestal with a round base. The brass indicator arrows between the handles point simultaneously to both sides of the dial when moved. An oval brass maker’s plate is attached to the top of the case. The dial’s faces have inscriptions that indicate speed and direction, and the front face and plate include the maker’s details. A serial number is stamped on the collar where the dial is fitted to the pedestal. The ship’s telegraph is a Duplex Gong model, made by Chadburn & Son of Liverpool. Dial, maker’s details: “PATENT “DUPLEX GONG” TELEGRAPH / CHADBURN & SON / TELEGRAPH WORKS / PATENTEES & MANUFACTURERS / 11 WATERLOO ROAD / LIVERPOOL” LONDON / 105 FENCHURCH STREET” “NEWCASTLE / 85 QUAY + SIDE” “GLASGOW / 69 ANDERSON QUAY” “PATENT” Dial instructions: “FULL / HALF/ SLOW / FINISHED WITH ENGINES / STOP STAND BY / SLOW / HALF / FULL / ASTERN / AHEAD” Maker’s plate: “CHADBURN / & SON / PATENT / LIVERPOOL” Serial number: “22073”flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, engine order telegraph, e.o.t., navigational instrument, communication device, ship’s telegraph, engine room section, bridge section, rms titanic, chadburn & son, chadburn brothers, william chadburn, chadburn ship telegraph company, chadburns, duplex gong, liverpool, ss rowitta, navigation, marine technology, pilot’s orders, steam power, hobart, tasmania, devonport, tasmanian-built, ferry, steam ferry, steamer, 1909, early 20th century vessel, passenger vessel, tamar trading company, launceston, george town, sorrento, tarkarri, speculant, peter mcgennan, p j mcgennan & co. port phillip ferries pty ltd, melbourne, coastal trader, timber steamer, huon, karri, freighter, supply ship, charter ferry, floating restaurant, prawn boat, lakes entrance -
Flagstaff Hill Maritime Museum and Village
Artwork, other - Diorama with seaweed specimens, Richard Foster Norton, 1860
The diorama of mounted specimens of seaweed was framed by Richard Foster Norton for Thomas Watson and is dated 1860. Watson was the Warrnambool District Surveyor at the time (1860). The inscription on the back of the frame links the artwork to the Pigeon Hill property, which was located on Allansford Road (corner of Staffords Road – north side of the Princes Highway-A1). In the 1860s, the property known as Pigeon Hill was owned by William Wall who was a publican who ran several hotels in Warrnambool and district. In 1860 Wall, was running a hotel in Wangoom, near Pigeon Hill. Further research is required to determine the exact location, but Pigeon Hill could also have been the name for that area and may have had other people living there. Thomas Watson was a member of the local horticultural society. Another possible creator of the artwork is Samuel Hannaford, a biologist with a particular interest in collecting marine flora. Hannaford left Warrnambool in 1857 and went to Geelong, so it is possible he collected the specimens had them framed in Geelong, and then arranged for their return to Watson. The other known seaweed collector was Henry Watts, who lived in Warrnambool in the mid-19th century. The seaweed collection in this box was possibly one of Watts' and could have been prepared for the Victorian Exhibition of 1861, Richard Foster Norton, also known as R.F Norton, was one of only a handful of picture framers in 1850s Melbourne. Norton was born on the 24th of July 1822 in Yelvertoft, Northamptonshire and prior to his arrival in Australia, Norton is listed in England as having the occupation of a painter. It appears that he established his business in Melbourne in 1854 or 1855. Between 1855 and 1865 he operated from 87, then 83, and later 80 Collins Street. In the Argus newspaper, Norton advertised his business as a Print seller, Carver, Gilder and Picture Frame manufacturer, supplying the growing demand for artworks and decorative furnishings in the colony during the Gold Rush. Norton also had a Geelong branch in Market Square, where this work was produced. This framed work is highly significant. Previous research has found that only six frames are in existence that can be attributed to be made Norton, dating from the late 1850’s to the mid 1860’s. Moreover, Thomas Watson the owner of the artwork, is one of the government surveyors of the region during the mid-19th century.Diorama in deep wooden frame, behind glass. Seaweed specimens have been mounted within the frame. The back of the frame has handwritten inscriptions including the framer's label (portions missing). The diorama was framed by Richard Fraser Norton. Printed label; "RICHARD FOS --- Picture Framer and -- MANUF -- CARVER, GILDER, ---- PAINTINGS CLEANED, LINED AND --- GLASSES RESILVERED, FRAMES --- Architectual Decorations created to any design in Paper Mache, Carlton Pierre, or Composition, Country Orders promptly attended to, The Order Suppl ---, BRANCH ESTABLISHMENT, MARKET SQUARE, GEELONG" flagstaff hill, warrnambool, maritime museum, richard foster norton, r.f norton, picture framers, melbourne, geelong, artwork and decorative furnishings, gold rush, seaweed, botanical specimens, 1860, pigeon hill, district surveyor, thomas watson, william wall, wangoom, samuel hannaford, henry watts, victorian exhibition, 1861, yelvertoft, northamptonshire, market square -
Bendigo Historical Society Inc.
Book - STRAUCH COLLECTION: EMIGRATION POLICY AND SOCIAL ISSUE IN THE 19TH CENTURY
Soft covered book written in German title translates to European University, Emigration policy and social issue in the 19th century, state mandated emigration from the mountain rescue team Clausthal to South Australia, North and South America 1848 - 1854. White cover with black print & picture of a sailing ship, 318 pages. Notation inside front cover, Donated to the German Heritage Society Bendigo in May 1995 by the Author Dr.Renate Vollmer Osnabruck Germany.Renate Vollmerbooks, catalogues, shipping, germany-emigration-shipping -
Bendigo Historical Society Inc.
Document - RESEARCH PROJECT: A TRACING OF BENDIGO'S URBAN DEVELOPMENT IN THE 19TH CENTURY, 12/09/1980
(''A tracing of Bendigo's urban development in the 19th century'') - a 9 paged Research Project; Australian History; T.O.P. Year 12 General Studies; author - Val Pendlebury; 12/9/1980. Reference to: Henry Carey Bennett; Howards Coaches; Camp Street; Auction Street; Captain Andrew Clarke; Theatre Royal; William Larritt; Municipal Council; Bendigo Water Works Company; Big Hill reservoir; Vahland. Bibliography.Val Pendleburybendigo, history, 19th century bendigo, henry carey bennett, howards coaches, camp street, austion street, theatre royal, municipal council, bendigo water works. big hill reservior, vahland. william larritt. -
Bendigo Historical Society Inc.
Document - NORTHERN DISTRICT SCHOOL OF NURSING: TRIBUTE, 8/6/1989
Document, Northern District School of Nursing, farewell to Lister House. It is with Pride and sadness that we say farewell to LISTER HOUSE.This will end 39 years of Nurse Training unique in Australia. The final farewell to student nurses in the present Certificate Course at the Northern District School of Nursing will take place on June 8th,1989 when School 108 completes Examinations.The old mansion,LISTER HOUSE, belonged to Bendigo's golden years of the 19th Century. By courtesy of Ron Webb and Jenny Reid. The front cover depicts a drawing of Lister House by G.Samson '81.Ron Webb and Jenny Reiddocument, lister house -
Bendigo Historical Society Inc.
Document - ETHEL PATTISON COLLECTION: CHARACTER REFERENCE, 1910
... 19th Century Australian Immigration. Fred Pattison... GENEALOGY Family pattison 19th Century Australian Immigration. Fred ...Hand written character reference for Fred Pattison, [Ethels father], 12 th July 1910. Embossed lettering 'Rose Bank' Thornton- le- Dale , Pickering. Signed John Parkinson.genealogy, family, pattison, 19th century australian immigration. fred pattison -
Bendigo Historical Society Inc.
Document - COHN BROTHERS COLLECTION: SHARE SCRIP
Cohns bros Victoria Brewery Co 100 Share scrip numbers 28126-28225 in the name of William E Seadon dated 31 st January 1888. Capital £ 55,000 in 55,000 Shares or twenty shillings each. Cohns seal impressed upon document. Transferred after his death to William Charles Vahland 50 shares, and to Ralph William Brown 50 shares on the Seventh of December 1905. Executors of his will 'The Union Trustee Company of Australia Limited. Document impressed with executors wax seal. One penny victoria stamp duty affixed to reverse of share scrip document paid in addition at rate of five shillings per share £25 authorised by E I hastings Secretary with February 1888 date. One penny stamp duty also affixed to transfer document.bendigo, industry, cohn bros., 19th century cohns bros share scrip. the union trustees company of australia. mr w e seadon. -
Bendigo Historical Society Inc.
Document - COMMERCIAL BANK OF AUSTRALIA, PAY-IN SLIPS
... . 19th Century banking practice Three Pale blue 1883 ...Three Pale blue 1883 The Commercial Bank of Australia, Limited, Sandhurst, pay-in slips. Hand written names difficult to interpret. Varying amounts paid to the credit of recipients.commerce, banking, the commercial bank of australia, limited, sandhurst. 19th century banking practice -
Women's Art Register
Journal, Women's Art Forum Annual 1978, 27th February 1979
This journal is the first issue of the Women's Art Forum, a women artists' collective established in 1978 (Melbourne, Australia), in connection with the Women's Art Register.The Women's Art Register is an Australian collection of national significance, documenting the work of Australian women artists from the 19th, 20th and 21st centuries.First issue of the Women's Art Forum, reporting on the state of feminist art in Australia in 1978. 100 pages. B/W text and illustrations. Articles include artist drawings, stories, histories of women artists, and reports, advocating and representing Australian women artists.Published by the Women's Art Forum of Victoria. Printed by Sybylla Co-operative Press Ltd. -
Women's Art Register
Book - Anthology, Jeanette Hoorn, Strange Women. Essays in Art and Gender, 1994
The masculine landscape tradition was seen as the 'true' national identity in the early 20th century while the new Modernist painting of women was seen as marginal and incidental. This text looks behind the commonly held narratives of art criticism to present a new reading of gender in Australian painting.Booknon-fictionThe masculine landscape tradition was seen as the 'true' national identity in the early 20th century while the new Modernist painting of women was seen as marginal and incidental. This text looks behind the commonly held narratives of art criticism to present a new reading of gender in Australian painting.grace cossington smith, thea proctor, margaret preston, grace crowley, hilda fix nicholas, sybil craig, ethel carrick -
Port Melbourne Historical & Preservation Society
Book, Sandy Roydhouse, Port Melbourne, 2002
PMH&PS were consulted via email on various elements of this publication by the author in New Zealand, who had possession of many 19th century images of the area. Member Ann Smallpage was consulted, and featured on spread 24-25.'Port Melbourne', a small paperback textbook of 32pp, produced in New Zealand 2002 for nine year olds in Australian Schools. Title in red over photographic coverpiers and wharves, industry, transport - shipping, architecture, ann smallpage, swallow & ariell ltd -
Port Melbourne Historical & Preservation Society
Book, Sandy Roydhouse, Port Melbourne, 2002
PMH&PS were consulted via email on various elements of this publication by the author in New Zealand, who had possession of many 19th century images of the area. Member Ann Smallpage was consulted, and featured on spread 24-25.'Port Melbourne', a small paperback textbook of 32pp, produced in New Zealand 2002 for nine year olds in Australian Schools. Title in red over photographic coverpiers and wharves, industry, transport - shipping, architecture, ann smallpage, swallow & ariell ltd -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Simpson's cranioclast used by Dr Mitchell Henry O'Sullivan
Prior to the 1900s, complicated births, particularly where there was a disproportion between the size of the woman’s pelvis and the foetus’ head, often meant the death of the baby and the mother. Instruments for removing a dead or ailing foetus from within the mother were used to attempt to save the mother’s life. The cranioclast, first invented by Dr. James Simpson in the mid-19th century and later redesigned by others, was used for fetal destruction and removal. Fundamentally a strong pair of forceps, the cranioclast was used to crush the skull, decreasing its diameter. In some cases, this would allow normal uterine contractions to expel the foetus; in others, the physicians would use an obstetrical hook to pull the body out of the mother. Doctors disagreed as to the pelvic diameter that would necessitate this drastic intervention, but generally found that 3 to 3.5 inches was the smallest size through which a living infant could pass. Equally of debate was the pelvic size through which the dead fetus could be extracted. When vaginal extraction was deemed unadvisable, Caesarian section would be performed. As caesarean section became safer and more common with the advent of anaesthetics and antiseptic techniques, the use of cranioclasts and obstetrical hooks diminished. (Museum of Health Care, Kingston) Dr Mitchell Henry O'Sullivan worked in the Victorian country town of Casterton as a general practitioner from 1919 until his death in 1977. He also practiced obstetrics. His son, Dr David More O'Sullivan donated his obstetric bag and its contents to the College in 1999. The bag and contents are a unique time capsule of the type of instruments and pharmaceuticals used in the inter-war period.Hinged metal tool with bakelite handles at one end and serrated teeth at other end. The instrument is in two sections. The right or upper blade has a black bakelite handle. There are two screws on the inside of the handle, 5.5cm apart. In the centre of the blade is a screw notch in the shape of a small horseshoe. On the inner side of the blade is a depression extending most of the length. The left, or lower, blade also has a black bakelite handle. There are two screws on the inside of the handle approximately 6cm apart. Mobile metal clasps in the shape of an 'S' , with three serrations, is attached to the distal end of the handle, which enables the blades to be opened or closed. destructive instruments -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Chloroform bottle used by Dr Mitchell Henry O'Sullivan, W.J. Bush & Co
The use of chloroform as an anaesthetic for humans was first demonstrated by Edinburgh surgeon James Young Simpson in 1847. It was used as an anaesthetic in the 19th and early 20th centuries. Dr Mitchell Henry O'Sullivan worked in the Victorian country town of Casterton as a general practitioner from 1919 until his death in 1977. He also practiced obstetrics. His son, Dr David More O'Sullivan donated his obstetric bag and its contents to the College in 1999. The bag and contents are a unique time capsule of the type of instruments and pharmaceuticals used in the inter-war period.Amber glass bottle (empty) with clear glass stopper. Bottle carries its original label which "W.J. Bush & Co. Ltd. London ... Chloroform.."". On the base is the number "12" and "AS 9A"anaesthesia -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Lamprecht's anaesthetic (chloroform) bottle used by Dr Mitchell Henry O'Sullivan, Lamprecht
The use of chloroform as an anaesthetic for humans was first demonstrated by Edinburgh surgeon James Young Simpson in 1847. It was used as an anaesthetic in the 19th and early 20th centuries.Dr Mitchell Henry O'Sullivan worked in the Victorian country town of Casterton as a general practitioner from 1919 until his death in 1977. He also practiced obstetrics. His son, Dr David More O'Sullivan donated his obstetric bag and its contents to the College in 1999. The bag and contents are a unique time capsule of the type of instruments and pharmaceuticals used in the inter-war period.Amber glass bottle [197.1] with long neck and matching stopper [197.2]. The text "Lamprecht's" and "36587" stamped into the glass. Bottle is round with a fluted, vase like top and a small spout. Stopper is topped by a circular knob and tapers towards a point."Lamprecht's" "36587"anaesthesia -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Doctor's medical bag used by Dr Mitchell Henry O'Sullivan
The Gladstone bag was first developed in the mid 19th century and was named after British politician William Gladstone, a four-time Prime Minister of the United Kingdon. Dr Mitchell Henry O'Sullivan worked in the Victorian country town of Casterton as a general practitioner from 1919 until his death in 1977. He also practiced obstetrics. His son, Dr David More O'Sullivan donated his obstetric bag and its contents to the College in 1999. The bag and contents are a unique time capsule of the type of instruments and pharmaceuticals used in the inter-war period.Leather gladstone bag with leather handle and leather strap. Lining of bag is torn. Base of bag carries the words 'SOLID LEATHER' and the number '20'. surgery -
Bendigo Historical Society Inc.
Book - FRANK LEEAR BOLGER 19TH CENTURY ACCOUNTANT, AUDITOR AND SHAREBROKER, VICTORIA, AUSTRALIA
Frank Leear Bolger 19th Century Accountant, Auditor and Sharebroker, Victoria, Australia by sue Summers. Frank Leear Bolger worked principally in Castlemaine, Bendigo and Melbourne with additional business activities in Newe South Wales, Queensland, South Australia and Tasmania. Published 2021Sue Summersbiography -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Barnes-type obstetrical forceps with Simpson style handles, c. 1849-1962, J. Grey & Son, Sheffield, U.K
Neville Barnes obstetric forceps have a cephalic and pelvic curve and are used for delivery of babies presenting as occipitoanterior. The left blade is put on first, followed by the right blade – the baby is then pulled down until the occiput is under the symphysis, then pulled around. This particular set of Barnes forceps is unusual because it has handles/grips associated with Simpson type obstetrical forceps, making it a combination of styles. These forceps are similar in appearance to a style of 19th century forceps known as Hensoldt's forceps, made by Jetter and Scheerer, c. 1899. These are pictured as Fig. 771 in the Sir Kenardatth Das catalogue (see references). J. Gray & Son, Sheffield, were in operation from 1849 to 1962, so these forceps date from this time period.Set of obstetric forceps. Consists of a set of stainless steel blades, with black bakelite hand grip attachment. Forceps are engraved with the text 'J.GREY & SON" and "SHEFFIELD". The number '4' is engraved on the inner aspect of the blade, at the join point.'J.GREY & SON/SHEFFIELD'obstetric delivery -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Tool - Wooden vaginal speculum with plug, Henry Galante et Fils, c. late 19th century
The plug (obturator) could be used to apply medication to the mouth of the cervix. Wooden speculums were in use in the second half of the 19th century, before it became commonplace for speculums to be made of metal. Henry Galante was a French instrument maker active from the late 1800s. Speculum consisting of wooden case and introducer. "Galante" inscribed on lower side of case and "2" near the top of the case."Galante"obstetrics -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Sculpture - Pewter vignette of an obstetrician observing an antenatal patient, Michael Ricker Pewter
Michael Ricker was a renowned American pewter artist. His most famous piece, entitled 'Park City', was a 30 foot by 10 foot miniature town depicting life at the turn of the 19th century. It was completed in 1986 and presented to former President Gerald Ford. Ford graciously accepted the "key" to Park City and promised a home for the masterpiece in the Smithsonian Institute. (foundantique.com)Pewter sculpture featuring an obstetrician and an antenatal patient. A pregnant woman is lying on a low bench, with her left hand resting on her stomach, and her right arm by her side. She is wearing a dress and shoes, and has her eyes closed. To her right stands the figure of on obstetrician, wearing trousers, a short sleeved shirt, stethoscope and gloves. He is standing straight with his arms at his sides. The entire sculpture is silver in colour.obstetrics -
Deaf Children Australia
Conversation tube bell
Most conversation tubes were made in the late 19th and early 20th Century, but there are still some manufactured today. They were manufactured for a variety of reasons, not just for the hearing impaired. Metal bell for a conversation tube. Metal connection, black bell (possibly metal) deaf children australia, conversation tube, bell -
Dutch Australian Heritage Centre Victoria
Cigar Box
The Schimmelpenninck factory stood in Wageningen until it finally closed in 2000. The Schimmelpenninck brand started in 1924 when two brothers and an uncle merged their cigar factories into one company. It was called after Rutger Jan Schimmelpenninck, raadspensionaris (kind of a prime minister) of the Batavian Republic in 1805-1806. The tobacco industry has a long history in this town; in the 17th century one fifth of all arable land around the town was used for tobacco. Originally used in pipes and as snuff, the popularity of cigars in the 19th century led to a large expansion of the Dutch tobacco industry. The Schimmelpenninck factory was at its largest just before World war II, 700 employees produced 32 million cigars. Wageningen was heavily damaged during operation Market Garden in 1944, the whole population was evacuated and most of the machines of the Schimmelpenninck factory were stolen or destroyed. After the war, consumption of cigars was much reduced and the firm slowly merged with others. Eventually they became part of Rothmans.This box and the brand name Schimmelpenninck represent several periods of Dutch history between the time of the Republic and the post WWII years. Cigar smoking was very popular in the Netherlands pre-war but less so in the second half of the 20th century partly due to a growing awareness of tobacco's carciogenic properties.Large flat wooden box designed to hold 78 cigars. The lid is attached with brass hinges and two brass clasps enable it to be closed. A large red label with silver script and illustrations is attached to both the outside and the inside of the lid.Schimmelpenninck. Hollands Finest Cigars -
Dutch Australian Heritage Centre Victoria
(a) Leesplankje (b)Leesplankje letter collection (c) Book: 'Het Leesplankje', (c)Het Leesplankje
Leesplankjes were first created in the last decade of the 19th century and continued to be created in a number of variations until the 1950's. Separate editions were used for Dutch populations abroad, e.g., the Dutch East Indies.Every Dutch primary school child would have been familiar with these boards and letters. A number of variations existed depending on the particular area in The Netherlands where the school was. There were distinctive boards for e.g., South Africa and Dutch East Indies.a) Reading Board - an aid to lelarning to read. b ) A small round tin containing the necessary letters to build the words shown and illustrated on "leesplankjes" or reading boards. (See also item 4839). c) Book produced in 2014 concerning the variety of these reading boards with the addition of word games and reading practice.a) variety of nouns containing an assortment of diphthongs. b )Lettertjes bij Hoogeveens leesplankje*J.B.Wolters. Groningen* (Letters for Hoogeveen reading boards) c) Book Title: Het Leesplankje met woordspelletje en oefeningen. (The Reading Board with word games and exercises). -
Dutch Australian Heritage Centre Victoria
Book, MAX HAVELAAR of de koffieveilingen der Nederlandsche Handel - Maatschappij. (Max Havelaar or the coffiee auctions of the Dutch Trading Company), 1958
Multatuli was considered the most important Dutch language publication of the 19th century.A 270p. soft cover book.This 1958 edition is based on the 1881 edition, the final one edited by the author himself. -
Royal Australasian College of Surgeons Museum and Archives
Trephine case
From Neurological Society of Australia. Wooden case with key. Contents (12 parts) include trephines, various sizes; perforator; key; ebony trephine handle; Hey skull saw; elevator; steel forceps; brush; lenticular; five pointed rugine. 18th or early 19th century.TREPHINE & SKULL SAW IN CASE OF SURGICAL INSTRUMENTS: EIGHTEENTH OR EARLY NINETEENTH CENTURY. This set of surgical instruments contains, in a wooden case covered with shagreen: two trephines and a perforator , with a key to remove the trephine centring pins a detachable ebony handle a Hey skull saw with the name BLACKWELL an elevator a pair of steel forceps a bone or ivory brush to clean the trephines a lenticular a 5-pointed rugine. The trephines are conical, with slight tapering to prevent over- penetration; they are approximately 17 and 20 mm in diameter. Each has a sharp centring point, which 5 can be removed. Hand trephines are operated with one hand, being rotated like a gimlet, by alternating pronation and supination of the forearm, which also exe1ts downward pressure. The skull saw was used where trephining was difficult, as in some depressed fractures; it was popularised by William Hey (1736-1819) of Leeds, though described by earlier writers. Hey, a Yorkshireman, studied in St George's Hospital, London, but worked with great distinction in the Leeds General Infirmary. The lenticular, a curious instrument seen in many eighteenth century illustrations, was used to smooth the margins of bone defects. The rugine could be used to scrape granulations. The design of the trephines and of most of the other instruments strongly suggests an English origin, probably in the eighteenth century. A very similar trephine is figured by the London surgeon Percivall Pott2 in 1779. Bennion l [ists three instrument makers named Blackwell, none earlier than 1817. Most of the instruments have been plated, presumably with nickel, at a date that must be much later. The nickel plating shows little sign of wear. -
Wangaratta Historical Society
The Painted Glass Window
This window was originally above the door at 29 Murphy Street, a butcher shop run by Jas. Ferguson and Company and later bought by Bob Hoysted who had worked for Jas Ferguson as an apprentice. The window sits in a painted wood frame and illustrates a pastoral scene with a cow, two grazing sheep and a path leading to an open gate. Butcher shops typically illustrated their business with illustrations of the animals they sold. The painted glass pieces are held together by lead. Some of the pieces are textured. The artist is unknown. It is possible that the window was imported from Europe since decorative glass works in Australia at the end of the 19th century were rare, if not non-existent. Decorating store fronts with windows such as this one was popular in Melbourne at the end of the 19th century. -
St Kilda Historical Society
Document - Advertisement, G Brunning & Son St Kilda Nurseries, Pre - 1901 (original)
George Brunning was born in Suffolk, England, on 2 October 1830 and settled in St Kilda in June, 1852. He was a gardener and became part-proprietor and manager of Rule's Nursery in Richmond before establishing the first nursery of his own in 1861. Following his death on 5 June 1893, his sons continued the business. An article published in Punch in 1907 observed 'Nearly all the flowers grown in and around Melbourne, indeed, throughout Victoria, which are not native to Australia, had their origins in the nurseries of George Brunning and Sons. The statement is a large one to make, but it is literally true.'Single page black and white photocopy of advertisement from an unidentified publication for G Brunning & SonG Brunning & Son, St Kilda Nurseries, Near Melbourne, Beg to announce they have the Largest and Most Extensive Nursery Stock in the Australian Colonies. Ten acres of our ground are under cultivation with Flowers and Shrubs, upwards of two acres being covered with pot grown plants. We are the biggest Importers of new florists flowers in the Southern Hemisphere, always adding to our Stock all the Novelties as they appear in Europe. Our nurseries are particularly noted for the fine collections of roses, show, fancy and zone pelargoniums, fuchsias, picots, carnations, and other leading Plants, Shrubs, etc. In addition, we cultivate extensively the best and most popular kinds of fruit trees, of sorts suitable for private gardens, or for market purposes. Priced Catalogues are published annually in May, and will be forwarded gratis on application to G Brunning & Son, St Kilda Nurseries, Near Melbourne. Visitors to Melbourne are respectfully invited to inspect our Nurseries.g brunning and son, plant nurseries victoria, st kilda, 19th century -
Puffing Billy Railway
Sectioned Tangye Steam Operated Water Pump, 1900s
Sectioned steam pump so that the pump workings can be seen. Inscriptions & Markings: Tangye Birmingham, This steam pump was presented by the colonial gas Assn Ltd (brass plaque) The Colonial Gas Association was originally formed in London on 2 February 1888, as The Australasian Gas Association Limited. The primary objective of the company was to provide investment capital to help finance the construction and management of gasworks being established by the London engineering firm John Coates & Co in metropolitan cities and regional towns throughout Australia and New Zealand. By 1890, the Australasian Gas Association had acquired gasworks at Benalla, Shepparton, Wangaratta, Warragul, Maldon and Seymour, and had constructed a large gasworks at Box Hill to supply the eastern suburbs of Melbourne. In 1893, the company's name was changed to the Colonial Gas Association Limited. During the 1890s, the company acquired regional gasworks in Queensland, Western Australia and South Australia, followed by its first gasworks in New South Wales, in 1911. In 1914, the company consolidated its metropolitan supply area by purchasing the Oakleigh and Footscray gasworks. Further expansion occurred in the 1920s with the purchase of established gasworks at Williamstown, Frankston and Dandenong and the acquisition of ten further gas undertakings in Queensland and New South Wales, making the firm the fifth largest gas producer in Australia. info from The Colonial Gas Association Limited, circa 1893 https://collections.museumvictoria.com.au/items/1553322 Originally formed by the five Tangye brothers from Cornwall as James Tangye & Brothers in 1857, this Birmingham engineering firm grew to become one of the largest suppliers of jacks, pumps, steam and oil engines, hydraulic presses, gas producers and machine tools in the late 19th and early 20th centuries. The successful sideways launching of I.K. Brunel's 'Great Eastern' from the mud of the Thames in 1857 using Tangyes hydraulic jacks gave the firm much needed publicity and new orders flowed in. To finance expansion, George Price provided additional capital and the company name became Tangye Brothers & Price in 1859. A new factory known as the 'Cornwall Works' was built in Clement Street, Birmingham. In 1872, the firm became Tangye Brothers and in about 1879- 1880 began production of internal combustion stationary engines based on Horace Robinson's patents, later using the Otto four-stroke design for its Soho range of gas engines. Examples of the Soho engine were exhibited by the firm at the 1880 Melbourne International Exhibition. Petrol and oil engines were made from the 1890s onward, and by 1910 had developed into the Model B, BR and AA series engines. Tangyes supplied custom-built pumps and presses for particular applications, becoming a major exporter of engineering equipment. In 1884, Tangye Brothers opened a custom-built branch office, showroom and warehouse in Melbourne at Cornwall House in Collins Street West, advertising the full range of engineering products. These lantern slides images are taken from Tangyes product catalogues from the 1910-1925 period and are believed to have been used as sales promotional aids in Australia by the Tangye Brothers. info from https://collections.museumvictoria.com.au/articles/4670 Historic - Industrial Steam Operated Water Pump built by Tangye Bros and used by the Colonial Gas Company - Melbourne, Victoria, AustraliaSectioned steam pump so that the pump workings can be seen. Tangye Birmingham, This steam pump was presented by the colonial gas Assn Ltd (brass plaque)puffing billy, steam pump, sectioned, tangye bros -
Puffing Billy Railway
Sign - Advertising - Pure Velvet Soap - Enamel Sign, pre 1950s
Velvet Soap was a widely used laundry bar soap launched in 1906, produced by J. Kitchen & Sons, owned by John Ambrose Kitchen (1835 - 1922). Kitchen was born in Britain and emigrated to Victoria in 1854. After a less than successful period at the Caledonian and Blackwood diggings, Kitchen returned to Melbourne and joined his father and brothers in establishing a tallow candle making works. Through merger and expansion the company became the pre-eminent manufacturer of soap and candles in the eastern colonies in the mid to late 19th century. Kitchen also speculated in a number of enterprises but suffered financial setbacks as a result of the 1890s bank crashes. Despite this, the company continued to grow in the early twentieth century with the introduction of products such as Velvet Soap and Solvol. The company merged with the British company Lever Bros in 1914 who eventually took full control of the company in 1924, becoming Lever and Kitchen. Advertising for Velvet Soap in Australia was extensive and pervasive. All manner of surfaces were used to advertise the product such as building walls, roofs, and most commonly, enamelled sheet metal signs which were fastened to any available surface internally and externally. The most common form of sign that Velvet Soap used was the words 'PURE VELVET SOAP' in white lettering within a vivid dark blue, elongated Maltese cross. On the enamelled metal signs the Maltese cross sat on a red background with a yellow border. While this was the dominant form for Velvet Soap signs, there were variations from the standard. The Velvet Soap sign is of historical significance as a representative of painted signs that were once a common form of advertising during the nineteenth and early twentieth centuries. - : http://vhd.heritagecouncil.vic.gov.au/places/14447#sthash.Vb6KAUWl.dpufHistoric - Advertising Sign - Velvet SoapTin sign with white, yellow, red and blue enamel. Pure velvet soap.puffing billy, enamel sign, pure velvet soap