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City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Decorative object - Ornaments, lady's dressing table set, 20thC
The family of Miss carol Green were early settlers in Moorabbin ShireFour piece lady's white ceramic dressing table set. Comprising of a small rectangular tray, and three small lidded-pots - one pot has a knob. There is a hand-painted dainty red and green floral garland decoration on each of the pots as well as the tray. Remnants of gold painted decoration can also be seen.ceramics, ornaments, early settlers, pioneers, moorabbin, bentleigh, cheltenham, ormond, market gardeners, green carol -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Domestic object - Kitchen Equipment, crockery 'Real Old Willow', Early 20th Century
Earthenware, 2 teacups, 2 saucers, 2 side plates and 1 cereal bowl with side plate in 'Real Old Willow' pattern. Traditional dark blue Willow Pattern, with hand-painted gold rims. Small Willow Pattern cameo at the base inside each cup.Pattern Number 8025. Small Willow Pattern cameo at the base inside each cup.ornaments, earthenware, booths pty ltd, tunstall, england, early settlers, pioneers, moorabbin, bentleigh, cheltenham, ormond, market gardeners -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Domestic object - Kitchen Equipment, crockery child's cup, Circa 1950-1960
Small white child's china cup with handle, c 1950 -60. Colourful transfer-printed decoration of children playing with a selection of toys. Possibly part of child's tea-set.Stamped made in Czechoslovakia. Colourful transfer-printed decoration of children playing with a selection of toys.ornaments, kitchen equipment, crockery, chinaware, czechoslovakia, early settlers, pioneers, moorabbin, bentleigh, cheltenham, ormond, market gardeners -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Photograph, 1916 William Henry Thomas in WW1 Uniform, 1916 William Henry Thomas in WW1 Uniform, 1916
1916 William Henry Thomas of Keys Road , South Brighton (now Moorabbin ) in WW 1 1914 -1918 1st AIF uniform. William was born in 1894 , Christened at the Wesleyan Church. (Methodist), Wickham Road, South Brighton and attended Moorabbin State School. . Private Thomas was a market gardener in Moorabbin prior to his enlistment in the Australian Imperial Force on 19 July 1915. Both his parents wrote separate letters giving their consent for their son to serve overseas due to " the pressing request of my son William Henry, also the urgent need of recruits do give my consent that he shall go to the front." September 29th 1915 he left Australia with the 5th Reinforcements of the 24th Battalion for Egypt. March 1916 he was hospitalised with Mumps and shortly after left Alexandria to join the British Expeditionary Force for France where he transferred to the 6th Australian Machine Gun Company.. Whilst on leave in England he received medical attention before returning to France and 13 November 1918 he spent a week in the care of the 7rh Field Ambulance suffering with influenza . Private Thomas returned to Australia on the hospital transport Castalia 13 April 1919 and his enlistment was terminated 26 September 1919Private William Henry Thomas and his family are examples of the patriotism exhibited by the market gardeners, and indeed throughout Australia, during the World War 1 1914-1918. Photograph is black and white. William Henry Thomas is standing straight and tall in the centre of the photograph, looking directly at the photographer while holding a weapon in his right hand. He is in his military uniform (WW1) .Front of Mount : Ainor Studio Auburn Back of Mount : William Henry Thomas / 1st World War 1916 / Keys Rd., Moorabbin / Born 1894 / Christened at Wesleyan ( Methodist ) Church / Wickham Rd., / South Brighton / now Uniting Church unsigned undatedwilliam henry thomas, 1916, 1894, first ww, world war one, uniform, wickham road, south brighton, moorabbin, world war 1 1914- 1918, thomas street,early settlers, pioneers, market gardeners, australian infantry force, soldiers, key's cup, victorian war memorials, cheltenham, mckinnon,, keys road moorabbin, ss castalia, british expeditionary force ww1 1914- 1918, 24th battalion 1st aif, 6th australian machine gun company 1st aif, influenza epidemic 1919, alexandria egypt, methodist church, -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Photograph, postcard "Boiling the Billy" c1900, Early 1900's "Boiling the Billy", c1900
Early 1900's. "Boiling the billy". The term billy or billycan is particularly associated with Australian usage, but is also used in the UK and Ireland. It is widely accepted that the term "billycan" is derived from the large cans used for transporting bouilli or bully beef on Australia-bound ships or during exploration of the outback, which after use were modified for boiling water over a camp fire. Postcards developed out of the complex tradition of nineteenth-century printed calling cards, beginning with the advent of the Cartes-de-Visite in France. In the 1850s, Parisian photographer Andre Adolphe Eugene Disderi invented a photographic process involving egg white, albumen, and silver nitrate to create inexpensive portraits on paper cards. These photographic Cartes-de-Visites were 2 1/2 (75mm) by 4 inches (98mm) and became a popular, collectable form of "visiting cards" world-wide. Photographers would reprint portraits of famous individuals they had taken at their studios or during travel and sell them as collectable cards. Postcards as we know them now first began in 1861 as cards mailed by private post. In the 1870s picture postcards grew in popularity throughout the United States, Britain, Europe, and Japan. Cards were first permitted to have a "Divided Back," with text written on the left half of a dividing line and the address on the right half, beginning in England in 1902. Around 1900 the first postcards made of "Real Photos" rather than artwork began to circulate, aided in by advances in amateur photography equipment by companies such as Kodak. Kodak also introduced postcard paper for photographic development and photography studios began to offer portraits printed as postcards Many local town, countryside, and architectural images were captured during this period by local photographers, then printed and sold as postcards . Advances in amateur photography all contributed to a postcard craze that lasted from 1900 to the First World War. Postcards were the preferred means to send a quick note, whether across town or across a continent.Postcard with a black and white Photograph on the front and a 'Divided Back ' for the message and address. There are seven men surrounding the billy suspended over a camp fire. The ground has a lot of dead branches around. One man is bending down towards the billy. Two men on either side of the camp fire are carrying either a white bag across their shoulders or the fish in their hands. You can see, that there is some steam also coming out of the billy, which means that its hot. Court Post Card. / this space may be used for correspondence. / The address only to be written here.1900's, boiling the billy , postcards, photographers, england, hungary, america, cartes-de-visite, visiting cards, moorabbin, cheltenham, bentleigh, market gardeners, early settlers, pioneers, -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Sewing Machine 'Singer' Model 20, c1920
First marketed in 1910, this early version Singer No 20 was sold as both a toy and adult miniature. The design underwent several improvements and cosmetic changes in the years that followed. By the mid 1900s, many companies had cloned the machine, with most showing the same uncertainties as to the intended market.A miniature 'Singer' Sewing machine ,Model 20, with hand crankSinger Pty Ltd early settlers, craftwork, toys, sewing machines, pioneers, moorabbin, bentleigh, ormond, cheltenham, market gardeners, dressmaking -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Craft Equipment, knitting needles, c1880
Early settlers in Moorabbin Shire had to be self reliant and made their own clothes and tools. Knitting was a necessary task for the women of the families of these pioneers.Early settlers and market gardeners established their families in Moorabbin Shire and this item shows the skill and craftsmanship of the these families A pair of long wooden knitting needlesearly settlers, craftwork, knitting, pioneers, moorabbin, bentleigh, ormond, cheltenham, market gardeners -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Personal Effects, lady's evening bag, 20thC
This evening bag was purchased in Hong KongA lady's pale blue, satin, evening handbag, with a drawstring, hand-made in Hong Kong. It is lined in darker blue satin and has appliquéd silver sequins and light blue crystal-like beads and rows of tiny, pearl-like beads made in Hong Kongcraftwork, sewing, early settlers, market gardeners, moorabbin, bentleigh, mckinnon, ormond, cheltenham, personal effects, handbags, evening wear, hong kong, chinese -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing, lady's leather gloves, c1900
This pair of gloves was made in France and purchased by a Moorabbin residentA pair of cream, chamois leather lady's gloves with stitch detailing on back . Size 7 Made in France Size 7craftwork, sewing, gloves, early settlers, market gardeners, moorabbin, bentleigh, mckinnon, ormond, cheltenham, personal effects, evening wear -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Toiletries, hair combs, 20thC
Plastic Hair decorations became very popular during 20thC because they were cheap and plentiful.2 plastic-like tortoiseshell, decorative hair combstoiletries, market gardeners, early settlers, moorabbin, bentleigh ormond, cheltenham, hairdressing -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Craftwork, heavily carved calling card case, c1900
A visiting card, also known as a calling card, is a small paper card with one's name printed on it, and often bearing an artistic design. Visiting cards became an indispensable tool of etiquette, with sophisticated rules governing their use. The essential convention was that one person would not expect to see another person in his own home (unless invited or introduced) without first leaving his visiting card for the person at his home. Upon leaving the card, he would not expect to be admitted at first, but might receive a card at his own home in response. This would serve as a signal that a personal visit and meeting at home would be welcome. On the other hand, if no card were forthcoming, or if a card were sent in an envelope, a personal visit was thereby discouraged. As an adoption from French and English etiquette, visiting cards became common amongst the aristocracy of Europe, and also in the United States. The whole procedure depended upon there being servants to open the door and receive the cards and it was, therefore, confined to the social classes which employed servants. Some visiting cards included refined engraved ornaments, embossed lettering, and fantastic coats of arms. However, the standard form visiting card in the 19th century in the United Kingdom was a plain card with nothing more than the bearer's name on it. Sometimes the name of a gentlemen's club might be added, but addresses were not otherwise included. If a card was left with a turned corner it indicated that the card had been left in person rather than by a servant. Visiting cards were kept in highly decorated card cases.A timber calling card case, heavily carved with flowers, leaves and huts.craftwork, woodwork, visiting cards, early settlers, moorabbin, bentleigh, cheltenham, market gardeners -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Toiletries, hair curling tongs, 20thC
Curling irons, also known as curling tongs, create waves or curls in the hair. Clipless wands have no clamp, and the user simply wraps hair around a rod and squeezes the two parts together. The metal curling irons were heated on the fire or the stove and then the hair could be clamped between these 2 rods to create a curl in the hair . A pair of steel, hair curling tongsEveready Englandtoiletries, hairdressing, curling tongs, moorabbin, bentleigh, cheltenham, early settlers, marcel waves, market gardeners -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Personal Effects, lady's evening handbag
A lady's, grey, evening bag with a drawstring and decorated with beads and sequins.presonal effects, early settlers, market gardeners, moorabbin, bentleigh, cheltenham, ormond, dressmaking, craftwork, -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Toiletries, steel, hair curling tongs, c1900
Hair curling tongs were used by women 1800 - 1950 to create appealing curls and ringlets in their hair. To achieve ringlets, the tongs were heated on a gas ring, stove top or flame and then thick weft of hair was wound around one side of the tongs. The tongs were then 'crimped' together and upon release a long ringlet of hair resulted . If the tongs were overheated the hair was singed producing a lingering malodour. A pair of lady’s steel tongs, with no clamp, for hair curling. toiletries, hairdressing, early settlers, market gardeners, moorabbin, bentleigh, cheltenham, marcel waves -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Jewellery, pocket watch 'ELGIN', c1920
The Elgin National Watch Company, most commonly known as just the Elgin Watch Company, was a major US watch maker from 1867 until its closure in 1968. The company sold watches under the names, Elgin, Lord Elgin, and Lady Elgin. They began in Chicago, Illinois, USA A gold pocket watch C1920'ELGIN'jewellery, gold watches, market gardeners, early settlers, moorabbin, cheltenham, ormond, elgin watch company, pocket watches -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Jewellery, pearl necklace, 20thC
It is thought that natural pearls form under a set of accidental conditions when a microscopic intruder or parasite enters a bivalve mollusc and settles inside the shell. The mollusc, irritated by the intruder, forms a pearl sac of external mantle tissue cells and secretes the calcium carbonate and conchiolin to cover the irritant. This secretion process is repeated many times, thus producing a pearl. Natural pearls come in many shapes, with perfectly round ones being comparatively rare. In general, cultured pearls are less valuable than natural pearls, whereas imitation pearls have almost no value. Cultured freshwater pearls can often be confused for natural pearls Cultured pearls are the response of the shell to a tissue implant. A tiny piece of mantle tissue (called a graft) from a donor shell is transplanted into a recipient shell, causing a pearl sac to form into which the tissue precipitates calcium carbonate. Some imitation pearls (also called shell pearls) are simply made of mother-of-pearl, coral or conch shell A strand of pearls called a princess length, 43 to 48 cm in length, comes down to or just below the collarbone. A graduated strand of pearls most often has at least 3 mm of differentiation from the ends to the centre of the necklace. A lady's pearl necklace and 1 earring in a hinged, lined, cream Bakelite case .jewellery, necklace, earring, pearls, market gardners, early settlers, moorabbin, bentleigh, cheltenham, ormond -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Document, Train Ticket 1921, c1921
A Victorian Railways Suburban train monthly ticket use by Mr Marriott in July 1921 to travel between Moorabbin and Mentone.The Marriott family were early settler, market gardeners in Moorabbin Shire.A Victorian Railway Monthly ticket 1st class Moorabbin and Mentone July 1921Front Not Transferable / VICTORIAN RAILWAYS/ MONTHLY TICKET / MOORABBIN / AND / MENTONE / (HALF ) / FIRST CLASS / ( Not available for Smoking Compt.) /JULY '21 / (For conditions see / other side / Back MOORABBIN / AND / MENTONE / Issued to and accepted by / Sr. Marriott / JULY '21 / 000 / subject to the provisions of the Rail / way Act ................Commissioners / ....... / Albert J.Mullett Govt. Printerrailways, moorabbin, highett, mordialloc, mentone, cheltenham, bentleigh, marriott geoff, market gardeners, early settlers, pioneers, train tickets, melbourne -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing, button hook, c1900
A button hook is a tool used for the closing of shoes, gloves or other apparel that uses buttons as fasteners. It consists of a steel hook fixed to a handle that may be simple or decorative. The hook end is inserted through the buttonhole to capture the button by the shank and draw it through the opening.The family of May Curtis were early settlers in Moorabbin ShireA metal button hook for shoes and gaiters with an 'Ivorine' handleclothing, footwear, gaiters, boots, craftwork, ivorine, moorabbin, brighton, early settlers, pioneers, cheltenham, curtis may -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Jewellery, 3 men's lapel pins, c1900
A tie pin is a neckwear controlling device, originally worn by wealthy English gentlemen to secure the folds of their cravats. They were first popularized at the beginning of the 19th century. Cravats were made of silk, satin, lace and lightly starched cambric, lawn and muslin, and stickpins were necessary accoutrements to keep these expensive fabrics in place and safe. Stickpins commonly used pearls, and other precious gemstones set in gold or other precious metals and were designed specifically for their owners. By the 1860s, wearing cravats had been embraced by the English upper middle classes with a consequently lower quality of materials and designs used in both the neckwear and in the stickpins used to keep it in place. By the 1870s Americans had embraced stickpins and designs were mass-produced. 3 men's metal lapel pins with coloured glass inserts 1 yellow 2 red jewellery, tie-pins, male neckwear, moorabbin, brighton, early settlers, pioneers, cheltenham -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Optical Equipment, Spectacles, Pince - nez with case, 20thC
Pince-nez spectacles are in a style popular in the 19th century, which are supported without earpieces, by pinching the bridge of the nose.A pair of Pince-nez eye glasses in a leather case, with a soft cleaning cloth.cleaning cloth - 'With Compliments / John Browning Pty. Ltd. / 113 Collins Street / MELBOURNE / PHONE MF 3221/ MF 3222optometrists, spectacles. eyeglasses, moorabbin, brighton, early settlers, pioneers, cheltenham -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Personal Effects, lady's leather wallet, 20thC
A lady's brown soft leather wallet with 3 sections and a brass clasp A.C.I ENNIS WITH COMPLIMENTS FROM / JAMES LYONS LTD / SAWMILLERS & TIMBER MERCHANTS / CAIRNS N.Q.moorabbin, brighton, early settlers, pioneers, cheltenham, craftwork, leather, wallets, purses -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Personal Effects, man's leather wallet, 20thC
A man's dark brown leather wallet with a leather strap buttonA.F ENNISmoorabbin, brighton, early settlers, pioneers, cheltenham, craftwork, leather, wallets, purses -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Personal Effects, lady's purse, 20thC
A lady's dark brown pigskin purse with 7 sections, a short strap handle across the top and a metal fastening studmoorabbin, brighton, early settlers, pioneers, cheltenham, craftwork, leather, wallets, purses -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Photograph, small circular frame c1900, c1900
A photograph of 2 women c 1900 members of the Curtis family who were early settlers in Moorabbin ShireThe family of May Curtis were early settlers in Moorabbin ShireA black and white photograph of 2 unnamed women in a small circular frame with a wire support stand c 1900nilmoorabbin, cheltenham, bentleigh, early settlers, photographs, curtis may -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Lights, porcelain, wall, electric light switch; Door Knob Porcelain, early 20th C
Both the Light switch and Door knob were used in Box Cottage during the late 19thC and early 20thC by the Box and Rietman families. William and Elizabeth Box purchased the two ten acre Lots of land with the Cottage in 1868 where they raised their family of 12 children and developed a flower garden producing seedlings. August and Frieda Rietman rented the Cottage 1917 with 1 acre of land and purchased it in 1935 where they raised 2 children while August established Rietman's Landscaping Pty Ltd making pressed concrete garden furniture. Porcelain is a ceramic material made by heating materials, generally including kaolin, in a kiln to temperatures between 1,200 and 1,400 °C The toughness, strength and translucence of porcelain, relative to other types of pottery, arises mainly from vitrification and the formation of the mineral mullite within the body at these high temperatures. Porcelain and other ceramic materials have many applications in engineering, especially ceramic engineering. Porcelain is an excellent insulator for use at high voltage, especially in outdoor applications, see Insulator (electricity)#Material. Examples include: terminals for high voltage cables, bushings of power transformers, insulation of high frequency antennas and many other components. Both the Light switch and Door knob were used in Box Cottage during the late 19thC and early 20thC by the Box and Rietman families. William and Elizabeth Box purchased the land with Cottage in 1868 and raised their familya) An electric light switch that would be attached to a wall. An Ivory Porcelain Base Single Light Switch with antique Brass top b) A porcelain door knob Both items used in Box Cottage early 20th Ca) On base BRITISH MADE / ENGLAND / 4 / 6959 lights, porcelain, electricity, early settlers, moorabbin, cheltenham, bentleigh, box william, box elizabeth, rietman august, rietman frieda, market gardeners, flower gardens, seedling nurseries, world war 1 1914-18, war memorials, sculpture, pottery, pressed concrete, door handles, door knobs -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Jewellery, velvet covered box, c1900
This is a typical jewellery case used by early settler women to store and protect their rings, necklaces, earrings , hat pins etcThis jewellery case gives an insight into the daily life of early settler women in Moorabbin Shire This lady's jewellery box is covered in beige velvet and lined with beige silk The lid has a covered hinge and it has a silver slide catch.nilearly settlers, moorabbin, cheltenham, bentleigh -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Jewellery, 2 lady's hat pins mauve, c1900
A hat pin is a decorative pin for holding a hat to the head, usually by the hair that was styled in a Chignon or French Roll style and usually worn in a pair. They are typically around 20 cm in length, with the pinhead being the most decorated part. The hatpin was invented to hold veils in place, and was handmade. Birmingham, England was the centre of production when demand eventually outgrew the number that could be supplied by hand-making and they also began to be imported from France. In 1832, an American machine was invented to manufacture the pins, and they became much more affordable. During the 1880s, bonnets gave way to hats, some of which were very large and the popularity of hatpins soared. In the Victorian era, when appearance was everything, it just wouldn't do for a fashionable lady's hat to blow off in the wind. They remained a standard women's' accessory through the 1910s and were produced in a vast range of materials and types. Hat pin holder boxes were also produced. One of the most well-known makers of hatpins is silversmith Charles Horner, of Halifax, whose turn of the century jewellery company became a leader in the market by creating a series of mass-produced pins that were still of exceptional quality. As a result, thousands of Horner's pins are still on the market and on display in museums worldwide. Women of the 1920’s used hat pins as decoration on their Cloche hats that fitted snugly to their heads. The women of the pioneer families liked to dress up in their best hand made dresses and fashionable hats for Church gatherings and special occasions as a relief from the daily chores of hand washing, ironing with flat irons and cooking over open fires.2 lady's long steel hat pins with sequents in a flower design on mauve material bonnets, hats, veils, scarves, moorabbin, bentleigh, brighton, cheltenham, early settlers, pioneers, clasps, hairdressing, combs, steel pins, jewellery -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Jewellery, 1 lady's hat pin black, c1900
A hat pin is a decorative pin for holding a hat to the head, usually by the hair that was styled in a Chignon or French Roll style and usually worn in a pair. They are typically around 20 cm in length, with the pinhead being the most decorated part. The women of the pioneer families liked to dress up in their best hand made dresses and fashionable hats for Church gatherings and special occasions as a relief from the daily chores of hand washing, ironing with flat irons and cooking over open fires. 1 long, lady's, steel, hat pin , padded and covered in black linen decorated with spherical shaped black sequins bonnets, hats, veils, scarves, moorabbin, bentleigh, brighton, cheltenham, early settlers, pioneers, clasps, hairdressing, combs, steel pins, jewellery -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Jewellery, 1 lady's hat pin, c1900
See 00630 A A hat pin is a decorative pin for holding a hat to the head, usually by the hair that was styled in a Chignon or French Roll style and usually worn in a pair. They are typically around 20 cm in length, with the pinhead being the most decorated part. The women of the pioneer families liked to dress up in their best hand made dresses and fashionable hats for Church gatherings and special occasions as a relief from the daily chores of hand washing, ironing with flat irons and cooking over open fires. A short, lady's steel hat pin, padded and covered in red and gold felt in a spiral patternbonnets, hats, veils, scarves, moorabbin, bentleigh, brighton, cheltenham, early settlers, pioneers, clasps, hairdressing, combs, steel pins, jewellery -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Jewellery, 1 lady's hat pin, c1900
See 00630 A A hat pin is a decorative pin for holding a hat to the head, usually by the hair that was styled in a Chignon or French Roll style and usually worn in a pair. They are typically around 20 cm in length, with the pinhead being the most decorated part The women of the pioneer families liked to dress up in their best hand made dresses and fashionable hats for Church gatherings and special occasions as a relief from the daily chores of hand washing, ironing with flat irons and cooking over open fires.A short steel lady's hat pin with a gold coloured metal ball at top with filigree decorationbonnets, hats, veils, scarves, moorabbin, bentleigh, brighton, cheltenham, early settlers, pioneers, clasps, hairdressing, combs, steel pins, jewellery