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Ballarat Tramway Museum
Photograph - Colour Photograph/s set of 5, Warren Doubleday, 17/03/2001 12:00:00 AM
Set of five colour photographs taken on 17/3/2001 by Warren Doubleday of the commissioning of Scrubber tram No. 8 (8W) in Wendouree Parade. On Agfa paper. 1827.1 - BTM tram No. 13 and No. 8 at Carlton St. .2 - Paul Mong cleaning points at depot junction, with Neil Lardner on bumper bar and Sam Boon alongside. .3 - 8 at St. Aidans Drive, Neil Lardner, Sam Boon, Alastair Reither, Dave Macartney, Daniel Edwards and Paul Mong. .4 - 8 (8W) crossing 13 at Gardens Loop .5 - 8 at Gardens Loop See Fares Please! March 2001commissioning, scrubber tram, btm, gardens loop, carlton st, st aidans drive, wendouree parade, tram 8, tram 13 -
Bendigo Military Museum
Uniform - WINTER DRESS, RAAF, ADA, 2004
Air Force Uniform owned by Bob Hodges.Uniform consists of one coat, pair of trousers, two shirts. 1. Dress coat - navy blue colour, wool/polyester fabric with sateen lining. Gold colour plastic butons emblazoned with crown and eagle in flight, shoulder insignia "Australia". Makers label. 2. Trousers - Navy blue colour wool/polyester fabric. Makers label. 3. & 4. Shirts - long sleeve, light blue cotton/polyester fabric. Shoulder Insignia - RAAF, Wings and "AIR FORCE". Makers label.Makers labels - black print on white label. 1. "ADA"/VICTORIA 2004/NSW 61929/NAME:/ SERVICE NO." "DRY CLEAN ONLY" 2. "ADA"/VICTORIA 2004/NSW 61929/NAME:/ SERVICE NO." with "LAUNDRY INSTRUCTIONS"' 3. & 4. "ADA/4500297929/NSW 8405 66 148 2384/SIZE 42/89/NAME/ SERVICE NO/ 65% POLYESTER/ 35% COTTON.raaf, uniform -
National Wool Museum
Textile - Travel Rug, Onkaparinga Woollen Mill Company, 1960s
Collector says: I can still recall one of my earliest childhood memories, of my nana's bright aqua shoes against the checks of our family travel rug on summer picnics. Maybe that's when this collection planted its seed in me - 40 years later I start my first blanket collection after stumbling across old Onkaparinga travel rugs. I would go to a vintage market in Collingwood every month and almost always found a good one, amassing enough for the entire household. Everyone had their favourite, even the cat had his own – a small red tartan one just for him.Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Fringed plaid travel rug, brown, yellow and blue Onkaparinga/washing instructions/use A.W.C. approved wool detergent/warm machine wash on short gentle cycle/or warm hand wash/DO NOT BLEACH/warm rinse well on gentle cycle/normal spin/DO NOT TUMBLE DRY/dry in shade - gently pull to shape/dry cleanable (A) - in emblems: The Woolmark pure new wool, Woven in Australia, F 472wool, blanket, blanket fever, travel rug, onkaparinga -
National Wool Museum
Textile - Travel Rug, Onkaparinga Woollen Mill Company
Collector says: "I can still recall one of my earliest childhood memories, of my nana's bright aqua shoes against the checks of our family travel rug on summer picnics. Maybe that's when this collection planted its seed in me - 40 years later I start my first blanket collection after stumbling across old Onkaparinga travel rugs. I would go to a vintage market in Collingwood every month and almost always found a good one, amassing enough for the entire household. Everyone had their favourite, even the cat had his own – a small red tartan one just for him."Collector's note- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. "Fringed travel rug, red, blue, green and blackOnkaparinga/washing instructions/use A.W.C. approved wool detergent/warm machine wash on short gentle cycle/or warm hand wash/DO NOT BLEACH/warm rinse well on gentle cycle/normal spin/DO NOT TUMBLE DRY/dry in shade - gently pull to shape/dry cleanable (A) - in emblems: The Woolmark pure new wool, Woven in Australia, F 472wool, blanket, blanket fever, travel rug, onkaparinga -
Mt Dandenong & District Historical Society Inc.
Photograph, Jeannie Green
Jeannie Green from Wandin married Willie Richardson (son of the original settler Jabez Richardson) in 1898. They built a home in the Kalorama Valley and named it "Mt Calvin". Jeanie had three children - Reuben born 1890, William born 1901 and Jean born 1910. Jeanie suffered ill health and required assistance with cooking and cleaning. The family left the area in search of a warmer climate for Jeanie.Black and white studio portrait of a young Jeannie Green wearing a high necked dress.Jeanie Green (Mrs J W Richardson) born 1871 died 1916. Mother of Reuben, William, Jean.jeannie green, jeanie green, willie richardson, john willie richardson, rueben richardson, william richardson, jean richardson, mt calvin -
Bendigo Historical Society Inc.
Functional object - Polishing Iron
Polishing irons were used for ironing collars and frills. Historical information Sad-irons (the term comes from an old word sald for solid) were made by blacksmiths and used to smooth out material by pressing the hot iron over it. A piece of sheet -iron was placed over the kitchen fire and the irons placed on it could be heated whilst remaining clean of ash.. The women used 2 irons - one heating while the other was used. Thick cloth or gloves protected their hands from the hot irons. The cool iron was replaced on the fire or stove to heat again. These irons were cleaned with steel wool to prevent them marking the material. If the iron was too hot the material would scorch. Most homes set aside one day for ironing and some large households had an ironing room with a special stove designed to heat irons. However, most women had to work with a heavy, hot iron close to the fireplace even in summer. A solid piece of cast iron, the base is triangular a shape with an eight centimetre base with curved sides coming to a point 13 centimetres from the base and is three and a half centimetres Thick. The bottom of the iron is curved. Two curved pieces two and a half centimetres wide, half a centimetre thick and six centimetres apart rise from rise up seven centimetres, between them is a two centimetre diameter and nine centimetre long hollow handle. Embossed on the iron is - 4 SILVESTERS PATENT SALTER and an arrow with a knotted rope around it. K13polishing iron, silvesters patent, sad iron -
Bendigo Historical Society Inc.
Functional object - FLAT IRON
Flat irons were used for general ironing. Historical information Sad Irons (the term comes from an old word sald for solid) were made by blacksmiths and used to smooth out material by pressing the hot iron over it. A piece of sheet -iron was placed over the kitchen fire and the irons placed on it could be heated whilst remaining clean of ash. The women used 2 irons - one heating while the other was used. Thick cloth or gloves protected their hands from the hot irons. The cool iron was replaced on the fire or stove to heat again. These irons were cleaned with steel wool to prevent them marking the material. If the iron was too hot the material would scorch. Most homes set aside one day for ironing and some large households had an ironing room with a special stove designed to heat irons. However, most women had to work with a heavy, hot iron close to the fireplace even in summer. A solid piece of cast iron, the base is triangular a shape with a ten centimetre base with curved sides coming to a point 15.5 centimetres from the base and is three centimteres thick. The bottom of the iron is flat. Two curved pieces three centimetres wide, half a centimetre thick and seven centimetres apart rise from rise up eight centimetres, between them is a two centimetre diameter and ten centimetre long hollow handle. Embossed on the iron is - 4 SILVESTERS PATENT SALTER and an arrow with a knotted rope around it. K5polishing iron, silvesters patent, sad iron -
Warrnambool and District Historical Society Inc.
Container - Boracic Acid Tin: Kennedy Chemist, Early 20th century
R. F. Kennedy operated as a pharmacy in the late 19th and early 20th century in Timor Street Warrnambool. Mr Kennedy manufactured a large number of drugs and perfumes on a wholesale basis as well as very impressive retail business. Around the mid 1880’s they were shipping 5000 dozen bottles of Janos salts annually. Boracic acid was one such product which was commonly used product as an insecticide, herbicide and in cleaning products.A common item which was manufactured by one of the largest manufacturing chemists of the area. R. F. Kennedy was a significant business in Warrnambool.Oval shaped tin with cream paper label overlaid with blue and white label. All labels are stained brown.R.F Kennedy & Co Chemists Timor St Warrnambool, Tel, 31. B Farrer proprietor Kodak dealer. warrnambool, r. f. kennedy, chemist timor street warrnambool, timor street warrnambool, chemist -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Electrical, fittings 3 bakelite 1 brass c1930, c1931
As supply of electricity became available in the Moorabbin Shire c 1920 homes gradually changed from Gas lighting to Electrical lighting and bakelite was used for fittings. Bakelite was a safe non-conductor of the electric current. Housewives, who had ironed clothes with flat irons heated on the hearth of open fires, were delighted to be able to stand on a chair and remove the light globe and plug in their new clean and efficient electric iron. The supply of electricity to homes in the City of Moorabbin in the early 20th Century brought many welcome changes to domestic and commercial life 3 Electrical, fittings c 1931 a) a bakelite plug and socket Made in Australia b) a bakelite bayonet fitting Made in England ;c) Bakelite screw type with no markings d) A large brass and porcelain screw type with no markings L8 a) Australian Made / PIMI b) British Made in England c) No marks d) no marks electricity, electric lights, electric irons, bakelite, market gardeners, early settlers, moorabbin shire, mechanics institute cheltenham, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, clark judy, reed gladys, reed george -
Melbourne Tram Museum
Letter - Memo, Met Tram, "Briefing note - scrubber car replacement/update", 9/1988
Memo to Ian Dobbs CEO PTC from Russell Nathan, Met Tram regarding the condition and future of the three number track maintenance cleaning, and corrugation removal by scrubber trams 9W, 10W and 11W. Looks at the cost of operations, issues and their future. Recommends that they be replaced using contracted equipment. The trams were withdrawn from service by 2002. 9W to Bendigo, 10W to TMSV Bylands and 11W to the Sydney Tram Museum.Yields information about the three MMTB Scrubber trams that were in use during 1998 "Briefing note - scrubber car replacement/update " - 3 A4 pages, dated 8/9/1998melbourne, tramways, mmtb, scrubber tram, track maintenance, corrugations -
Linton and District Historical Society Inc
Invoice, Hugh Gray and Son, invoice 1877
Invoice issued to 'Mr. Lewis' (i.e. Lewers) [Manager of the Bank of New South Wales at LInton] from Hugh Gray & Son, of Ballarat, for cleaning, lacquering and adjusting gold beam and scales. A charge for "cartage" has been added to the invoice by R. Ching. The invoice is marked "paid" twice, first by a representative of Hugh Gray & Sons, then by R. Ching (Richard Ching, who ran contracting and carting businesses at Linton).Invoice issued on March 28th 1877 by Hugh & Sons, "Mechanists and Philosophical Instrument Makers" of Ballarat. bank of new south wales linton branch, samuel lewers, richard ching -
Bendigo Military Museum
Uniform - TROUSERS, ARMY, Australian Defence Industries, 1969
Trousers - Khaki, wool serge fabric, plastic buttons, five buttons, fly, fob pocket, two side pockets, one back pocket with flap. Lining - cotton and polyester fabric. Cotton manufacturers label, inside on back pocket lining, with black print information.Cotton label information - black ink print. "CONWAY BROS. PTY LTD/ ADELAIDE 1969/^/ CLASS 8405-66-025-6188/ SIZE WAIST 325/ MATCHING JACKET 37-395/ DRY CLEAN ONLY/ RE-PRESS ON ORIGINAL SEAMS/ Creases set by Si-va-set/ mending Patch attached/ NAME/ ARMY NO". NAME - HANDWRITTEN ON LABEL - BLACK INK - ILLEGIBLE.uniform, army, battle dress trousers -
Federation University Historical Collection
Object - Candle Remnant, Candle remnant from early Two Ballarat mines, c1860 ?
From the Britannia Mine (Ballarat) Candle remnants from early Ballarat mines are quite rare..1) White/cream candle remnant. Candle mold seams are evident. Stored in green pharmaceutical tin with screw lid. (?) Found when removing for filling motor spaces Camp Street. .2) white candle remnant from the Britannia Mine at Cambrian Hill held in a 'Barker Cake Container; tin. A handwritten note inside the tin indicates 'Piece of Candle from Mullock's Britannia Mine. Ballarat. .2) Piece of Candle The Great Leviathan Quartz Mining CosMine at Cambrian Hill near Ballarat. Picked up by Donald Doyles Mather whilst cleaning out Ballarat South Goldfield Co's Leviathan Shaft when reopening "Great Leviathan in in the year 1948. The candle was last used by miners in the Great Leviathan in the drive where found Year G. Leviathan Closed down "______" mining, candle, lard, great leviathan, donald mather, cambrian hill, great leviathan quartz mining company -
Waverley RSL Sub Branch
New Testament in hand made webbing case, The New Testament of Our Lord and Savior Jesus Christ together with the Book of Psalms, unknown
This book was carried in France and possibly Gallipoli by Sig. H. C. Roussac and the insert "d/0291" was of a Chaplain who obviously had a profound affect on the ownerDemonstrates the religious convictions of some soldiers in WWIBlack leather bound bible with the first page removed by a clean cut. The bible the name of Signaller H. C. Roussac. 25th Battalion A.I.F. and the date Sept 11th 1917. There is a further inscription "Carried through Action "Battle of Ypres" Sept 20th 26th Oct 4th, 9th and 12th consecutively- Wounded Oct. 12th 17- signed H. C. Roussac. There is also what may be an autograph Pt. ? Frogg Masfr??? The bible also contained a lithograph, probably cut from a paper of Chaplain-Captain F. H. King in Egypt The book is contained in a hand stitched khaki webbing case secured by a metal ?uniform button Signaller H. C. Roussac. 25th Battalion A.I.F. and the date Sept 11th 1917. There is a further inscription "Carried through Action "Battle of Ypres" Sept 20th 26th Oct 4th, 9th and 12th consecutively- Wounded Oct. 12th 17- signed H. C. Roussac. There is also what may be an autograph Pt. ? Frogg Masfr???new testament, bible, rev. f. h. king, roussac, ypres, the age, egypt -
Ballarat Tramway Museum
Administrative record - Log book, Diary, Collins Bros, 1968
Yields information about the track maintenance activities of the track gang in Ballarat, the work they did, notes, names and other information.Collins Australian Diary, 1969, No. 324 printed by Collins Bros, dark red card covers, sewn sections with ruled sheets providing a diary for 1969, one week per double page. Has "useful information" sheets at from the diary. Used by the SEC Ballarat track gang to record their daily work, leave, welding, track cleaning, truck driver etc. Names of gang often mentioned in the diary undertaking specific jobs and when on leave. Loose contents 27/7/1969 - on the back of a Allocation of time sheet for E.C. Fish, a list of names and leave commencing and finish dates. Fish Clough Wiseman Vermeend Denbaden?tram, trams, sec, ballarat, depot, trackwork -
Ballarat Tramway Museum
Slide - 35mm slide/s, Keith Kings, 8/03/1954 12:00:00 AM
Yields information about the Ballarat's bogie trams, in particular No. 38 that was decorated for the Royal visit in 1954.Ballarat tram No. 38 decorated for Visit of Queen Elizabeth II to Ballarat, during 1954, about to turn from Lydiard St. into Sturt. St. Has destination of Gardens via Drummond Nth. Decorated with Red, White and Blue cloth on front and sides of cars and over windows and other Royal motifs. It background is Commonwealth Bank building, decorated with banners. Basic colour of building is white. Photo by Keith Kings. See also Reg. Item 1896 for a black and white side on photo/postcard and Reg Item 3862. image i2 - very hi res. .3 - clean up and straighten up by Peter Waugh 21-9-2022'K.S.Kings No. ..' stamped on, and 'TC6, K(k)(11), Ballarat bogie 38, decorated for Royal visit, Lydiard St at Sturt St, 8/3/54, 1/50 at f3' in blue ink.tramways, trams, ballarat, royal visit, decorated trams, lydiard st, sturt st, tram 38 -
Melbourne Tram Museum
Document - Form/s, Mr. E Westcott, "Form of application for employment or transfer", 30/10/1940 12:00:00 AM
Form - foolscap of a very light blue paper and four quarto ruled sheets attached by staple to a "Form of application for employment or transfer", completed 30/10/1940 and date stamped 31/Oct. 1940" from Thomas A Blythe of Moonee Ponds for the position of "Car Parking and Cleaning". Has space for personal details, address, age, height, marital status, current employment, relatives, details of previous employment, references testimonials, war service. Attached are hand written copies of four testimonials from Nash Motors, Campbell Motor Engineering Works and the City of Essendon Unemployed Relief Committee dated 5-2-1932. No indication as whether he was employed or not.Various hand written notations by the applicant. stamped "86009" in the top right hand corner.trams, tramways, employment forms, personnel, depots, cleaners -
Orbost & District Historical Society
plastic bag, c 1960's
Snowy River Dry Cleaners was situated in Stanley Street, Orbost (previously a hat factory). There was also a shop in the CBD of Orbost. Basil Dowie moved his dry cleaning business from Nicholson Street to 31 Stanley Street where Stuart Hats had been. He had originally bought the business from Laurie Harrington in August 1950. (more information in Orbost & District Historical Society Newsletter No. 138 - John Phillips) This item is from a business no longer existing.A clear plastic bag with green print. - Snowy River Dry Cleaners. attached is orange card - E. Scott 004408Your garment Flower Fresh from Snowy River Dry Cleaners Orbostdry-cleaners-orbost laundry -
Orbost & District Historical Society
glass rolling pin, 1930's
Starting in the 18th century, glassworks in English port towns like Bristol, London, Sunderland, and Newcastle began producing hollow glass rolling pins. They were originally produced for sailors to give to loved ones, particularly young women they were hoping to woo for marriage. Plain, clear glass rolling pins became a common kitchen item in the first half of the 20th century as they were seen to be more easily cleaned that wooden ones.This item is an example of a once commonly used kitchen item.A moulded clear glass cylinder rolling pin with glass handles at each end. It is hollow and can be filled with cold or warm water to better roll a preferred food. There is no stopper at one end. It is marked with M at one end (probably indicating size).one one end - Mdomestic kitchen glass rolling-pin, -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Hasting's cup pessary associated with Dr Frank Forster
This device was used for the treatment of procidentia (severe utero-vaginal prolapse). Cotton tape would be attached via the holes at the distal end of the instrument and tied around the waist to hold the pessary in position.The usually enlarged cervix would sit in the inserted cup. The vagina and the uterus were returned to the anatomically correct position. The instrument would be removed for cleaning approximately every three months. Women deemed to be a severe surgical risk were the beneficiaries of this treatment.Black vulcanite pessary. Consists of an oval cup attached to a stem. The stem is slightly curved and ends in a bulb. There are four holes at base of cup, and similarly on the bulb of the stem. intrauterine device, pessary -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Hasting's cup pessary associated with Dr Frank Forster
This device was used for the treatment of procidentia (severe utero-vaginal prolapse). Cotton tape would be attached via the holes at the distal end of the instrument and tied around the waist to hold the pessary in position. The usually enlarged cervix would sit in the inserted cup. The vagina and the uterus were returned to the anatomically correct position. The instrument would be removed for cleaning approximately every three months. Women deemed to be a severe surgical risk were the beneficiaries of this treatment.Black vulcanite pessary. Consists of an oval cup attached to a stem. The stem is slightly curved and ends in a bulb. There are three small holes inside a small depression at the base of the cup, and two holes on each side of the bulb of the stem.intrauterine device, pessary -
Wodonga & District Historical Society Inc
Memorabilia - Souvenir Ashtray Sarroff's Dry Cleaners
The Sarroff family were one of the earliest Lebanese families to arrive in the area of Albury-Wodonga in the 1890s, originating from Kousba, Lebanon. They opened a drapery business in Townsend Street, Albury. Father Carl and Nassim (Charles) were naturalised in 1897. Carl died in 1926. By the 1950s his grandsons were operating dry cleaning businesses in both towns. In 1970 their business was located in Wodonga Mall on the corner of High Street and Stanley Street.Sarroff's Dry Cleaning was operated by the family of one of the earliest Lebanese migrant families to the Wodonga area in the 1890s.A blue metal ash tray bearing the name SARROFF's Dry Cleaners in a white disc in the centrePrinted on the white disc in the centre "SARROFF'S/Wodonga/Dry Cleaners/ Phone 639/ 2 Hour Service"lebanese migrants, wodonga businesses, high street wodonga -
Port Melbourne Historical & Preservation Society
Photograph - Progress' mural, GMH Social Centre, Fishermen's Bend, David Thompson, 1997
Murals: Eileen Robertson, a GMH employee, was asked to do the murals in 1948 for the launching of the Holden. Her brief was to 'do something to do with transport'. In the event, they were covered anyway. She did not even view them again until 1992, around the time the murals were cleaned and restored. The left mural shows pioneer transport and on the right is the future. David Thompson photographed the Social Centre in 1997 by arrangement with member Wendy Morris archivist for GMH.From a series of black and white photos of GMH Social Centre by David Thompson: Southwest corner of hall and 'Progress' muralindustry - manufacturing, built environment, david thompson, general motors-holden, gmh -
Port Melbourne Historical & Preservation Society
Photograph - Murals, GMH Social Centre, Fishermen's Bend, David Thompson, 1997
Murals: Eileen Robertson, a GMH employee, was asked to do the murals in 1948 for the launching of the Holden. Her brief was to 'do something to do with transport'. In the event, they were covered anyway. She did not even view them again until 1992, around the time the murals were cleaned and restored. The left mural shows pioneer transport and on the right is the future. David Thompson photographed the Social Centre in 1997 by arrangement with member Wendy Morris archivist for GMH.From a series of black and white photos of GMH Social Centre by David Thompson: South end of hall showing both muralsindustry - manufacturing, built environment, david thompson, general motors-holden, gmh -
Port Melbourne Historical & Preservation Society
Photograph - Pioneer' mural, GMH Social Centre, Fishermen's Bend, David Thompson, 1997
Murals: Eileen Robertson, a GMH employee, was asked to do the murals in 1948 for the launching of the Holden. Her brief was to 'do something to do with transport'. In the event, they were covered anyway. She did not even view them again until 1992, around the time the murals were cleaned and restored. The left mural shows pioneer transport and on the right is the future. David Thompson photographed the Social Centre in 1997 by arrangement with member Wendy Morris archivist for GMH.From a series of black and white photos of GMH Social Centre by David Thompson: Southeast corner of hall and 'Pioneer' muralindustry - manufacturing, built environment, david thompson, general motors-holden, gmh -
Port Melbourne Historical & Preservation Society
Photograph - Pioneer' mural (close up), GMH Social Centre, Fishermen's Bend, David Thompson, 1997
Murals: Eileen Robertson, a GMH employee, was asked to do the murals in 1948 for the launching of the Holden. Her brief was to 'do something to do with transport'. In the event, they were covered anyway. She did not even view them again until 1992, around the time the murals were cleaned and restored. The left mural shows pioneer transport and on the right is the future. David Thompson photographed the Social Centre in 1997 by arrangement with member Wendy Morris archivist for GMH.From a series of black and white photos of GMH Social Centre by David Thompson: Southeast corner of hall and 'Pioneer' mural, close upindustry - manufacturing, built environment, david thompson, general motors-holden, gmh -
Port Melbourne Historical & Preservation Society
Photograph - Progress' mural (close up), GMH Social Centre, Fishermen's Bend, David Thompson, 1997
Murals: Eileen Robertson, a GMH employee, was asked to do the murals in 1948 for the launching of the Holden. Her brief was to 'do something to do with transport'. In the event, they were covered anyway. She did not even view them again until 1992, around the time the murals were cleaned and restored. The left mural shows pioneer transport and on the right is the future. David Thompson photographed the Social Centre in 1997 by arrangement with member Wendy Morris archivist for GMH.From a series of black and white photos of GMH Social Centre by David Thompson: Southwest corner of hall and 'Progress' mural, close up, angledindustry - manufacturing, built environment, david thompson, general motors-holden, gmh -
Port Melbourne Historical & Preservation Society
Photograph - Progress' mural (close up), GMH Social Centre, Fishermen's Bend, David Thompson, 1997
Murals: Eileen Robertson, a GMH employee, was asked to do the murals in 1948 for the launching of the Holden. Her brief was to 'do something to do with transport'. In the event, they were covered anyway. She did not even view them again until 1992, around the time the murals were cleaned and restored. The left mural shows pioneer transport and on the right is the future. David Thompson photographed the Social Centre in 1997 by arrangement with member Wendy Morris archivist for GMH.From a series of black and white photos of GMH Social Centre by David Thompson: Southwest corner of hall and 'Progress' mural, close upindustry - manufacturing, built environment, david thompson, general motors-holden, gmh -
Port Melbourne Historical & Preservation Society
Photograph - Stairway and servery, GMH Social Centre, Fishermen's Bend, David Thompson, 1997
Murals: Eileen Robertson, a GMH employee, was asked to do the murals in 1948 for the launching of the Holden. Her brief was to 'do something to do with transport'. In the event, they were covered anyway. She did not even view them again until 1992, around the time the murals were cleaned and restored. The left mural shows pioneer transport and on the right is the future. David Thompson photographed the Social Centre in 1997 by arrangement with member Wendy Morris archivist for GMH.From a series of black and white photos of GMH Social Centre by David Thompson: Southeast corner - stairway and serveryindustry - manufacturing, built environment, david thompson, general motors-holden, gmh -
Bendigo Military Museum
Uniform - TROUSERS, WORK DRESS - ARMY, 2003
DCPU (Disruptive Pattern Camouflage Uniform) Work dress trousers. Colours - light to dark green through to mid to dark brown. Gore-Tex (Polyester/laminate) type fabric for wet weather. Worn as overpants. Drawstring cotton cord at waistband, with plastic look clip. Two side pockets, at ankles loop and hoop adjustable strap. White colour polyester fabric manufacturers label, inside back waist band.Manufacturers information on label - black ink print. " REFLECTIVE/ IMAGES/ O/N G5.202857/ N/S/N 8405/66/145/7099/ AUG 2003/ BATCH: 912726/0004/ SIZE: XL- 82 CM/ NAME:/ SERVICE/ CARE INSTRUCTIONS/ DRY CLEANABLE/ MACHINE WASHABLE 40dc/ DO NOT BLEACH/ DO NOT SPIN DRY/ DO NOT WRING/ HANG TO DRY/ LIGHT/ COOL IRON".uniform, army, work dress, dpcu, trousers