Photo of palestine found in box of family and military photos308 black & white photosCopyright H.M. Milit Forces in Palestine Print:Photo Rex 14, Montefiore St Tel Aviv

Black and white Photograph of the Moyne river road bridge with the botanical gardens in the left background and some huts built possibly on Hughes AvenueThe Rose Series P.1123 copyright.- The Bridge over the Moyne River Port Fairy Vic.moyne bridge, hughes avenue, gipps street, river, dunes, botanical gardens

Black and white Photograph of the bridge over the Moyne river with the Botanical Gardens on the left in the background and also some huts on Hughes Avenue in the backgroundThe Rose Series P. 1123 copyright- The Bridge over the Moyne River Port Fairy Vic.moyne bridge circa 1930, moyne river, bridge, river, botanical gardens

A formal group photograph of Legacy past presidents taken at the President's Lunch in 1989. The names of past presidents included on photograph. Another copy of this photo is framed and displayed. See item 00053. From that item the names recorded to identify all in attendance as well as absentees: Back Row L to R: Fargher, Robertson, Dean, Simonson, Bannister, Allison, Larkin, Isherwood, Baker, Handbury, Mehan. Front Row L to R: Wilson, Argent, Carter, Dietrich, Wilks (Pres.) Robertson, Gaylard, Foskett. Apologies: Lobb, Clarke, Lewis, Tonkin.A record of the surviving past presidents in 1989. It shows that the previous presidents were still active in Legacy after their tenure finished and remained in contact with each other. Black and white formal group photograph of Legacy past presidents. Stamped on reverse copyright of Keesing Photographic in black ink and number '891004-2' in black pen.past presidents, presidents lunch

Photograph of a Legacy widow receiving a plaque in recognition of service from the President John Sullivan who was President in 1992. Other names unknown.A record of a widow receiving recognition of her hard work.Black and white photo the President with Legacy Widows. Stamped on back Copyright of Leader Newspaper Group in red ink. Pic 22 in black ink.widows, past presidents

The National Library notes in its collection - Decorated dummy and car which, electrically illuminated, traversed the Melbourne cable tramways in celebration of peace, on the evenings of Monday and Tuesday, the 14th and 15th July, 1919. Has a illustrated card published by the Tramway Board 1919. Five men on the tram in full uniform of the time. Based on the background - billboards and a church, the photo was taken at Prahran. Same handwriting on the image as 6170 and 7485Yields information about the cable tram set decorated to celebrate Peace after World War 13692 - Black and white photograph of a decorated cable tram set, celebrating the peace after World War 1, soon after the signing of the Treaty of Versailles. 3692.1 - block mounted version - with the caption "Mr. Potter early Brunswick Gripman in front of Dummy". Has Department of Infrastructure copyright stamp on rear and number "H243" in ink on rear and "1-14"tramways, trams, cable trams, world war 1, decorated trams, crews, uniforms

Yields information about the way the BTPS in its early days went about collecting materials / sleepers for its work at the depot from track being excavated. Has track demolition in the background.Black and White copy photograph of a newspaper photograph taken by The Courier of Collecting sleepers from Sturt St West (left-right) Graham Evans, Noel Forster, Richard Gilbert, Hal Cain, Gavin Young, Warren Doubleday with track demolition work in the background. Photo taken 1/7 or 2/7/1972, published 3/7/1992. See Reg. Item 2211 for the photo used in the newspaper clipping. Collected by Alan Bradley from the Ballarat Courier early 1980's. See Excel file "Record of Ballarat Courier Photos BTM era" (Archive Documents) for source of details.On rear stamped "Copyright, The Ballarat Courier Proprietary Limited." and "80%" in the top left hand corner.tramways, trams, btps, demolition, track removal, sleepers

“Maori’s Idol” Trotter - Brian Healy Marnoo. Horse inside Marnoo bar with silver cup drinking beer. Brian Healy, holding the reins. The Healy family live at Marnoo. The horse was trained at Marnoo. The horse Maori's Idol won twenty four races in succession, equaling the Australian Harness racing record.Black and white photograph of a group of people around a horse in a hotel bar.Copyright belonging to Pictorial Dept. of "The Age" 250 Spencer Street, Melbourne Victoria, 3001 Australia.stawell

Black and white photograph showing a crowded Safety Zone at the Swanston St stop for Flinders St. Has at least five trams in the view and shows how passengers could read route numbers as to their tram - can see routes 64, 8, 7 and 6 with possibly a 5 at the end of the line . Note the loudspeakers used by Inspectors to advise passengers of the trams and to stand clear when the trams were ready to depart. There is a wide variety of motor cars in the view. Photo by the Herald Sun 1/1954. A cropped version of this photo was used on page 4 of the January 1957 issue of Electric Traction - Courtesy of the City Development Association. Yields information about Melbourne tram route numbers and how they could be seen by passengers at safety zones.Photograph with hand written notes on rear and stamps on the rear.In ink "No. 5 - Cr Flinders and Swanston Streets, Jan 1954" and The Herald Sun copyright stamp.trams, tramways, swanston st, safety zone, route number boxes

Series consists of: I) Bird Songs And Night Calls - tape cassette of Sounds from the Shire of Eltham sound tapes (4 copies) recorded and copyright held by Duncan King-Smith. Liner notes included with each cassette. 2) Listening to the Landscape - Stories and Places - Collected from the Shire of Eltham, 1988. Tape cassettes and program guides (3 copies of each); recording, design and production by Duncan King-Smith.shire of eltham archives, series listing

The plans are presented in a keepsake folder. They show marks of sections copied and assembled together. Overall, the plans are similar to those drawn by Mr P Webb to the order of the Loch Ard Shipwreck Centenary through Mr P Williams, the organizer of the Centenary competition. “The details were based on all available information which resulted in considerable historical research…and received favourable comment from model makers because of their attention to detail…In excess of 650 sets of plans were sold before entries closed…Many plans were probably purchased by collectors and interested persons for historical reference. An illustrated historical story sheet…was prepared and enclosed with the plans…” (‘Loch Ard Shipwreck Centenary 1878-1978 Report’, November 1978). An example of the attention to historical detail on the plans is the inclusion of the following useful information about the original vessel … Tonnage….1,693 G.R.T., 1,624 N.R.T. Dimensions, Builders….Charles Connell & Co., Ltd., Scotstoun, 1873. Owners….General Shipping Co., Glasgow, (Aitken Lilburn & Co., Ltd.), and the ship’s fate. The plans, in conjunction with the scale Ship Model of the LOCH ARD also on display, are of interpretive significance to Flagstaff Hill Maritime Village. The plans provide historical and technological context to artefacts from the shipwreck, increasing understanding and appreciation of those objects. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history.Model ship plans for building the LOCH ARD. The three sets of plans are presented in a textured cream card folder with the supplier’s details and an oval cameo drawing of the LOCH ARD. The plans are detailed and drawn to scale. They and printed on good quality paper with details, scale and legends. Sheet 1: Sails and Rigging Sheet 2: Lines, Decks and Details Sheet 3: Masts and Spars Details include deck fittings, the wheel, lights and the shipping company’s house flag. The ship model plans are copyrighted in 1977 and 1978 to Webb Warships Pty Ltd. The folder has details of four locations; Australia, USA, UK and New Zealand. Sheet has a handwritten inscription.On Folder: "LOCH ARD CLIPPER SHIP, 1874, MODEL CONSTRUCTION PLAN SET, WEBB WARRIORS PTY LTD." "CONTENTS COPYRIGHT (C) 1978, WEBB WARSHIPS PTY LTD" "WEBB WARSHIPS PTY LTD, PO BOX 50, WILLIAMSTOWN, VICTORIA 3016, AUSTRALIA" Handwritten inscription on sheet 3: "834" "THE FLOATING DRYDOCK, PO BOX 16066, PHILADELPHIA, PENNA. 14114, USA" "SAMBROOK MARINE (PLANS), 84 BROAD ST. TEDDINGTON, MIDDLESEX, UK" "BYMODELS, PO BOX 3037, FORBURY, DUNEDIN, NEW ZEALAND" flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, ship model plans, loch ard model plans, sailing ship, loch ard centenary, webb warriors pty ltd, 1977, 1978, centenary competition

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Part of a photographic series which is historically and aesthetically significant. The photographs record the interiors and exteriors of D'Estaville, an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a notable Melbourne artist who lived in Kew.Interior, D'Estaville. A chiffonaire owned by the artist Alma Figuerola and located in her house, D'Estaville in Barry Street, Kew. This is a newspaper photograph, part of a series by The Age on the artist Alma Figuerola, and is still under copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in 1970, so the photograph predates this.australian artists, d'estaville -- 7 barry street -- kew (vic), alma figuerola

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Part of a photographic series which is historically and aesthetically significant. The photographs record the interiors and exteriors of D'Estaville, an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a notable Melbourne artist who lived in Kew.Alma Figuerola and her sister standing beside a creeper growing up the wall of D'Estaville, Barry Street, Kew. This is a newspaper photograph, part of a series by The Age on the artist Alma Figuerola, and is still under copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in 1970, so the photograph predates this.australian artists, d'estaville -- 7 barry street -- kew (vic), alma figuerola -- melbourne artists

Rose Series Postcard. Victoria Reserve later Cato Park at Head of the St George Mine Dam originally established with donations from Mr E Simmons and voluntary efforts. Shows rotundasB/W Photo The Rose Series P. 1643 Copyright of Stawell Post Cards. Victoria Park, Stawell, Victoria. Top right corner torn off. Shows a Wooden Rotunda with seating by Lake Victoria (now Cato Lake). Shows young Willow Walk on right of lake . Renamed Cato Park. Reverse: Real Photo POST CARD. The "Rose" Series DE Luxe Produced in Australia. Published by "The Rose Stereograph" Armadale Victoria. Rose emblem logo divides the post card.stawell

985 photographs in total (most of which are snapshots): 93 B&W, 892 Colour. 1988: 108 Col; 27 B&W 1989: 130 Col; 12 B&W (many of which are larger shots - 250mm x 200mm - and copyright protected) 1990: 127 Col 1991: 343 Col 1992: 117 Col; 19 B&W 1993: 37 Col; 35 B&W 1994: 30 Colshire of eltham archives, series listing

The souvenir packs of cards open up with various photographs inside. Five are published by Nucolorvue Productions, Mentone, Victoria. One set by Murray Views, Gympie, Queensland. Two sets by The Valentine Publishing Co. Pty.Ltd Melbourne. One set of Colour Photographs by Capt.Frank Hurley. The single postcard is by Valentine's "Mail Novelty" Post Card Copyright. One is addressed to 'Mrs. H. Ellis c/- Mr. E. M. Straw, Harcourt, Vic.'Nine packages of photo souvenir postcards from various Australian cities and towns and one single postcard of a Scottie dog peering out of a doorway. It has a lift up flap with mini folded photographs of Lakes Entrance underneath. Other phoyogtaph selected views and fold out photograph packets of: Sydney, Warrnambool, Mildura, Albury, Shepparton Murray Valley, Orbost Adelaide Hills. The Scottie dog card has handwritten in blue ballpoint pen on the back -' You owe me 5/-' All other sets have the publishing details and a description of the area on the back.postcards, photographic postcards, postal stationery

Coloured photograph of four soldiers in full uniform, three men and a woman, the woman is holding a flag, crowd of people standing in the background. On the back a sticker: Royal Australian Air Force, Crown Copyright, not to be reproduced without authority, CPE 1198K. 22-03-92. The name J. Dunbar 2 is also written on the back.military, airforce, raaf radar

Black & white photograph, Bert Graham Collection, a massive crowd of onlookers at the Bendigo East Swimming Pool , watching two young swimmers finish a race, for The Bendigo East Annual Swimming Carnival, as mentioned on the back. Graham in red ink. Copyright Bendigo Advertiser. Bendigo Advertiser Photographic Service, for re-order quote…bendigo, clubs, bendigo east swimming club

Taken during World War I from the forecastle of a navy ship, the photograph depicts an eruption of water and smoke as a result of an underwater submarine being bombed from above.The naval war of World War I was a conflict unlike any previous one with the exception of the brief Russo-Japanese War (1904-1905), with naval warfare in World War I being mainly between the German forces and the Great Britain forces. The naval war of World War I proved largely a disappointment to officials on both sides as it did not produce the decisive fleet actions envisioned in the pre-war years. Nevertheless, the war at sea was a crucial part of World War I overall. The German use of the submarine against commerce not only threatened the Allied war effort, but also drew the United States into the conflict. In addition, the British economic blockade of Germany afforded by the Royal Navy’s command of the sea inflicted great damage on the war effort of Germany. Finally, the naval war held great ramifications for the future since many practices employed in the First World War were those pursued in the Second World War.Black and white rectangular reproduced photograph on matte photographic paperReverse: 6527/ (Crown copyright notice from the Imperial War Museum)/ Naval 23/ 23/ A99/ burke museum, world war 1, world war i, ww1, wwi, submarine, submarine warfare, navy, naval vessels

George Rose was well known Australian photographer and postcard maker in the first half of the 20th century. This sterograph shows recruits training at Geelong during the First World War. Soldiers were trained to attack in short rushes rather than advancing in line due to the lethal power of the machine gun. The stereograph was an early technology that used double images to achieve a three dimensional image. Rectangular piece of cardboard with a stereograph image attached to the front. The image is a double reproduction of a black and white photograph. the photograph depicts a line of soldiers lying on the ground. AUSTRALIAN EXPERDITIONARY FORCE, GEELONG. Training Recruits in the Art of Attacking in Short Rushes. Copyright by Geo. Rose.wwi, rose series, postcard, lara, geelong, rsl, training, stereograph

The mine was the “Hustlers Royal Reserve Mine No 2” and was closed in 1912. The Soldiers Memorial Institute was erected on the mine site and opened on 15.11.1921 and occupied by the Bendigo RSL Sub Branch/Bendigo District RSL Sub Branch Inc since then. The mine shaft capped sits about centre of the building.Two gloss coloured prints on fibre board backing. Top photo tinted of Alexander Fountain, Charing Cross and Pall Mall Bendigo. Gold mine poppet head and buildings on left hand side. 53464 VJ printed on R.H.S. bottom. Bottom photo black and white of Panorama of Pall Mall., Bendigo, Vic. Soldiers Memorial on left hand side occupying old gold mine site.“The Southern Cross Series 10399. Copyright on bottom L.H.S. Panorama of Pall Mall, Bendigo on R.H.S. bottom”brsl, smirsl, hustlers

A digital copy of a black and white postcard of the Black Spur Hotel in Narbethong. This postcard was produced by The Rose Stereograph Company as a souvenir of Narbethong.A digital copy of a black and white postcard of the Black Spur Hotel in Narbethong.THE ROSE SERIES P. 10813/ COPYRIGHT. BLACK SPUR HOTEL NARBETHONG, BETWEEN HEALESVILLE & MARYSVILLE, V.narbethong, victoria, australia, black spur hotel, accommodation, black spur inn, blacks' spur inn, blacks' spur hotel, rose stereograph company, postcard, souvenir, p. 10813

A postcard in a series produced by the Rose Stereograph Company in Victoria, Australia as a souvenir of Marysville.An early black and white photograph of the Taggerty River from Murray Pass near Marysville, Victoria. Murray Pass is located on the Lady Talbot Drive. Lady Talbot Drive a 24 kilometer scenic rainforest car journey which passes a number of walks and waterfalls in the Yarra Ranges National Park. Lady Talbot Drive is named after Lady Sarah Elizabeth, the wife of Sir Reginald Talbot, who was the Governor of Victoria from 25th April, 1904 to 6th July 1908. This postcard was produced by the Rose Stereograph Company as a souvenir of Marysville.SOUTHERN CROSS SERIES 2309/ COPYRIGHT/ AT MURRAY PASS, MARYSVILLE, VIC. POST CARD. Correspondence Addressmarysville, victoria, photograph, taggerty river, murray pass, lady talbot forest drive, southern cross series, 2309, postcard, souvenir, lady talbot drive, sir reginald talbot, sarah elizabeth talbot