Showing 1446 items
matching copyright not for reproduction. herald sun photograph supplied by feature service
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Bendigo Historical Society Inc.
Photograph - BERT GRAHAM COLLECTION: BENDIGO EAST SWIMMING POOL
Black & white photograph, Bert Graham Collection, a massive crowd of onlookers at the Bendigo East Swimming Pool , watching two young swimmers finish a race, for The Bendigo East Annual Swimming Carnival, as mentioned on the back. Graham in red ink. Copyright Bendigo Advertiser. Bendigo Advertiser Photographic Service, for re-order quote…bendigo, clubs, bendigo east swimming club -
Bendigo Historical Society Inc.
Map - JOHN WILLIAMS COLLECTION: PHOTO-MAP OF BENDIGO, 2007
Map, Photo-map of Bendigo,Australian Government Department of Defence,prepared and published by the Defence Imagery and Geospatial Organisation 2007.Copyright Commonwealth of Australia 2007.Australia Photomap 1:15 000. Edition 2-DIGO. WGS84.Grid 1000 metre UTM Zone 55. (number 407 in map cupboard 1)Defence Imagery & Geospatial Organisationmap, bendigo, city streets -
Bendigo Historical Society Inc.
Photograph - RAAF RADAR REUNION COLLECTION: PHOTOGRAPH OF SOLDIERS
Coloured photograph of four soldiers in full uniform, three men and a woman, the woman is holding a flag, crowd of people standing in the background. On the back a sticker: Royal Australian Air Force, Crown Copyright, not to be reproduced without authority, CPE 1198K. 22-03-92. The name J. Dunbar 2 is also written on the back.military, airforce, raaf radar -
Port of Echuca
Black and white photograph, 04/03/1984
Photograph related to no.P000041, P000045 - P000048 of P. S. Adelaide re-floating. Copyright held by Riverine Herald newspaper. Original and negatives held by Riverine Herald.. Photograph taken from the river looking south west as the Adelaide enters the water backwards, from the soil ramp . The right hand side of the photograph is in shadow so is very dark. 2 people can be seen on the deck with possibly another boat moored beside the Adelaide and a small motor boat to the left of that.A significant social and historical event in Echuca as many local community groups had committed many hours and much money to re-float the Adelaide to add it to the stocks for the development of the Port of Echuca as a major tourist attraction for the region.Black and white photograph of re-floating of the P. S. Adelaide in the river, possibly still partly on soil ramp. Deep shadows on the right prevent detail of front of the boat and much of the right hand bow. There are spectators in a small motorboat on left of the Adelaide and possibly another boat coming along the side of the Adelaide (2 people can be seen on the left hand side of the Adelaide). 2 people are on the deck of the Adelaide.p. s. adelaide, echuca,victoria,re-floating of the p. s. adelaide. riverine herald newspapers, -
Truganina Explosives Reserve Preservation Society Inc (TERPS)
Digitised Oral History – Truganina Explosives Reserve - Tape 7 Cliff Gibson, 2018
The interviews were recorded in 2000 by Bronwen Gray and Alan Young for the production of Unreserved, Stories from Truganina Explosives Reserve, animated stories from past residents, workers and interested people of the Reserve (subject to copyright 2004). Cliff Gibson, a Williamstown resident, discusses the handling and shipping of explosives in the Port of Melbourne between 1863 to 1962 and the establishment, development and history of Truganina Explosives Reserve. In the interview he mentions the names of the Lighters and Ships used to transport the explosives to and from the Truganina Explosives Reserve. A primary source of information on memories of the Truganina Explosives Reserve and Altona,Victoriaexplosives, lighter, sailing lighters, the brig martha, deer park, australian chemical company, nobel explosives company, ici, james scott and company, jacks magazine, william wardell, george thomas chirnside, 1897, 1901, pier, bill grant, james mullins, 2 foot gauge tramway, explosives trucks, explosive magazines, railway explosives vans, queen street, richard rendle holten, ports and harbours, the lighter truganina, the lighter george stone, rose, mary jane, tarniet, derrimut, boonah, deutgam, naval dockyards williamstown, charlie curry, powder barges, cargo net, alma doepel, huia, wongalla, joseph sims, argonaut, maryland, pirie, lady isobel, taranui, point wilson, failee, captain dyson, hector pirie -
Melbourne Tram Museum
Postcard - Tram Y 469 - Latrobe St 1985, Association of Railway Enthusiasts (ARE), 2006
Postcard featuring Y class tram 469 turning from William Street into La Trobe Street during the 1985 cable car celebrations. Tram showing destination of Football. Flagstaff station was under construction at the time. Photo by Earl Ewers. Postcard produced by Association of Railway Enthusiasts ARE No. 10/06. Has Railcard copyright and phone number of rear, ARE shop details and hours, space for small message, address and stamp. This tram is on display at the Museum's Hawthorn Depot - see reference.Yields information about Y class trams and the intersection of William and Latrobe Streets.Postcard - Tram Y 469 - La Trobe St 1985 - produced by the Association of Railway Enthusiasts.trams, tramcars, y class tram, tram 469, william street, la trobe street, are -
Australian Commando Association - Victoria
Metal Uniform Embellishments of the Australian Army Post 1953 Volume 1 - Insignia for Corps and Schools, 2017
This 236 page, full-colour hard copy reference work, catalogues the metal insignia embellishments used by all Corps and Schools of the Australian Army (including philanthropic organisations), from 1953 through to the present. The book provides images of the front and the back of a given (metal) insignia set for each Corps etc. Each image set depicts the relevant hat badge, collar badges and epaulette title and/or cloth shoulder title applicable. The book's images record three distinctly different 'generations' of insignia manufacturing methods/types, including the: gilt brass and white metal items used in the 1953 to 1964 period; and anodised aluminium 'StayBright' insignia introduced as from 1964[ and 'BriteShine' insignia introduced with effect from 1997 (running through to the present). The full colour photographic images in the book are complimented by written descriptions which cite each item's distinguishing characteristics... including measures of: typical weight, height, width and thickness (at a given point). A discussion of copies and faked items is also provided, including microscope resolution images of 'tell tale' signs to look for. The entries in the book are organised alphabetically and match those used in the Authors' 614 page eBook version of this work (the eBook is a separate edition which provides scalable images of all relevant insignia and many manufacturing variants).The hard copy and electronic editions of this work are able to be used either separately or concurrently, as and when users require. Regards Mark Corcoran & Arthur Butler The Authors charlibravobooks.com Re: Copyright As the original authors we hold the sole copyright authority to sell this work. This item does not infringe on any copyright, trademark and/or intellectual property rights and we hold specific written publication approval from the Australian Defence Force. Soft cover, spiral bound 235 pagesaustralian army, post ww2 insignia -
Bendigo Military Museum
Accessory - MATCH BOX & HOLDER, 1914-1918
Item in the collection re Edwin James Jones No 3511 AIF. Refer 1367.5 for his service history..1) Match box holder, metal with paper covering. Covering has a depiction of a flag and Rising Sun with banner and text "Copyright. British Made." Writing has been scratched into the flag side. .2) Matchbox, complete made of cardboard. Red, black and yellowish face with text "Impregnated Safety Matches." Contains 2 matches..1) “Pte E Jones, 46 BAT-Good Luck"personal effects-smoking accessories, containers-commercial, metalcraft, domestic items-matches, jones -
Kew Historical Society Inc
Photograph - Alma Figuerola in the drawing room of D'Estaville, c.1965
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Part of a photographic series which is historically and aesthetically significant. The photographs record the interiors and exteriors of D'Estaville, an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a notable Melbourne artist who lived in Kew.Alma Figuerola in her drawing room at D'Estaville, Barry Street, Kew, holding her pet dog while gazing into the fireplace. This is a newspaper photograph, part of a series by The Age on the artist Alma Figuerola, and is still under copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in 1970, so the photograph predates this. Stamp of The Age on reverse.australian artists, d'estaville -- 7 barry street -- kew (vic.), alma figuerola, melbourne artists -- twentieth century -
Whitehorse Historical Society Inc.
Book, Australian Filet Crochet - Weekly Times Book of Patterns
Till CollectionTHE TILL COLLECTION SIGNIFICANCE STATEMENT|The significance of the Alwyn Till Collection is that Alwyn was born in Mitcham in 1921. He attended Mitcham Primary School and Box Hill Boys High School. He served his Community mainly through his activities within the Christ Church Anglican Church Mitcham. He joined the Royal Australian Airforce in World War II in September 1939. He trained as a Pilot in Australia and Canada, was posted to England and saw action in Europe. He was shot down over France and rescued by and then joined the French Resistance and while fighting with them was fatally shot. A Baron fighting with him wrote to his mother to inform her of his death.|Alwyn's parents were Evaleen Victoria Till (nee Maggs) and Sydney Norman Till who first lived in Creek Road Mitcham, before moving to 573 Whitehorse Road Mitcham. His father served in World War I where his eyesight was damaged and he was taught by the then Blind Institute in suitcase making of which we have two examples in this collection. He died in 1931. Alwyn took over responsibility for his mother and sister Alison. We can understand how devastated his mother and sister would have been at the news of Alwyn's feeling that he must serve his country in World War 11.|His letters home were so precious to them that they carefully kept all his correspondence, notices of death and condolences from friends. After Alison's death in 2007 her relation Joan Walker transcribed each of Alwyn's letters home into two bound volumes. The executors, Joan Walker and Anne Drew deposited the original letters with the Whitehorse Historical Society. Due to their significance as historical documents of one serviceman's complete correspondence with his family the Whitehorse Historical Society Committee after consultation with the donors deposited the original letters with the State Library of Victoria. The Whitehorse Historical Society retains the copies.|Alison and her mother kept many family memorabilia and personal items which make up this significant collection as they show how people lived, worked and served in the local community and municipality.|This collection represents the love and devotion of the women to their families during the course of two world wars. The father was disabled as a result of World War 1 and died an early death and a son who thereafter took on the responsibility as head of the family at an early age. This young handsome charismatic son served his community in peace time and gave his life in World War 11. This mother and sister were devoted to his memory.Blue book Australian Filet Crochet - Weekly Times Book of Patterns. Picture of filet crochet piece with house & tree and spray of leaves on left side. Underneath is written 'Original Designs by Australian Women' price Two Schillings. Across bottom is written ' The Whole of the Contents of this book are protect4ed by Federal Copyright Act 1912. 46 pagesbooks, handcrafts -
Melbourne Tram Museum
Postcard, Railcard, Z1 81, dressed as the Pakistan W11, 2007
Colour postcard of Z1 81, dressed as the Pakistan W11 at the Docklands on the City Circle route, 16/3/2006, Photo by Ian Green. Postcard produced by Association of Railway Enthusiasts, ARE No. 18/07. Has Railcard copyright and phone number of rear, ARE shop details and hours, space for small message, address and stamp. Two copies held.trams, tramways, melbourne, decorated trams, city circle, pakistan w11, are, tram z81 -
Melbourne Tram Museum
Postcard, Railcard, VR53, Latrobe St Melbourne, Oct. 2006, 2007
Colour postcard of VR53, Latrobe St Melbourne, Oct. 2006. Tram showing Special. Buildings in the rear have a Hoyts advertising sign. Postcard produced by Association of Railway Enthusiasts, ARE No. 14/07. Has Railcard copyright and phone number of rear, ARE shop details and hours, space for small message, address and stamp. Two copies held.trams, tramways, melbourne, vr, are, latrobe st, tram 53 -
Bendigo Historical Society Inc.
Slide - DIGGERS & MINING: THE DIGGERS, 1903
Diggers & Mining: The Diggers. Calling citizens to join army. Caption: The Sacred Name of Liberty. Anti conscriptionist: '' What, not enough men! Well, get back into the trenches yourselves! We can't interfere with the liberty of these people.'' - From Sydney Bulletin. Sketch by: Norman ? Markings: VISAR COPYRIGHT SET - THE DIGGERS, 9. Used as a teaching aid.Visaireducation, tertiary, war -
Bendigo Historical Society Inc.
Photograph - HANRO COLLECTION: PHOTOGRAPH OF HANRO STAFF
Photograph of Hanro Staff: Black and white photo. Staff members standing outside the entrance of the Hanro Building Hargreaves Street, Bendigo. Four Women and nineteen men. On the back Printed in blue is * Copyright 'Bendigo Advertiser' Advertiser Photographic Service. For reorder Quote CK252. Wrtten in pencil is also CK252 across the back. Box 116ABendigo Advertiser Photographic Service.photograph, person, hanro, bendigo advertiser photography service. hanro -
Bendigo Historical Society Inc.
Photograph - BLACK AND WHITE PHOTOGRAPH: JAPANESE YACHT
photograph - black and white -Japanese Yacht mounted on cardboard /The fine-art photographers publishing company , 46 Rydevale Rd , london S.W , Gold Medal series , Copyright 1901 , B.L. Singley -/ Stereo photograph - two photos side by side forming into one with use of relevant mechanism / rear small note describing the viewThe fine-art photographers publishing companyphotograph, landscape, -japanese yacht /the fine-art photographers publishing company , 46 rydevale rd , london s.w , gold medal series , copyright 1901 , b.l. singley -
Bendigo Historical Society Inc.
Photograph - BASIL MILLER COLLECTION: CIRCULAR QUAY AND QUEEN ST BRISBANE QLD
Black and white photograph of Circular Quay and Queen St, Brisbane Qld. Inscriptions: Front: bottom left Sidues Series No. 557 Copyright. Centre front Circular Quay and queen street, Brisbane Qld.Reverse: Postcard, a real photograph, produced in Australia, Lines forming a 'T' Brisbane written in pencil and underlined. Red smudge to right of centre.person, individual, basil miller -
Thompson's Foundry Band Inc. (Castlemaine)
Document - Sheet Music for Brass Band, We are the Boys from Way Down Under - Song March, 1940
Played and sung by the ANZACS on their arrival in England (WWII)18 Parts for Brass Band, 2nd Trombone part is missing.Copyright 1940 in U.S.A. by Boosey & Co Ltd. Copyright in all countries All rights reserved Sole Selling Agents: BOOSEY & HAWKES (AUST.) PTY. LTD., 250 Pitt Street, Sydney. Tous droits reserves B & H 8409anzac, j.e.pyke, new zealand, t. conway brown, boosey and hawkes, war songs, marching songs, australia, songs, patriotic music, wwii, world war 2, 1939-1945, army -
The Beechworth Burke Museum
Photograph
Taken during World War I from the forecastle of a navy ship, the photograph depicts an eruption of water and smoke as a result of an underwater submarine being bombed from above.The naval war of World War I was a conflict unlike any previous one with the exception of the brief Russo-Japanese War (1904-1905), with naval warfare in World War I being mainly between the German forces and the Great Britain forces. The naval war of World War I proved largely a disappointment to officials on both sides as it did not produce the decisive fleet actions envisioned in the pre-war years. Nevertheless, the war at sea was a crucial part of World War I overall. The German use of the submarine against commerce not only threatened the Allied war effort, but also drew the United States into the conflict. In addition, the British economic blockade of Germany afforded by the Royal Navy’s command of the sea inflicted great damage on the war effort of Germany. Finally, the naval war held great ramifications for the future since many practices employed in the First World War were those pursued in the Second World War.Black and white rectangular reproduced photograph on matte photographic paperReverse: 6527/ (Crown copyright notice from the Imperial War Museum)/ Naval 23/ 23/ A99/ burke museum, world war 1, world war i, ww1, wwi, submarine, submarine warfare, navy, naval vessels -
Lara RSL Sub Branch
Stereograph, The Rose Stereographs
George Rose was well known Australian photographer and postcard maker in the first half of the 20th century. This sterograph shows recruits training at Geelong during the First World War. Soldiers were trained to attack in short rushes rather than advancing in line due to the lethal power of the machine gun. The stereograph was an early technology that used double images to achieve a three dimensional image. Rectangular piece of cardboard with a stereograph image attached to the front. The image is a double reproduction of a black and white photograph. the photograph depicts a line of soldiers lying on the ground. AUSTRALIAN EXPERDITIONARY FORCE, GEELONG. Training Recruits in the Art of Attacking in Short Rushes. Copyright by Geo. Rose.wwi, rose series, postcard, lara, geelong, rsl, training, stereograph -
Yarrawonga and Mulwala Pioneer Museum
Leisure object - Child’s Nursery Rhyme colouring book, Mother Goose Rhyme book
At top of first page an inscription "St Luke's Sunday School" Alberton. Hector Irvine 3rd prize, Sister Winifred SuptA child's rhyme book with pictures to colour in. Ten pages printed on both sides with a card cover. Very poor condition, edges of pages dog eared and mended with sticky tape. The back cover has been replaced by card from a 1959 Bennett's store Wandiligong calendar. The spine has been reinforced with brown paper. Most pictures have been coloured in. Contains about 50 rhymes.Bottom of first page "With pictures to colour" No 10 An Australian Production, Copyright by Gunn and Taylor pty Ltd -
Churchill Island Heritage Farm
Photograph of man on a tractor, Unknown
Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This series of photographs show events and people from the Churchill Island precinct and the enormous amount of collaboration and work that went into the development of the heritage area and making it accessible and interactive for visitors of all ages.Black and white photograph with white border showing a cleared field with scraps of brush and branches. In centre, a man is sitting on a tractor, and another man stands bent over behind, inspecting something.Catalogue number in pencil on reverse. Stamp: "COPYRIGHT/FISHERIES & GAME DEPT./VIC/NEGATIVE 58358/INDEX"churchill island, tractor, photograph -
Churchill Island Heritage Farm
Photograph - Photograph of field with scarecrow
Churchill Island has a significant photograph collection dating from the nineteenth century.Black and white photograph of pastures with scarecrow, windmill, and on the other side of the fence a horse ploughs another pasture. Behind, a group of men make haybales.Catalogue number written in pencil on reverse. Stamped on reverse 'Josanne Broer Copyright 2000 59525700 0411234914'churchill island -
Churchill Island Heritage Farm
Photograph - Photograph of woman gathering hay on horse
Churchill Island has a significant photograph collection dating from the nineteenth century.Black and white photograph of woman driving a horse raking hay on a pasture beside a windmill.Catalogue number written in pencil on reverse. Stamped on reverse 'Josanne Broer Copyright 2000 59525700 0411234914'churchill island -
Churchill Island Heritage Farm
Photograph - Photograph of woman gathering hay on horse
Churchill Island has a significant photograph collection dating from the nineteenth century.Black and white photograph of woman driving a horse gathering hay.Catalogue number written in pencil on reverse. Stamped on reverse 'Josanne Broer Copyright 2000 59525700 0411234914'churchill island -
Churchill Island Heritage Farm
Photograph - Photograph of woman gathering hay on horse
Churchill Island has a significant photograph collection dating from the nineteenth century.Black and white photograph of woman driving a horse gathering hay.Catalogue number written in pencil on reverse. Stamped on reverse 'Josanne Broer Copyright 2000 59525700 0411234914'churchill island -
Churchill Island Heritage Farm
Photograph - Photograph of people gathering hay
Churchill Island has a significant photograph collection dating from the nineteenth century.Black and white photograph of group of people raking hay and making hay bales in the pasture beside the windmill on Churchill IslandCatalogue number written in pencil on reverse. Stamped on reverse 'Josanne Broer Copyright 2000 59525700 0411234914'churchill island -
Churchill Island Heritage Farm
Photograph - Photograph of horse pulling cart raking hay
Churchill Island has a significant photograph collection dating from the nineteenth century.Black and white photograph of horse pulling a cart raking hay.Catalogue number written in pencil on reverse. Stamped on reverse 'Josanne Broer Copyright 2000 59525700 0411234914'churchill island -
Churchill Island Heritage Farm
Photograph - Photograph of woman raking hay with horse
Churchill Island has a significant photograph collection dating from the nineteenth century.Black and white photograph of horse pulling a cart raking hay.Catalogue number written in pencil on reverse. Stamped on reverse 'Josanne Broer Copyright 2000 59525700 0411234914'churchill island -
Churchill Island Heritage Farm
Photograph - Photograph of two men manually raking hay
Churchill Island has a significant photograph collection dating from the nineteenth century.Black and white photograph of two men manually raking hay with the windmill in the backgroundCatalogue number written in pencil on reverse. Stamped on reverse 'Josanne Broer Copyright 2000 59525700 0411234914'churchill island -
Churchill Island Heritage Farm
Photograph - Photograph of person driving horse raking hay
Churchill Island has a significant photograph collection dating from the nineteenth century.Black and white photograph of woman driving a horse gathering hay with the windmill in the background.Catalogue number written in pencil on reverse. Stamped on reverse 'Josanne Broer Copyright 2000 59525700 0411234914'churchill island