Showing 1973 items
matching decorations.
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Glenelg Shire Council Cultural Collection
Book, Charlotte Marie Tucker (ALOE), The Giant Killer or The Battle Which All Must Fight, c. 1885
Cautionary tale for the youngNovel ' The Giant Killer' by A.L.O.E. Hard cover, blue black decoration, gold illustrations and print on front cover and spine. Gold edge on pages. 40 black and white engravingsCautionary tale for the young -
Kiewa Valley Historical Society
Baby's Pram - Wicker
Prams were very common as few families had cars in the 1940s to transport children. Prams were used so that babies could sleep outdoors and be moved within walking distance.Original vintage cyclops 1940s pram. This pram is typical of the prams used in the Kiewa Valley during the 1940s and into the 1950s when Mt Beauty township was built and included many families with young children.Painted beige cane and steel pram with 4 spoked wheels and rubber tyres supported by steel springs. Cream colour. Lined with vinyl (perhaps). Cane decoration on each side.Decorative cane pattern on each sidewicker, pram, cyclops -
Orbost & District Historical Society
Painting, Cameron, Grace (Miss), Circa 1920-1930
Grace Cameron was the daughter of John Cameron who selected the first land on the Snowy River flats. She was the sister of Annie (later Mrs John Gilbert) who was the first white girl born in Orbost.This item is aesthetically significant and shows the skill and craftmanship of the women of the early settler families.Large oblong oil painting on green painted tin with the top and bottom rolled for decoration. Painting of three single petalled pink roses in full bloom with two small buds.tin painting cameron-grace art -
Orbost & District Historical Society
carved stick
Inspected by Joanna Freslov (2.6.2008) - possibly made in New Guines.A hand-carved walking stick of light brown wood. It has a carved snaked curled around its length. Wood burning has been used to decorate the snake decoration.carving eyhnographic walking-stick -
Bright & District Historical Society operating the Bright Museum
Saucer
Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most of the pieces in this collection were found. Some maps drawn by Aldo Gios also give more detail. This detail is rare, as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location they came from. Part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Chinese porcelain food dish, glazed with floral decoration. Handpainted on inside surface. Celadon background with floral design in colours, pink, green, white and brown with gold frosting on leaves.Chinese writing or maker’s stamp on base in orange ink / dye.chinese, gold, floral, goldfields, gios, tableware, glaze, porcelain, dish, buckland, celadon, handpainted -
Flagstaff Hill Maritime Museum and Village
Box
Box wooden for 'Cadbury Selected Chocolates.' Oval Tins, Tinfoil. 1 Doz, ¼ lb Net. Natural wood finish with red printed decoration made from nailed boards.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, cadbury selected chocolates, cadbury chocolates, box -
Bendigo Historical Society Inc.
Domestic Object - GLASS BOWL / SAUCER
Glass Bowl / Saucer (previously #92 from Eaglehawk Mechanics Institute) Glass bowl / saucer with raised decorations including holly, roses, scotch thistles, clover. 19cm diameter.cottage, miners -
Bendigo Historical Society Inc.
Accessory - SHAVING BRUSH AND SOAP
Shaving brush and soap to accompany shaving mug. Brush is brown with wooden handle and wound-string decoration; soap is a used rough piece of yellow/ivory coloured shaving soap.personal effects, shaving, brush -
Dutch Australian Heritage Centre Victoria
Commemorative Tile (Regeerings Tegel), Wessel, 1980
Queen Juliana's mother, Queen Wilhelmina, abdicated in favour of Juliana, her only child in 1948. In 1980 Juliana abdicated in favour of the eldest of her three sons Willem-Alexander.The production of this tile is significant of the Dutch monarchy's willingness to abdicate in favour of the next genration.Wall tile to commemorate the reign of Queen Juliana of The Netherlands from 1948 to 1980. An oval-shaped black and white image of the queen is at the centre surrounded by some low-key decorations.Koningin Juliana 1948-1980 (Queen Juliana 1948-1980). -
Chinese Museum
processional upper garment
This upper garment was obtained by Charles Quon, probably from Hong Kong, and used by the Young Chinese League in their processions. This is part of a 'fish warrior' costume.This upper garment is significant for its links to the Chinese Young League. The League was formally established on 4 October 1932 to to promote free social intercourse and goodwill among its members and their mutual improvement. Membership was open to all persons, with one or both parents or grandparents born in China. Wives of Chinese members were permitted as members with the same privileges. It was a significant social organisation for Chinese-Australians in Melbourne in the mid to late twentieth century.Upper garment with fish scale decoration in gold with blue trim and a smallstainless steel/chrome half spheres attached to the chest. The sleeves have decorated cuffs and small shoulder 'wings'.young chinese league, melbourne, victoria, australia, processions, costumes -
St Kilda Historical Society
Ephemera - Program, Dinner Tendered to Councillor Edward O'Donnell, J.P
Edward O’Donnell's service as a St. Kilda Councillor included six terms as mayor. The dinner, held by the City of St Kilda at the George hotel on 10 October 1928, celebrated his 40 years of service. The program includes a record of his service, the menu, toasts, and autographs of people who attended. He served for another four years, and left after being defeated in the council elections in 1932.Booklet with a white folded card cover, discoloured with age, printed in blue with gold decoration. Inside, a white page folded in half, printed in blue, is fastened to the cover with a blue ribbon.Autographs written in pencil appear on the final page and inside back cover.edward o'donnell, st kilda council, george hotel -
Wangaratta RSL Sub Branch
Embroidered Postcard, c. 1917
Postcard from WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion while posted in France to his family at home.Embroidered silk postcards were first made in 1900 for the Paris Exposition. The popularity of silk postcards peaked during the First World War 1914 - 1918.They were mostly embroidered by French women in their homes and then sent to the factories for cutting and mounting on cards. Many of the cards were illustrated with patriotic symbols, flags, slogans, or sentimental texts. During the First World War, many Allied officers and soldiers based in France sent silk embroidered postcards to their loved ones back homeWhite rectangular postcard with embroidered sailing boast with flying french flag and union jack. Also pink, blue flowers and green foliate decoration on front. Handwritten message on the back.Front: "To my dear Wife" (embroidered) Back: "My dear Alice / France / Just a PC to let you know I'm well and hope you are all the same I have not see Joe yet over here but I believe he is alright so far well there not much news to tell you get more news over there than we do. I hope Jack and Father are working. I wrote to Jack he aut to have my letters by now well this all the news ???? as long as you know I'm well ?????? bye best love Will xxxxxx"wwi, postcard, embroidered postcard -
Uniting Church Archives - Synod of Victoria
Book, Miller, J. R., D.D, The blessing of cheerfulness, n.d
“We are set in this world to be happy. We should not falter in our great task of happiness, nor move ever among our fellows with shadows on our face when we ought to have sunlight. “We have a mission to others — to add to their cheer. This we cannot do unless we have first learned the lesson of cheerfulness ourselves. We cannot teach what we do not know. We cannot give what we do not have. “In this little book a lesson is set for you, my reader. It may seem a hard lesson to learn; nevertheless, it is one you want to learn, and one you can learn, if you will surrender your life wholly to the great Teacher. – From the Preface by James Russell MillerPale green cover with gold embossed text and floral borders. Black floral decoration on the front cover. 62 pages. The book has a dedication inside and is signed by the members of the band.non-fiction“We are set in this world to be happy. We should not falter in our great task of happiness, nor move ever among our fellows with shadows on our face when we ought to have sunlight. “We have a mission to others — to add to their cheer. This we cannot do unless we have first learned the lesson of cheerfulness ourselves. We cannot teach what we do not know. We cannot give what we do not have. “In this little book a lesson is set for you, my reader. It may seem a hard lesson to learn; nevertheless, it is one you want to learn, and one you can learn, if you will surrender your life wholly to the great Teacher. – From the Preface by James Russell Millere. sprott, sydney road brunswick methodist church -
Uniting Church Archives - Synod of Victoria
Book, Griffith, Farran, Okeden and Welsh, Gerty and May, c1893
Grey linen covered book with terracotta, yellow, black and gold decoration and text. There is a bookplate inside the front cover. 136p with black and white lithographic illustrations by Henry Courtney Selous. fictionewing memorial presbyterian sabbath school east malvern, lily mclean, j mckenzie king presbyterian sabbath school superintendent, mrs beynon presbyterian sabbath school teacher -
National Wool Museum
Clock
This clock was owned by Mr Bruce Scott, the late husband of the donor. Mr Scott studied wool classing at the Melbourne Technical College in the 1930s. It is not known how this clock came to be in his possession. The clock was presented to Mr W. Stewart of the Australasia Wool Stress by his fellow employees on 1 July, 1890.Presentation clock made from slate with inlaid marble decoration. Brass plaque: "Presented to W. Stewart by his fellow employees, Australasia Wool Stores, 1st July 1890"PRESENTED TO W. Stewart / BY HIS FELLOW EMPLOYEES / Australasia Wool Stores / 1st July, 1890.australasia wool stores, stewart, mr w. - australasia wool stores -
Whitehorse Historical Society Inc.
Functional object - Clock
Standing pendulum clock with painted beehive decoration below clock face. Polished wooden case with metal trim. Opening front face with Roman numerals. Key with decorated handleOn inside back - 'Oct. Prize Night Day Striking' Also sundry instructions and advertisements. Handwritten '1880'horology, clocks -
Numurkah & District Historical Society
Equipment - Sewing Machine - Singer - Treadle
Singer, black metal with gold decorations treadle type, in wooden cabinet, placed on a black metal frame. Machine folds away and has 3 drawers down either sidesee photosewing, sewing machine, singer, treadle -
Bendigo Historical Society Inc.
Domestic Object - FAVALORO COLLECTION: SILVER PLATE EGG CUP SET
Silver plated E.P.N.S set of 6 egg cups on stand with handle & 4 spoons, tray has embossed decoration around edge, indentations for eggs & removable egg cups.Villiers & Co Excella England EPNSdomestic equipment, table setting, egg cups -
Bendigo Historical Society Inc.
Domestic Object - FAVALORO COLLECTION: SILVER HAND MIRROR, 1856
Sterling silver hand mirror with hallmarks for Birmingham 1856, bevel edged mirror encased in an embossed silver case with handle, decorations include flora and a rope edge around mirror.personal effects, hairdressing, mirror -
Bendigo Historical Society Inc.
Domestic object - Morley Johnsons advertising tray
Oval metal tray. Dots all along the edge of the raised tray. Flowery decoration at top and bottom with the words "Morley Johnsons, everything for the home, Mitchell Street Bendigo" in the middle.bendigo businesses, morley johnsons, mitchell street -
Harcourt Valley Heritage & Tourist Centre
Autograph Album, 1912
The owner was Rita Fletcher; many locals and relatives inscribed their autographs , drew or painted pictures and , using their best calligraphy, wrote up humorous verses. In addition the book includes news clippings on the sensation of the day, the story “Will you be my woolly aphid?” which tells of a Harcourt youth who put a marriage proposal in a barrel of apples consigned to England. On receipt in England the note was published in the press The unfortunate youth received many hundreds of acceptances and became the butt of humorous verse in the English and Castlemaine newspapers.This volume is a treasury of autographs , humorous verse then fashionable and the repository of a funny yarn from pre-WW1.It appears to have been handed around the entire district and includes verses, signatures and sketches from nearly all of the inhabitants of Harcourt, Elphinstone and Canary island districtsA red leather bound autograph book with gold letter and design on the cover. Gold leaf edges, coloured pages with gold decoration. Autographs, sketches, watercolour paintings, press clippings Autograph Album -
Harcourt Valley Heritage & Tourist Centre
domestic crockery, 1875
Presentation by members of Barkers Creek Wesleyan Church to class leader William Peeler on leaving Barkers Creek for Horsham in 1876. An inscribed certificate signed by the class members testifies to the date and circumstances of the gift.A dated collection of domestic crockery with local associations.China, white porcelain with green floral decoration teaset consisting of 2x plate 23cm,3x plate 18cm,3x saucer 14cm,3x cup 7cm high no markings -
Vision Australia
Photograph - Image, March 5, 1971?
Street view of 1 ceremony held at Mirridong. No individuals are identified, however decorations and the large crowd indicate that it could be the opening of the centre or later extensions.1 x Black and White photograph of crowd outside MirridongBendigo 5123association for the blind, mirridong home (bendigo) -
Villa Alba Museum
Decorative object - Wallpaper, Rural Town, 1850-1859
The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. The Museum's Decorative Arts & Design collection includes items that provide a local, statewide, national and international context for the development of interior decoration and design in Melbourne. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Wallpaper sample c.1850. Designer unknown. Pictorial design of a rural village in English style. Sample from a wallpaper shop in Melbourne of the period.decorative arts & design, wallpapers - 1850s -
Stawell Historical Society Inc
Photograph, Stawell Shire Hall 1866
Stawell Shire Hall built 1866 Hewitt Photo. A professional photograph of the Shire Hall showing the road and footpath in front of the building. The view shows three side windows and two at the front opf the building with four urn shaped decorations on top of the building. A flag post can be seen behind the central building decoration on the roof above the entrance doorway. The landscape around the building is well manicured with tall to medium sized shrubs. Stawell Shire Hall built 1866. Black & white photograph showing a front and side view of the building. This photo shows three side windows compared to an earlier photo, 84.2 where only one side window can be seen.Stawell Photographic Co. Close Railway Station C. HEWITT, Managerstawell -
Kew Historical Society Inc
Photograph - Drawing room ceiling , 'Villa Alba', Walmer Street (Kew), c. 1965
"Villa Alba is of significance for the outstanding late Victorian painted decoration throughout its interior. The consistently high standard of design in the decoration, and high, and at times, superb quality of its execution, the variety of illustrative techniques, the variety of illusionist effects and the hierarchy of treatments between the rooms of the house all contribute to the significance. The decorative scheme is also of significance as a fine example of the work of the leading Melbourne decorators, the Paterson Brothers. It is one of their first interiors to depart totally from the use of pre-prepared wallpapers of repetitive designs and it is a rare and comprehensive extant example of their domestic work. The decorative schemes in the ground floor hall, the dining room, the drawing, the vestibule, the stair hall, the upper hall, bedroom 1 and the boudoir are also individually of significance as outstanding examples of Victorian decoration.." (Victorian Heritage Database, 2023)This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Original print monochrome photograph of a section of the drawing room ceiling in 'Villa Alba', Walmer Street (Kew)Annotation on reverse: "Villa Alba ceilings. [Stamp - The Royal Women's Hospital, 212 Cardigan Street, Carlton. With Compliments of Public Relations Office]"dorothy rogers, villa alba museum, paterson bros, interior decoration -- 1880s -
Kew Historical Society Inc
Photograph - Entrance hall ceiling , 'Villa Alba', Walmer Street [Kew], c. 1965
"Villa Alba is of significance for the outstanding late Victorian painted decoration throughout its interior. The consistently high standard of design in the decoration, and high, and at times, superb quality of its execution, the variety of illustrative techniques, the variety of illusionist effects and the hierarchy of treatments between the rooms of the house all contribute to the significance. The decorative scheme is also of significance as a fine example of the work of the leading Melbourne decorators, the Paterson Brothers. It is one of their first interiors to depart totally from the use of pre-prepared wallpapers of repetitive designs and it is a rare and comprehensive extant example of their domestic work. The decorative schemes in the ground floor hall, the dining room, the drawing, the vestibule, the stair hall, the upper hall, bedroom 1 and the boudoir are also individually of significance as outstanding examples of Victorian decoration.." (Victorian Heritage Database, 2023)This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Original print monochrome photograph of a section of the entrance hall ceiling in 'Villa Alba', Walmer Street (Kew)Annotation verso: "Villa Alba, Walmer Street (Kew)"dorothy rogers, villa alba museum, paterson bros, interior decoration -- 1880s -
Kew Historical Society Inc
Photograph - Ceiling , 'Villa Alba', Walmer Street [Kew], c. 1965
"Villa Alba is of significance for the outstanding late Victorian painted decoration throughout its interior. The consistently high standard of design in the decoration, and high, and at times, superb quality of its execution, the variety of illustrative techniques, the variety of illusionist effects and the hierarchy of treatments between the rooms of the house all contribute to the significance. The decorative scheme is also of significance as a fine example of the work of the leading Melbourne decorators, the Paterson Brothers. It is one of their first interiors to depart totally from the use of pre-prepared wallpapers of repetitive designs and it is a rare and comprehensive extant example of their domestic work. The decorative schemes in the ground floor hall, the dining room, the drawing, the vestibule, the stair hall, the upper hall, bedroom 1 and the boudoir are also individually of significance as outstanding examples of Victorian decoration.." (Victorian Heritage Database, 2023)This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Original print monochrome photograph of a section of a ceiling in 'Villa Alba', Walmer Street (Kew)Annotation verso: "Villa Alba, Walmer Street (Kew)"dorothy rogers, villa alba museum, paterson bros, interior decoration -- 1880s -
Warrnambool and District Historical Society Inc.
Label, Gaspars Modern Print, Reeves, 1930s
These labels come from the Warrnambool Reeves Cordial Factory. John Reeves came to Warrnambool about 1900 and managed the cordial bottling plant in Banyan Street for Jim Kelly who traded under the name of the previous cordial manufacturer, J. S. Rowley. In 1931 John Reeves purchased the cordial factory in Koroit Street from the estate of John Fletcher. John Reeves’ son, Reg managed the cordial business in Koroit Street until 1946 when he took over from his father and carried on the business until his death in 1972. In 1977 Reeves’ son-in-law carried on the business under the trading name of Reeves. The building in Koroit Street that stands today was erected in 1957 when the original building was demolished. These labels are of interest because they are colourful and pleasing to the eye and because the Reeves Cordial Factory was a major business in Warrnambool for several decades in the 20th century..1 to .9 Piece of paper with curved edges with multi-coloured printing and coloured geometric decoration. .10 A piece of paper with yellow, red and white printing and images of a crown and a stage curtain. .1 Reeves’ Imitation Cordial Vanilla .2 Reeves’ Imitation Cordial Caramel .3 Reeves’ Flavoured Cordial Lime .4 Reeves’ Flavoured Cordial Chocolate .5 Reeves’ Flavoured Cordial Chillie .6 Reeves’ Flavoured Cordial Orange .7 Reeves’ Flavoured Cordial Orange & Lemon .8 Reeves’ Flavoured Cordial Fruit Cup .9 Reeves’ Flavoured Cordial Pineapple .10 Queen’s Toast Artificially Coloured Reeves Warrnambool reeves cordial factory, history of warrnambool -
Ballarat Clarendon College
Book, Those holy fields, Prior to the book prize presented on Christmas, 1878
This book was awarded to Mary Annie Frances Proctor in 1878 for first prize in needlework in the third form. Mary, (D.O.B. 5/8/1860), entered the Ballarat College with her sister, Catherine, on the 23rd January, 1878. They resided at 83 Windemere Street South. Mary left the school in Christmas of 1878. Catherine left the Christmas of 1879.During 1877 - 1891 Ballarat College accepted enrolments from female students. The school holds the original register of this period and notes that Mary Proctor entered the school in 1878 when she was 14. Historic significance for its connection with one of the few female students of Ballarat College prior to 1900 and its expression of the value of classical education of its time.Green cloth cover with ornate gilt decorations and black pictorials on cover and spine; gilt edges; binding breaking but overall fair condition; black and white illustrations throughout; 223 p.Book plate inside front cover: school crest/Needlework/third form/first prize,/Awarded to/Mary Proctor/CHRISTMAS, 1878.mary-annie-frances-proctor, 1878, girls-school.