Showing 1860 items
matching late 19th century
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Brighton Historical Society
Headwear - Bonnet, Late 19th Century
... Late 19th Century ...A cotton bonnet belonging to the family of George Ward Cole’s in the late 1800s. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor the Duke Of Edinburgh, Queen Victoria’s second son, at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolished. A hand sewn ivory cotton, embroidery anglaise child’s bonnet from the late 1800s. The bonnet fabric design combines features a combination of narrow pin tucking and embroidered flowers on a vine. The bonnet edge is finished with a double-layered delicate gathered lace ruffle around all the edges. The bonnet secures under the chin with a delicate tie made of a similar but plain fabric.george ward cole, st ninians, late 1800s, bonnet, margaret morrison ward cole, agnes bruce ward cole, thomas anne ward cole, brighton -
Brighton Historical Society
Clothing - Dress, Visiting dress, Late 19th Century
... Late 19th Century ...This gown, one of two similar items in the collection belonged to one of the Ward Cole sisters, Miss Margaret Morison Ward Cole or Miss Agnes Bruce Ward Cole, daughters of George Ward Cole. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor the Duke Of Edinburgh, Queen Victoria’s second son at St Ninians in 1867. In later years St Ninians was subsequently sub divided and later demolished. A black and yellow velvet, wool, lace and silk dress from circa 1882. The bodice features a yellow silk, black lace and black velvet collar finishing high on the neck just below the chin finished with a black lace ruffle. The collar has a flap across the front of the throat that attaches at the side with a V-shaped baseline that contributes to concealing the fastenings of the bodice. The dress features a gathered central panel of black lace covered lemon silk, which falls from the neckline to the floor. At either side of this panel are matching panels of black velvet. The remainder of the dress and sleeves are made of black wool featuring a self-striped and spotted pattern. The dress fastens down the centre front with concealed black buttons hidden underneath the right velvet panel. The head of the Amadis sleeve sits on the natural shoulder line and finishes tightly at the elbow. The volume of the sleeve is created by ten pleats at the head of the shoulder, sewn to the bodice and is gathered at the elbow. The sleeve is finished with a black velvet ribbon with a bow and a black lace frill. The base of the dress is finished with a ruffle of the black dress wool. The dress features a small train. The dress is boned at the back waist and features an inset panel just below the waist of gathered fabric which forms the train. st ninians, george ward cole, visiting gown, brighton, margaret morrison ward cole, agnes bruce ward cole -
Brighton Historical Society
Clothing - Dress, Visiting dress, late 19th century
... late 19th century ...This gown, one of two similar items in the collection, belonged to one of the daughters of George Ward Cole, Miss Margaret Morison Ward Cole or Miss Agnes Bruce Ward Cole. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor the Duke Of Edinburgh, Queen Victoria’s second son, at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolished.A black and mint green wool, velvet, lace and silk dress from circa 1882. The bodice features a wired, standing collar, finishing just under the chin and open at the front of the throat. On either side at the front of the throat it features long black lace ties with black jet bead fringe. The centre front of the dress from the neckline to the base of the skirt features an insert panel of mint green corded silk. The silk is gathered and the neckline and waist and overlaid a panel of gathered lacy net. Inserted into the seam at either side of this panel at the waist are two velvet ties. The dress secures closed with eight black buttons and one hook and eye down the right side of the mint panel to mid thigh. The edges of the collar and black front panels are finished with a looped ribbon trim. The remainder of the dress is made of a black wool fabric woven a checkered pattern of larger and looser threads and smaller and tighter threads creating a seersucker like pattern. The bodice features a natural shoulder line and an Amadis sleeve of full cut gathered to the bodice at the shoulder and finishing at the elbow with a large black lace flounce. The front panels of the dress are flat and shaped neatly to the body from neck to hip line and gently out to create the Victorian silhouette. On the back of each shoulder the dress features a leaf like, small jet beaded embellishment with multiple long loops of jet beads falling down the back to the waist. Underneath this embellishment is a pleated black ribbon that runs from the shoulder to the back of the pelvis. Over the pelvis are another two jet beaded embellishments of a floral design with two tassels. The skirt is full and pleated in under this embellishment and fulls to the floor with a small train. The base of the dress is finished with a ruched band of the main dress fabric.st ninians, george ward cole, visiting gown, brighton, miss margaret morison ward cole, miss agnes bruce ward cole, 1880s -
Port Fairy Historical Society Museum and Archives
Photograph, Late 19th Century
... Late 19th Century ..."Talara" sits on the hill on the outskirts of Port Fairy. It is one of 3 beautiful homes built in this vicinity. This was taken in the front drawing room.Black and Photograph of the interior of a room with a lady seated too the right of the windowtalara, 1895, house, building, cottage, princes highway, interior -
City of Greater Bendigo - Civic Collection
Instrument - Weights and measures, Late 19th century
... Late 19th century. ...A pennyweight was a unit of mass that was equal in weight to 20 grains, one twentieth of an ounce and one 240th of a Troy pound. The abbreviation for a pennyweight is ‘dwt’ (denarius weight). These measures and weights were typically used for weighing gold and other precious metals. Group of eleven weights and measures including seven rectangular pennyweights with clipped corners and marked 10 DWTS, 6 DWTS, 5 DWTS, 4 DWTS, 3 DWTS, 2 DWTS respectively, two gram weights; 5 grams and 4 grams with top right pressed corner and two cup troy weights marked 4oz TROY and ½.284.1 10 DWTS 284.2 6 DWTS 284.3 5 DWTS 284.4 4 DWTS 284.5 3 DWTS 284.6 2 DWTS 284.7 1 DWTS 284.8 5 GRAMS 284.9 4 GRAMS 284.10 4 oz TROY 284.11 ½ city of greater bendigo commerce, making a nation exhibition, city of greater bendigo mining -
Ballarat Diocesan Historical Commission
Altar Frontal with Applique'd decoration, Cloth of Gold altar frontal motif, Late 19th century
... Late 19th century ...Altar frontal made in 1960s for St Thomas Aquinas church Clunes using 19th century motif was accessioned to the Ballarat Diocesan Historical Commission of the Catholic Diocese upon the closure of the church at Clunes in 2017.Altar frontal with appliqued orphery in cloth-of-gold. -
Mont De Lancey
Functional object - Clock, Late 19th Century
... Late 19th Century ...Used by Henry and Martha Sebire at Mont De Lancey . Part of the original furnishings of the dining room. Mass produced. Marie Colling (Sebire) is the great granddaughter of Henry and Martha Sebire.A dark brown wooden carved cased pendulum mantel clock with a highly decorated floral and column transfer design on the hinged glass front and black roman numerals and hands on the white face. Chimes on the hour.Marked inside "Ansonia Clock Co"clocks, mantel clocks -
Mont De Lancey
Doily, Late 19th century
... Late 19th century ...Cream star patterned doily, with pointed edges and star in centre.In shuttle netting.doilies, table linen. -
Mont De Lancey
Cruet set, late 19th Century
... late 19th Century ...Gift to Mont De Lancey from Miss Eva Sebiresilver open work cruet set - ornate stand with handle with five compartments for five bottles, three with glass stoppers and two with silver lids. Some etching on it.condiment sets, cruet sets -
Mont De Lancey
Tool - Chain Pipe Wrench, J.H Williams and Co, Late 19th century
... Late 19th century ...A tool used in the early 20th Century.A two piece metal wrench with an adjustable chain that is used to tighten around metal objects. It has a double triangular pointed grooved jaw grip, a handle and chain attached. They provide safe, reliable and powerful torque. The dual reversible jaws allow ratchet action in both directions without removing the chain wrench from the pipe.Stamped on the handle - Drop forged from bar steel by J.H. Williams & Co, Brooklyn, NY. On a grip jaw at the top is stamped - No 1, 'W' in a triangle shape, Patented Oct.4 '81, Dec.13 '81, Mar. 14 '82, Sep.25 '83, Feb.14 '88 and Brook Chain Wrench at the bottom.tools, equipment, hand tools, wrenches, steel -
Tarnagulla History Archive
Photograph of P. Master's premises, Tarnagulla, P. Master's premises, Tarnagulla, Late 19th Century
... Late 19th Century ...Murray Comrie Collection. Information collated by Murray Comrie: Premises of P. Masters, cabinet-maker and funeral undertaker in Commercial Road, next to Cheetham's on the north side. Phillip Masters' Store was located in Commercial Road, opposite and south of the Victoria Theatre. This photograph is a reasonable copy created from an older original. Copy probably made by Murray Comrie in the 1970s. Monochrome photograph depicting a building with shopfront, two men standing in front. View past building to a small cottage in background.tarnagulla, commerce, shops, stores, masters, p. masters, funerals, commercial road, main street -
Tarnagulla History Archive
Photograph of workers at a mine at or near Tarnagulla, Workers at a mine at or near Tarnagulla, late 19th Century
... late 19th Century ...Murray Comrie Collection. This photograph is a reasonable copy created from an older original. A black and white negative image depicting workers at a mine at or near Tarnagulla. Mullock/tailings heap behind group.tarnagulla, workers, mining -
Tarnagulla History Archive
Photograph of workers at a mine at or near Tarnagulla, Workers at a mine at or near Tarnagulla, late 19th Century
... late 19th Century ...Murray Comrie Collection. This photograph is a reasonable copy created from an older original. A black and white negative image depicting workers at a mine at or near Tarnagulla. A hose is spraying water at centre of picture. Location unknown. tarnagulla, workers, mining -
Tarnagulla History Archive
Photograph of Company's Hotel, Tarnagulla, Company's Hotel, Tarnagulla, late 19th Century (original image)
... late 19th Century (original image) ...Murray Comrie Collection. Monochrome photograph depicting Company's Hotel, Tarnagulla which was formerly located in Commercial Road. This photograph is a fair copy of an older original, probably made in the late 1960s. tarnagulla, buildings, burstall hall, company's hotel, hotels, council chambers -
Mont De Lancey
Functional object - Gladstone Bag, late 19th century
... late 19th century ...Brown Leather Gladstone Bag, with gold initialling F.R.G."F.R.G."bags -
Linton and District Historical Society Inc
Photograph, Ballarat Cycling Club, circa 1880, Late 19th Century
... Late 19th Century ...Found behind fixed shelves at "Hoyles Creek", former home of grazier Mr Sam Lewers. Mr. Sam Lewers (1875-1947) was the son of Linton's first bank manager Mr. Samuel Lewers.Sepia toned image of a group of men and women with penny farthing bicycles. The men appear to be wearing club uniforms. cycling, pennyfarthings, sam lewers -
Warrnambool and District Historical Society Inc.
Administrative record - Warrnambool Water Trust Notebook, late 19th century (1892-1900)
... late 19th century (1892-1900)... as it supplies details of a late 19th century Warrnambool water supply ...This notebook appears to be the Warrnambool Water Trust Records of two contracts in 1892 . (The reference is written as 'W.W.Trust'.) The first contract, with the contractors, Coates and Reed, is for the excavation for settling tanks and clear water basin and a reservoir in Liebig Street and there are 60 pages giving details of these works - labour, masonry, concreting, fencing etc. The second contract with the contractor, William Kellas, is for the erection of a cottage and an engine shed and boiler room (7 pages). The Warrnambool Water Trust was set up in 1891 and the first project was the supply of water from the Merri River near Wollaston to a reservoir and tower in Liebig Street and this notebook concerns some details of this early water supply scheme. This notebook is of some interest as it supplies details of a late 19th century Warrnambool water supply scheme and so should be of value to local history researchers This is a notebook with a red leather cover and pages with printed headings and ruled red lines. The pages contain handwriting in black ink. The cover has a label (partly torn) with handwriting.Returns Contracts 1 & 2warrnambool water supply, warrnambool water board, 19th century water in warrnambool -
Warrnambool and District Historical Society Inc.
Photograph - Stereoscope photographs, Collection of stereoscope cards, Late 19th century – early 20th century
... Late 19th century – early 20th century. ...The international cards depict a range of view of items such as nature shots of America to photos of abbeys and cathedrals in Europe and views in England Scotland and Ireland. The views in Australia are a similar eclectic mix from shots of the Melbourne cemetery to images of statues in the Ballarat gardens. By placing the card with two images of the same subject, in the stereoscope, it provided a three dimensional view of the photo.Provides a snapshot of general interest items and views of early Australia and Australians.A collection of 76 cards with various scenes and topics. Each card displays two photos of the same view or item on various coloured card backgrounds. There is a mixture of sepia Black and white and coloured photographs.A number of the cards with international scenes have typed on the reverse “Photographed and published by Kilburn Brothers Littleton N.H. Others depicting scenes in Australia are stamped Theodor Bloch. warrnambool, stereoscope, stereoscope photographs -
Warrnambool and District Historical Society Inc.
Small Plane Tool, Late 19th century
... Late 19th century ...This tool is one of a collection of tools which are believed to have belonged to the Warrnambool carpenter and businessman, Henry Phillips. English-born Henry Phillips (1821-1896) came to Australia with his wife Elizabeth in 1849. They lived for some time in Port Fairy and in 1865 Henry Phillips formed a partnership with Christopher Beattie and established the Warrnambool undertaking business of Beattie and Phillips. This business continued on after the deaths of the founders and lasted until the year 2000. In Warrnambool Henry Phillips was involved in the management of the Mechanics’ Institute.This tool is of interest as a good example of a vintage tool and as a memento of the Warrnambool carpenter and businessman, Henry Phillips. This is a small plane tool with a rectangular body which is slightly curved. A metal blade resting on a piece of wood has been inserted at the top and protrudes at the base to form a planing blade. vintage tools, henry phillips, warrnambool, history of warrnambool -
Flagstaff Hill Maritime Museum and Village
Domestic object - Sewing Machine and case, Joseph Wertheim, late 19th century
... late 19th century ...Hugo Wertheim (1854-1919), was a merchant and manufacturer and was born on the 12th July 1854 at Lispenhausen, in the German electorate of Hesse-Kassel, son of Meyer Wertheim and his wife Minna, née Heinemann. Hugo reached Melbourne in October 1875. He soon began advertising, from premises at 39 Flinders Lane East, as agent for his father's cousin Joseph Wertheim, a well-established manufacturer of sewing machines. Hugo returned to Germany where he married Joseph Wertheim's daughter Sophie Emilie (1864-1953) on 30 August 1885 at Frankfurt. the couple then came to Melbourne. In a short time, with extensive advertising, Hugo established a substantial business, selling sewing machines, bicycles, pianos and other mechanical devices, under brands such as Wertheim, Electra, Planet, Griffin and Hapsburg. He also mounted elaborate displays at agricultural shows and in 1901 at the Pan American Exposition, Buffalo, United States of America. O. C. Beale worked with him before setting up his own piano business in New South Wales. Hugo continued to own 25 per cent of one of Beale's companies, which became Wertheim's Queensland business. In 1908 Wertheim opened a large, innovative piano factory at Richmond, Melbourne, intending to produce 2000 pianos and player pianos annually, predominantly using Australian materials. In laying the foundation stone, Prime Minister Alfred Deakin observed that “few men with such opportunities for a life of ease would have embarked on such an enterprise” Hugo died of chronic hepatitis on 11 July 1919 at his home at South Yarra, his wife, two daughters and three sons survived him; Herbert Joseph (1886-1972), the eldest, continued the business. Rupert became a share broker and went on to represent Victoria in inter-State tennis in 1913-27 and Australia in Davis Cup matches against Czechoslovakia in 1922. The piano factory closed in 1935, becoming a Heinz food processing plant and in 1955, GTV Channel 9 studios and offices.Early Australians had to be self-reliant in regards to making and mending their clothes and utensils. This sewing machine was one of many items used that exhibit the skill and craftsmanship of the women in these early families. A sewing machine was a necessary part of each home and this item demonstrates how women of the time managed had to become self-reliant in the repair and making of their families clothes to make their household budgets go further.Sewing machine, Wertheim brand “ Syst 182” hand crank operated machine with folding handle, timber case and carry handle. Metal machine is painted black, with remnants of gold, red and green scrolls and floral decoration. Machine has base with inlaid measuring rule across front and 2 holes drilled through the base (perhaps for mounting machine to a bench). Machine tilts open, hinged on one side, after thumb screw is unwound, revealing machine’s workings and serial number. Base has a fitted round, concave, silver metal pin holder with lid that hinges open, and symbol pressed into lid; several pins are inside. Body of machine has brand name transfer across front and oval metal trademark disc on front. Metal sliding covers over footplates have stamped lettering. Timber machine case or cover includes an accessory box with sliding cover and metal hook and eye latch, and inside the box are 23 metal sewing attachments, a disc and a stick of black crayon with maker’s trademark on it paper cover. Workings of machine have seized up. The crayon wrapper has printed on it “For the wonderful Wertheim new family machine made in Germany ‘Syst. 182’”, and the maker’s symbol with “Trademark” beside it. Made for Hugo Wertheim.“WERTHEIM” transfer across front and back of machine body. Cover of pin holder has symbol ‘Wings above a shield’. Maker’s trademark on gold oval disc, “WERTHEIM / FRANCFURT” and picture of a dwarf with a hammer. Left footplate has script “Syst 182”, right footplate has stamp in oval shape “MANUFACTURED IN - - /SPECIALLY FOR / HUGO WERTHEIM” Serial Number “7501”flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, sewing machine, hand crank sewing machine, hugo wertheim, wertheim, clothing manufacturer, sewing, syst 182 -
Flagstaff Hill Maritime Museum and Village
Clothing - Blouse and Belt, mid-to-late 19th century
... mid-to-late 19th century... is an example of clothing worn by women in the mid-to-late 19th century ...This handmade blouse with its matching belt was donated along with a note that says, "This jacket was owned by Marion Leishman who married Captain Eadie. They lived in Warrnambool and are buried at Tower Hill Cemetery." The spelling on the headstone is "Edie" rather than "Eadie". Marion Leishman Edie was born in 1835 and died on August 7, 1914. She married Captain Richard Wilson C Edie in 1865. Capt. Edie drowned at sea on 16th June 1883 aged 49 years. Marion Leishman Edie died on 7th August 1914 aged 79 years. Her sister Alison Keishman Sprod, died in 1863, aged 25 years, and is also buried in the same grave at Tower Hill. The fine satin blouse and matching belt is an example of clothing worn by women in the mid-to-late 19th century. It demonstrates the beautiful and talented skills applied to handmade garments. The decoration indicates that the blouse or jacket was worn for a special occasion.Blouse of black satin, decorated with lace and sequins. Long sleeves are puffed at the shoulder fitted at the lower arm and cuff. The belt has sequins and tassels. Black lace is added around the neck and bodice, fastened at the front with hook and eye.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, costume, blouse, belt, female adult, clothing, fashion, satin, lace, wonem's clothing, marion leishman, captain eadie, tower hill cemetery, marion eadie, jacket, black satin jacket, sequins, marion edie, richard wilson c edie, drowned at sea, marion leishman edie, handmade, black jacket, sequined satin jacket -
Glenelg Shire Council Cultural Collection
Print - Contact print from glass plate negative, 1960-1970
... fishing poles. Dress late 19th, early 20th century.... behind. Most are holding long fishing poles. Dress late 19th ...Black and white contact print from glass plate negative. Image shows a group of men and women posing on a rocky platform above the sea, rocky cliffs behind. Most are holding long fishing poles. Dress late 19th, early 20th century. -
Glenelg Shire Council Cultural Collection
Photograph, c. 1970
... late 19th, early 20th century.... late 19th, early 20th century. Photograph Photograph ...Photographic print of a rephotographed photograph. Image shows front and one side of bluestone house with verandah. 'Windsor Cottage', residence of James Fawthrop, Harbour Master. Captain Fawthrop and his wife in garden at front of house. Dress late 19th, early 20th century.windsor cottage, james fawthrop -
Glenelg Shire Council Cultural Collection
Photograph - hotographic print of a rephotographed photograph - 'Prospect' house, Portland, c. 1970
... and numerouse people on driveway. Estimated to be taken late 19th, early... to be taken late 19th, early 20th century. Photograph hotographic ...Photographic print of a rephotographed photograph. Image shows 'Prospect' house, stone, two-storied, verandah across front, 2 stone chimneys, stables visible at rear. One horse and numerouse people on driveway. Estimated to be taken late 19th, early 20th century.Front: 'Prospect' - green print Back: 'Prospect' - blue biro -
Flagstaff Hill Maritime Museum and Village
Journal, May 1868 - June 1877
... ”, a mid to late 19th century watercolour artist. Covers from 1871... signatures such as “E. Preval”, a mid to late 19th century ...This Journal contains a wide variety of lifestyle subjects, showing an interest in in collection of ladies’ fashion covers, newspaper clippings and personal notes appear to have been gathered by a person with interests in fashion, poetry and the home. The covers dating up to 1870 have signatures such as “E. Preval”, a mid to late 19th century watercolour artist. Covers from 1871 have no signatures but have the word “COPYRIGHT” included in the printing. The name below the illustrations “Moine et Falconer” is a French fashion printer and publisher. The loose newspaper cuttings are dated from 1878 to 1927. Journal, comprising a collection of sixty (60) medium weight cartridge paper covers of the “Ladies’ Supplement of the London Journal” with a selection of newspaper clippings pasted to the back of all but two of the covers. The journal covers are dated between years 1868 – 1877. They each have a hand coloured engraving. Below some of the illustrations is a name and address (in French). Some of the covers have a portrait orientation and others are landscape. Some of the covers have a length of additional paper on the left/top with small print, as though there has been a magazine spine attached. The covers have printed dates and numbers, and some of the illustrations are numbered and have one or two signatures. On the reverse of the covers is a selection of newspaper cuttings, including poetry, Household Receipts (recipes, helpful hints on household matters, quotes, fashion, etc.) and personal notes, carefully cut to fit onto the pages. Hand written dates on some of these articles show that they are not all from the same date, and don’t necessarily correspond to the date of the cover. Some of these pages have been assembled upside down to the front cover. Also included are additional notes and loose newspaper cuttings from 1878 – 1927. Under some of the hand coloured engravings are the printed words “Moine et Falconer, imp. r. St Victor, go Paris” (or similar). There are also one or two signatures on the earlier engravings including “E. Preval”. Printed onto the Journal pages “Price one Penny”. Several of the pages have hand drawn lines and pencil script notes. Many of the newspaper cuttings have a date written in pencil on them. For example, “Stuffing Birds”.. The Ladies’ Supplements have been printed with number for “Published with No. –“, and a number for “Presented with Part -”. Some of the reverse pages have pencil notes beside them. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, ladies’ supplement of the london journal, the london journal, journal, 19th century, london journal office, moine et falconer, fashion print, ladies’ clothes, fashion plates, 19th century lifestyle, 19th century fashion, e proval -
Warrnambool and District Historical Society Inc.
Household, Jellie Souvenir Glass
... an auctioneering firm in Warrnambool in the late 19th century and two... in the late 19th century and two of James’ and Margaret’s ...souvenir glass was produced to commemorate the 1841 arrival in Australia from Ireland of James and Margaret Jellie . They were early settlers in the Warrnambool district, settling first at Port Fairy and then acquiring property along the Merri River in the Warrnambool area. Their children and families were prominent in the 19th and 20th centuries in the Warrnambool district as pastoralists, particularly in the Grasmere area. One son, James had an auctioneering firm in Warrnambool in the late 19th century and two of James’ and Margaret’s granddaughters, Mary and Dorcas. were well-known as teachers at the Warrnambool State School in the 20th century. This glass is of interest as a memento of the Jellie families who have been so prominent in the history of Warrnambool and district.This is a glass tumbler with a rounded base and a rounded body with a gilt rim around the top of the glass. An image of a ship and gold lettering have been impressed on both sides of the glass. ‘James & Margaret Jellie 1841-1991 150th Anniversary’ ‘To commemorate the arrival of James & Margaret Jellie and their children on the Thomas Arbuthnot at Hobson’s Bay, Port Phillip District of New South Wales on 2 October 1841 and their journey to Port Fairy in early 1842’ jellie families, warrnambool, history of warrnambool -
Federation University Historical Collection
Book, Federation University Australia: Celebrating 150 Years, 2020
... founders in the late 19th century. Today, our footprint stretches... 19th century. Today, our footprint stretches around the world ...Blue covered book celebraring 150 years since the establishment of the Ballarat School of Mines in Ballarat. Many illustrations from the Federation Univsity Historical Collection. non-fictionfederation university, history, anniversary, sesquicentenary, terry moran, duncan bentley, cameron pegg, carolyn simm, clare gervasoni, margot burke -
Federation University Historical Collection
Artwork, other, Federation University Australia: Celebrating 150 Years Screen Background, 2020
... founders in the late 19th century. Today, our footprint stretches... 19th century. Today, our footprint stretches around the world ...Since the establishment of the School of Mines Ballarat (SMB) in 1870, Federation University Australia has emerged in multiple forms, and under multiple names, to educate generations of engineers, nurses, and teachers – and in more recent years, games designers, sports and exercise scientists, craft beer brewers, and other professional occupations inconceivable to the University’s founders in the late 19th century. Today, our footprint stretches around the world, thanks to key partnerships established domestically, and with institutions in China, Malaysia, and India. But the story starts with a meeting of the Ballarat Mining Board, in 1869, and a pressing need for innovation.A number of screen backgrounds used during 2020, the 150th anniversary of the Ballarat School of Mines. The anniversary took place in the middle of lockdowns associated with Covid19, making screen backgrounds important.non-fictionfederation university, anniversary, sesquicentenary, 150th anniversary, covid19 -
Orbost & District Historical Society
ledger, 1898 - 1957
... and General Commission agents in Orbost in the late 19th century... and General Commission agents in Orbost in the late 19th century ...This ledger was used initially by H. James & Co., Shipping and General Commission agents in Orbost in the late 19th century and early 20th century. Henry James (1860-1932) was a well-known identity in the Orbost district.He was a stock agent and auctioneer. H. James proved a very keen businessman and did well. He eventually formed agencies, conducted an auctioneering business and controlled the bean market. He also helped to establish the seed bean industry in Orbost and was the second secretary of the Snowy River Shipping Co. as well as a shire councillor and prominent member of MUIOOF.Henry James (1860-1932) was a well-known identity in the Orbost district.He was a stock agent and auctioneer who helped to establish the seed bean industry in Orbost. He was the second secretary of the Snowy River Shipping Co. as well as a shire councillor and prominent member of MUIOOF.A heavy ledger. Covers are heavy cardboadr coloured green It has a brown leather spine. the bottom right hand corners have been cut off. It contains records of auction sales and lists goods sold on assignment.on spine : LEDGER On the first 3-4 pages in pencil are O's and 's gamesjames-harry shipping-orbost auctioneer -
Maldon Museum and Archives Association
Roll Top Desk
... Late 19th Century English Oak Roll Top Desk presented... Maldon goldfields Late 19th Century English Oak Roll Top Desk ...Late 19th Century English Oak Roll Top Desk presented to the Rev. Tyssen by the parishioners of the Maldon Anglican Church on 1st March 1905. The story behind the roll top desk. It is made from English oak. There is a plaque on the side that declares it was presented to the Rev. Josiah Tyssen, Vicar of Holy Trinity Church in Maldon, by the parishioners on the 1/3/1905. The desk was donated by Phil Thomas who is the grandson of a Canon in the Church of England who was probably given the desk by Josiah Tyssen after Josiah retired in 1949. Sadly Rev. Tyssen died in 1951.Roll Top Desk made of English Oak with eight drawers.Plaque wording: "Presented to Rev. J. Tyssen MA, Parishioners of Holy Trinity Church Maldon 1.3.05"desk, roll top, tyssen, josiah, maldon anglican church, holy trinity church