Clothing. A length-364 cms long of beautiful cream coloured silk satin ribbon, 4.5 cms wide, and finished with a picot hem stitched edge on each side. Possibly used as a vehicle decoration on the wedding vehicle of Aileen and John.costume, female, length of silk ribbon

Ribbon awarded to Mr Charles Wilson Peel of 'Callenondah' at Gnawarre. Mr Peel ran a superfine merino stud. This ribbon is from the Geelong Agricultural & Pastoral Show in 1959 and was awarded for being the Champion Merino Wool Fleece.Red, white and blue wool ribbon with yellow tassels on short ends. Yellow stitched/stamped text. Text divided into three lines, one on each coloured panel. Colour panels stitched together with white stitching.charles wilson peel, geelong agricultural & pastoral show, merino, wool, fleece, callenondah, gnawarre, champion, ewe

THE JACKET This jacket has been tailored to flatter the wearer’s figure. It also has elements that keep it in good shape and condition, preserve it from soiling and give it a longer life: - the hooks and eyes that join the jacket to the skirt allow the outfit to be made in two pieces but fit close to the body without exposing undergarments - the seams for the metal stays have been cut and stitched to allow maximum movement of the wearer and still keep a trim figure - the discreet breast pocket allows the wearer to keep a handkerchief, coins or other small items close at hand - the lining includes removable padded shields to absorb underarm perspiration - the lining has two cotton loops attached for hanging up to air and freshen it - new cuffs have been attached over the original sleeves that have buttonholes but no buttons. The buttons may have been used to replace missing buttons on the front of the jacket or perhaps to repair worn cuffs The amber coloured satin jacket is fully lined, has turned-back cuffs, a band collar, and looped, coffee-coloured braid trim. A row of closely spaced, round bronze buttons with a floral motif form a decorative closure most of the way down the front of the jacket, below which are metal hooks and eyes that finish at the waist. Underneath the cuffs there is a closely fitted cuff with a row of three button holes but no buttons. The jacket lining has vertical metal stays spaced around the midriff, sides and back. There is an absorbent, removable pad hand-stitched to the underarm section of each sleeve opening. A small satin pocket is stitched discreetly onto the lining above the chest on the right-hand side. There are also two cotton loops sewn onto the lining. Several small metal rings are sewn at intervals around the inside of the waist A satin bow from the same fabric is attached at the centre back of the jacket at waist level. antique satin jacket, colonial evening jacket, ladies evening jacket, 19th century ladies satin jacket, evening outfit

Triangular cream coloured knitted woollen shawl with open stitch cross design and 2 open stitch diagonal lines at edges.churchill island, working horse festival, sheep to shawl challenge, shearing, spinning, knitting, wool

Cloth shoulder patch to indicate that the conductor of the tram was qualified as a "Conductor Trainer".Demonstrates the method of indicating a conductor was qualified to train other conductors.Cloth badge or patch - made on black cloth backing, red stitching on the edge and the words "Conductor Trainer" stitched in red cotton. tramways, conductors, badges, mmtb, clothing, uniforms, training

Cream coloured long sleeves hand knitted woollen baby coat with collar. Stocking stitch with three rows of diamond pattern on yolk, on lower skirt and on sleeves. Front opening and hemline edged with moss stitch. Fastened at neck with one pearl button. Cream satin ribbon tie at waist.This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, children's, baby coat

Framed print of an original oil painting by Allan Waite FRAS, AWI - 1997 of The battle of Long Tan 18th Aug 1966, Print of painting - coloured scene of "The Battle of Long Tan" depicting various infantry and artillary during the battle. Frame - timber with decorated edge, mid brown colour stain - glass front. Mount - dark green coloured cardboard.Black print below print ÄLLAN WAITE, FRAS, AWI, 1997/ THE BATTLE OF LONG TAN/ 1st AUGUST 1966/ Print Number ...... of 150. Blue print below print copy of signature "Allan Waite".illustrations-prints, framed print, battle, vietnam

10 August 2001, DViets first Vietnam Veterans Day wreath, placed by Tony Welsh, 1APC Sqn-RAAC, Battle of Long Tan.Unique record of Diamond Valley Vietnam Veterans Sub Branch Commemorating Its First Vietnam Veterans Day As a Sub Branch with a Wreath Presented by Tony Welsh.Colour photograph featuring formally attired man with beret and medals carrying a floral wreath. Text describes event at top and at the bottom of image.DViets First Vietnam Day Wreath /Saturday 18 August 2001 / Placed By Tony Welsh /(1APC SQN-RAAC, Battle of Long Tan)vietnam veterans day, 2001, raac, tony welsh, diamond valley vietnam veterans sub branch, long tan day, vietnam, vietnam war

The Excelsior Woollen and Worsted Mills were controlled by Godfrey Hirst & Co. Pty. Ltd. The Excelsior name originated from the union in the one enterprise of two of the earliest mills established in Victoria, the Old Victorian Mill, and the Old Barwon Mill. Godfrey Hirst combined his expertise with the capital of Charles Shannon to purchase the Barwon Mill in 1890 and the Victorian Mill in 1899. They commenced production of high-quality flannels in readiness for an anticipated lifting of tariff barriers in 1901, the year of federation. These were the first flannels to be produced in Australia rather than imported from England. In April 1912 the No.2 Excelsior Mill burnt down during the installation of electricity and was rebuilt. The No.1 Excelsior Mill was closed in 1930, with most hands moving to the No.2 Mill. In 1966 the firm changed ownership and became a subsidiary of the McKendrick family and commenced manufacturing of tufted carpets. Godfrey Hirst has since emerged as Australia’s leading manufacturer of tufted carpets. It has also expanded into hard flooring, including timber, laminate, and other surfaces. In 2018, the Godfrey Hirst business was acquired by Mohawk Industries, the world’s largest flooring company. Brown blanket featuring a design of four lines of cream, and a single line of orange, spanning the blanket vertically and horizontally, to form a plaid pattern. At the vertical ends, the blanket ends in a fringe.Label. Stitched. "The Atlantic Rug / Excelsior/ Guaranteed Product / Australian Manufacture"godfrey hirst & co. pty. ltd., excelsior mill, the atlantic rug

Fabric clothing patchThe word "CANADA" in gold coloured embroidery/stitching. An image of a Canadian Mountiecanadian mounties

Worn by Gretl Hornung, daughter of internee, at Camp 3. Dress made by her mother Emma Frank.Orange knitted dress. Bodice rib pattern, embroidered white and blue flowers and white zig zag pattern on ribbed bodice. Long sleeves. Garter stitch band around neck and hem of skirt. 8 glass buttons down the back.gretl hornung, emma frank, camp 3 clothing, knitted dress

Part of the bridle set for connection to the other bridle set. Used to control horses direction and behaviourReplica Brown leather stitched straps with buckles equine, nose band

- Part of uniform of Leading Wireman Allan Edward Beach.- Black silk ribbon - Folded & stitchedNilroyal australian navy, ww2 uniform

Long coffee coloured wool lace evening gown with long sleeves and train. According to the donor (see correspondence in supp. file), this gown was made from Australian wool woven in Bradford and made up in Paris. It was given to the Melbourne Legacy Wives Association by Mr Ken Clarke (former head of the Wool Board and a Legatee) for use in a parade of garments by the Legacy Wives Association. This particular gown won an award (Wool Award/Gown of the Year?) in c.1957 and was on display in the window of the Georges department store in Melbourne.Long coffee coloured wool lace evening gown with long sleeves and train. Slip under coffee coloured lace dress. Detail of bodice of coffee coloured lace dress. Photograph from C of A: Ministry of Post War Construction Report c1945 "Wool"AC / AUST WOOL BOARDfashion, australian wool board, lace

Page 4 features list of 13 graduates of the University of Ballarat Advanced Diploma of Graphic Design (2 years). Introduction by Paul Mah (co-ordinator / teacher). Teaching staff listed: Sam Harmer, James Baker, Selena Shillito, Travis Price, Jill Hyatt, Ben Sanders, Anthony Woodward, Alister Heighway, Peter Lambert, Paul Mah. Cover design by Kylie Findlay (student). Student work featured throughout along with student names, photos and contact details. 32pp + 4pp cover saddle-stitched booklet. Full colour cover, gloss varnish pattern, gold foil. Full colour offset pages. Promotional catalogue for graduating students of the University of Ballarat (TAFE), Advanced Diploma of Graphic Design, 2011. 32-page + 4-page cover saddle-stitched booklet. Full colour cover, gloss varnish pattern, gold foil. Full colour offset pages.university of ballarat, federation university, graphic design, tafe, advanced diploma, arts academy, camp street campus

This broderie perse' wall hanging was donated to the Kew Historical Society in 1980 by Mrs Joy Ivory. The hanging had belonged to her mother - Amy Grigg - and was used by the latter to demonstrate skills in darning (the red stitching). Provenance includes a certificate dating from 1889 which records an award to Amy Grigg of Pakington Street (Kew) for skills in needlework, issued by the Kew Floral Industrial & Art Society. Amy Grigg later married Albert Watson, the son of John Watson. The latter was an early pastor of the Kew Methodist Church in Highbury Grove, Kew. Both the Watson and Grigg families were early pioneers of Kew. While the hanging was modified by Amy Grigg in 1889, the original textile dates from an earlier period when 'Broderie Perse' (Persian embroidery) was used to create quilts and wall hangings. It is estimated that the hanging dates from the first half of the 19th century. An exact dating will require a detailed examination of the cotton chintz fabrics used to embroider the hanging. This appliquéd wall hanging is one of the earliest textiles in the Kew Historical Society's fashion & textiles collection. Similar examples are held in major international collections such as the Victoria & Albert Museum. This example of broderie perse is significant for the cross-cultural influence of Indian textiles on European taste, not unusual given the English foothold in India during this period. Additional interest is due to the mixing of Indian and European textiles in the design, while staying true to the derivation of the design. The textile is both well-provenanced and rare. While it is unlikely to be Australian-made, it is probably an example of a textile brought to Australia during the colonial period that indicates a desire to decorate interiors using items created in and for the English home. On another level, the wall hanging is a fine example of 'women's work' in the first half of the nineteenth century.Small wall hanging, comprised of five panels that are each appliquéd by hand in herringbone stitch using a range of decorative figurative motifs including flora and fauna. The design is based on an Indian palimpore representing a tree of life design. The base textile is a cream linen while the appliquéd figures or shapes are cut from cotton chintz. These additions are probably a mix of Indian and European designs. The quality of the herringbone stitching is very fine. Later stitching in red wool was added in the 1890s to demonstrate skill in darning. The main panel is bordered by a narrow green and ecru braid. It has a narrow tan braid at the top and bottom of the two side panels. A surrounding tan braid around the entire textile is missing in some places. textiles, applique, broderie perse, amy grigg, wall hangings, migration

The port was one of many initiatives by the Victorian Branch of Vietnam Veterans Association of Australia to commemorate the Battle of Long Tan.Significant to the extent that it is a reminder that 2016 was a significant commemoration of a major battle in Vietnam - the Battle of Long Tan.Bottle of port; Pfeiffers brand, 500 ml; 2016 VVAA (Vic) label commemorates 50th Anniversary of the Battle of Long TanLabel headed Victorian Branch Vietnam Veterans Association of Australia; then 50th Anniversary logo finishing with "Commemorative Port". Fine print on label satisfies regulatory labeling requirements.vietnam, diamond valley vietnam veterans sub branch, battle of long tan

A Gaiter or Puttee covers the lower leg and boot lacing and are a type of protective clothing for the ankles and legs below the knee.. These long woollen wrap around Gaiters were issued 1943 to a serving Australian Soldier in World War 2 1939-45 This pair of Australian Army Gaiters were issued in 1943 to one of the many young men from City of Moorabbin who volunteered to serve during WW2 1939-45 WW2 extra long wool wraps /gaiters / puttees Australian Army issue 1943 MADE IN AUSTRALIA / N466 D D / REGIMENTAL NO. ......./ NAME ... C.M / 1943australian army, world war 2 1939-45; gaiters, puttees, woollen goods, protective gear, uniforms, australian infantry forces, moorabbin, bentleigh , cheltenham

Part of Ansett Airways hostess/stewardess uniform of 1940's era. Complements the collection of air flight crew attire.Navy hostess side cap with a cloth embroidered badge stitched on the left hand side. Badge 'AA' with map of Australia below and surrounded feathers. Lined. Double stitch Gusset on the crown. Stitching on brim which is folded onto crown.ansett airways, hostess, flight attendants, stewardess, uniform, navy, side cap

Yellow fronted and Green backed medium sized long sleeve tee shirt with alternate writing 'Association for the Blind' and 'South East Water'.Yellow fronted and Green backed long sleeve tee shirt with alternate writing 'Association for the Blind' South East WaterAssociation for the Blind South East Waterassociation for the blind, advertising, south east water

This style of collar has a long history in the Royal Australian Navy, descending from the uniform style of the 19th century Royal Navy.Rectangular shaped collar with three white parallel lines running the border of the collar. Collar is light navy on top and striped white and blue on interior. Collar is held in place with nine buttons on the jumper, there are nine corresponding machine-stitched button holes on the collar. Handwritten on the interior at the back of the neck and on the edge of the square collar is "D. KRUEGER" On interior label on right side, "A.G.C.F./SIZE. 3/8406.66.078.0013/R.A.N./MADE IN/AUSTRALIA"royal australian navy, uniform, marine, australian defence apparel, ratings, collar