Tells the life story of Ethel May Punshon, from Ballarat to St Kilda Victoria, spanning over a century and the crucial historical events she witnessed.Soft cover paperback. Front cover has white writing for title and author. Pink and orange speckled background. Lady in a brown jacket and tie, with cream shirt and holding a double barrel shotgun. Spine is speckled orange with book title in white. Authors name in a white section. Back cover is orange and pink speckled with a white section giving a blurb about the book and author.ethel may punshon, monte, miss montague, mickey and erica morley, camp 3 internment camp

Golliwog dolls were enormously popular in the first half of the 20th Century but became socially incorrect during the civil rights era of the 1960's. A lot of people had them in their childhood and remember them with affection. The stories of "Little Black Sambo" and "Epaminondas" similarly were books loved by children but have disappeared from the shelves for the same reason.Blue and white striped trousers and bowtie. Red jacket, hellow shirt.golliwog doll

War and family memorabilia collated by Betty Thornton, daughter of local Thomas Thornton. WW1 & Family Memorabilia - Thomas Thornton contains: ~ 2 x leather-bound photo albums containing b&w photos of family members, some labelled with hand-written notes ~ Sample of small stones containing copper ~ Several sized detachable buttons used on WW1 service uniforms (cuffs, collars, shirts) ~ Small purple-coloured cardboard box containing a number of service medals, fund-raising badges, royal family medallions ~ B&W photos of Thomas Thornton and comrades in uniform ~ Small leather-bound book containing information about servicemen known to Thomas Thornton (My Roll of Honour) ~Small white cardboard box containing plaster Welcome Home plaque in the shape of Australia. Lid has floral decoration, Auld Land Syne and Thomas Thornton written in the corner ~ Photocopies of Thomas Thornton's war records (AWM) ~ Homemade cardboard frame covered in clear plastic, containing some WW1 items of Thomas Thornton see photosthornton, ww1, copper, badges, medals, buttons

SATTELBERG AREA, NEW GUINEA. 1943-11-15. TROOPS OF THE 2/24TH. AUSTRALIAN INFANTRY BATTALION EATING MEAL DURING A LULL IN THE BATTLE FOR SATTELBERG. THEY ARE: NX10044 ACTING SERGEANT Stewart COLDHAM. (1) VX68432 PRIVATE Harold ANQUETAL. (2) VX80603 PRIVATE Thomas. F. BRYCE. (3) VX41167 PRIVATE Samuel T. SHERLOCK. (4) VX28432 LANCE CORPORAL Kenneth G. NORRIS. (5) ACTING CORPORAL Ralph F. KENYON. (6) VX43055 SIGNALMAN Ernest W. HORNER. (7) NX33751 PRIVATE Arol. J. PEIRCY. (8) VX71588 SIGNALMAN Francis. J. KELLY. (9) VX26381 PRIVATE John BUNNETT. NX86910 SIGNALMAN Ronald E. AMERY. QX13958 SERGEANT James S. GREGORY. SX30255 PRIVATE Cyril MARSHALL VX29721 SIGNALMAN Martin W. REIDY.The 2/24th Battalion was an infantry battalion of the Australian Army, which served during World War II .A unit of all-volunteers, it was formed in July 1940 from primarily Victorian volunteers and was known as "Wangaratta's Own" because of the time the battalion spent in the town during its formative period prior to deployment overseas. It served in North Africa in 1941–1942 as part of the 26th Brigade, which was assigned to the 7th Division, before being reassigned to the 9th Division. In early 1943, the battalion returned to Australia and later took part in campaigns against the Japanese in New Guinea in 1943–1944 and Borneo in 1945, before being disbanded in 1946. The 2/24th suffered the highest number of casualties of any 2nd AIF infantry battalion. The Unit was granted the Freedom of the City by the Rural City of Wangaratta in 1990 and one of the first, if not the first, to receive this type of honourReproduced black and white photograph of large group of soldiers having a meal. Soldiers are seated in the foreground and five standing behind. Nearly all have shirts removed.2/24th battalion, new guinea, ww2

Raymond Kaufmann, Alfred Illichmann, Wolfgang Weitbrecht, internees in Camp 1 Tatura. Foam backed copy in file.Black and white photograph of three men standing in amongst some flower gardens with 4 huts in the background. Two men in dark suits, the other in light shirt and trousers.raymond kaufmann, alfred illichmann, wolfgang weitbrecht, camp 1 internees

Hilda Elizabeth Foster (1890-1982) was commissioned as a Deaconess in 1914 giving a lifetime of service to the church particularly in the social care aspect of the Gospel. She was also a double certified nurse. Deaconess Hilda Foster began her work as a Deaconess in South Melbourne and then served for 13 years with the Presbyterian Sisterhood in North Fitzroy caring for unmarried mothers and their babies. In 1933 she was appointed Matron of the Presbyterian Girls' Home in Elsternwick where she worked for 15 years. She retired in 1948 when it was noted "In complete dedication matron has given herself to this care of souls". Deaconess Foster was awarded the British Empire Medal for her work in the Queen's birthday honours in 1981. Deaconess Foster was one of the first qualified Mother Christmasses in Australia. [Minutes of the Sixth Synod, Oct 1982]Black woollen long sleeved unlined shirt-waist dress with a side zip, three fabric covered button and two breast pockets. The dress has a collar and has two box pleats at the front and back. It has a white cotton lining at the neck.presbyterian deaconess, deaconess hilda elizabeth foster

The Boyds brought this vitamiser from their Camberwell home. Mandie Boyd, Robin and Patricia's eldest daughter, has very vivid memories of this gadget. "It made everything from milkshakes for us to mayonnaise, stuffing for chicken, soups, but especially I remember Robin in the kitchen using it to make daiquiris, endless ice, rum and lemon juice crushed and blended in the good old Vitamiser. He was wearing an amazing pale grey suit. American fabric beautifully cut, must have been synthetic, and had flecks of a darker grey through it, sounds hideous and was “of the time”. His American cotton business shirts were also beautifully tailored, with loads of room to move your arms unlike the daggy Aussie shirts." "Semak" Vitamiser, with a white plastic base, with 'on/off' switch at front of base. 4 black holders. Glass jug with black plastic lid. Black power cord. 3 black rubber stoppers at base.SN 7-81. 50 CYCLE 240v 120Wcookware, walsh st appliances, robin boyd

B. 1875 Victoria; D. 1956 Melbourne.Early 20th C. suit with clerical shirt and collar. Dyson aged late 30s-early 40s. White hair."Methodist Home Missions (stamp) and Reverend G. F. Dyson"dyson, george f.

Junior Court, Pages (ages 8 - 11 years) Gareth Award worn above the left pocket of shirt.3 x purple ribbon award badges with white embroidered text and knight's helmet.."GARETH AWARD"methodist order of knights

Methodist Order of Knights dress uniform shirts in plastic bags. MOK110.1 Size 11 Blue polyester/cotton permanent press long sleeved shirt with breast pockets with flaps. The shirt has epaulets and opalescent white buttons. MOK110.2 Size 12 Blue polyester/cotton permanent press long sleeved shirt with breast pockets with flaps. The shirt has epaulets and opalescent white buttons. MOK110.3 171/2" 44 cm. polyester/cotton permanent press long sleeved shirt with breast pockets with flaps. The shirt has epaulets and opalescent white buttons. methodist order of knights

A black and white photograph of a man standing against a corrugated iron fence, He is dressed in fancy dress and is wearing a top hat, a shirt with a stand up collar, knee length trousers and gaiters or long socks.men, clothing and dress, fences, corrugated iron, unidentified, george evans collection

A black and white photograph of Gavin Brain (head and shoulders) in civilian clothes. He is wearing a stetson hat, a with tie checks and spots, a light shirt and a dark jacket. He is standing in fron of a doorway with a screen door.world war 2, portraits, hats, exservicemen, brain, gavin, george evans collection

This photograph is part of a collection of World War II returned soldiers from Sunbury. The collection was collated by Jeff Cossum, curator of the George Evans Museum from 1989-1995.A black and white head and shoulders image of John Callaghan in summer army uniform. He is wearing an open necked cotton shirt and a turned down slouch hat with a khaki band.world war 2, uniforms, clothing and dress, portraits, armed forces, soldiers, hats, callaghan, john, cossum, jeff, george evans collection

Dress, blue/white denim-type weave, button-through. 7 white buttons and hooks-and -eye at the waist. belt of same fabric with 8 lines of oversewing, white button and two buttonholes. Dress has shirt collar, two patch pockets on skirt and long sleeves with buttoned cuffs and two keepers at waist.costume, sunbury asylum, george evans collection

Dress in Galatea cotton; navy with white pinstripe. Long sleeves, shirt-style collar. Front fastening has five metal buttons. Bodice and skirt pleated into waistband.costume, sunbury asylum, george evans collection

The T Shirts were worn by the men and women who attended the Over 50's exercise classes at the Sunbury Community Health Centre. The exercise classes were established in 1986 and were initially conducted in the Scout Hall in Miller Street. The instructor was Kate Tremlett. the classes were later moved to the Community Health Centre and have expanded into three groups as well as weight programs.A white cotton short sleeved T Shirt with ribbing trim around the neck. There is black lettering across the upper front of the T Shirt."OVER 50'S/EXERCISE GROUP..."1980s, sunbury, george evans collection

Navy cotton, white pinstripe. Straight cut, short set-in sleeves, patch pocket on left breast. Front closure to midriff with two black four-hole buttons. Soft shirt-style collar. Shirt tail longer than front.Nonecostume, sunbury asylum, george evans collection

Note by T.H. Kneen 4 December 1991, "Students are working on the Long Border-the path leads on to the the Principal's Residence obscured by the pine tree at the right. The dress worn by women students-shirt, tie, jodhpurs, leggings-was established pre-1926." Also see newspaper cutting B00.1127 where the photograph has the caption,"Students Renovating a Border in the Gardens."3 copies black and white print. 6 female students planting seedlings in the bed leading to the Principal's ResidenceOne copy inscribed, "Title: Planting out Seedlings Neg: 177planting, seedlings, principal's residence, female students, shirt, tie, jodhpurs, leggings, students working outside, long border, principal's house

This photograph shows a young Wilfred Busse wearing work clothes in the Australian bush. These clothes were all chosen for their practicality in the Australian bush, and create together a distinctive style that is easily recognisable. While it initially appears that he wears long boots, he actually wears shorter shoes with an additional leg protection called gaiters. These protected the legs and were particularly useful to Australian settlers to protect from snake bites. His trousers, or breeches, are of a similar style to the ones issued as Australian Army regulation during the First World War, which were baggy around the thighs and became tighter below the knee. His long shirt protects him from the harsh Australian sun, and he wears an iconic Akubra hat for sun protection on his face. It is assumed that this photograph shows Busse when he was working on a Station in Victoria in his twenties, which is supported by the style of his clothing and his age.This photograph is significant as it shows Wilfred Busse as he appeared in his younger years, presumably on a Station in Victoria. It also provides a primary resource of working clothes for white settlers in the early 20th centuryBlack and white rectangualr photograph on matte photographic paper in wooden frameaustralian settlement, settlement, workmen, work, clothing, workwear, bush, wilfred busse, busse, busse author, chiltern, chiltern athenaeum, chiltern athenaeum museum, 1920s

TWO PORTRAITS OF ONE MAN, ONE IS WEARING METAL FRAMED SPECTACLES. HE IS WEARING A THREE PIECE SUIT, LARGE WHITE COLLAR, ON SHIRT, AND HAS A MOUSTASH. THE CARD ADDRESSED TO MR. & MRS. G. RICHARD BALLAN, WITH SEASON GREETINGS.SEE OVERlocal history, photography, photographs, early citizens, unidentified

Cogan is a textile artist and her work is political in nature. 'War and Peace' is about the Vietnam War and a statement about patriotism in war, of lessons not learnt, of remembrance and never forgetting. This work is an expression of her feelings towards this time and of her husband's experience who fought in this war. The Republic of Vietnam 'Vietnam Campaign Medal' is from the former country of South Vietnam (Republic of Vietnam). Established in 1966, it was awarded to members of United States, Australian, and New Zealand military forces serving six months or more in support of Republic of Vietnam military operations. The medal is issued with a device known as the 1960 Bar. The bar displays the date of 1960 followed by a dash and a blank space. The unusual appearance was caused by the government of the Republic of Vietnam stating that the 1960 bar would show the dates of the Vietnam War from start to finish, with the ending date placed on the 1960 bar after the South Vietnamese had triumphed over North Vietnam (the Democratic Republic of Vietnam). Since South Vietnam fell, and the government ceased to exist, an ending date for the 1960 Bar was never established. The Vietnam Campaign Medal is considered a foreign award by the U.S., Australian, and New Zealand governments. The joint Australian and New Zealand campaign medal awarded for service in the Vietnam War is the 'Vietnam Medal'. The obverse of this medal shows the crowned head of Queen Elizabeth II, with titles, while the reverse has the inscription VIETNAM above a symbolic representation of the ideological war in Vietnam. The RSL poppy (the Flanders poppy) has long been a part of Remembrance Day, the ritual that marks the Armistice of 11 November 1918, and is also increasingly being used as part of Anzac Day observances. During the First World War, red poppies were among the first plants to spring up in the devastated battlefields of northern France and Belgium. In soldiers' folklore, the vivid red of the poppy came from the blood of their comrades soaking the ground. The poppy soon became widely accepted throughout the allied nations as the flower of remembrance to be worn on Armistice Day. Today the RSL continues to sell poppies for Remembrance Day to raise funds for its welfare work. "War and Peace' is significant as it explores and highlights a period in history (the Vietnam War), which was contentious both socially and politically. Cogan and her family lived locally, in the Shire of Eltham during this time, and her work is a reflection of the experiences and sentiments of a section of the Nillumbik community. Textile piece. 'War": Cast muslin, machine embroidery onto white calico. Tanin dye, poly thread, side bust view (hand, shoulder and arm). Black machine stiching on shirt and shirt pocket with two vietnam medals. A replica of the 'Vietnam Medal' in muslin is shown reverse and has the inscription VIETNAM above a symbolic representation of the ideological war in Vietnam, which is of a male figure standing between two spherical shapes. The ribbon has a vertical central section of bright yellow which has centrally superimposed on it three thin stripes of red, (representing the South Vietnamese flag) flanked by two stripes of red (representing the Army). On the left is a dark blue stripe representing the Navy and on the right, a light blue stripe representing the Air Force. A replica in muslin of the second medal is the Republic of Vietnam 'Vietnam Campaign Medal' of the former country of South Vietnam. The ribbon has green and white strips with a device bearing the inscription ‘1960 – ‘. The medal is traditionally a gold and white enamelled star with a green, red and gold centre motif. Right hand is touching the medals/heart, while left arm is left resting to the left side over a crutch which ends in a rolled up bandage. 'Peace': Cast muslin, machine embroidery onto calico. Black dye, poly thread and RSL poppy. Side bust view (hand, shoulder and arm). Yellow machine stiching on black shirt and shirt pocket with RSL red poppy on shirt pocket. Right hand is reaching to touch the poppy, while left arm is slightly bent resting on its' left side. Nonetextile, muslin, embroidery, vietnam war, medals, vietnam medal, vietnam campaign medal, rsl poppy, war, peace, armistice, remembrance day, anzac

The full costume used traditionally by soldiers in the 16th to 19th century AD. Recently used in parades and plays as a traditional costumeThis full costume has been ordered from Greece by Thessaloniki Association and used in plays and parades of the club functionsThe shirt of a traditional boys Tsolia costume in white linen and with long sleeves and front white buttons. Part "C" of a 6 piece costume.πουκάμισο, shirt, tsolia, costume, στολή

James Tiller married Grace Stewart in 1921Photocopy of James Tiler and wife standing together in front of house. James is wearing shirt, buttoned vest, jacket, trousers and has a piece of leather across his hand, moustache. Mrs Tilley has white collar, white buttoned dark coloured dress with belt and round buckle, has light coloured jacket, hair is pinned back and wearing glasses.

Refer to NA4362White short sleeved polyester/cotton T-Shirt with the 'Blackburn East' Primary School crest printed on the front. Printed in burgundy.Blackburn Eastcostume, children's uniform

As attached. See Ref. NA4362Red and white check Tetoron and cotton summer dress. The dress has short sleeves, shirt collar, buttoned to below the waist with four white buttons. The waist has two ties with two white buttons. There is a slit pocket on the right hand side.costume, children's uniform