The Plenty River embankment in Greensborough looking up to rear of lower Main Street shops. A River bank stabilisation project along the Plenty River at Greensborough was conducted by Melbourne Water in 2015.Digital copy of colour photographplenty river, melbourne water

Old swimming pool in the Plenty River in Greensborough, built of concrete in the 1930s, it was a popular spot for the locals. A River bank stabilisation project along the Plenty River at Greensborough was conducted by Melbourne Water in 2015.Digital copy of colour photographplenty river, melbourne water

Para Road bridge over Plenty River Greensborough, taken from the banks of the river.Digital copy of colour photographpara road greensborough, plenty river

Para Road bridge over Plenty River Greensborough, taken from the banks of the river.Digital copy of colour photographpara road greensborough, plenty river

History of the Curdies River and the growth of the lime industry and the people who lived along the river.56 page softcover book by Alf Poole, compiled 1988-89curdies river, lime industry victoria, dr curdie

Date made February 1947Black and white photograph showing part of the road bridge over there Snowy River, river level low, man in shorts standing at edge of river. Orbost, Victoria.bridges, waterways

Photograph showing wooden bridge across Wye River, with workmen's camp below. Shows galvanized iron sheds, cooks standing outside huts, tents. Denuded hillside and dead trees.

Photograph shows a muddy Plenty River with a small creek entering the river. Note the dumped car in background.Part of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No maker's marks. No caption on slide.plenty river, pollution

This was presented to Mrs Norma Crowe for Best Period Costume in 1988.This item is associated with an event in Orbost from the second half of the 20th century.A sash made of white material with blue flock printing glued on. It has a red fringe.SNOWY RIVER MARLO CUP BEST PERIOD COSTUME 1988sash marlo-cup

The aqueduct crossing the Plenty River, 2019, overgrown with vegetation. Originally part of the Maroondah Aqueduct pipeline, all that remains is the bridge that once carried the pipe over the Plenty River. This photograph was taken from the Plenty River Trail in Greensborough. 3 colour digital photographsplenty river trail, maroondah pipetrack, maroondah aqueduct, plenty river, graffiti

The Plenty River flows south from Mt Disappointment before meeting with the Yarra River at Rosanna. Early settlement in Greensborough was based around the Plenty River. These images were taken in the Greensborough area by Marilyn Smith May 2014.Digital copy of colour photograph.plenty river

The Plenty River flows south from Mt Disappointment before meeting with the Yarra River at Rosanna. Early settlement in Greensborough was based around the Plenty River. These images were taken in the Greensborough area by Marilyn Smith May 2014.Digital copy of colour photograph.plenty river

The Plenty River flows south from Mt Disappointment before meeting with the Yarra River at Rosanna. Early settlement in Greensborough was based around the Plenty River. These images were taken in the Greensborough area by Marilyn Smith Sept 2014.Digital copy of colour photograph.plenty river

The Plenty River flows south from Mt Disappointment before meeting with the Yarra River at Rosanna. Early settlement in Greensborough was based around the Plenty River. These images were taken in the Greensborough area by Marilyn Smith May 2014.Digital copy of colour photograph.plenty river

The Plenty River flows south from Mt Disappointment before meeting with the Yarra River at Rosanna. Early settlement in Greensborough was based around the Plenty River. These images were taken in the Greensborough area by Marilyn Smith May 2014.Digital copy of colour photograph.plenty river

The Plenty River flows south from Mt Disappointment before meeting with the Yarra River at Rosanna. Early settlement in Greensborough was based around the Plenty River. These images were taken in the Greensborough area by Marilyn Smith May 2014.Digital copy of colour photograph.plenty river

The Plenty River flows south from Mt Disappointment before meeting with the Yarra River at Rosanna. Early settlement in Greensborough was based around the Plenty River. These images were taken in the Greensborough area by Marilyn Smith May 2014.Digital copy of colour photograph.plenty river

The Plenty River flows south from Mt Disappointment before meeting with the Yarra River at Rosanna. Early settlement in Greensborough was based around the Plenty River. These images were taken in the Greensborough area by Marilyn Smith May 2014.Digital copy of colour photograph.plenty river

The Plenty River flows south from Mt Disappointment before meeting with the Yarra River at Rosanna. Early settlement in Greensborough was based around the Plenty River. These images were taken in the Greensborough area by Marilyn Smith May 2014.Digital copy of colour photograph.plenty river

Photograph shows the Plenty River with rubbish, including tyre and fallen branch. This part of the River is on the Montmorency - Greensborough border.Part of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No maker's marks. No caption on slide.plenty river, pollution

Depicts at left, Petersen's bakery, a store shed, Simpson's storekeepers and Simpson's Hotel. Hollands blacksmith shop & wheelwrights on right opposite bakery. Murray Comrie Collection. Three copies of a monochrome photograph, image depicts buildings in the eastern approach to the Loddon River bridge at Newbridge This is a fairly dark copy of an older original. Copy probably made by Murray Comrie in the 1960s.newbridge, loddon river, bridge, shops, stores, businesses, hotels, simpsons, petersens, bakery

Clifton Banks is the name given to a bank on the Hopkins River Estuary, about one kilometre upstream from Proudfoots Boathouse. It is at the foot of the property, Clifton which dates from the 1850s. There are several works of art and photographs depicting Clifton Banks which date from the 19th and early 20th centuries. This oil painting is believed to be the work of Emma McGeorge, the wife of Canon Samuel McGeorge, the Vicar of Christ Church, Warrnambool form 1899 to 1905. It is surmised that Emma McGeorge was encouraged by the artist Mary Norman to take up painting as a pastime or to continue with her art interests. Emma McGeorge may have been a pupil of Samuel Pearce Fuller and Mary Norman. She was successful as an exhibitor and entrant in art exhibitions in Warrnambool in the early 1900s. She died in Warrnambool in 1933. This is a highly significant art work as it has artistic merit and is one of the depictions of Clifton Banks on the Hopkins River and so has historical value. It is an example of the high standard of art work that was being produced, especially by women, in the late 19th and early 20th centuries in Warrnambool. It was bought at an auction sale in Camperdown by Les O’Callaghan in 1997. This is an oil painting, probably by Emma McGeorge, on art board of Clifton Banks on the Hopkins River. It has a gilt wooden frame with multi-tiered highly-ornamented outer frames in a gold colouring. The lower frame is discoloured (perhaps by smoke from a fire place) and there is a small piece of wood missing on the lower frame. All the gilding is slightly discoloured. The back has been sealed with pasted paper and there are old tacks and old wire for hanging the picture. There is a label on the back from W. Hickford, the Warrnambool picture framer and handwritten information on the artist and the artwork by Les O’Callaghan.Front: ‘E.Mc.G.’ Back: ‘W. J. Hickford, Picture Dealer, Framer and Gilder, Liebig Street, Warrnambool, Mounting and Repairing, Old Frames Re-gilt, Oakley Printer’ ‘603’ clifton banks, emma mcgeorge, warrnambool, hopkins river estuary

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of BiographyAn original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Albumen silver photograph mounted on boardprinted in ink on support l.c.: FERN TERRACE, ON THE RIVER WATT, NEAR MOUNT MUNDAY. / COPYRIGHT REGISTERED. printed in ink on support reverse c.: VIEWS OF VICTORIA. / (GENERAL SERIES.) / No. 17. / FERN TERRACE, ON THE RIVER WATT, NEAR MOUNT MUNDAY. / Of the various Rivers which exist in the Colony of Victoria, the River Watt (though a small one, and to some / extent unimportant) may be said to contain the most charming as well as the greatest variety of romantic scenery. / The scene of the present issue is perhaps the most unique of its character to be found in any of the Colonies. printed in ink on support reverse l.c.l.: J.W. FORBES, Agent, printed in ink on support reverse l.c.: ANGLO-AUSTRALASIAN PHOTOGRAPHIC COMPANY, MELBOURNE. printed in ink on support reverse l.c.r.: 10 Temple Court, Collins Street West.nicholas caire (1837-1918), landscape photography - victoria

Colour photograph of the Duck Race on teh Moyne River held on New Year's Day at Port Fairy. landscape, port fairy, beach, waterscape, moyne river, moyneyana, new years day, duck race

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.This is a black and white photograph of a man standing beside a river along side a boat which is tied to the wharf, the boat is called Reitz. Behind the man is a three spanned arched bridge. The man is Frank Wright.frank wright