A wooden, transitional flat-top racquet with a solid, convex throat, and a plain handle. Across the throat on the obverse is a decal of the model 'HARVARD' above the Bliss company trademark of a 'B' linked to an anchor, within a shield device. On right side of handle is stamped the barely legible inscription: ORIENTAL GUT. Materials: Wood, Gut, Ink, Metal, Glue, Lacquer, Leather, Painttennis

Bluthner piano dated 1889 (patent no. 32310). PWD engraved imprint to wood. "The Bluthner grand piano came second-hand to the Chalet in 1920 when it was obtained by lessee, Hilda Samsing. This high quality German piano, which stands out as an item of individual significance, is now one of the oldest furnishings in the Chalet. When it was acquired in 1920, the Chalet already had a Beale brand upright piano which had been at the Chalet from the earliest days." (Pg. 77 Historica. 2011) 'A photograph taken of the Music Room (also known as the Drawing Room) between 1920 and 1924, when Hilda Samsing was lessee is one of the earliest known photographs of the Chalet's lounge areas. Published in the undated promotional booklet, Victoria's Wonderland Mount Buffalo, it shows 'A corner of the music room'... On the right, is the Chalet's second piano, which was purchased second-hand in 1920 from Gardner & Lang in Swanston Street, Melbourne. This impressive grand piano of walnut wood still stands in the Chalets Music Room. It was made in the world-famous factory of Julius Bluthner, in Leipzig, Germany, which has made Bluthner pianos since 1853 for numerous royals, composers, conductors, artists, authors and performers including Brahms, Mahler, Bartok, Debussy, Wagner, Strauss, Tchaikovsky and Rachmaninoff. The present stool is not part of the ensemble." ( Pg. 42. Historica )Listed in Draft Inventory of Significant Collection Items. Appendix A.1. Furnishings, Lounges and Hallways (Pg 163. Historica"Bluthner" grand piano made from walnut wood with accomanying wooden stool.(not matching). Piano features three large turned and carved legs on brass castors. Pedals on piano are solid brass, surrounded by carved and turned wooden pedal stand. Stool seat slants towards piano and two plain stretchers support four curved legs. Has 'PWD' stamped on it. PWD engraved imprint to wood.

Black and white negative by Wal Jack of W3 658 (City, Route 8) in Swanston St at the corner with Bourke St, Sunday 19-1-1941. Has The Leviathan store, Ezy Walkin, Cafe Majestic. The Leviathan is holding a "Square Deal Sale". Note the two ladies crossing the street wearing gloves. Appears that a solider is standing under the verandah, with a slouch hat.trams, tramways, w3 class, swanston st, bourke st, route 8, tram 658

Original homestead built 1837 at Allwood by G. Haley, later (1868) sold to F.G. Hurst who lived here from 1857 with his parents - also the scene of the shooting (and death) of Henry Facey Hurst (elder brother of F.G.) by the bushranger Burke on 4 October 1866. View of rear entrance looking east. Fred. Geo. Hurst and grandchildren, Hurst Gray and Sylvia Gray (Birch) on verandah. The chair was carved from a solid log. Reproduced on p78 of 'Pioneers & Painters'This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch B&W Negsepp, shire of eltham pioneers photograph collection, hurstbridge, allwood house, allwood, g haley, houses, hurst, pioneers and painters, frederick george hurst, hurst gray, sylvia birch (nee gray), sylvia gray

Metal Pully and Rope When heavy items were required to be moved a rope and pulley set was very handy. By attaching one end of the set to a solid surface, it was possible to lift items. In the bush, the timber workers made good use of the pulleys. When set up in a sequence, they could move logs across gullys, up and down hills as the chopped down trees made their way to a sawmill. Using animal or mechanical power increased the use of the pulley and rope. Historic - Industrial - Metal Pulley and RopeMetal Pulley and Ropepuffing billy, metal pulley and rope

Letter dated 12th February 1943 from C. Marsden of 87 Westbury St, St Kilda, to apply for the position of housemaster of the Legacy Hostel. He is 43 year old and a returned solider from WWI, has an 8 year old daughter. Work experience 1 year as an accountant at Imperial Chemical Industries. 4 years as assistant accountant to the Metropolitan Meat Industry Board, 5 years as accountant to Kellogg (Aust), and 4 years as Manager of a citrus grove in MurrabitA record of written correspondence regarding job applications in 1943.White quarto notepaper, lined, black ink handwriting, two hole punched.Withdrawn 13/2/43 written in pencil. Signed C. Marsdenresidences, holmbush, staff

The ‘Cubs’ was for younger boys and they wore a cap (whereas the older ‘Scouts’ wore a hat). The Disraeli Street Scout Hall was built in 1927 and remained the home of the Scout Group up until 1991. The Group now meets in a purpose-built Scout Hall (built 1993) at the corner of Willsmere Road and Kellett Grove, Kew. The new Scout Hall, currently being refurbished, proudly includes a series of solid, dark stained roof beams that came from the old hall in Disraeli Street.1st Kew Cub Pack, taken on the steps of the Disraeli Street Scout Hall. The photograph shows 24 Cubs, 3 adult leaders (who would have been 1st Kew Rovers). Nildisraeli street - kew (vic), scouts - kew (vic), 1st kew cubs

The Kiewa Hydro Electric Scheme (KHES) produced electricity for the people living in the Kiewa Valley and beyond to many parts of Victoria. The people and their families working on the Kiewa Hydro Electric Scheme were encouraged by their employer the State Electricity Commission of Victoria to purchase and use electrical appliances. The iron was popular as it was quick and easy compared to those used previously. This iron belonged to Ron White who was a senior member of staff during the construction and operation of the KHES.This iron was owned by Ron White. Ron was appointed Area Operations Engineer at Kiewa in June 1956. He was later appointed as General Superintendent and then in 1974 appointed to principal Hydro Engineer of the recently titled Hydro Division.Electric iron with long cord attached at the side toward the back. Iron shape is of an oblong with pointy front. When laid down, the black handle is at the top with a red button centre front (to choose between steam and dry). Under the handle is the 'turntable' (used to select type of material/heat). At the front of the black is an outlet for the steam. Beneath the black section is the metal shiny cover and solid base.Dial (turntable) - centre red with 'Hoover' and red section on outside with 'steam'. To the left of 'steam' is 'High, Linen, Cotton, Wool'. To the right of 'steam' is 'silk, rayon, nylon'. On the handle at the front "Hoover" in gold.electric appliances; steam iron; electric iron; laundry; ron white; kiewa hydro electric scheme; hoover industries.

Trophy donated in 1970, by Mr Peter Damman in memory of his father, a Past Commodore of the Club, Seasons 1924-1918, and Long Serving member. Allocated for ‘Off-the-Beach Boats’ it was first won January 15, 1972, by J.S. Collingwood with the Heron Class yacht Cirius II. Later to become solely for the Cadet Dinghy Section and first won Season 1975-76 by L. Mulligan with Kestrel. Following the demise of the 12ft Cadet Dinghy Class, trophy reallocated to cover Squadron long distance series of events.Silver rose bowl trophy standing 240 mm high to lip edge, 380 mm in diameter on solid flared stepped footing. Raised grapes and leaves around top edge also footing of bowl. Has silver wire grid. Trophy mounted on 70 mm high round, bevelled Rosewood base, with silver winners’ inscription shields around bevelled diameter.ROYAL MELBOURNE YACHT SQUADRON PERCY DAMMAN MEMORIAL TROPHY ‘OFF THE BEACH BOATS’percy damman, memorial trophy, perpetual

Metal flat bar with notched standing bar attached, two foot placement blocks which can be placed in notches along the bar using metal wing bolts. At each end there are two metal spikes with a head and ring attached which can be driven into the gray und. The blocks are solid wood triangular shaped with a slightly curved metal facing where the runners feet are placed. Nelson starting blocks Unley SA

A transitional flat top wooden tennis racquet with solid convex throat and octagonal cross-hatched handle.Throat piece has black-coloured section within it. Trace remains of leather end wrap and remains of cloth crown protector. Very faded decal appears to consist of symbol (possibly a seahorse)and the letter B. Materials: Wood, Lacquer, Metal, Glue, Ink, Gut, Leathertennis

A Hewson & Hutchinson 'Acme' tennis racquet with oval head, solid convex throat and string whipping around shoulders. Rounded fishtail handle with fine grooves and butt cloth. Imprinted across throat on reverse is manufacturersor retailers details: HEWSON & HUTCHINSON/YORK&HARROGATE. Model name imprinted on throat on obverse: "ACME". Materials: Wood, Lacquer, Metal, Glue, Gut, Ink, Cloth, Stringtennis

An F.H. Ayres wooden tennis racquet, with large transitional flat-top head, solid convex throat, and fine-grooved octagonal handle. Manufacturer's name along lower throat on obverse (in duplicate), and across butt cover. Illegible model name across crown. Retailers details along lower throat on reverse. Materials: Wood, Lacquer, Glue, Metal, Leather, Gut, Inktennis

A wooden, flat-top racquet with a solid convex throat, and fish-tail handle. Model trademark is a stamped on throat on obverse, featuring a horned demon's head, with the text: THE/DEMON. Manufacturer's mark stamped across throat on reverse, comprises of a hexagram with the text: BEST IS BEST/S&S/L/THRO' THE WORLD. Stamped over this: BENETFINK/LONDON. Materials: Wood, Gut, Metal, Glue, Lacquertennis

A wooden, transitional flat-top racquet with a solid convex throat, cloth tape supports, and fish-tail handle. Inscription across crown on obverse: SPECIAL DEMON. Model trademark is a stamped on throat on obverse, featuring a horned demon's head device, with the text: THE/DEMON. Manufacturers name along stem on obverse: SLAZENGER + SONS. Materials: Wood, Gut, Metal, Glue, Lacquer, Cloth tapetennis

A wooden racquet with solid, convex throat, cloth tape shoulder reinforcements, and fine grooved handle grip. Inscription across and along throat on obverse: "TOURNAMENT"/WILLIAMS & CO. PARIS. Inscription across butt cover, in French: WILLIAMS & CO/1. RUE CAUMARTIN/PARIS/A GARDER SOUS PRESSE. Materials: Wood, Gut, Cloth tape, Ink, Glue, Lacquer, Leather, Metaltennis

A wooden tennis racquet with solid, convex throat, and a slender, fine-grooved handle. Impressed inscription across and along throat on obverse: CHAMPION/E.H. SCHUTZE. Impressed inscription along throat on reverse: BERLIN.S.W.12. Impressed inscription along right side of handle: E.H. SCHUTZE. BERLIN./S.W. KOCHSTRASSE S5. Materials: Wood, Glue, Lacquer, Metal, Leather, Ink, Guttennis

A wooden tennis racquet with solid, convex throat, cloth tape shoulder reinforcements, and a fine-grooved handle. Impressed inscription across throat on obverse, accompanied by impressed crown device: KING EDWARD. Impressed inscription on reverse: R. ALTSCHULER/MANNHEIM. Inscription along left side of shaft: JAQUES LONDON. Materials: Wood, Glue, Lacquer, Metal, Leather, Ink, Gut, Cloth tapetennis

A Bancroft 'ProLite' composite (fibreglass over wood) tennis racquet, featuring string whipping around shoulders; solid throat; nylon net strings; black leather handle grip; and white butt cap. Manufacturer name printed on bridge. Logo embossed in red on butt cap. Model name printed along shaft. Materials: Fibreglass, Wood, Adhesive tape, Ink, Leather, Plastictennis

A Bancroft real tennis racquet, with traditional gut stringing, lobbed head, solid convex throat, double screwed shaft (dowels), and long, fine grooved handle. Bancroft logo, and wreathed black 'B' trademark feature across the throat. The inside of the base of the head is reinforced with hide. The throat is reinforced with white painted fibreglass. Materials: Wood, Glue, Lacquer, Ink, Hide, Fibreglass, Guttennis

An F.H. Ayres transitional flat-top tennis racquet, with solid, convex throat, fine-grooved handle; and leather end wrap and butt cover. Hand carved monograms: on obverse, CAM; and, on reverse GHC. Manufacturer's logo impressed along sides of shaft, on obverse. Racquet is housed within a Badminton set (TA 2009.287). Materials: Wood, Metal, Lacquer, Glue, Gut, Leathertennis

A lobbed headed racquet with solid convex throat, velvet collar, and fine-grooved smooth handle, with leather end wrap and butt cover. Inscription across crown, on obverse: [THE ALEXAND]RA. Inscription across throat on obverse: 14OZ 1/2 /FELTHAM/LONDON. Feltham 'fleur de lis' trademark features in between text. Materials: Wood, Gut, Metal, Lacquer, Glue, Velvettennis

Although probably built some time earlier, the first mention in the Rate Books of the property later known as 'Wimba Lodge' appears in the entry for 1870 when the property, owned by John Sharpe Denbigh, a civil servant, was given an N.A.V. of £72. Denbigh did however occupy a house in Cotham Road in 1863, and it is possible that was the same premises'. The house was occupied by Sharp until at least May 1876 when the 'family residence ... was auctioned' to Carlington George Edmund Marston, a chemist of Smith Street, Collingwood. At the time of the auction the house was described thus: The residence and grounds of the late J.S. Dendigh, situate in the most elevated part of Cotham Road Kew. The grounds comprise an area of 4a Or 29p or thereabouts, and have a frontage to Cotham-road of 4 chains. The house has two large rooms in front, with 6ft hall built of brick, bay and side windows (plate glass), four rooms of wood behind with slate roofs, bathroom and closets, detached kitchen and servant's room, large shed with washing boiler, pantry and cellar under, brick and cement tank, and the Yan Yean laid onto house and grounds, cowshed, pigstye, &c, the whole securely fenced. First class orchard and flower garden. The paddocks laid with English grasses and drained... .' (Sanderson P. Kew Conservation Study Vol 2)'Wimba' is a single storeyed rendered house. The front entrance is flanked by two polygonal bay windows, and a verandah with a concave corrugated iron roof returns around three facades, and accentuates the projections of the windows. The solid render parapet is very ornate and tall for the date of construction. It has panels of decoration along it and is surmounted by a number of render urns. (Sanderson P. Kew Conservation Study Vol 2)Reverse: "JOHN COLLINS / 11 Anderson Road / Hawthorn East, 3123 / Film 395 Exposure 15A / Kew / Wimba / Front verandah from east / 7-4-79wimba lodge, 235 cotham road -- kew (vic.), john s denbigh, carlington george edmund marston

The house was built in 1910. The Clota and Sans families were part of a group of families of Spanish (Catalan) background who lived around Surrey Hills, many of whom are buried in Box Hill Cemetery. The house was built for Antonio and Josepha Clota and passed on to their daughter Josephine Sans and her family. Antonio's full name: Antonio Eusebio Miquel CLota (1869-1940; died Surrey Hills) had 3 brothers who came to Australia with him. Louis Clota (1864-1925); Marcus Clota (1866-1940) died Surrey Hills; Eusebio Clota (1869-1919). Their parents remained in Spain. Josephine Clota and Kim Sans had photos taken on the front entrance to the house when they were married on 9 May 1919. The wedding was reported in Punch.Black and white photo of the home of Mr and Mrs Antonio Clota; later the home of their daughter Josephine and son-in-law, Kim Sans and family. It shows bluestone curb and channelling in Union Road and a substantial wire mesh fence. The street tree looks like a plane tree and is a relatively young plant. Ther house is single storey brick with a tile roof and solid pillars supporting the verandah.houses, antonio clota, josepha comellas, josepha clota, catalan families, josephine clota, josephine sans, kim sans, joaquim sans, francis clota, frank clota, box hill cemetery

Black and white negative, by Wal Jack, of S class 166 (Destination, Depot) and an a X2 class in Leeds Street before Irving Street at the Footscray railway station. Photo may be taken on the same day as the other photos of S 166 - 21-4-1945 In the background are View Bakery, Appleton and Wright - Men's Wear, Rainbow Knit Wear, Marx's Laundry and at least one solider.trams, tramways, footscray, s class, leeds st, tram 166, x2 class., mmtb

Skates were and still are widely used in winter time in The Netherlands, when the rivers, canals, creeks, ponds etc. are frozen solid. Paintings out of around 1600-1700 show models of skates very much like the one shown. Even until as recent as 40 years ago, the wooden skates (with steel blade) that are tied to the shoe with leather strap and laces, were widely used in the Netherlands. Even now they are still made in children sizes, because of there flexibility in adjusting to a range of shoe sizes.Skating is a tradition which remains popular.Wooden skates, with brown leather straps. It has a metal strip on the base of the wood, which is necessary for gliding on ice.Letter R for right foot No letter for left footdutch migration skates wood

The Thompson brothers, George and Joseph, formerly of Ballarat and the new owners of Yallum Park, established the Glenthompson Brickworks in 1900. The entire process of creating a solid, pressed Glenthompson Brick happens on site, where red and cream clay is excavated. Brick presses dating back to 1940 are still in operation today, the kilns are stacked by hand to ensure specific needs are met and colour varieties are achieved. Refined oil is used to fire down draught kilns, which allows temperatures to be adjusted to ensure unique colour ranges are achieved.Colour photographs of kilns at Glenthompson Brickworks. building, heritage, glenthompson, industry, industrial heritage, brickworks, oven, glenthompson brickworks, george thompson, joseph thompson

Educational book for Grammar and Composition. Published for the Victorian Education Department.Historical: Comparative with other text books used in schools in different eras.A greeny/grey book with cardboard cover and with bluish picture of 3 children sitting on a fence looking at a view of the countryside. The countryside is in a solid circle of blue. Border is black with ladder-like line about 2 mm wide. Bottom right corner in circle coloured blue is (in black) 2/- Title: in black Whitcombe's / New austral Grammars / A Fourth Book of / Grammar and Composition / for / Grades VII & VIII. See physical description.education. school. victorian education department. english. grammar. composition. grades 7 and 8.

These hair tongs were used to curl or wave hair. They have the name’ Marcel’ on them. In 1872 Francois Marcel Grateau invented a hairstyle called the ‘Marcel Wave’ where women’s hair styles had mostly deep waves rather than curls. The tongs that were held manually and heated and used at home to produce deep waves or curls become a commonplace item in a woman’s home in the late 19th and early 20th centuries. By the 1930s electric hair tongs were introduced but the non-electric ones continued to be used until the 1950s. These hair tongs belonged to a woman from England and would have been used in the 1930s or 40s. They are a good example of the type of household article used by women 70 or 80 years ago and will be useful for display.This is a scissors-like article with wooden handles and metal blades for waving or curling hair. One blade is heavily curved and the other is a solid round shape. The ends of the blades are tapered. The blades were heated over a stove and used manually to enclose part of a woman’s hair to produce waves or curls. The handles were originally polished black and are somewhat rubbed and the blades and other metal parts are a little rusty. ‘Marcel’ ‘12’ hair curling tongs, warrnambool