The table and chairs once belonged to the Officers' Mess, 24th Battalion. From 1928 - 1936 the CO 24th Battallion was Lt Col S.G. Savige, DSO MC. It was during this time that the chairs were made and used for dining-in nights. During the a ceremony of remembrance, each officer stood behind his chair and called the name on its back as a mark of respect for those KIA during WW1. At the inaugural meeting of the Club, from which arose Melbourne Legacy in September 1923, eight of the fourteen members had worn the colour patch of 24th Battalion.The connection to Savige and the fact that many of his officers from 24th Battalion became members of Melbourne Legacy. This table and its chairs were formally gifted to Melbourne Legacy on 9th May 1956 when the Club moved to Legacy House. They have been used since in the Club's Board Room, now located on level 1, Legacy House, 293 Swanston Street, Melbourne. Two Legatees were responsible for fully refurbishing the table and chairs - Legatee Gordon Beith (Morrabbin Branch) and Legatee Ted McKenzie (Footscray/Sunshine Branch) Board Room Table - Clear varnished timber table with a two piece glass top Table legs are turned timber on wheels x 5. Two at each end and one in the centre. Chairs - Clear varnished timber with leather cushions x 20. Each chair has an engraved plaque with an officer's name from 24th Battalion. With the exception of one who died shortly after returning to Australia all were KIA in various battles during WW1. The 24th Battalion (the Kooyong Regiment) Robinson Road, Surrey Hills. Vic Names inscribed on each chair: Lt A.L. Bacon, 2Lt W.A. Baldie, Capt J.C.L. Biggsley, Lt P.S. Carne MSM, Lt J.B.N. Carvick MC, Lt J.R. Clarke, 2Lt F.M. Coffee, Lt P.G. Denton-Fethers, Lt W.S. Finlay, Capt J.H. Fletcher, Lt A.C. Fogarty, 2Lt A.G. Gilchrist, Lt J. Harris, Lt A.J. Kerr, Maj. C.E. Manning, Capt G.L. Maxfield MC, 2Lt H.L. Rhynehart, Capt W.H. Tatnall, 2Lt R.N. Thomas, Capt C.M. Williams MC furniture, 24th battalion

Local artist, involved in Sunshine Art Advisory Committee.Watercolour pattern piece made by ochre wash over a heavy card stencil, then each square developed as panel.

Exhibited at 1986 Sunshine Community Arts Program ExhibitionMixed media artwork - Figure of a woman in movement against red background.

Modern ArtUnknown. Glengala Walk. n.d, sandstone, Brimbank City Council, Brimbank.carved sandstone plinthsglengala walk, monument, glengala, sunshine west, sandstone

James worked as a tutor in art with Sunshine community arts program.Charcoal on Paper

James worked as a tutor in art with Sunshine community arts program.Oil on canvas

The Victorian Bands' League was officially founded on the 10th of April, 1931. This new organisation quickly gained the affliations of all brass bands in Victoria and took over the control of bands from the Victorian Bands' Association. The new VBL started presenting massed bands events at the MCG and ran competitions around Victoria. This program pamphlet is a unique example of the style of massed bands events that were held at the MCG with 24 brass bands all marching into the ground and performing a number of items individually or in groups. This would have been quite a spectacle! This small program is very significant to the banding history in Victoria. It provides a wealth of information as to the bands that existed in 1933 as well as what they played, and how the VBL organised events. As well as this, there is evidence of a large number of metropolitan bands as well as bands from country areas.Small printed pamphlet on thin paper.victorian bands' league, melbourne cricket ground, malvern tramway junior, malvern tramways band, stonnington city brass, coburg west boys, prahran city, kingsville and yarraville citizens', footscray city, footscray-yarraville city brass, coburg city, northcote citizens and soldiers', essendon citizens', moonee valley brass band, geelong city, terang brass, geelong west city, south melbourne city, reservoir citizens', st. kilda city, oakleigh city, oakleigh band, hawthorn city, kensington district, brunswick city, moreland city band, moorabbin shire, metropolitan fire brigade, sunshine district, sunshine community brass, kew city, kynetown town

These captivating pieces are part of a series called "FOOD / FLESH / FAME," a collaborative effort between Melbourne-based Thai artists Bundit Puangthong and Vipoo Srivilasa. Drawing from Buddhist teachings, the series explores the three elements of attachment: Food (consumption), Flesh (sex), and Fame (power). Although these elements are known to cause suffering, they remain persistently alluring, a paradox that the artists intend to explore further in the future. In creating these pieces, Vipoo Srivilasa initiated the process by sculpting three figures with bare surfaces. Bundit Puangthong then added his artistic touch by painting each sculpture. The artists' conceptual visions harmonized perfectly, especially considering their shared commitment to Buddhist principles, which frequently inspire their respective artistic practices. After Bundit completed his painting, Vipoo enlivened the pieces by adding eyes to the figures. He also embellished the works with pom-poms, lending them a softness that makes them appear both approachable and innocent, despite the weightiness of their themes. Each sculpture embodies a specific teaching from Buddhism: "FOOD" depicts a durian, the king of fruits, painted by Bundit Puangthong. He notes, "Despite its pungent aroma, many people still love to eat it."Donated the by the artists

In creating these pieces, Vipoo Srivilasa initiated the process by sculpting three figures with bare surfaces. Bundit Puangthong then added his artistic touch by painting each sculpture. The artists' conceptual visions harmonized perfectly, especially considering their shared commitment to Buddhist principles, which frequently inspire their respective artistic practices. After Bundit completed his painting, Vipoo enlivened the pieces by adding eyes to the figures. He also embellished the works with pom-poms, lending them a softness that makes them appear both approachable and innocent, despite the weightiness of their themes. Each sculpture embodies a specific teaching from Buddhism: "FLESH" features a golden umbrella, serving as a metaphor for sex.