A photo of the Annual demonstration from October 1958. TThe touching finale was "We'll not break faith", a massed item presented by Junior Legatees from all classes, with the band in the background under a large Legacy sign. The photo was featured in the December 1958 newsletter. Acts included combined boys' vaulting item, the Dances of Spain (Fiesta Flamenco), the Western Symphony by the senior girls. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and Eurythmics. The Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to 1979, usually held at Melbourne Town Hall. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association.A record of the displays at the Annual Demonstrations. Also that Legacy provided classes for junior legatees and the skills learned were displayed in the Annual Demonstration.Black and white photo of the finale in the demonstration from 1958. junior legatees, demonstration, annual demonstration

Black and white photo of a group of girls in elaborate costumes with headdresses in the backstage area of Melbourne Town Hall for an Annual Demonstration. They appear to be for the native American scene called 'Totem Tom Tom'. That routine was done several times with different costumes but this one matches the photo of a kayak on stage in 02314. The year is not known but it is in the 1940s or 1950s as the album was a collection of press photos taken during dress rehearsals from that time. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and Eurythmics. The Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to1979, usually held at Melbourne Town Hall. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association.A record of the displays at the Annual Demonstrations. Also that Legacy provided classes for junior legatees and the skills learned were displayed in the Annual Demonstration.Black and white photo in an album of a group of girls in elaborate headresses backstage.junior legatees, demonstration, annual demonstration, girls classes, costumes

Black and white photo of a group of girls in elaborate costumes on the stage of the Melbourne Town Hall for an Annual Demonstration. They appear to be for the native American scene called 'Totem Tom Tom'. That routine was performed several times over the years with different costumes, but this one matches the photo of the girls backstage in Item 02313. The year is not known but it is in the 1940s or 1950s as the album was a collection of press photos taken during dress rehearsals from that time. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and Eurythmics. The Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to 1979, usually held at Melbourne Town Hall. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association.A record of the displays at the Annual Demonstrations. Also that Legacy provided classes for junior legatees and the skills learned were displayed in the Annual Demonstration.Black and white photo in an album of girls on stage with two kayaks.junior legatees, demonstration, annual demonstration, girls classes, costumes

Black and white photo of a finale of an Annual Demonstration at the Melbourne Town Hall. The entire cast of junior legatees are taking part. There seems to be figures representing Great Britain, the USA and Australia standing on a globe under a large Legacy symbol. There are some of the children in military style uniforms. The year is not known but it is in the 1940s or 1950s as the album was a collection of press photos taken during dress rehearsals from that time. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and Eurythmics. The Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to the 1980's, usually held at Melbourne Town Hall. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association.A record of the displays at the Annual Demonstrations. Also that Legacy provided classes for junior legatees and the skills learned were displayed in the Annual Demonstration.Black and white photo in an album of a final routine on stage during a Demonstration.junior legatees, demonstration, annual demonstration, girls classes, boys classes

Black and white photo of boys in an Annual Demonstration, one photo is an enlargement of the other. The boys are in gymnastic outfits, two are balancing on gymnastic vaulting horse, with an instructor watching and a smaller boy close by while the troupe is lined up along the curtain. The photo was published in a newsletter showing it as the demonstration in 1948. The album it was in is a collection of press photos taken during dress rehearsals from around that time. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and Eurythmics. The Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to the 1980's, usually held at Melbourne Town Hall. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association.A record of the displays at the Annual Demonstrations. Also that Legacy provided classes for junior legatees and the skills learned were displayed in the Annual Demonstration.Black and white photo x 2 in an album of boys performing gymnastics on stage during a Demonstration.junior legatees, demonstration, annual demonstration, boys classes

Paper pamphlet printed by the COGB and signed by Mayor David W Streader to thank the children who participated in the welcoming tableau for the Duke and Duchess of Gloucester to Bendigo, Thursday, 14th November, 1946. Prince Henry, Duke of Gloucester, KG, KT, KP, GCB, GCMG, GCVO, PC (Henry William Frederick Albert; 31 March 1900 – 10 June 1974) was the third son and fourth child of King George V and Queen Mary. He served as Governor-General of Australia from 1945 to 1947, the only member of the British royal family to hold the post. Princess Alice, Duchess of Gloucester, GCB, CI, GCVO, GBE (born Alice Christabel Montagu Douglas Scott; 25 December 1901 – 29 October 2004) was the wife of Prince Henry, Duke of Gloucester, the third son of King George V and Queen Mary. She was the mother of Prince William of Gloucester and Prince Richard, Duke of Gloucester. The daughter of the 7th Duke of Buccleuch, Scotland's largest landowner, she became by marriage a princess of the United Kingdom, and a sister-in-law to Edward VIII and George VI. She was thus an aunt by marriage to Elizabeth II. Princess Alice was extremely well travelled, both before and after her marriage. At the time of her death at 102, she was the oldest living member of the British royal family. David W. Streader (1887 - 1978) was Mayor of Bendigo from 1946 - 47. He was a JP and belonged to the Loyal Sandhurst Lodge. Paper pamphlet printed in blue, purple and red ink by the COGB and signed by Mayor David W Streader to thank the children who participated in the welcoming tableau for the Duke and Duchess of Gloucester to Bendigo, Thursday, 14th November, 1946. Souvenir / City of Bendigo / To the Children who participated in the TABLEAU / welcoming THEIR ROYAL HIGHNESSES, / THE DUKE and THE DUCHESS of CLOUCESTER / BENDIGO, Thursday, 14th November, 1946 / [ decorative line break] / After following with rapt attention the various phases / of the TABLEAU of WELCOME in THEIR honour, HIS ROYAL / HIGHNESS, THE DUKE OF GLOUCESTER, on behalf of the / DUCHESS and HIMSELF, said :- / [italics] "I am deeply moved by this magnificent spectacle. / Will you kindly convey my grateful thanks to all / concerned in the presentation of this beautiful / tableau ?" / in conveying this message to you, may I , as Mayor of / the City, add my personal congratulations and thanks to/ those of THEIR ROYAL HIGHNESSES for such a delightful / effort. / [signed] David. W. Streader / Mayor duke and duchess of gloucester, governor-general, city of greater bendigo royal visits, city of greater bendigo tourism, mayor d.w. streader, mayoress streader

The Water Tower is a major landmark of High Street, Wodonga. Construction of the Water Tower was completed in early 1924 and after thorough testing throughout that year, the completed new water system for Wodonga was officially opened on 4th December 1924. It was decommissioned in 1959. It stood unused until the lower section was modified and put to use as “ The Tower’s Cobbler’s Inn” in 1962. In 1972 Wodonga City Council proposed to demolish the Tower. Their suggestion received an unfavorable response from the city’s citizens, so the Tower still stands today. The community celebrated its centenary on 4th December 2024. This picture frame was created from timber taken from the ladders that were inside the Tower, allowing access to the water tank itself and the external balconies. It was donated to the Wodonga & District Historical Society at the Centenary Celebration.This item is significant because it is made from timber from the original ladders inside the Wodonga Water Tower.A timber frame made from sections of timber from the ladders once part of the Wodonga Water Tower.On sign at base on frame: In 2012, the company I worked for won the contract to replace the wooden internal ladders in the Wodonga Water Tower. The disposal of the ladders was included in the contract. Realising the significance (and age) of the wood, I decided to keep most of it. In 2018, I had Trent Keller of TKEL Furniture in Wodonga design and make a Wine Rack from the ladders. Trent's amazing design kept the "ladder-style" look and produced a beautiful Wine Rack. This Photo Frame has been made from the last remaining rungs. it is both mine and Trent's pleasure to donate this amazing piece of our town's history. Scott Fraser and TKEL Furniturewodonga water tower, landmarks wodonga

These rectangular slates of 'beautiful, unusual, expensive, green' American roof tiles were recovered from the wreck of the Falls of Halladale. Salvaging began in 1974 by volunteer divers, using local cray-fishing boats. An efficient system was devised to recover up to 4,000 of the still neatly packed slates a day. Many of the 22,000 salvaged slates can be seen on the roofs of eight buildings in the Flagstaff Hill Maritime Village. The iron-hulled, four-masted barque, the Falls of Halladale (1886 - 1908), was a bulk carrier of general cargo. She left New York in August 1908 on her way to Melbourne and Sydney. In her hold, along with 56,763 tiles of unusual beautiful green American slates (roof tiles), 5,673 coils of barbed wire, 600 stoves, 500 sewing machines, 6500 gallons of oil, 14400 gallons of benzene, and many other manufactured items, were 117 cases of crockery and glassware. Three months later and close to her destination, a navigational error caused the Falls of Halladale to be wrecked on a reef off the Peterborough headland at 3 am on the morning of the 15th of November, 1908. The captain and 29 crew members all survived, but her valuable cargo was largely lost, despite two salvage attempts in 1908-09 and 1910. The ship stayed in full sail on the rocky shelf for nearly two months, attracting hundreds of sightseers who watched her slowly disintegrate until the pounding seas and dynamiting by salvagers finally broke her back, and her remains disappeared back into deeper water. The shipwreck is a popular site for divers, about 300m offshore and in 3 – 15m of water. Some of the original cargo can be seen at the site, including pieces of roof slate and coils of barbed wire.The Falls of Halladale shipwreck is listed on the Victorian Heritage Register (No. S255). She was one of the last ships to sail the Trade Routes. She is one of the first vessels to have fore and aft lifting bridges. She is an example of the remains of an International Cargo Ship and also represents aspects of Victoria’s shipping industry The wreck is protected as a Historic Shipwreck under the Commonwealth Historic Shipwrecks Act (1976).Rectangular slates of green American roof tiles, some with a red-brown stain. These are a sample of hundreds of slate roof tiles salvaged from the vessel FALLS of HALLADALENoneflagstaff hill, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, cargo, slate, slate tile, green american slates, building material, wreck point, peterborough, bay of islands, russell & co., 1908 shipwreck, salvage, recover

These rectangular slates of 'beautiful, unusual, expensive, green' American roof tiles were recovered from the wreck of the Falls of Halladale. Salvaging began in 1974 by volunteer divers, using local cray-fishing boats. An efficient system was devised to recover up to 4,000 of the still neatly packed slates a day. Many of the 22,000 salvaged slates can be seen on the roofs of eight Flagstaff Hill Maritime Village buildings. The iron-hulled, four-masted barque, the Falls of Halladale (1886 - 1908), was a bulk carrier of general cargo. She left New York in August 1908 on her way to Melbourne and Sydney. In her hold, along with 56,763 tiles of unusual beautiful green American slates (roof tiles), 5,673 coils of barbed wire, 600 stoves, 500 sewing machines, 6500 gallons of oil, 14400 gallons of benzene, and many other manufactured items, were 117 cases of crockery and glassware. Three months later and close to her destination, a navigational error caused the Falls of Halladale to be wrecked, grounded on a reef at Wreck Point, midway between Peterborough and the Bay of Islands, during the night of 14th November 1908. The captain and 29 crew members all survived, but her valuable cargo was largely lost, despite two salvage attempts in 1908-09 and 1910. The ship stayed in full sail on the rocky shelf for nearly two months, attracting hundreds of sightseers who watched her slowly disintegrate until the pounding seas and dynamiting by salvagers finally broke her back, and her remains disappeared back into deeper water. The shipwreck is a popular site for divers, about 300m offshore and in 3 – 15m of water. Some of the original cargo can be seen at the site, including pieces of roof slate and coils of barbed wire.The American slate tiles are significant as an example of cargo imported for use as building materials in Australia. The Falls of Halladale shipwreck is listed on the Victorian Heritage Register (No. S255). She was one of the last ships to sail the Trade Routes. She is one of the first vessels to have fore and aft lifting bridges. She is an example of the remains of an International Cargo Ship and also represents aspects of Victoria’s shipping industry The wreck is protected as a Historic Shipwreck under the Commonwealth Historic Shipwrecks Act (1976).Bundle of slate roof tiles (18); rectangular, green American slate roof tiles, some with red-brown stains. Two tiles both have two holes drilled through them. Two different tiles are thicker than the others. The tiles were salvaged from the wreck of Falls of Halladale. flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, cargo, slate, slate tile, green american slates, building material, wreck point, peterborough, bay of islands, russell & co., 1908 shipwreck, salvage, recover

One of the large cannons located in Port Fairy in reply to the threat from foreign invaders. Originally located in the fort on Battery Hill they migrated to various destinations around the town. One of the two originally located at King George Square found its way to the gardens where it occupied several locations before resting at the car entrance to the Gardens - possibly when the Avenue of Honour was planted in Bourne Avenue. A great favorite with the kids of the town, both have now been returned to their original location where they are currently having their carriages refurbished. The Port Fairy Botanical Gardens were formed in 1856 making it one of the earliest gardens in Victoria. The first curator was James Prior, he was paid fifty-two pounds per annum. He was an outstanding curator having been apprenticed to the trade in England at the age of 12, his brother Edward in later years was the Curator of the Koroit Gardens. Prior retired in 1903. During the years of his curatorship Port Fairy was said to have the best gardens outside the city of Melbourne, he was constantly in touch with Baron Von Mueller and later Guilfoyle of the Royal Botanical Gardens of Melbourne. In the early years plants from all over the world were planted here with varying rates of success many of them sent by Baron Von Mueller. In the 1930’ and 40’s the gardens were still very beautiful, and the curator was Roy Manuell. The beautiful iron gates at the entrance were destroyed in the 1946 floods and were replaced in 1989 using some of the material from the original gates. From the 1950’s on the gardens went into a state of decline, much being taken up by the caravan park until in 1986, after a public meeting ‘Friends of the Gardens’ was founded when the entrance section was restored. Black & white photograph of the Large cannon situated in the Botanical GardensBotanical Gardens Port Fairybotanical, garden, cannon

Thirty two page landscape booklet on semi gloss white paper with off white cover and single supplementary white sheet tipped onto the inside of the front cover titled "See Melbourne's Beautiful Beaches and Garden Suburbs from a Special Bus". Saddle stapled, printed letterpress. Text printed in black and green ink. Cover green ink only. The book advertising MMTB's Special tourist bus, giving overall tour details on page 1, including fares, time of departures and reservations. Each tour has a map showing the route, details of the tour route with notes and photographs. Page 14 shows a maximum traction tram on the reserved track in Dandenong road and page 30, W2 488 outbound in Victoria Parade. Page 32 has an advertisement for the Round Trip by Tram 1/-. Front cover has details of the departure times and fares and a photo of the Tourist Bus. The supplementary sheet has been prepared for the tours that operated daily from Sun Sept. 17 to Friday May 31, except Anzac Day. Melbourne Tram Museum has a similar book - different bus - Reg Item 99 - 1938-39 version..trams, tramways, mmtb, bus tours, melbourne, sightseeing

Thirty two page landscape booklet on semi gloss white paper with off white or cream cover and single supplementary white sheet tipped onto the inside of the front cover titled "See Melbourne's Beautiful Beaches and Garden Suburbs from a Special Bus". Saddle stapled, printed letterpress. Text printed in black and green ink. Cover green ink only. The book advertising MMTB's Special tourist bus, giving overall tour details on page 1, including fares, time of departures and reservations. Each tour has a map showing the route, details of the tour route with notes and photographs. Page 14 shows a maximum traction tram on the reserved track in Dandenong road and page 30, W2 488 outbound in Victoria Parade. Page 32 has an advertisement for the Round Trip by Tram 1/-. Front cover has details of the departure times and fares and a photo of the Tourist Bus. The supplementary sheet has been prepared for the tours that operated daily from Sun Sept. 18 to Friday May 31, except Anzac Day. Ballarat Tramway Museum has a similar item, 1939-1940 version - different bus on cover. - Reg Item 1838.trams, tramways, mmtb, bus tours, melbourne, sightseeing

This handmade women’s combination undergarment features hand-worked lace panels and trim, and fine pintucks. It is one of seven handmade items of white cotton underwear, all made with beautiful needlework and embroidery skill. The lingerie once belonged to the donor’s great-grandmother’s family, the Paton family of ‘Trefnant’, Yangery, in southwest Victoria. The design of this combination undergarment, or ‘combination’, includes a chemise attached to a pair of drawers or bloomers. The combination is divided, or bifurcated, from the waist to the crutch for easier urinating. This one-piece type of underwear was worn by females from the 1860s and into the early 1900s. The 19th Century garments had front button closures like this one, and those made in the 1900s more often had back closures. Combination underwear was popular because the all-in-one design had far fewer gathers and bulk, making the other clothing look much smoother. The collection of women’s late-19th-century undergarments is an example of clothing that women would include in their wardrobes. The garments add to the study of the evolution of women's fashions and practicality for the early Australian settlers. The fine linen fabric and the careful needlework in these handmade garments and hand-worked lace trims reflect the maker’s dedication to making even serviceable garments beautiful to look at and wear. Women’s white cotton and lace all-In-one combination undergarment. The handmade underwear is a combined chemise and bloomers. It has a front button closure and is trimmed with hand-worked lace panels on the bodice and lace edging around armholes, the neck, and the bottom of the legs. The left and right sides are divided from the waist to the crutch.flagstaff hill maritime museum and village, maritime museum, maritime village, warrnambool, great ocean road, southwest victoria, victorian era, combination undergarment, all-in-one underwear, combination, ‘combinations’, one-piece underwear, one-piece undergarment, chemise and bloomers, combination chemise and bloomers, divided, bifurcated, split, chemise and drawers, women’s underwear, ladies’ underwear, undergarment, women’s clothing, women’s fashion, lingerie, under-structure, 1900s undergarments, 19th-century undergarment, 20th century, handmade clothing, handmade lace, hand-worked lace, paton family, trefnant, yangery, lady's combinations, ladies combinations

Edith (Alice) WATSON (1914–2010) Murtoa | Australia The monogrammed initials on these buttons are for Alice Watson. Alice Watson studied at the Ballarat Technical Art School (at the School of Mines, Ballarat) from 1930 until 1933. Watson sat several departmental exams, including drawing and painting plant forms from nature, lettering, Composition of Form and Colour and advanced General Design, as well as dressmaking and embossed leatherwork. Her folio applies many Australian native floral elements to design. Upon graduating, Watson taught at the Murtoa High School, living with her parents until their deaths in 1972 and 1988 when she was 74 years old. Alice Watson died in Ballarat, aged 95, having conserved her beautiful student folio, which was generously gifted to the Federation University permanent Historical Collection by the Watson family. Two circular enamelled buttons with dark blue background and gold edging. The initials A W are the design feature. The A is white with gold edging and the W is red with gold edging. The reverse side is gold. They are contained in a small, green, octagonal shaped cardboard box. buttons, edith alice watson, alice watson, enamelled buttons, ballarat technical art school

At 135m, Coca-Cola London Eye is the world’s largest cantilevered observation wheel. It was conceived and designed by Marks Barfield Architects and was launched in 2000. It has won over 85 awards for national and international tourism, outstanding architectural quality and engineering achievement. In fact, it has become the UK’s most popular paid for visitor attraction. A remarkable feat of design and engineering, the London Eye gave London’s skyline a dramatic new addition and has been offering guests a new perspective on London ever since. Originally, it was intended as a temporary structure, able to be dismantled and transported to a new location, and had planning permission for just five years. But with millions boarding it every year, its popularity has prompted its lease to be extended. Today it is a permanent fixture on the London skyline and a beautiful symbol of modern London. (https://www.londoneye.com/about-us/#sthash.Xxd6iuOj.dpuf)london eye, ferris wheel

Large barn built c1886 by Isaac Jeeves the younger on his property where the homestead 'Shiloah' stood. The barn was reputedly made from timbers split from only one messmate tree. Originally the home of Isaac Jeeves, brother of Ellis Jeeves, ‘Shiloah’ was enlarged to take guests in the early 1900s. It was situated close to a beautiful fern gully and Isaac and his family capitalised on this by setting out walking tracks through the ferns. They charged 1/- to walk through and this included afternoon tea in a garden setting. ‘Shiloah’ was a popular tourist attraction but the making of the Olinda Creek Road destroyed the fern gullies and, by the 1930s, it was all finished. John Lundy-Clarke grew up in the Kalorama/Mt Dandenong area and later in life (1972-74) began to write a comprehensive history of the area working from an original settlement map in an effort to cover all areas.Black and white photograph showing a large wooden structure surrounded by trees. Handwritten inscription on reverse by John Lundy-Clarke.Home of Isaac Jeeves the younger. Built about 1886 of timbers split from one messmate tree. Photo 1973isaac jeeves the younger, barn, kalorama, shiloah, messmate

Photograph of the finale of the Legacy Demonstration in 1973, the Golden Jubilee year to celebrate the 50th anniversary of the founding of Legacy. It is at the Melbourne Town Hall and the stage is filled with children in costumes, some holding Australian flags. President Geoff Handbury is speaking at the microphone. Large Legacy Golden Jubilee sign and torch symbol above the performers. Legacy would stage annual demonstrations for many years to showcase the skills of the junior Legatees. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and Eurythmics. The Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to the 1980's, usually held at Melbourne Town Hall or Olympic Pool Stadium. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association. A record of a Junior Legacy Demonstration for the Golden Jubilee in 1973.Black and white photo of the Golden Jubilee Demonstration in 1973.Stamped "This Photograph is the compliments of the Ministry of Tourism, Government of Victoria. Please acknowledge / Photo: Michael Cheshire" in black ink.junior legatee, annual demonstration, golden jubilee

A photo of junior legatees in costume for an Annual Demonstration, the date is unknown. Costumes were reused in different years. These costumes include a beefeater, an English soldier with a bear skin hat, a soldier with a tin hat and a girl in a floral dress. The floral dress costume was used in a scene set in Holland with wind mills in other photos but this could be a different year. It is possible this was taken at a rehearsal by a newspaper and used in promoting the event. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and Eurythmics. The Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to the late 1970's, usually held at Melbourne Town Hall or Olympic Pool Stadium. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association.A record of that Legacy provided classes for junior legatees and the skills learned were displayed in the Annual Demonstration.Black and white photo of a group of junior legatees in costume for an Annual Demonstration.annual demonstration, junior legatee, costume

A regular event for the widows was a concert by the Police Band in the Fitzroy Gardens. It was held in March for many years. The concert in 1994 was a success with beautiful weather. Over 740 widows attended. The Victoria Police Concert Band was led by Musical Director, Inspector Michael Pyne. There was a performance by the Police Pipe Band. Singer Brian Carbery performed. The photos show the widows sitting in the sunshine and the band including the police drum horse Gendarme. The article about the horse says it was the first appearance by 'Gendarme 5' who took over from another horse that passed away last year. Photos also included Legatee Eddie Jowett with a widow, and Legatee Charles Munnerley and Joan Miller, who both work on the Legacy newsletter. Photos were in an envelope marked with 'Victoria Police Concert and Pipe Bands, 7/3/94'A record of regular events for widows to attend and enjoy together.Colour photo x 8 of a Police Band concert in Fitzroy Gardens in 1994 and an article in the Answer.widows, answer, concert, police band

A photo of two ladies sewing costumes for an Annual Demonstration, it featured in the July 1954 Newsletter. The caption states 'The sewing room is always a hive of activity. Here most of the costumes are made for the Annual Demonstrations. Mrs E Brown and Mrs M M Livingstone take a turn at the machines.' They are possibly mothers of the junior legatees, though sometimes the wives of legatees also helped. Costumes were extremely elaborate and were often reused in different years. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and Eurythmics. The Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to the 1980's, usually held at Melbourne Town Hall or Olympic Pool Stadium. A record of the ways costumes were prepared for junior legatees in the Annual Demonstration.Black and white photo of two ladies sewing costumes for an annual demonstration.annual demonstration, costumes, sewing, sewing machines

A photo of the Annual demonstration from October 1954. This photo shows the dancers around a Christmas tree. The costumes include ballerinas, golliwogs, tin soldiers, fairies and elaborate dresses. Also frogs or lizards, sugar plum fairies, rabbits, cossack dancers and cats or foxes. A similar routine was performed in 1952 as described in a newsletter. It mentions the routine as 'Toy makers dream' and had golliwogs and soldiers and Father Christmas. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and Eurythmics. The Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to the 1980's, usually held at Melbourne Town Hall or Olympic Pool Stadium. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association.A record of the displays at the Annual Demonstrations. Also that Legacy provided classes for junior legatees and the skills learned were displayed in the Annual Demonstration.Black and white photo of a Christmas scene during the demonstration from 1954. junior legatees, demonstration, annual demonstration, girls classes

Three black and white photos of a group of girls in elaborate costumes on the stage of the Melbourne Town Hall for an Annual Demonstration. It shows a girl dressed as a spider in a large spiderweb with other girls dancing below. This routine was done multiple times over the years. These three appear to be the same year based on the set and camera angle. One of the photos was published in the December 1946 newsletter so the year was 1946. They were in an album of press photos taken during dress rehearsals from the 1940s and 1950s. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and Eurythmics. The Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to 1979, usually held at Melbourne Town Hall. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association.A record of the displays at the Annual Demonstrations. Also that Legacy provided classes for junior legatees and the skills learned were displayed in the Annual Demonstration.Black and white photo x 3 in an album of girls on stage with a large spiderweb as a background.junior legatees, demonstration, annual demonstration, girls classes, costumes

Alice Watson studied at the Ballarat Technical Art School (at the School of Mines, Ballarat) from 1930 until 1933. Watson sat several departmental exams, including drawing and painting plant forms from nature, lettering, Composition of Form and Colour and advanced General Design, as well as dressmaking and embossed leatherwork. General Design examinations required only designs on paper, and not the full execution of an object (which was the case for Applied Design exams). Watson's folio applies many Australian native floral elements to design. Upon graduating, Watson taught at the Murtoa High School, living with her parents until their deaths in 1972 and 1988 when she was 74 years old. Alice Watson died in Ballarat, aged 95, having conserved her beautiful student folio, which was generously gifted to the Federation University permanent Historical Collection by the Watson family.Watercolour painting of a standing woman with short light brown hair, in a green striped sleeveless shirt, a dark green shorts, and green heels, she is at the beach and there are birds in the background.Watermark (1917 UNBLEACHED ARNOLD)alice watson, beach, cape, woman, ballarat technical art school, alumni

St Peter's Church was established in 1861 in the school house. In 1864 the question of building a church was seriously discussed. A foundation stone for the church was laid on 16 November 1864 by Bendan S. Hassell. The architect was Charles Davenport Cuthbert; the trustees were Somerville Learmonth, W.P. Whitcombe, Robert Wynne and J.B. McQuie. The church building committee consisted of Horace walker, J.S. Carver, John M. Fisher, Robert Williams, Thomas Gibson, John E. Hodgson and W. Lindisay Richardson. The foundation stone of the Soldier's Chapel was laid on 06 April 1917. The beautiful stained glass in the chapel was donated by Mrs W. Tunbridge and H.C. Curwen-Walker, in memory of their sons who were killed during World War One. In 1929 a new three manual organ by London's Hill, Norman and Beard was installed. It was the first in Ballarat with electro-pneumatic action.White soft covered booklet outlining the first 100 years of St Peter's Anglican Church, Ballarat. The book includes information on each of the ministers until 1961, a programme of the Centenary Celebrations, and black and white photographs of the exterior and interior of the church. Images include the Pittard Memorial Windows, the Crocker Memorial Windows and baptistry, and H.W.H. Adeney.st peter's anglican church ballarat, churches, religion, charles d. cuthbert, stained glass, w. tunbridge, h.c. curwen-walker

Ken HOVENDEN Working at Bendigo Pottery from April 1972 at the age of 17, Ken Hovenden was also involved in the Lillydale Pottery venture. He worked at Cannie Ridge Pottery for a time, exhibiting work there in 1979. Known as a great thrower, his work featured beautifully fitted lids and quantities of mugs of identical size. In the 1980s, he set up his own pottery at Malmsbury and sold his work through Bangles Gallery at Cobargo. From late 1988 to 1997, he worked under the business name Shiloh Pottery in Castlemaine. His work often features a unique gum leaf design on individually thrown work. Marks used include KH on Bendigo Pottery Epsom Ware, Kevin Hovenden on Badger Creek Pottery, KH on Lillydale Pottery and his own impressed KH initials.Stoneware teapot with beige glaze and handpainted gumleaves, and stamped 'KH' on the footrim.australian studio pottery, ceramics, ken hovenden, teapot

A colour postcard from Blackwood Cottages in Marysville.A colour postcard from Blackwood Cottages in Marysville.12.5.2007 Dear Lorna, Each day is perfect after near/ frost overnight. The colours/ are beautiful - the little/ town seems to glow./ Walked to the Falls on Tuesday/ + saw 3 Lyrebirds - one male/ going through his repetiore of/ local birds./ Yesterday Rod drove me up to/ Lake Mountain where we did/ Look Walk taking in 3 lookouts/ with lovely views./ The cottage is very/ comfortable + well/ appointed. Cockatoos,/ parrots, magpies, kook-/ aburras + magpies all come to my feet! Do hope all goes well with you - love - Jan. MRS N MACDONALD/ 24 PRINCETOWN ROAD/ MOUNT WAVERLEY./ VIC 3149marysville, victoria, australia, blackwood cottages, postcard, souvenir, accommodation

WARM was a community textile art project that saw over 250 knitters come together to create a beautiful collage tapestry. Made entirely from wool, the artwork contains more than 1000 individual hand knitted sections. The project takes aim at global warming, it highlights both the causes and solutions for us to create a sustainable and safe climate for future generations. Lisa Kendal, the co-creator of the project, said “One of the problems in the world is that we have forgotten how to warm ourselves with wool. We have become too dependent on fossil fuels (for heating)”. This is the key idea surrounding the project. WARM began as two large scale images created by Lars Stenberg. The first image is a landscape scarred by coal mining. The second image is the same landscape only many decades later. Regeneration and regrowth have taken over the landscape and hidden the past coal mine completely. In its place is a beautiful landscape including trees, native flowers, a lake, lots of greenery and wind turbines. From March to the end of August in 2016, knitters worked hard to create the over one thousand pieces that came together to form the final tapestry. The pieces were all designed by Fibre Artist Georgie Nicolson of Tikki Knitting Designs, who converted the second image of the healed landscape into patterns for the 250 plus knitters to follow. These patterns included unusual designs such as gum leaves, trees, native flowers and even the wind turbines. During several days of installation, the knitted pieces were stitched together by Lars Stenberg over a picture of the first image of the operational coal mine. They worked to create the second image of the renewed landscape; like an enormous collage. The WARM project was donated to the National Wool Museum in 2021. It was a much-loved hanging within the Ballarat Hospital for many years before coming to the museum. More information about the project can be found on the following website. http://www.seam.org.au/warm The tapestry is made from 1000+ hand knitted sections stitched together to make an image. In the foreground of this image is a large gum tree that stretches from the bottom left to the top right corner. The trunk of this tree follows the left edge of the tapestry, with foliage from the gum tree spanning its top border. The bottom third of the tapestry is predominantly green grass with yellow, pink and red flowers providing sporadic colour. The middle third encompasses a lake, with orange colours surrounding the banks of the water as opposed to the green grasses of the bottom third. To the right of the lake are wind turbines. The top third of the tapestry is blue sky with white clouds. It also contains the previously described gum tree leaves. Each piece of the tapestry is 100% wool and was hand knitted and stitched together. The Tapestry is accompanied by an oil painting on canvas. It is a painting that matches the tapestry and served as a template for the final tapestry. Finally, the tapestry is accompanied by another pointing on wood board. This final panting is of a coal mine. This is the setting before regeneration and regrowth have reclaimed this site, which is the theme captured in the final tapestry. In the foreground of the coal mine painting is the same gum tree described in the tapestry; however, it is grey and sickle with only 4 leaves visible at the top border, compared to the numerous leaves in the tapestry. Also in the foreground is a broken barb wire fence adding to the unwelcoming nature of the site. The colour scheme of this image is of dark greys and browns. A coal fired power plant can be seen in the final third of the image with four chimneys emitting plumes of smoke into the sky. In front of this power plant is the spiral shape of a coal mine, burrowing deep into the earth’s crust. Inside of the coal mine 3 yellow trucks are seen mining and transporting coal to the top of the mine.warm, community textile tapestry, knitting, community artwork, global warming

A colour photograph of the view from Keppel Lookout of Marysville and the Cathedral Range along with photographs of the main street in Marysville, Steavenson Falls, birdlife and snow in Marysville. A colour photograph of the view from Keppel Lookout of Marysville and the Cathedral Range along with photographs of the main street in Marysville, Steavenson Falls, birdlife and snow in Marysville. This postcard was produced by Imagine That! Promotions as a souvenir of Marysville.Marysville is a beautiful small country town approximately 100 km's from Melbourne. It is/ well known for its amazing autumn colours, prolific wildlife and is only half an hours drive/ from Lake Mountain, Australia's largest Cross Country Skiing Resort./ Featured is (Main Picture) Marysville with the picturesque Cathedral Range in the back-/ ground as seen from Keppel Lookout. From the left is Marysville's main street during/ Autumn, Steavenson Falls, Crimson Rosellas and Marysville covered by a low snowfall. Imagine That!/ Post Cards Imagine That! Promotions/ Country Victoria Collection/ Landscape 1/ c 2002/ Ph: (03) 5966 8523 Fax: (03) 5966 8458 Mob: 0418 593 534 Place/ Stamp/ Heremarysville, keppel lookout, cathedral range, murchison street, steavenson falls, scarlet rosella, snow, imagine that! promotions, postcard, souvenir

Set of 12 coloured views of Ballarat printed with six photos on either side of a folded strip of paper glued within an embossed paper folder. Published by Nucolorvue Productions Vic., titled "A Souvenir of Beautiful Ballarat". Front cover has a colour rural scene, title, address area and on base of cover "12 Specially Selected Views in Full Colour". Rear of Cover has a part of a colour scene as well and a slit for the envelope to be closed over and sealed. On the inside of the front cover are notes on the City of Ballarat and that it has just embarked upon its second century. 1. Another section of Ballarat's Fine Botanical Gardens 2. Overlooking Ballarat City 3. Botanical Gardens showing statues of Australian Prime Ministers 4. Sturt Street showing City Hall and Fine Statues 5. Lake Wendouree Ballarat 6. Lovely Trees and Statuary Botanical Gardens 7. Botanical Gardens showing Wallace's Statue 8. Lovely Sturt St looking West 9. Overlooking Sturt St towards Mt Warrenheip (has single truck tram in photo) - see image i9 for a hi res version. 10. Ballarat's Famous Art Gallery 11. One of Ballarat's many fine Reservoirs 12. Eureka Stockade Monument, Ballarat. On front cover in pencil in stamp area "1/-"trams, tramways, ballarat, postcards, sturt st, bridge st, gardens

Folder 115 1) Bendigo Onward 1971-2000 2) Bendigo 150 Years 1853-2003 3) Bendigo 175 Years 1836-2011 4) Bendigo Remembers 1945-1995 - August 16, 1995, 5) Anzac Day 1986 "Lest We Forget" - 24 April 1986 6) Creating Our Future. Annual Supplement 2000 7) Bendigo A Capital City. September 27, 1989, 8) Bendigo A Spirit of Achievement. September 25, 1991, 9) Bendigo Back to the Future. June 29, 1998, 10) A Greater Bendigo. September 28, 1994, 11) Bendigo Booming - Region Shines Brightly. 2001 12) Bendigo Booming. August 7, 1996 13) Beautiful Bendigo "Into the Nineties" - September 26, 1990 14) The Bendigo Miner Final Edition - August 23, 2012 15) Bendigo Review - September 24, 1986 16) Centenary of Telecommunication in Bendigo - August 13 17) Bendigo Unlimited - May 7, 1994 18) Bendigo Unlimited - July 10,1982 19) In Bendigo We've Got The Life - September 25, 1985 20) Bendigo City of Golden Opportunity - September 26, 1986 21) Bendigo 160 Years, December 9, 1853-2013newspaper, 'bendigo advertiser