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St Kilda Historical Society
Ephemera - Dance card, Ball in aid of the funds of the St Kilda Soldiers' Lounge, 1917
The former St Kilda Soldiers’ Lounge was opened by the St Kilda Patriotic League and the YMCA in 1915, and run by Mrs Lucie Hallenstein. Located in the refreshment rooms of the former Comedy Theatre, Lower Esplanade, it provided a place for returned soldiers to relax and socialise. By mid-1916 the average weekly attendance had reached eight hundred servicemen. The lounge remained popular until it closed in 1920.Cream coloured card folded once to make 4 pages, printed in green on 3 pages. The program of dances is set out on the inside pages.wwi, world war i, st kilda - history, st kilda town hall -
Tatura Irrigation & Wartime Camps Museum
Document, Lessing Gotthold Ephram 1729-1781, Minna Von Barnhelm or in English A Soldiers Luck, 1990
... Society. To be retained by Tatura History Society theatre plays ...Used for the internees entertainment. Translated by G. Gohl and donated by him to the Tatura History Society. To be retained by Tatura History SocietyClear plastic front cover with a black border left hand side 3 cm wide with the inscription as indicated below. The back cover is black. The front right hand page has Minna Von Barnhelm or in English A Soldiers Luck first performed in 1767 Hamburg.Camp 3 Tatura Translation from the German test to English by Gerhard Gohl 1990theatre plays, internee entertainment, internee theatre productions, minna von barnhelm, lessing gotthold ephram, gerhold gohl -
Wangaratta RSL Sub Branch
Memorabilia - Trench Art - Vase, unknown
Trench Art is the name given to objects manufactured by both soldiers and civilians from shell casings, bullets, shrapnel and miscellaneous battlefield debris, and is predominantly associated with World War I (1914 – 18). The most common material used for trench art are brass shell casings, which, once decorated, can be utilised as vases. Often items will bear an inscription such as the name of a French village or theatre of war and engraved decoration or embossing. There is no known history in relation to this vase.Large brass shell casing with decorative engraving.Engraved - Les Halles D'Ypres 1914-19 with engraving of building possibly town hall or church . Several symbols, numbers and letters imprinted on base of casing. brass shell casing, trench art, world war one, first world war, wwi, ww1, ypres, flanders, vase -
Robin Boyd Foundation
Book, Phyllis Hartnoll, A Concise History of the Theatre, 1971
... A Concise History of the Theatre... Hope Softcover A Concise History of the Theatre Book Phyllis ...SoftcoverContains tear out of "On the Spot" newspaper column by John Sorell quoting 'Australia' poem by Prof Hopewalsh st library -
Robin Boyd Foundation
Booklet, Michael Roe, A History of the Theatre Royal Hobart, from 1834
... A History of the Theatre Royal Hobart, from 1834..., black ballpoint pen] A History of the Theatre Royal Hobart, from ...Paper label on contents page with printed text: 'This is a limited edition / numbered and signed by the author' / ' 86. Michael Roe' [signature, black ballpoint pen]hobart, theatre royal, theatre, walsh st library -
Victorian Aboriginal Corporation for Languages
Conference proceedings, Jon Reyhner, Nurturing native languages, 2003
Section I: Language and Culture Immersion 1. Native Language Immersion /? Jon Reyhner 2. Assessing the Impact of Total Immersion on Cherokee Language Revitalization: A Culturally Responsive, Participatory Approach /? Lizette Peter with Ella Christie, Marilyn Cochran, Dora Dunn, Lula Elk, Ed Fields, JoAnn Fields, Tracy Hirata-Edds, Anna Huckaby, Margaret Raymond, Deputy Chief Hastings Shade, Gloria Sly, George Wickliffe, Akira Yamamoto 3. Situational Navajo: A School-Based, Verb-Centered Way of Teaching Navajo /? Wayne Holm, Irene Silentman, Laura Wallace Section II: Technology Sustaining Indigenous Languages in Cyberspace /? Courtney B. Cazden 5. Saving a Language with Computers, Tape Recorders, and Radio /? Ruth Bennett Section III: Other Issues 6. How To Teach When the Teacher Isn't Fluent /? Leanne Hinton 7. Preparing Indigenous Language Advocates, Teachers, and Researchers in Western Canada /? Heather A. Blair, Donna Paskemin, Barbara Laderoute 8. Whaia Te Reo: Pursuing the Language': How Metaphors Describe - Our Relationships with Indigenous Languages /? Jeanette King 9. Honoring the Elders /? Evangeline Parsons-Yazzie, Robert N. St. Clair 10.Spanish: A Language of Indigenous Peoples of the Americas /? Florencia Riegelhaupt, Roberto Carrasco, Elizabeth Brandt 11. Keresan Pueblo Indian Sign Language /? Walter P. Kelley, Tony L. McGregor 12. Oral History Shares the Wealth of a Navajo Community /? Sara L. Begay, Mary Jimmie, Louise Lockard 13. Mothertongue: Incorporating Theatre of the Oppressed into Language Restoration Movements /? Qwo-Li Driskill 14. Missionaries and American Indian Languages /? Evangeline Parsons Yazzie Biographical Information on the Authors.tables, b&w illustrationsnavajo, cherokee, indian sign language, bilingual education, indigenous language teaching, native language immersion, language and technology -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Fletcher Meredith, Gippsland Heritage Journal, 2006
Issue 30 of a series of journals and containing articles of relevant aspects of local Gippsland history, past and up to present date. This issue child Welfare, Sister Anne Dreyer, Wonthaggi and Sale picture theatres, Briagolong family, a grevillea growersnatural history, welfare services, cinema -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Fletcher Meredith, Gippsland Heritage Journal No 13, 1992
Issue 13 of a series of Journals showcasing Gippsland history. This issue contains articles on photographers Charles Walter and R F Courtney. Aboriginals at lake Tyers, Italian prisoners of war, the Gippsland Hospital, Dyers Transport, Sale Regent Theatreaboriginals, world war 1939 - 1945, schools, photography, transport -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Gippsland Heritage Journal - issue 20, 1997
No 21 of a series contains articles on building materials around the Gippsland Lakes, Brown Coal Mine School, Rancby Church, Yarrams Regents Theatre, town of Moe, Mary Fullerton, Kingsford-Smith, Wonthaggi Leek Club. Also many photographs and lithograph obuilding industry, schools, religion, township -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Khaki and Green with the Australian Army at Home and Abroad, 1950
Personal accounts of conditions experienced by Australian soldiers in campaigns in many theatres of war, 1942 to 1943. Table of contents and illustrationsworld war 1939 - 1945 -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Reid Richard, Page Courtney, Pounds Robert, Just Wanted to be There. Australian Service Nurses 1899-1999, 1999
Historical account of Australian Service Nurses from May 1899 to 1999, covering all theatres of war, as well as in Australian hospitals. Includes six biographies and Honour Roll. Illustrate with many photographs.military history -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, McAuslan, Robert, From Fire to Flood - a Pictorial Coverage of the devastating events Gippsland weathered in 2006-2007, 1995
A history of H.M.A.S. Barcoo, and the men who served on her. She was the second of 12 frigates built in Australia for the R.A.N., launched on 26 August 1943. She and her complement served in many theatres of the war in the Pacific.` -
Melbourne Athenaeum Archives
Video - ABC 7.30 Report: The Athenaeum 's 170th birthday, Australian Broadcasting Corporation, Melbourne, Athenaeum building celebrates 170 years, 11/11/2009
Transcript: Athenaeum building celebrates 170 years Australian Broadcasting Corporation Broadcast: 11/11/2009 Reporter: Lisa Whitehead Tomorrow marks the 170th birthday of one of the nation's historic cultural landmarks. Melbourne’s Athenaeum building has, in one form or other, provided education and entertainment for the Victorian colony as it became a city; and along the way, documented its growth. Transcript KERRY O’BRIEN, PRESENTER: Tomorrow marks the 170th birthday of one of the nation's historic cultural landmarks. Melbourne's Athenaeum building has, in one form or another, provided education and entertainment. For the Victorian colonies it became a city and along the way documented its growth. The building's original library and theatre still draw devotees and as Lisa Whitehead reports, a loyal band of volunteers. KEVIN QUIGLEY, ATHENAEUM PRESIDENT: There's nothing like us that has been here from day one, four years after the boat pushed ashore, here we are. It's a thread that runs through the life of Melbourne. LISA WHITEHEAD, REPORTER: In the heart of Melbourne's CBD, the Athenaeum is a celebrity in disguise, the oldest cultural icon in the city, but barely noticed. MARJORIE DALVEAN, VOLUNTEER HISTORIAN: People of Melbourne walk past this area and they have no idea what it is. RAY LAWLER, PLAYWRIGHT: It seemed to me to be a place that absolutely, or breathes Melbourne, I suppose, culture. LISA WHITEHEAD: Just four years after Melbourne was founded, the colony built a Mechanic's Institution, one of the first in the world, a place where the working class could meet and learn. KEVIN QUIGLEY: People think of it as Wild West sort of place where these hearty types drank and rushed about, but Melbourne was freely settled. It was a city of people who wanted to better themselves - entrepreneurs. And the Mechanic's Institution was that innovative idea that had grown up in Edinburgh and London about providing an opportunity for education for the working people. LISA WHITEHEAD: Mark Twain lectured there. Later, other buildings were added and a theatre to host classic plays. And it adopted its more bourgeois friendly title of the Athenaeum. Crucially from the start there was the library, the first to offer affordable lending to the working man. And it still attracts devotees. Former University lecturer Margaret Bowman, 89, comes in every Wednesday, along with her dog to join an enthusiastic band of volunteers sorting through the archives. MARGARET BOWMAN, FORMER UNIVERSITY LECTURER: Doing research is something that I find actually I enjoy more than anything. Every old lady needs to have a project and now I've got a project. MARJORIE DALVEAN: Margaret, Christine has just found out that Alfred Deakin was a member here from 1874 to 1877. This place is not flashy, we've never been flashy. But book lovers walk in here and they know this is the place for them. ARCHIVAL FOOTAGE: Old times and old names. The Athenaeum theatre in Melbourne for more than 40 years has been one of the city's best known cinemas. LISA WHITEHEAD: In the 20th century, the theatre surrendered to the new craze of talking pictures, and one particular fan was famous Australian playwright Ray Lawler. At 13, he dropped out of school to work in a Footscray factory and two years later his first trip to the glamorous Athenaeum cinema hinted at the education he was missing. RAY LAWLER: It just had a style about it which I responded to, I think. I was looking for something and this seemed to be part of it. Ray Lawler went on to write "Summer of the Seventeenth Doll" and found literary fame overseas. About a century after it had started as an educational place for the working man, Ray Lawler had, in effect, become an Athenaeum graduate. RAL LAWLER: If they had been looking for the sort of person that they were hoping to encourage along the way, I suppose I would have been somebody that might have fitted the mould, you know. LISA WHITEHEAD: In time, the cinema was returned to its theatrical roots. FRANK THRING, 1977: It has a great resemblance to the Theatre Royal in Hobart which Larry Olivier has called the best theatre he's ever worked in. And it's almost identical. It is the true Victorian playhouse. The horseshoe shaped thing: stalls, dress circle and gallery. And you're close to the audience and they're close to you. Marvellous feeling. LISA WHITEHEAD: Today, it's still a theatre. But time has brought compromises. The once vaunted art gallery has now covered its windows and become a comedy club and performance space. TV and suburban life have eaten away at the library membership. It offers an online service now, and a recent federal government grant will pay for the upkeep of its gracious interior, including the 1930s elevator Ray Lawler used to ride. For him, it's money well spent on history quietly made and discreetly observed. RAY LAWLER: It's the lack of awareness, I think, that people don't know what they've got here. They've really got the whole history of Melbourne almost. KEVIN QUIGLEY: It was a similar organisation in Sydney but we are the only one that's got a continual lineage on the same spot. We started here and we're still here and we'll be here for another 100 years. KERRY O'BRIEN: Lisa Whitehead on a great Melbourne landmark. © 2010 ABC | Privacy Policy Beginning as the Melbourne Mechanics' Institution in 1839, the Melbourne Athenaeum has a long history that reflects the cultural and social development of Melbourne. It continues to be managed as a not-for-profit organisation by a volunteer board, with a subscription library (maintained since 1839) and a leased theatre.Video broadcast ABC 7:30 Report for 11/11/2009. "Tomorrow marks the 170th birthday of one of the nation's historic cultural landmarks. Melbourne’s Athenaeum building has, in one form or other, provided education and entertainment for the Victorian colony as it became a city; and along the way, documented its growth."athenaeum, australian broadcasting corporation, kerry o’brien, kevin quigley, lisa whitehead, marjorie dalvean, ray lawler, margaret bowman, frank thring. -
Melbourne Athenaeum Archives
Theatre program, The Merchant of Venice (play) by William Shakespeare performed at the Athenaeum Theatre by the Melbourne Theatre Company commencing 26 July 1977, 1977
The program states: "The University of Melbourne presents the Melbourne Theatre Company in The Merchant of Venice". The play completes the Melbourne Theatre Company's Season 24, Part one, of performances at the Athenaeum Theatre, The Melbourne Theatre company was also performing at the Russell Street Theatre (at the Melbourne University. ). While MTC was waiting for its purpose-built playhouse at Southbank to be completed, performances were held at the Athenaeum and popular with subscribers. Program notes state that the company thanks everyone for their support "during Part 1 of the Season, during which attendances were higher than at any other time in our Company's history". The Artistic Director for this season was Ray Lawler, author of the Doll Trilogy which was later performed at the Athenaeum Theatre. The play was directed by John Sumner who would have appreciated the acoustics of the 'intimate theatre".Paper program; coloured cover; 16 p. includes articles about the play and the actors.melbourne theatre company, the merchant of venice, william shakespeare, john sumner, jonathan hardy -
Melbourne Athenaeum Archives
Theatre program, Privates on Parade (play) by Peter Nichols and Denis King performed by The Melbourne Theatre Company at the Athenaeum Theatre commencing 1 October 1980
The play is about a war in Malaya that commenced in 1948 and lasted twelve years. The Malayan Campaign has gone down in history as the world's first defeat of communist guerrilla welfare. The soldiers were mainly National servicemen.Paper programprivates on parade, athenaeum theatre, program, melbourne theatre company, malayan campaign -
Melbourne Athenaeum Archives
Theatre Program, A Midsummer Night's Dream (play) by William Shakespeare performed by the Melbourne Theatre Company at the Athenaeum Theatre commencing 9 August 1984
Bruce Spence plays puck Page on the history of the Melbourne Athenaeum with picturesPaper program coloured front cover a midsummer night's dream, athenaeum theatre, program, melbourne theatre company, william shakespeare -
Melbourne Athenaeum Archives
Theatre Program, Filumena (play) by Eduardo De Filippo performed by Melbourne Theatre Company and University of Melbourne at the Athenaeum Theatre commencing 22 March 1984
Directed by Graeme BlundellProgramme gives history of the play first performed in Italy in 1946 and filmed as Marriage Italian style in 1954 with Sophia LorenTheatre program colouredfilumena, athenaeum theatre, program, programme, melbourne theatre company, eduardo de filippo -
Melbourne Athenaeum Archives
Theatre program, The Doll Trilogy: Kid Stakes/Other Times/Summer of the Seventeenth Doll (play) by Ray Lawler performed by Sydney Theatre Company for The Melbourne Theatre Company at the Athenaeum Theatre commencing 26 July 1985
Cast includes Ruth Cracknell Steve Bisley and Harold Hopkins Sydney Theatre Company Production restaged for Melbourne by Wayne Harrison Program includes a history of previous productions from 1937Coloured programathenaeum theatre, program, programme, the doll trilogy, kid stakes, other tmes, summer of the seventeenth doll, sydney theatre company, melbourne theatre company, ray lawler -
Melbourne Athenaeum Archives
Theatre Program, Siren (play) By David Williamson performed at the Athenaeum Theatre commencing 22 March 1990
History of the playcoloured programsiren, athenaeum theatre, program, programme, hocking & woods, glenn elston, kinselas productions, australian shakespeare company, graeme blundell, david williamson -
Melbourne Athenaeum Archives
Theatre Program, Five Guys Named Moe (musical) by Clarke Peters performed at the Athenaeum Theatre commencing 9 October 1993
history on playcoloured program :good conditionfive guys named moe, athenaeum theatre, elston hocking & woods, cameron mackintosh, clarke peters, louis jordan hits -
Melbourne Athenaeum Archives
Theatre Program, Blues in the Night (musical) by Sheldon Epps performed at the Athenaeum Theatre commencing 5 October 1992
The history of the blues performed by arrangement with Warner Chappell Music, imago Atlantis Pty Ltd, and the Australian Film and Theatre Development, with the assistance and support of the Perth Theatre Fund. Cast: Venetta Fields; Marcie Jones; Jenny Davis; Michael Edward-Stephens.coloured program: good conditionblues in the night, athenaeum theatre, elston hocking & woods, elston hocking and woods -
Melbourne Athenaeum Archives
Theatre Program, As You Like It (play) by William Shakespeare performed by the Melbourne Theatre Company at the Melbourne Athenaeum Theatre commencing 31 March 1982
Performers included Sandy Gore and Norman Kaye; 1982 was the year the training scholarship was first rewarded at the value of $6000. Short history on the origin of play. Paper program : coloured coveras you like it, william shakespeare, melbourne theatre company, norman kaye, sandy gore -
Clunes Museum
Programme - PROGRAMMETHE PAJAMA GAME, 2007
PRODUCTION BY THE CLUNES FILM AND AMATEUR THEATRE SOCIETY INC AT THE CLUNES TOWN HALL 2ND, 3RD 9TH AND 10TH NOVEMBER 2007THREE PROGRAMMES FOR THE LOCAL PRODUCTION OF 'THE PAJAMA GAME'local history, documents, programmes -
Clunes Museum
Equipment - AUROSCOPE
... IN THE OLD CLUNES HOSPITAL IN THE OPERATING THEATRE LOCAL HISTORY ...USED IN THE OLD CLUNES HOSPITAL IN THE OPERATING THEATREBOX : SQUARE WOODEN BOX OVERLAID WITH BLACK LEATHER, LINED IN DEEP BLUE VELVET WITH SHAPED RECESSES FOR 4 X AURISCOPE PARTS. INSTRUMENTS : SILVER "TRUMPET" SHAPED INSTRUMENT WITH THREE SIZES OF SILVER ATTACHMENTSlocal history, medical equipment, medical -
Clunes Museum
Instrument - GUT CUTTER, Elliott Bros, Unknown
... IN THE OLD CLUNES HOSPITAL OPERATING THEATRE local history medicine ...USED IN THE OLD CLUNES HOSPITAL OPERATING THEATRETWO STAINLESS STEEL TUBES CHAINED TOGETHERELLIOTTS SYDNEYlocal history, medicine, medical equipment, medical -
Clunes Museum
Instrument - GUT CUTTER
... IN THE OLD CLUNES HOSPITAL OPERATING THEATRE local history medicine ...USED IN THE OLD CLUNES HOSPITAL OPERATING THEATRETWO STAINLESS STEEL TUBES CHAINED TOGETHERD.H.A.local history, medicine, medical equipment, medical -
Clunes Museum
Programme - PROGRAM, 2006
PRODUCTION OF "THE BOYFRIEND" ON 14,15,21,22, JULY 2006.PROGRAM FOR THE PRESENTATION OF "THE BOYFRIEND". AT CLUNES TOWN HALL IN JULY 2006.local history, document, programs, clunes film and amateur theatre society inc. -
Clunes Museum
Programme, 2005
PRODUCTION OF "DIMBOOLA" PRESENTED IN CLUNES TOWN HALL FRIDAY 2ND AND SATURDAY 3RD DECEMBER, 20052 X BLACK AND WHITE PRINTED PROGRAMMES FOR PRODUCTION OF "DIMBOOLA" PRESENTED BY THE CLUNES FILM & AMATEUR THEATRE GROUPlocal history, documents, programmes, events and celebrations, film & theatre -
Clunes Museum
BROCHURE
BROCHURE ADVERTISING THE PLAY "THE BOY FRIEND" PERFORMED AT THE CLUNES TOWN HALLlocal history, document, brochure, clunes film and amateur theatre society inc. -
Clunes Museum
PROGRAM
PROGRAM OF THE PLAY DIMBOOLA PRESENTED AT THE CLUNES TOWN HALL.local history, document, program, clunes film and amateur theatre society inc.