Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Several views of flowers, buds and leaves, and one view of cutting. Stem cutting with pointed, thin leaves with dark green tops and pale green undersides. Flowers are white with pink colouring at the ends. Their shape is cup-like with five petals forming a star at top. Stamens end in brown pollen clusters. Work is mounted in a double matt (grey on mauve) and framed under glass in a gold painted wooden frame.Front: CEW/73 (lower left in image, signature) (maroon pencil), Peach heath. Lissanthe strigosa (lower left) (pencil) 34 (lower right, pencil) (erased). Back: (no inscriptions)cema, botanical, collin woolcock

CEMA Art Collection Noted that this work was sent by Caltex in exchange for the winner of the 1973 Caltex Prize, which was part of the Portland Art Society Art Prize. The exchanged work was a print by Greg Moncrieff. Included in the 1999 "Salvage" Exhibition at CEMA Arts Centre.The painting depicts the Sydney Opera House in shades of blue and brown. In the foreground to the left is the brown roof of a building with four red chimneys. In front of these two buildings is an elevated road. Seperating the road from the Opera House is a body of water completed in shades of cream and white. The shadow of the Opera House on the water's surface is completed in shades of blue and green. The work has a brown and gold frame with painted material mount and exposed canvas.Front: N. HEDSTROM (lower left, red paint) Back: (no inscriptions)

CEMA Art Collection Winner of 1968 Portland Art Society Art Prize for the category Oil or similar medium.The painting depicts several tall, dead trees in the foreground with dense living trees in the background. The work has an interesting texture created through the use of clearly defined thick paint strokes. This technique is particularly evident in the foreground where it has been used to create the ground from which the dead trees stand. The work has a painted wooden frame with material mount and non-reflective glass.Front: R. ARENDSEN '67 (black, lower right) Back: RENNEE ARENDSEN "DEAD WOOD FOREST, MALLACOOTA" (1968) (typed) Stamp: KATRINA GALLERIES 485 CENTRE ROAD BENTLEIGH, VIC 97-6715 Yellow Sticker: 1967 Handwriting around back of frame.

CEMA Art Collection Winner of Portland Artist's Society Prize 1961The painting depicts a small building set amongst tall trees and grasses. The building is situated in the centre of the work and is cream with a red roof and red awnings. In the foreground is a large area of long grass which leads into the shorter maintained grass that surrounds the building. Behind the building are numerous tall dark green trees. The work has a wide gilded frame and exposed canvas.Front: (No inscriptions) Back: Jack Freeman 1961 Landscape Dandenong (top right, black handwriting) 18 (white sticker)

Art collectionThe print depicts two tree trunks in the foreground surrounded by bushland. The two tree trunks are composed of patches of white, grey, yellow, light brown and dark brown. The trees in the background are composed of a single colour. On the lower left side is a plant with light blue foliage. The work has a painted wooden frame with small white mount and glass.Front: Hunter (brown handwritten, lower right, partically covered by the mount) Back: 1972 (lead pencil, upper left)

Artist comment: These three prints (The Groom, The Undertaker's Assistant, The Organist) are part of a series on forebears of Portland. The drawings are taken from people in a collection of photographs belonging to the Johnson Family of Portland. The "Old Lady" and "The Wedding" are part of the same series. I designed the background to each drawing to suit each character's expression.CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Screenprint of standing male from hips to head. The man wearsr a black suit, white gloves and has a moustache. Work has pink background with leaf and plant forms in green, yellows and blues. No matt. Wooden frame with glass glazing.Front: 1834 1984 Portland Commemorative Print (lower left) (stamp) 1/20 A Gee (lower left) The Undertaker's Assistant (centre) John Cain (lower right) (signature, brown ink) Premier of Victoria (black ink stamp) Back: (no inscriptions)