Brown cloth-bound hardcover book. Small embossed central decoration on front and back covers. Faded & worn spine, marks/ stains on back & front covers. Some foxing. 505 pp. Fair - good condition.Flyleaf, Kilmore Mechanics Institute stamp. First title page '110', crossed out/'142' in red ink & underlined.history, kilmore mechanics institute library.

Cloth-bound, tan coloured embossed cover, end papers & title page missing, cover stained and very worn at extremities. Pages discoloured., foxing. Binding loose, loose pages throughout. 416pp. Poor condition.non-fictionchildren, textbook, reading, glanville

First approved for wearing in 1916. A stripe was worn for each time wounded enough to take the person out of the front line. Worn vertically on the left forearm. This one was worn by Harold Hall No 270, 10th Batt and 7th Field Ambulance. Refer 2062, 2063, 2065.Empire Wounded Stripe. Metal stripe resembling Russian gold braid. Came with a metal backing plate for attachment to a uniform."The Empire Wounded Stripe, prov No 2 Pat."military, uniform, history, metal work., wounded stripe, empire

Two badges wer worn on a uniform. This badge was worn by Harold Hall No 270, 10th Batt & 7th Field Ambulance AIF. Refer 2062.Rising Sun lapel collar badge. Pressed blackened brass. Centre of the Rising Sun image is a crown and a scroll underneath. The rear has two lugs for uniform attachment."Australian Commonwealth Military Forces" on the scroll.military, uniform, metal work, history., badges, lapel

Ribbon Bar worn Pte A F Hoffman 395, 7/Bn; Possible worn on Anzac and Remembrance day commemoration post active service.Ribbon Bar for 1914 - 15 Star; 1914 - 1918 British War Medal; Victory Medal mounted on a brass with stainless steel broach clip.ribbon bar

This amber satin evening outfit was worn by Mrs. Isabella Mitchell (nee Russell, 1840 – 1929) at the wedding of her brother Alexander (c.1846–1938) and Eliza (nee Moore c.1854–1939). The jacket and skirt attach to each other at the waist by joining the metal rings that are around the base of the jacket and to the metal hooks that are on the waistband of the skirt. The outfit was donated with its own mannequin and fits it perfectly. In the colonial days, outer clothing was rarely, if ever, washed, due to the expense of fabrics and difficulty in careful laundering. Clever methods were employed to reduce the occurrence of soiling. The mannequin included with the donation would also help keep the outfit in good shape as well as being used for ensuring a flattering fit. FAMILIES’ HISTORY The families connected with this wedding for which this outfit was worn are from Warrnambool’s colonial days. Isabella and Alexander’s parents, Robert Russell and Elizabeth (nee Mitchell) were both born in 1808 and married about 1830. They were from farming families in Northern Ireland where they raised their seven children there before migrating to Australia in the early colonial days, around 1857. Their graves are in the Tower Hill cemetery. Alexander’s wife Eliza (nee Moore, born in 1854) was also from Northern Ireland and migrated to Australia in 1858 with her parents, Thomas and Nancy Moore, in the last voyage of the sailing ship “Chance”. Isabella (Bella) talked with her grand-daughter Ruby Akers about her memories of Alexander and Eliza’s wedding and other events in her life. Ruby recorded these memories in a letter. She says “They were married in the Warrnambool Congregational Church by a pioneer minister, the Reverend Uriah Coombs. The bride wore a pale blue silk wedding gown which was made by herself. Bella was Matron of Honora and Ian McCasker was best man. In those days the transport to the church was usually a carriage – similar to a cab – and a pair of white ponies. They would have the reception at home and then go for a drive afterwards and at night there would be a dance. They did all the catering themselves … Eliza carried on farming in the Dennington, Yarpturk and Purnim districts until they moved to Camperdown around 1905…” Ruby’s letter later mentions “[Isabella] could recall seeing a blackfellows’ corroboree being performed near where the Dennington Bridge now stands. It was rather a terrifying experience, they seemed in a warlike mood and one never knew what they would do next. One lubra came running to granny crying, Hide me, bad man kill me. She was bleeding from a wound in the head. Probably the result of a blow from a waddy. My mother [Margaret Jane McLaughlan nee Mitchell], coming home from school, often met blackfellows walking ahead with spears and boomerang, the two lubras – he usually had two – following in the rear, carrying the children or any burdens they had.“ Margaret would probably have been in primary school in the 1800s when she saw these things. Alexander and Eliza had ten children. One of their daughters, Margaret Jane, was born in Warrnambool in 1879. She married William McCullagh and they had eleven children. Margaret made headlines in the Warrnambool newspapers for celebrating her 100th birthday. She had lived in the district for 60 years before moving to Melbourne. Alexander passed away at the age of 92, and Eliza passed away six months later aged 85. Their graves are in the Colac cemetery. Isabella married Ralph Mitchell and their daughter Margaret Jane married John McLauchlan in 1891. Margaret and John’s daughter, Ruby Elizabeth, Jane married Fredrick Akers in 1938. Fredrick was born in England and was a Boer War veteran and served in the British Army. He migrated to Queensland, Australia, in 1913 and he joined the Australian Army to fight in World War I. In 1935 he moved to Warrnambool where he served in the Volunteer Defence Corps 1938-1945. Both Ruby and Fredrick are buried in the Tower Hill Cemetery.Together, the evening outfit and the mannequin are examples of female fashion of the mid to late 1900s. They are also significant for their association with the colonial pioneer families of Australia, Victoria and Warrnambool. The outfit and mannequin are significant for their connection with a wedding uniting two colonial families from Northern Ireland who immigrated to Australia in the mid-1850s. The families had a significant role in the history of Warrnambool and district. The evening outfit and its mannequin are significant for its connection with colonial families and their contact with the indigenous culture of the district and the contact between the native and European people. This ladies’ evening outfit is made from amber coloured satin fabric. It comprises a short-waisted, long-sleeved jacket and long skirt and it has its own neck-to-floor wooden mannequin on a pedestal. The outfit was worn by Mrs. Isabella Mitchell (nee Russell) as the Matron of Honour at the wedding of her brother Alexander Russell and his fiancé Eliza Moore in Warrnambool, 29th April 1874. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, evening outfit, wedding outfit, bridesmaid’ outfit, matron of honour outfit, clothing female, clothing late 19th century, clothing wedding late 19th century, clothing bridesmaid late 19th century, clothing antique, clothing ladies, women’s clothing, women’s fashion, alexander russell, eliza russell, eliza moore, isabella mitchell, bella mitchell, bella russell, isabella russell, ralph russell, ian mccusker, ruby akers, fredrick william akers, ruby mclauchlan, margaret jane mclaughlan nee mitchell, margaret jane mclaughlan centenarian, william mclaughlan, robert russell, elizabeth russell nee mitchell, irish immigrants, warrnambool volunteer defence corps 1938-1945, antique satin outfit, warrnambool wedding 1874, congregational church warrnambool, reverend uriah coombs, dennington farmer, yarpturk farmer, purnim district farmer, camperdown resident 1905, dennington bridge, indigenous corroboree in dennington, corroboree in warrnambool, 1880s corroboree in warrnambool, lubra and baby, indigenous corroboree in warrnambool

The name ‘Ruttledge’ may have no local significance thought the name ‘Rutledge’ is important in our history, commencing with William Rutledge who purchased the Farnham Special Survey in the 1840s( Tower Hill to Dennington). The name ‘Swinton’ is prominent in our history. Mrs John Swinton (Charlotte Scott nee Dunn, 1871-1944) was married to John Swinton, the son of William and Ann Swinton who came to Warrnambool in 1854. William established a store in Timor Street in the 1850s and opened branches of this store in several local towns. The Swinton family still has commercial interests in Timor Street. This book is of interest because it belonged to Charlotte Swinton, a member of the Swinton family important in Warrnambool’s commercial and community history. This is a black leather-covered book of 656 pages plus a Supplement of Hymns of 32 pages. The cover has gold lettering on the front and the spine. The pages have a gilt edging. The inscriptions are handwritten in pencil. The cover is somewhat scuffed and worn. ‘Mrs John Swinton’ ‘A. Ruttledge, 317 Wattletree Rd., E. Malvern’ swinton family, warrnambool, john swinton, charlotte swinton, history of warrnambool

This Indian club comes from an early 20th century Warrnambool Men’s Physical Culture group but it is not certain which one it was. Gymnastics and Physical Culture groups were very popular in Warrnambool at the end of the 19th century and the beginning of the 20th century. They were usually attached to sporting or church groups and had both male and female participants. One important Physical Culture group in Warrnambool was a Sandow group, dedicated to promoting the Sandow philosophies and system of physical exercise. Eugen Sandow was a German who gained fame as a strong man, touring the world demonstrating his feats of strength and promoting his philosophy of health and good living. He toured Australia in 1902 and the result was the formation of many Physical Culture groups promoting the Sandow system. The Warrnambool group was said to be the first Sandow club established in Australia. No information has been found on the name ‘Dicks’ on the base of the club. This Indian club is of interest as a memento of the times in Warrnambool when many gymnastics and physical culture groups were operating. It may be a memento from the Warrnambol Sandow Physical Culture Group. This is a bottle-shaped wooden club with a wooden knob at the top end and three ridges incised into the main section of the club. The wood has been varnished but the surface is now a little rubbed and worn. A name is written on the base in black ink‘……Dicks’ warrnambool physical culture groups, eugen sandow

The seller of these items was A.L.V. Jenkins who was a bookseller and stationer in Warrnambool and obviously also sold miscellaneous goods such as spectacles. It is known that Mr Jenkins was in Warrnambool in 1910. The type of glasses suggest early 20th century use. These items are of interest as examples of spectacles used over a hundred years ago. They are also one of the few items we have connected to the business of A.L.V. Jenkins.This is a pair of spectacles with the glass intact and with gold metal rims, nose and side pieces and screws. They are in a brown leather case with a cardboard lining and a slot in the leather to insert the leather tongue that acts as a closing device. The leather is slightly worn and torn. ‘A.L.V. Jenkins, Warrnambool’ a.l.v. jenkins, early type spectacles, warrnambool

This tool is one of several tools which are believed to have belonged to the Warrnambool carpenter and businessman, Henry Phillips. English-born Henry Phillips (1821-1896) came to Australia with his wife Elizabeth in 1849. They lived for some time in Port Fairy. In 1865 Henry formed a partnership with Christopher Beattie and established the Warrnambool undertaking business of Beattie and Phillips. This business continued on after the deaths of the founders and lasted until the year 2000. In Warrnambool Henry Phillips was involved in the management of the Mechanics Institute. This tool is of interest as an example of a home-made vintage tool and as a memento of the Warrnambool carpenter and businessman, Henry Phillips. This is a small mallet with a wooden handle and a cylindrical-shaped piece of wood inserted into the handle to form a mallet head. The head section is reinforced with a piece of curved thin metal. The ends of the mallet head are very worn. This is a home-made tool. vintage tools, henry phillips, warrnambool, history of warrnambool

"This is an illustrated trip through some of the most important and picturesque towns, with short articles touching upon the industries of the state of Victoria. Distributed gratis by the Government".This is a useful reference book. A worn,294 pp hard cover book with a dark brown cover. The title, "Victoria Illustrated" is written diagonally across the top in white print inside a red border. The spine is blue. It contains advertisements, sepia photographs and text.book-victoria-illustrated

* Princess Style (1940's). Black silk Grograin material.Maygar sleeves, open down the front with eight buttons. Turn back cuff on sleeves. Worn with pink silk scarf at neck.|* Shoulder to hemline seams. No seam at waist.Mrs Williamscostume, female

Amey Cook unmarried and only daughter of William Cook and Jane nee MaggsSepia photograph of a teen-age girl with dark hair worn long. Dark short dress with white bow at neck. Dark stockings and shoes. Standing on a stone stair and holding a basket of flowers. Photograph mounted on black card.cook, amey

Doris Mercy Willmott was born in May 1896 in Stamford Hill, London, the eldest of three daughters of Albert and Minnie Willmott. The family lived in various parts of north London until the beginning of the First World War, when they moved to Redhill in Surrey. It was in Redhill that Doris met her future husband, Frederick John (Jack) Bennett. Jack had met Eric Mercy, a cousin of Minnie’s, in the Australian Imperial Force (AIF) and visited the Wilmotts with him whilst on leave from France. Although Jack Bennett returned to Melbourne in March 1919, he and Doris continued to correspond and they were engaged in March 1923. She came to Melbourne on her own, and was married in the Congregational Church in Canterbury on 23 December 1923. By 1931 Doris and Jack and their three sons - John Willmott, Winfield Robert Curtis and Peter Reginald Dane - moved to 21 Tooronga Road, Hawthorn but moved back to his father’s home, Therapia, 2 (now 6) Hepburn Street, Auburn, shortly before his father’s death. In 1937, the Bennett family moved back to the United Kingdom, spending the war years in Uxbridge and Torquay. The family returned to Melbourne in October 1946, after the deaths of Doris’ parents. The family lived at 12 Stanhope Grove, Camberwell and 51 The Ridge, Canterbury before Jack died in February 1952. After this Doris moved to 12 Stanley Grove, Canterbury, her home until c. 1970 when she moved to 25 Corhampton Road, North Balwyn. She died in May 1980 in Princeton Nursing Home, 3 Bellett Street, Camberwell. (Adapted from notes provided by Sue Barnett, the donor).Black silk, with multi-coloured embroiderery Manton de Manila shawl. The shawl was owned and once worn by Doris Mercy Bennett (nee Willmott) [1896-1980], and donated to the Society by her grandaughter. It probably dates from the 1930s.evening wear, piano shawl, manton de manila, doris bennett (nee wilmot), women's clothing

Triple strand of single size faux pearls joined by a silver metal clasp with a single glass stone surrounded by 12 smaller glass stones. The necklace was bought from a shop at the Fun Factory in Chapel Street but never worn.costume jewellery, dione mcintyre, necklaces

Notes of a naturist in Bengal, the Sikkim, and Nepal Himalayas, the Khasia Mountains, etc. Dedicated to Charles Darwin by his affectionate friend, the author.Red/brown cloth-covered hardback book. Embossed design around borders of front and back covers, front cover shows central image in gold colour. Maps and engraved illustrations. Cover worn & stained. Fair condition.Sticker inside front cover, 'Upham & Beet/(late Redwell)/46,New Bond Street'. On 2nd flyleaf '83'. Title page has small cut out section top right corner.kilmore mechanics institute library.

Awarded to Flora McDonald in 1903. Donated to Whitburgh Cottage museum c1982.Board cover with cloth spine, red-stain on front cover and worn corners. Foxing and marks throughout. Loose binding separated from front cover. Black & white illustrations throughout. 84 pp. Poor - fair condition.Page no's marked in pencil at top of each page. Certificate glued to front flyleaf, 'State School 2253/4th Prize/Flora/Awarded to/Flora McDonald/Class 1st/for/1st Home W. 1st Insp./H. Worthington Head Teacher/Decr. 1903'. Inside back cover 'Flora McDonald', handwritten cursive in pencil.flora mcdonald, childrens literature, whitburgh cottage collection

Red-brown marbelled cover with brown leather spine and corners, worn at extremities, gilt writing on spine. Discolouration and foxing. Loose & torn illustration page between pp 202-3. Illus. 416 pp. Fair condition.Front flyleaf, '126' red ink & underlined/Kilmore Mechanics Institute stamp. Title page, 'John D. [undecipherable]/4th April 1872' Crossed out.cassell's, british magazine, kilmore mechanics institute library.

Second Edition.Green cloth-bound hardcover book, worn at extremities, tear in lower spine. Loose hinges back & front, binding loose. Foxing front few pages. Insect damage title page. 692 pp. Fair condition.Front cover, gilt print, stamp, 'Crown Law Department. Victoria./Courts,/Kilmore.'.justices of the peace, kilmore court house library

Used by the Melbourne Tramway and Omnibus Co. to identify its employees, in this case from Richmond car house or depot. Used until about 1916 when replaced by badges marked for the Tramway Board.Demonstrates the method of identifying cable tram employees.Round pressed brass badge with the letters "M.T&O.Co. Rd 66". On the rear of the badge, are two metal lugs have been soldered onto the badge and a single-piece leather strap with a buttonhole cut into it to enable it to be worn on a uniform.trams, tramways, cable trams, employees pass, mto co, richmond depot

This rounders bat was used by the students at Bogong Primary SchoolHistorical: The Bogong Primary School was opened for the Kiewa Hydro Electric Scheme workers. Provenance: Bogong Primary School and sportWooden bat with rubber around the cylindrical handle. The face of the bat is flat and the other side becomes thicker (is tapered) towards the centre's longitude.On the face of the bat are indented circles 5mm in diameter. The tip of the bat is chipped and worn on both sides. The edge of the longitudinal fat part is scraped. The rubber around the handle has 2 tears near the face of the bat. bogong primary school. sport. rounders. kiewa hydron electric scheme., kiewa hydro electric scheme

Miss Mary Evans is the Director of Nursing of Royal District Nursing Service (RDNS). RDNS changed its uniform style and colour some time in 1971 and this 1972 photograph of the Sisters shows them wearing the new winter uniform of a blue/grey skivvie under a V neck tunic style frock made of blue/grey herringbone winter material, with the RDNS insignia on the upper left, and a beret style hat of the same material. The hat was worn on official occasions. Miss Evans is wearing her uniform of a grey blouse and a skirt and long V neck jacket made of the same blue/grey herringbone winter material worn by the Sisters. The photograph is taken on the steps of RDNS Headquarters, 452 St. Kilda Rd, Melbourne. Part of the white building is seen either side of the steps, and behind the Sisters the wooden and glass panel door is seen.From its earliest years when Melbourne District Nursing Society (MDNS) began to wear uniforms the chosen colour was grey, though the style changed throughout the years as fashions changed from the late 1800s through to the 1970s. Their Trained nurses (Nurses) firstly wore long grey frocks and later a white collar, cuffs and white belt was added, and on their head they wore a white cap with a long white tail hanging from the centre back. When bicycles were introduced the headgear changed to a white pith helmet adorned with a red Maltese cross in the centre front. This was held on with a veil going over the hat and tied under the chin. Over the years there were complaints that the veils became wet in the rain and they asked for a change of uniform, but this did not happen until 1921. Twelve years later the Trained nurses (Sisters) complained their skirts became wet when riding their bicycles in the rain and asked, when raining, to be able to wear breeches and gaiters. This was granted provided they wore aprons when attending patients. It was not long before the uniform changed to a shorter length grey frock, red cardigan, grey coat and grey brimmed hat; later changed to a peaked grey hat. In 1966 MDNS were granted Royal patronage. Now as Royal District Nursing Service (RDNS), Sisters Liz Thomson and Bev Armstrong, in 1971, designed a new uniform and the colour was changed. By 1972 the Sisters were wearing the new winter uniform of a blue/grey skivvie under a V neck tunic style frock made of blue/grey herringbone winter material with the RDNS insignia on the upper left, and a beret style hat of the same material. In summer the uniform became a royal blue V neck tunic style frock, with the RDNS insignia on the upper left, worn over a short sleeve white blouse. A royal blue peaked hat with the RDNS insignia in the centre front was worn at first and then only worn on official occasions. This uniform was worn until changed to a corporate style in the mid 1980s,Black and white photograph of Miss Mary Evans of the Royal District Nursing Service (RDNS), with a group of RDNS Sisters standing, in twos, down the steps outside part of a white painted.building. They are wearing their winter uniforms of a grey V neck tunic style frock worn over a lighter grey skivvie. They are all wearing the matching grey beret style hat. The RDNS insignia is seen on the upper left of their uniforms and in the centre front of their hats. Some of the Sisters are partly hidden. L-R Back row - Sisters: Barbara Watson, who has blonde hair and Judy Peter who has darker hair. The next row down is - Betty McDonald, who has short dark hair and Fonce Hoey, who has curled hair. The next row down is V. Sheehan with dark curly hair, Miss Mary Evans, with dark curled hair and M. Lambert with dark curled hair. Front row - A. Tyler, who is wearing glasses and has short dark hair and Mary Gawith with short dark curled hair. She is wearing below the knee black boots.Photographer stamp. Quote No. LA 3melbourne district nursing society, mdns, royal district nursing service, rdns, rdns uniform, miss mary evans, sister barbara watson, sister judy peter, sister betty mcdonald, sister fonce hoey, sister v sheehan, sister h. lambert, sister a. tyler, sister mary gawith

The Air Force General Purpose Uniform was adopted by the RAAF in July 2014. It is worn as dress of the day for non-combat operations. These were worn by Bob Schouten.This jacket represents the every day experiences of Australian air force members since 2014.Blue/white/grey/green urban camouflage jacket. Made of cotton. With velcro sections to attach labels. Plastic buttons.'Australia' 'Air Force'military, raaf, air force, uniform, jacket, camouflage

The Air Force General Purpose Uniform was adopted by the RAAF in July 2014. It is worn as dress of the day for non-combat operations. These were worn by Bob Schouten.Trousers with a blue/grey/white/green camouflage pattern. Pockets on the sides, a metal zip at the front and plastic button at the top.Drawstring hems at the ankles.air force, raaf, fatigues, uniform

The pith helmet was worn to shade the head in hot and humid climates. Owned by donor's father when he was mining mica in the 1930s; not worn because of embarrassment.Light brown insulated hat, designed as protective covering for the head against the sun; red and green cloth lining, leather sweat band and chin strapGilt inscription on lining: "Real solapith, made in India expressly for the Myer store for men, Melbourne & Adelaide" [size] 6 7/8pith helmet

This diving suit with helmet, boots and weight is part of the E.G.Ward collection, along with the diving compressor and a photograph of a diver in this equipment. Siebe Gorman & Company Ltd was a British company that developed diving equipment and breathing equipment and worked on commercial diving and marine salvage projects. The company advertised itself as 'Submarine Engineers'. It was founded by Augustus Siebe, a German-born British engineer chiefly known for his contributions to diving equipment. Siebe Gorman traded as an engineering firm for over 180 years from 1819 to 1999. The early success of the business was due to its founder, the Prussian immigrant Christian 'Augustus' Siebe (1788-1872). For business reasons, he applied for and was granted British citizenship in 1856. He was a gifted engineer who was able to translate theoretical problems into practical, working products. During the industrial Victorian period, the business traded as 'A. Siebe' at 145 High Street Holborn London, but in 1828 new premises were acquired at 5 Denmark Street, Soho. The family firm produced a wide range of manufactured goods including paper-making machinery, measuring machinery, water pumps, refrigeration equipment and diving apparatus. Augustus Siebe specialised in submarine engineering early on and the company gained a reputation for the manufacture of safe, reliable diving apparatus. Augustus Siebe is best remembered for the development and manufacture of the ‘closed’ Diving Dress based on the ideas of Charles and John Deane, George Edwards and Charles Pasley. Apart from some small modifications to valves and diver communications, the basic 12-bolt ‘closed’ diving dress remained relatively unchanged after the 1870s. Later company successes were also based on innovation, with new products that could be successfully developed and manufactured to high standards. This was largely attributed to the inventive nature, foresight, engineering and entrepreneurial skills of Robert Henry Davis (1870-1965). In 1882, RH Davis joined the company of 'Siebe & Gorman' as a young 11-year-old office boy and he was to remain with the company until he died in 1965. Augustus Siebe retired in 1869 and handed over the company to a new partnership of Henry H. Siebe (1830-1885) and William A. O'Gorman (1834-1904). The new firm traded as 'Siebe & Gorman' (1870-1879) from premises in and around Mason Street, Westminster Bridge Road, Lambeth, London. The two partners soon recognised the potential of R.H. Davis and in 1894, aged 24, he became General Manager of Siebe & Gorman. Davis increasingly ran the company until the surviving partner (W.A. Gorman) died in 1904. The firm was disposed of to the Vickers (armaments) family and a new company 'Siebe Gorman & Co. Ltd.' (1905-1998) was formed. Under the chairmanship of Albert Vickers, R.H. Davis was kept on as Managing Director, and the company forged ahead. However, after WW1, the Great Depression caused manufacturing output and share prices to slump. In 1924 Robert Davis made a deal with the Vickers Board and acquired control of the company through majority shares. Under his leadership, the Siebe Gorman Company flourished and within time, four of his sons also joined the firm. The company gained a worldwide reputation for the manufacture of diving apparatus, decompression and observation chambers, and safety breathing apparatus of all types for use on the land, in the air and under the sea (including mine rescue, tunnelling, aircraft, diving, submarine escape and in other hazardous environments). Close research and development links with the MOD (especially the Admiralty), also provided a lucrative outlet for the company products. In 1932, Robert Davis was knighted by King George V, principally for his invention of the ‘Davis Submerged Escape Apparatus’ (D.S.E.A.). Siebe Gorman essentially remained a family firm from the beginning (under A.Siebe) until it became a public company for the first time in 1952. However, following WW2, British manufacturing stagnated through stifled investment and post-war austerity, and there was little innovation. Siebe Gorman fortunes began to decline as an ageing Sir Robert Davis failed to invest, or change the company business and management practices. In 1959, Siebe Gorman was acquired by the “Fairy Group” and the ailing Sir Robert was made Life President. Consequently, nothing changed and the slow decline continued until Sir Robert's death in March 1965. Around 1960, Siebe Gorman acquired the diving apparatus manufacturer C E Heinke, and for a brief period, it manufactured some diving equipment under the combined name of Siebe Heinke. Around 1964, Mr E. 'Barry' Stephens was appointed as the new Managing Director to modernise Siebe Gorman. Changes were made, including a move to a new factory in Wales in 1975. The new company concentrated on fire-fighting breathing apparatus and escape equipment, and the move coincided with the loss of many of the older, traditional craft skills. Between 1985 and 1998, Siebe expanded through acquisitions, and several other companies were acquired. The Siebe Gorman (diving apparatus) company has therefore traded as A. Siebe (1819-1870); Siebe & Gorman (1870-1879); Siebe Gorman & Co (1880-1904); Siebe Gorman & Co. Ltd (1905-1998).The items are very significant as a snapshot into marine history and the development of diving equipment generally especially that used for salvage operations before and during WW2. The company that made the equipment was a leading inventor,developer and innovator of marine equipment with its early helmets and other items eagerly sought after today for collections around the world. The items in the Flagstaff Hill collection give us an insight as to how divers operated and the dangers they faced doing a very necessary and dangerous job.Diving suit including helmet, boots and a weight. Diving suit is made of canvas with knitted cuffs. The helmet is metal. The boots have a thick sole and thick leather upper that is held on with leather straps and buckles. The toe of the boot is heavy metal. The weight is worn next to the trunk of the diver and it has an inscription to mark the front. It is worn with straps and buckles holding it in place. Royal Navy Admiralty Pattern 6 bolt No 3 light Siebe Gorman light diving helmet circa 1960 used by the Royal Navy before and after World War 2"Siebe Gorman & Co Ltd Marine Engineers London. Patent" with "E G Ward" on front and back plate. On weight "FRONT"flagstaff hill, warrnambool, diving suit, siebe gorman and co ltd., siebe gorman and co ltd marine engineers london, marine engineers, diving helmet, diving boots, diving weight, marine diving, maritimemuseum, maritime village, maritime history, marine technology, life saving, deep sea diving

A small white paperback volume with a cover attached by yellow ribbon and covered by tissue paper. Its title is, 'A Bit o' Worn Khaki and other Poems,' by Fred P. Morris.' Above the title is an illustration of a woman sitting at her table with her cat and an open window beside her. Beneath the illustration are the words, 'They sent me home his Bible And a bit o' worn khaki.' Eaglehawk : F.P. Morris, Barrell Street. Melbourne : M.L. Hutchinson, 305-7 Little Collins Street. Bendigo : A.M. Drummond, Arcade Press. 52 p.Fred P. Morrispoetry, war, lydia chancellor, collection, war, poetry, war poetry, poems, literature, book, books

Worn piece of old trolley wire (330mm long) of 89mm2 (?) cad copper wire. Taken from an old wire joiner within depot to be used as a sample of worn wire for use in ceremony of new trolley wire hand over on 26/11/96, when Victorian Minister of Transport, Alan Brown handed over new Trolley wire (2km) to Museum. Not known where made - could be either UK or Australia. Images added 3-12-2016 See The Courier, p6, 27/11/1996, see Reg. Item No. 503.trolley wire, btm

This wedding dress and headpiece were worn by Emily Elizabeth (Betty) Cock (1907-2001) when she married Euston Murray Nutchey at St Andrew's Church, Brighton, on 28 April 1938. The bride's great-grandmother, Emily Cock (nee Smith), was married in the same church 69 years earlier; Emily's dress is also in the Brighton Historical Society collection. The dress was made by Melbourne dressmaker Beatrice Cook, with distinctive blue beaded panels worked by Betty's younger sister Margaret (1915-2006) to match the wedding's blue-and-pink colour scheme. The dress was accessorised with a pale blue tulle veil and a bouquet of blue hydrangeas, delphiniums and pale pink roses.Satin dress cut on the bias, originally ice-blue, now faded to cream. The dress features a long train and broad v-neck. The bodice and waist are softly ruched and gathered on either side of a finely beaded centre panel running from the neckline to the hem. The beadwork features a design of small cream-coloured leaves winding between large stylised blue flowers and leaves, all bordered with silver beads. Full-length sleeves are slightly puffed at the shoulder, narrowing to a close fit, with beaded cuffs matching the centre panel. The dress is accompanied by a matching blue, cream and silver beaded coronet or headpiece; this was originally worn with a pale blue tulle bridal veil.Label, woven mauve on beige silk, centre back: Beatrice Cookbetty cock, betty nutchey, emily elizabeth cock, emily elizabeth nutchey, euston murray nutchey, beatrice cook, wedding dress, st andrew's church brighton, 1930s, frances margaret cock, frances margaret ward

This photograph was taken by James Bray who worked as a professional photographer in Camp Street Beechworth from 1870-1891. He was one of four men who photographed the Kelly gang after the siege in Glenrowan in 1880. He is also renowned for his previous work photographing members of the Kelly gang. The photograph depicts pieces of the Kelly gang's armour crafted from plough mouldboards which are arranged on the ground. The exact relation of each piece of armour to the Kelly members was unclear for many years following the siege because the suits were disassembled without documentation and rearranged by guesswork. It was through photographs like this one, which depict the armour very soon after the siege that enabled researchers, in 2002, to reunite each of the suits with their correct pieces. This image is identified as a "Cabinet Portrait". This refers to a photograph mounted on a hard piece of cardboard. They are larger and thicker than the Carte de Visite and gradually replaced the latter in popularity after the 1860s. Identifying features of the Cabinet Portrait is on the front of the image which is generally embossed (or printed) with the details of the photographer. In the case of this image, James Bray is identified as photographer. The image is yellow in tone which compliments the gold coloured mount of the photograph. This photograph is part of the Burke Museum "Kelly album" which includes a significant collection of photographs and artefacts connected to Ned Kelly and the Kelly Gang. Ned Kelly and his gang have become ingrained in Australian popular culture and thus many museums, art galleries and private collections house material connected to the Kelly story which allows the events and people to be researched and interpreted. Artefacts and photographs pertaining to the Kelly gang are particularly valuable for Australian museums. This particular photograph is significant for its connection to Beechworth photographer James Bray who is responsible for many images depicting members of the Kelly gang. The photograph is also of artistic significance as an example of a Cabinet Portrait dating to 1880. This image was commissioned by the police shortly after the defeat of the Kelly gang at Glenrowan. The armour was collected and placed on the ground for photography. No care was taken to retain the correct grouping of the armour and therefore, the identity of each piece to the correct owner was unclear for many years. Photographs of the armour taken at the time, like this one, helped researchers to reconstruct the correct armour and identify which pieces belonged to which member of the Kelly gang which is significant for Australian history. This photograph has the capacity to provide important information about the construction of the armour used by the Kelly gang at Glenrowan and importantly dates to 1880.This photograph is a cabinet portrait commissioned by the police depicting the Kelly armour arranged on the ground at Glenrowan following the siege by Ned Kelly and the Kelly gang in 1880. The armour includes helmets, breastplates a rifle and the inner knitted helmet worn by Ned Kelly. kelly album