Dictionary of Australian Biography Vol 1 Author: Percival Serle Publisher: Angus & Robertson Date: 1949Label on spine cover with typed text 929 SER Pastedown front endpaper has sticker from Warrnambool Public Libraryflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, dictionary of australian biography vol 1, book, dictionary, biography, warrnambool public library

Red Cross International Concert Program for the contribution to the 1965 Red Cross Appeal, on Saturday, 6th March 1965 at Melbourne Town Hall at 8pm. Among the many performers was Slovenian folk music band BLED playing Slovenian polkas.Red Cross logo . . . A Combination of Personal Endeavour and Public Confidence in 104 Countries . . . Chaiman Mr M. Harrison, O.B.E., J.P.slovenian association melbourne, red cross international concert program, slovenian band bled

Light card cover with worn blue cloth backstrip, tearing at top and bottom. Widespread moisture, mildew and fungal staining throughout. Small patches of insect damage to cover. Poor conditionnon-fictionA descriptive atlas of the Eucalypts of Australia and the adjoining islandsbotany, eucalypts, australia

Bushfire perimeter rather than bushfire area is the main control problem for firefighters on the ground. A conundrum rapidly compounded by spot fires. A small 5 ha fire can be nearly 1 km around the perimeter. That's a long way to build a control line by hand in rough bush. Dry firefighting techniques by hand were mostly confined to “knocking down” or “beating out” the flames, as well as "digging out". Digging or raking a “mineral earth” trail down to bare dirt proved most effective in forest fuels which, unlike grass, tend to retain heat and smoulder. Early tools were whatever happened to be close at hand. They were simple and primitive and included shovels, slashers, axes, hoes, beaters and rakes. A cut branch to beat the flames was often the only thing available. Farming and logging tools, developed over centuries of manual labour, and readily available at local hardware stores came into use, but little thought was given to size, weight, and balance. This canvas hose beater was based on a century-old design which used lengths of canvas fire hose rivetted together and lashed with wire to a broom handle. The hose was be soaked in water to improve its effectiveness. If the flames were more than a metre or so the user was generally not able to get close enough to extinguish the fire It's recommend that users lift no more than above knee height to conserve energy and let the beater to the work. For years foresters experimented with combination tools. In about 1952 fire beaters and other implements were being replaced with Rakuts and later RakehoesEarly firefighting toolBushfire beater - Canvas with wooden handleR P PWD (Public Works Department) The handle has painted markings which indicate which FCV District it belonged to.bushfire, forests commission victoria (fcv)

This shop, in Main Street Rutherglen, near Poachers Paradise pub (originally the Rutherglen Hotel), was owned and operated as a barber shop by Jack O'Keefe. This photograph was taken in 1986. The couple in front of the building are probably Jack O'Keeffe and his wife. At present (2019) part of this shop is again operating as a hairdressers, as Jack and the Fox.Colour photograph of the front of a shop with a banner below the veranda identifying it as the Wine and Gold Country Museum. The building is located in Main Street Rutherglen next to the Poachers' Paradise Hotel. Below the banner is a shop sign "Hairdresser & Tobacconist" and another "Tourist Information". A man and woman are standing in front of the shop watering the plants. Above the veranda is another sign indicating that some part of the shop was once used as a billiard parlor.Writen on the back of the photo: "January 1986"jack okeefe, barbers, hairdressers

non-fictionThe Round was awarded Best Public Works Project over $5 millionthe round, city of whitehorse

This folder contains photographs, advertisements and a sample of a piece of blanket from the Warrnambool Woollen Mill. This mill was officially opened in South Warrnambool in 1910 following the establishment of a local public company. The first manager was John Bennett from Yorkshire, England. The operations of the mill expanded with new buildings enabling the business to double in size by 1915. In the 1940s the factory was employing 700 people. In 1968 the factory was sold to Dunlop Australia but was sold again in 1982 to Onkaparinga Woollen Company. In 1983 Mcquarie Worsteds took over the factory with the business then known as Warrnambool Textiles. In 2000 the mill closed and most of the buildings were later demolished for a housing estate. This item is an attractive and informative memento of one of Warrnambool’s most important businesses of the past. The Warrnambool Woollen Mill operated for 90 years and employed many local people. The photographs are of particular interest.This is a rectangular-shaped sheet of buff-coloured lightweight cardboard. It has been folded twice to create six pages in a folder. Three pages contain black and white photographs of the woollen mill operations and two pages contain advertising material with black and white images. One page has a cream blanket piece of material attached to the page by two staples and this has the brand name stitched onto the right hand corner This piece of blanket also has a paper guarantee card attached by staples. The Warrnambool Woollen Mill Co. Ltd. South Warrnambool The 100% Wool Warrnambool Super Blanket Made in Australia warrnambool woollen mill, history of warrnambool

Roadside buildings, formerly Doney's General Store. Doney's operated from the 1880s through to the late 1960s. It was situated at the head of the present day Research shops on Main Road near the corner of Raglan Road. By the 1960s it was under new ownership. The Store had a residence at the back. Signs promote The Herald and Sun newspapers, four 'n twenty pies, coca cola and more. A public phone box is in the front of the store. Beside the store is possibly an old farm building with more signs advertising honey, Streets, Tarax and a local bottle dump. Lyn Dodkins used to work in the Store after school.Digital file onlygeneral store, research (vic.), milkbar, lyn dodkins

This photograph shows Nicholson Street, Orbost with horse teams in front Of Borland's Blacksmith shop and Royce's Bakery net door in August 1897.This is a pictorial record of the main street of Orbost in the late 19th century.A black / white photograph of the main street of Orbost. The road is unsealed. There are several wooden buildings facing the road and a cart with a team of horses is standing outside the blacksmith's building. A small child is standing behind the cart and several men are outside the bakery.on front - Orbostnicholson-street-orbost orbost-township borlands-blacksmith royces-bakery main-street-orbost

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of three men dressed in suits, standing beside a corrugated iron building with a large stone building (perhaps a hall) in the background. The man on the left is Albert Jones and the man in the middle carrying a score and cornet is Frank Wright.Written in pencil on back - W.O. Albert Jones drum major, Frank Wright (Conductor), Ballarat S. M Band, Tanunda S.A., Oct 1930frank wright, conductor, cornet, albert jones, tanunda

Black and White Photo of the S.E.C. Victoria Building, Decorated for the Royal Visit in March 1954, Opening of the S.E.C. Building in 1941. Car parked to left in photo, and another angle parked to right of photo. Flag on roof flying a half mast.organization, public utility, electricity company, s.e.c. victoria, sec victoria

Black and white photograph of Ballarat 27 departing the City Terminus, corner of Sturt and Lydiard Sts. Tram has the a SEC, a SEC roof advertisement. Craigs Hotel and National Mutual building buildings in the background. Photo by John Murray, c1969.On rear, written in black ink "SECV Ballarat No. 27 / c1969 / 18/23"tramways, trams, city terminus, sturt st, tram 27

Seed Testing Station was operated by the Dept of Agriculture at Burnley but was not really used for teaching purposes 8 printed photographs from scans of slides of the Seed Testing Station. Views of the outside of the building and people working inside it. Taken by Gwen Vennell nee Easton soon after the building was opened and donated by her nephew Bruce Grant. seed testing station, gwen vennell ( easton), bruce grant

Miss Olive Codling was a Foundation Member and a Life Member of the Wodonga Historical Society. Many of her prize-winning photos are held in the Society Collection. She also held a range of roles and committee positions in a wide range of Wodonga community organisations. These included the Horticultural Society, the Wodonga Arts Council, the Wodonga Camera Club and the Wodonga Lapidary Club. This photo collection is significant as it documents how the businesses and buildings in Wodonga have evolved and contributed to community throughout the 20th century.Eastern side of High Street, Wodonga - High Street East - from Mahony’s to Finishing Touch. Other businesses include Riah Hairdresser, W.J. Buckpitt Solicitors, Aljoy Studio, Hotham Building Society, Security Permanent Building Societywodonga businesses, high st wodonga, aljoy studio, w. j. buckpitt

1 other photograph 10 x 16 archived.Black and white photograph showing view of entrance, dunes and Bullock Island, buildings and dunes at left, building and jetty and rock groynes on Bullock Island. Vessel near centre may be the Carpenter owned dredge the Wombat. Lakes Entrance Victoria jetties, dredges, waterways

Copies as follows|One Miniture postcard tinted 6.5 x 9|One Black and white copy 6.5 x 11|One Tinted copy 20 x 28|One Postcard 17 x 12Black and white postcard showing waterfront, some buildings along esplanade, no buildings on Myer St Hill. Footbridge across Cunninghame Arm completed to high tide mark, ramp constructed later, scrub in foreground. Lakes Entrance VictoriaThe Footbridge to Ocean Beach Lakes Entrancevegetation, bridges, waterways, township

COLOURED PHOTOGRAPH BRICK BUILDING WITH BLUESTONE FOUNDATIONS-IN STATE OF DISREPAIR. ROOF DOORS & WINDOWS MISSING, SMALL PILE OF BRICK RUBBLE AT FRONT DOOR.--BUILDING COULD BE REMAINS OF POWDER MAGAZINE NEAR BIRCH'S CREEK. BOXTHORN GROWING IN GUTTERING.local history, photography, photographs, mining, powder magazine

In the early 1980s the firm of Watson, James & Rogers merged with the partnership of Every & Every and became the iconic “Rogers & Every” as known today. The firm is still located on Bull Street. https://rogersevery.com.au/about/* Henry Hall consenting to creation of an easement between Bendigo and Eaglehawk Starr Bowkett Building Society of View Street and the City of Bendigo. Dated 1910. * Amendment of the Rules of the Bendigo and Eaglehawk Starr Bowkett Building Society. Dated March 1905.Signatureswatson james & rogers, bendigo, legal documents, rogers & every, bendigo and eaglehawk starr bowkett building society

This item is part of a larger collection donated to the Kew Historical Society by Anna French. The collection includes personal items from the donor's family, as well as items given to the donor and her mother by a family friend, Lucy Merritt (Jean) Hornby. The item is from that part of the collection inherited or assembled by Jean Hornby. The collection is significant given Jean Hornby's mother's descent from Robert Hornby (1854-1935) and Eva Merritt (1865-1959); her mother the chid of a family who settled in Kew in the 1850s, this providing a chain of provenance for items dating to the mid-nineteenth century, when her maternal forebears arrived in Melbourne. Other items represent Jean Hornby's contribution to her local and wider community.This 19th century photograph includes significant architectural details of an important hotel in Sunbury, Victoria. Additionally, it was taken by a local photographer - CHR Christianson - who operated the Sunbury [photographic] Studio. Silver albumen print, mounted on board, of the original Royal Hotel on the corner of Brook and Evans Streets, Sunbury, Victoria.The single-storey, rendered brick building with a corrugated galvanised iron roof includes a number of pieces of information that may assist in dating the photograph. The licensee's name above the door appears to be M.A. Williams. To the left of the door on the external wall is a painted sign: 'BILLIARDS". Another painted sign on the front of the building reads "ROYAL HOTEL [illegible] BILLIARDS." An attached building at right may be the residence of the licensee. Specific architectural features of the building include a corner doorway with a lamp above, three sash windows and a larger square lead-light window to the right of the doorway. The latter identifies the space behind as the "BAR". On the footpath in front of this building is a grill set into the footpath to enable deliveries to a cellar. At least four figures can be identified in the photograph: a woman in the doorway, a man to her right, leaning against the wall, and two other men at the right hand side of the building. Beyond the boundary of the building is a sloping footpath to a bluestone edged gutter. An elm [sic] within a protective, picketed surround is in front of the building. C.H.R. Christianson is identified on the reverse as the photographer. Reverse in pencil: Royal Hotel Billards Sunbury / CHR Christianson photographerroyal hotel -- sunbury (vic.), chr christianson -- photographer, hotels -- sunbury (vic.), recreation -- billiards