p.395.non-fictionA biography of George Washingtongeorge washington 1732-1799, presidents - united states - biography

Index, p.401.non-fictionA biography of George Washingtongeorge washington 1732-1799, presidents - united states - biography

Index, bib, ill, p.335.non-fictionA summary of the art treasures of the Vaticanart - italy - history, vatican - art

Ill, p.65non-fictionA history of the artistic endeavors of the van Eyck brothers dutch painters, art history - netherlands

Ill, p.408.non-fictionA history of the Royal Artillery during the Great Wargreat britain - army - royal artillery, world war 1914-1918 - regimental histories - great britain

Red Card Cover two thin white lines running vertically b/w drawing of two runners1877-1977 Stawell Easter Gift Centenary April 9-10 Offical Programme 40c Sponsored by General Moters- Holden'sstawell athletic sport

1. Jacket, Khaki Battle Dress - wool. Cloth Major's badge on epaulette. Royal Australian Corps of Transport cloth badges on shoulders. 2. Shirt, cotton polyester, short sleeved, two breast pockets. 3. Cap, Khaki, peaked. RACT Badge on front. 4. Tie, polyester, khaki with elastic neck band. 5. Lanyard, red and blue. 6. Whistle, metal.cmf, uniforms, passchendaele barracks trust

Hardcover book, 306 pages. Book has a blue cover.fictionmulvy ouseley, fiction

index, ill, maps, p.48.non-fictionA history of the 3'6" tramway from Barcaldine to Aramac in Far North Queensland.railroad construction - queensland - history, aramac tramway - queensland - history

history of McKillops Bridge over the Snowy River Soft cover book by Rhonda Coates detailing the history McKillops Bridge over the Snowy River bridges, civil engineering, road construction and maintenance, topography

The symbolic egg form at the heart of this design echoes the hope for recovery and new life, and for the rebirth of the land. The piece also references the conservation role of the park and in particular the role this park plays for the many birds that live and nest within. The 4 metre high egg form is made from recycled timbers and is designed to be tactile, organic and peaceful within the environment. (Objective A1455462)

Two small iron alloy container with underneath recessed and perforated to enable matches to be struck on it. Hinged lid/cover. Worn but can see some blue colouring on one and green on the other. Inside of one container the top of a Japanese hand seal.WAX VESTA on top. Other marking worn away.

Illustrated book. Front cover has a painting by Cynthia Breusch depicting two female figures carrying a container hanging from a pole on their shoulders. Behind them is a barbwire topped fence. The book title is printed over this painting in red and white ink. The author's name is printed in white below the title, and the publisher's mark is printed in black above the title. The Spine is cream in colour, with abbreviated title printed in red, author's surname and publishers mark printed in black. The back cover has a cream background, with quotes from two nurses and a summary of the book overprinted in blacknon-fictionExperiences of Australian Army nurses who were prisoners of the Japanese during World War twoworld war 1939-1945, australian army nurses, prisoners of war, military nursing, nurses

Brown cardboard box with sliding insert containing hypodermic needles. On the front of the box is a buff coloured manufacturer's label with rust coloured print. On the rear of the box is a white coloured manufacturer's label with rust coloured print. The box has a thin strip of rust coloured plastic all the way around it. The insert has allocation for six needles but there are only four present.Stamped in black ink on front of box: EXPLORING / 19 B.W.G. 3 INCH •Stamped into metal at flat of connector: ARNOLD / SShypodermic, needle, syringe, john bell & croydon, arnold & sons

In 'Me Me Dreaming', the series from which this painting comes, Richard Bell explores the relationship between self-identity and society, referencing Emily Kngwarreye’s art through an intentional beauty that encapsulates how collectivism inevitably leads to capitalism in our society. The series’ notable motif of layers “Me, Me, Me,” relates to ideas of self-obsession and consumerism. Bell further plays with perspective, transforming “Me” into “We” at certain angles, highlighting the importance of community alongside individual identity. Artist Bio Richard Bell (b. 1953, Charleville, Queensland) is a member of the Kamilaroi, Kooma, Jiman and Gurang Gurang communities. Bell grew out of a generation of Aboriginal activists and has remained committed to the politics of Aboriginal emancipation and self-determination. One of Australia’s most significant artists, Bell’s work explores the complex artistic and political problems of Western, colonial and Indigenous art production. In 2003, he was the recipient of the Telstra National Aboriginal Art Award, establishing him as an important Australian artistic figure. Bell is represented in most major National and State collections, and has exhibited in a number of solo exhibitions at important institutions in Australia and America. In 2013, he was included in the National Gallery of Canada’s largest show of International Indigenous art, Sakàhan, and at the Fifth Moscow Biennale of Contemporary Art. In 2014, Bell’s solo exhibition Embassy opened at the Perth Institute of Contemporary Arts, Perth. In 2015, Bell was a finalist in the Archibald Prize, presented a collaborative exhibition of new work with Emory Douglas at Milani Gallery, and exhibited his major work Embassy 2013-ongoing as part of Performa 15, New York City and the 16th Jakarta Biennale, curated by Charles Esche. Bell also premiered a body of new work as part of the Queensland Art Gallery/Gallery of Modern Art’s 8th Asia Pacific Triennial of Contemporary Art, Brisbane. In 2016, BELL invites… an exhibition of Bell and work by friends and collaborators opened at the Stedelijk Museum SMBA, Amsterdam. Bell also presented Embassy as part of the 20th Biennale of Sydney, curated by Stephanie Rosenthal, and premiered a new sculptural commission in Sonsbeek 2016 at the Dutch Art Institute in Arnhem, Netherlands. In 2017, EMBASSY travelled to e-Flux, New York City, in the Toxic Assets exhibition, and the Indigenous New York, Artists’ Perspectives program curated by Alan Michelson at the New School. In 2018, Bell won in the fourth iteration of the biennial painting award, The Gold Award. Bell lives and works in Brisbane, Australia.Contemporary Aboriginal Art

From Title Page; "Call Sign/ Vampire/ The inside story of an Australian Field Hospital during the Vietnam War".1. Hard cover book with dust cover. Hard cover - with red coloured Buckram. Dust cover - paper, red and black print on front, spine and back. Illustrated front, colour photograph of a helicopter, landing area and five Army personnel. Back - two personnel in operating theatre scene. 280 pages - cut, plain, white colour paper. Illustrated - colour and black and white photographs, documents and newspaper clippings. 2. Slipcase. Slipcover - cardboard box shape with red Buckram cover - Embossed red print on front and back edge. publications, books, medical, vietnam

Ill, maps, p.280non-fictionThis inside story of an Australian Field Hospital during the Vietnam War is told through a compilation of operational facts interspersed with the personal experiences of those who served and the patients who passed through the hospital doors, into their care.Call Sign VAMPIRE provides a window into the frenetic world of a military hospital in a war zone through evocative, sometimes confronting imagery. In this environment time was of the essence and life often hung in the balance.vietnam conflict - australian involvement, 1st australian field ambulance

The ship "Hereford" was stranded off Anglesea in 1881. The bell was in the possession of the Noble family of Anglesea since it came off the ship.Brass bell suspended in ornate hanger - four lugs in base to secure - now with wrought iron and chain bell pull bolted to top rail of hanger. Small repair to left-hand arm of hanger which partially obscures the emblem on the stem.Hereford 1869 [unidentified emblem on stem of hanger]noble, ship's bell, hereford

Details the history of Gulf Station Yarra Glen and the Bell family from their time of arrival in Victoria in 1839.Origins of a pioneering family with some links to Greensborough.Newspaper article on the Gulf Station Yarra Glen and the Bell family. Includes text and photograph of Ruth Crofts.gulf station, charles la trobe, william bell, ruth crofts, bell family, happy hollow

Alloy, made from a downed German Plane from WW2. RAF Benevolent Fundmiscellaneous, ww2, raf

Note by T.H. Kneen 20 February 1991, "Probably 1949 not long after occupation. Note frame housing bell from old Pavilion. It was later placed on building next to flag "tower." Until occupation of the building in 1949 the bell was used to signal lecture & work periods (on the hour.)" NB bell stolen in 2014.Black and white photograph. Newly constructed Administration Building. No planting around it.Main Building Burnleypavilion, bell, administration building, main building

Newspaper article from 1994 recording the history of the Bell family at Happy Hollow.Happy Hollow was built in the late 1840's about 4 km north of Greensborough on the Plenty River. The article informs us that the Bell family moved there in 1943 and lived without power or running water at that site until March 1994 when Betty moved out.A copy of a black and white article from The Age newspaper. Includes text and photograph of Betty Bell at Happy Hollow farm.Biro inscriptions in title and highlighting throuhgout..happy hollow, plenty river, bell family, betty bell, .

A super comet known as the 'Great September Comet' and renowned by some to be the brightest comet ever seen. Visible by the naked eye in the Southern skies in 1882. Depicts visual record of a local sighting by early settlers of a special astronomical event in the Daylesford area in the 1880's.A print of art work depicting a man and woman near their hut in forest clearing, looking up to comet in sky. Rectangular shape, sepia colour and adhered on card. On front bottom; THE COMET of 1882 as seen from Sailors Creek near Daylesford Sept 6 at 4.30am. On back; Donated by O.Bell Musk Vale written in ink. Olive Bell of Bells Reef Road family hist Mathew Bell written in pencil. At bottom written in ink; Seen at 4.30a.m Sept 6 1882astronomy, comets, daylesford, sailors creek, bell, bell family